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Majella Hamilton: Preserving City’s African American History

BIRMINGHAM TIMES — 

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Majella Hamilton (Photo by: birminghamtimes.com)

By Erica Wright

As an avid student of race and culture with a passion for telling stories, Majella Chube Hamilton wakes up and goes to sleep with a love for history. That’s why her work as executive director of the Ballard House Project Inc. is so important.

“We research, document, preserve, and share the information we uncover regarding the African American experience in Birmingham,” said Hamilton. “We host oral-history sessions, community conversations, and temporary exhibits, and we’re [also] working on permanent exhibits.”

The Ballard House Project Inc., part of the downtown Birmingham Civil Rights District, is a 501(c)(3) charitable organization dedicated to disseminating the history of the African American experience among children and adults within the community, across the state, and beyond.

The building, named after renowned Birmingham physician Edward H. Ballard, MD, was constructed in the first half of the 20th century as a medical office and residence for the doctor’s family; it is one of the few surviving live-work structures in the Magic City.

The Ballard home served as a meeting place for African American organizations barred from gathering in other areas of the city and hosted noted physicians, including Dodson Curry, MD, Herschell Hamilton, MD, and Ross Gardner, MD.

Hamilton and her team focus on and feature not only specifics about what happened in the Ballard House but also the innovative contributions, educators, business owners, and women who lived together and created amazing networks throughout Birmingham.

“We have some resources we’ve gathered that are part of our exhibits, some of which are from the early 1900s,” Hamilton said. “We have information we’ve been sharing about the African American experience in Birmingham, … what was going on here and what we think is important for the community to know.”

Shared Experiences

The Ballard House Project, which received its nonprofit status in 2010, began with community conversations, collective-memory sessions, and oral history.

“We have been working for more than 10 years to gather the shared experiences of [Birmingham’s] African American community. We started having community conversations and gatherings of individuals to learn about their shared experiences and also individual oral histories,” said Hamilton, who has long been interested in learning the back story of a particular initiative or why things are the way they are.

“I recognized early on that there were aspects of this community that had been marginalized, had been ignored, and we weren’t talking about it,” she said. “People talk about their culture and their families and their extended families and their neighborhoods, usually within their own circles. I felt through all of my community activism that some aspects were not being discussed and engaged.

“It’s important to uncover and discover rich, historical information not to dwell on the past but to connect what happened yesterday with what is currently happening in our community today,” Hamilton said.

“In order to move forward, we feel that we’ve got to reach back and find out about what happened in the past so we can empower each other,” she continued. “I’d like to see children, adults, all of us be empowered by this information. … I’d also like to make sure that this is the history of not just Birmingham’s African American communities but all of Birmingham’s communities, which are part of the history of this nation. It is universally important.”

Click to view slideshow.

“Culturally Rich”

Hamilton, who is in her early 50s, spent most of her childhood in Franklin, La., a small town outside of New Orleans. When she was 12 years old, her family moved to Gary, Ind.

“My childhood was culturally rich,” she said. “My parents were dedicated to the community in which they lived, and they worked all of their lives to uplift the small community we lived in. I have one brother and two sisters, and we all learned the importance of hard work, giving back to our communities, and using the opportunities we received in ways that would be beneficial for others.”

Both of Hamilton’s parents, O’Neal and Merion, were educators and community activists.

“They were Civil Rights activists in the sense that they broke down barriers in their community, as well as worked to unify their community,” she said. “[In Franklin], there is a street named after my dad and … a library named after my mom. In that community, my mother was the first African American librarian … and my dad was one of the first African American principals.”

When the family moved to Indiana, Hamilton’s parents were retired. They moved so her father could help his brother, who was a family physician, with his medical practice.

Hamilton finished high school in Gary and went on to Howard University in Washington, D.C., where she majored in public relations.

“I did several internships in that career and decided I wanted to stop after three years in school for a period of time to work in D.C.,” she said. “I started an internship and really liked it, so I was like, ‘Hey, this is cool. I want to do this.’ I decided to really get my feet wet and see if I really liked what I was doing. I worked for close to year and then I decided to finish my studies at DePaul University in Chicago, [Ill.]”

Hamilton earned a Bachelor of Arts degree in communications with an emphasis on public relations and journalism. While living in Chicago, she worked in several different fields and was engaged to be married to her college sweetheart, Herschell, who she met at Howard. The Hamiltons, who have been married since the early 1990s, have two children, Jillian and Herschell O’Neal, called Neal. Jillian is a Howard University graduate currently pursuing a PhD in psychology at the University of Oregon, and Neal is a student at Howard.

The Magic City

Hamilton accepted a position with Macy’s and took part in the company’s executive training program, which is how she ultimately landed in Birmingham. After living in Atlanta, Ga., she and her husband relocated to the Magic City, where Hamilton moved into a corporate position with the locally based Parisian department store chain (now known as Belk).

“Eventually, I became the public information director for the city of Birmingham and worked for Mayor Richard Arrington and his administration for a little more than five years,” she said. “In that role, I created and opened the Office of Public Information to inform, engage, and be responsive to the questions and needs residents had about their city.”

From there, Hamilton started her own strategic communications business.

“I did project management and worked on a number of different special projects, including editing magazines and conducting special-event initiatives,” she said. “[I also videotaped] projects, managing and coordinating … many that dealt with community, culture, and history.”

Hamilton put her business to the side for a time to work for Southern Living magazine, covering areas such as interior design and architecture. What she enjoyed most, however, was doing features that enabled her to chronicle the stories of prominent African Americans in society.

“I did stories on people like Children’s Defense Fund founder Marian Wright Edelman and the quilters of Gee’s Bend,” she said. “I also did a story on Haley Farms, the farm outside Knoxville, Tenn., that [“Roots” author] Alex Haley purchased prior to his death.”

During her magazine stint, Hamilton was also able to cover the African American experience: “I saw a gap was there,” she said. “[There were so many] individuals and aspects of our community that had contributed so much but not very many people knew about them, so that was an opportunity I loved.”

After leaving Southern Living, Hamilton returned to being a businessowner, establishing Enclave Communication Strategies, where she created strategic plans for projects in the community. She spent her free time on efforts designed to raise awareness about history, art, and culture, and along with her husband and others started working on the Ballard House Project.

“Quietly and methodically, we started to pull back the layers on the Ballard House and began stripping things away and restoring what was here,” said Hamilton, who is currently enrolled in a PhD program in history with an emphasis on race and culture at Howard University.

“We realized how important this aspect of history in the community is to the entire history of the area, so we started making plans to do what we’re doing now—telling those stories and highlighting the voices and experiences of the African American community in Birmingham.”

Talking Circles

This summer, the Ballard House Project started hosting a new series, entitled “Talking Circles: The Impact of Jim Crow Then and Now.”

“We cover every facet of the impact of Jim Crow, [including] culture, health, education, business, housing, voting, traumatic violence, and everything as it relates to race and the laws, customs, and ordinances [under] Jim Crow in Birmingham,” said Hamilton.

“We didn’t know exactly how we were going to focus on it, but it was a wonderful opportunity because we focus on dialogic engagement. Through dialogue [among those attending the Talking Circle], we were able to determine the specific topics or facets of community impact we wanted to focus on. We’re inviting different individuals and community leaders who have some expertise on the different topics … to lead this initiative.”

So far, there have been three Talking Circles at the Ballard House and other locations. They are held on the second and fourth Saturday of each month; starting in October, they will be held on the second and third Saturday of each month. Among the myriad topics discussed are genealogy, migration, and the African diaspora. At the next event, scheduled for October 12, Greg Townsend of the Jefferson County Department of Health will discuss the impact of Jim Crow on health and health care in the African American community.

Ongoing Restoration

Currently, the Ballard House Project is conducting a $1 million capital campaign to raise funds to restore the building.

“We want to fully restore the building,” Hamilton said. “[We’ve been making improvements] little by little throughout the years as needed, but we know full restoration of this building is critical. We also have already started on the development of a master community garden, which … will be in the lot next door. This plan also includes infrastructure for permanent exhibits, … [both] interior and exterior.”

In addition to the special events and Talking Circles series, the organization hosts community conversations and collaborates with other groups.

“We’ve hosted community conversations, … most of which are in different parts of the city, as well as sometimes here at the Ballard House and at several [local] libraries,” Hamilton said. “We’ve also hosted temporary exhibits, whether here or somewhere else, including one at the Taste of 4th Avenue Jazz Festival, where we’ve hosted exhibits [that enable] people to come learn more about their history.”

The Ballard House also does presentations at schools for students and adults.

“We want this to be a community initiative. That’s our focus,” Hamilton said. “We’re doing more than just unveiling what happened. This is a collaborative process with members of the community.”

This article originally appeared in The Birmingham Times.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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