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Kylie Jenner Accused of ‘Cultural Appropriation’ for Wearing Cornrows

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Kylie Jenner (Joel Ryan/Invision/AP Photo)

Kylie Jenner (Joel Ryan/Invision/AP Photo)

Kylie Jenner is being accused on Instagram of cultural appropriation for wearing cornrows in her hair. “Hunger Games” actress Amandla Stenberg called out the reality star via the social media site, writing: “Hen u appropriate black features and culture but fail to use ur position of power to help black Americans by directing attention towards ur wigs instead of police brutality or racism #whitegirlsdoitbetter.”

That message has caused a firestorm of controversy since Jenner posted the pic on Saturday, both for and against Jenner.

Justin Bieber told fans to back off his friend in a lengthy Instagram post, and singled out those who went so far as to call Jenner a racist.

“Guys leave her alone, we’re all trying to figure it out and she happens to be under a microscope,” he wrote. “I’m the first to know this. But saying she’s being racist because she wants her hair in braids is ridiculous. Let’s focus on the bigger picture and instead of fighting over something stupid let’s do something about equality, but it doesn’t start here blasting a 17 year old kid for wearing braids smh.”

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Black History

Joseph Bologne de Saint-Georges, The Black Mozart

Although the music played by trumpeter John Blanke and other Blacks of his time were fanfares, ballads, and song accompaniments, they still opened doors for those who would later perform concerto and symphonic forms. One would be Joseph Bologne de Saint-Georges (1745–1799).

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Joseph Bologne de Saint-Georges.  Photo courtesy of Wikimedia Commons as part of a project by the Metropolitan Museum of Art.
Joseph Bologne de Saint-Georges.  Photo courtesy of Wikimedia Commons as part of a project by the Metropolitan Museum of Art.

By Tamara Shiloh

Black classical music artists have been performing publicly for more than 500 years. England’s King Henry VII and King Henry VIII were entertained by trumpeter John Blanke, a Black court musician. According to researcher Earl Ofari Hutchinson, “the list of Africans, African Americans, and Afro European composers, conductors, instrumental performers, and singers is and has always been, rich, varied, and deep.”

But “sadly,” Hutchinson adds, “the recognition of this history has almost always come in relation to the work of a major European or white American composer.”

Although the music played by Blanke and other Blacks of his time were fanfares, ballads, and song accompaniments, they still opened doors for those who would later perform concerto and symphonic forms. One would be Joseph Bologne de Saint-Georges (1745–1799).

Saint-Georges, a classical music conductor, composer, musician, and military officer was born in Guadeloupe, an island in the West Indies. His mother, la belle Nanon, was a slave of African descent and his father, George de Bologne Saint-Georges, a wealthy colony planter from France who owned the plantation that was their home.

The family relocated to France when Joseph was about 10. There he was able to deepen his studies in classical music under tutors Jean-Marie Leclair (violin) and Francois-Joseph Gossecin (composition).

Joseph eventually worked with French fencing master Nicolas Texier de La Boessiere, who trained him to use the sword. A natural athlete, fencing was a skill that would later make Joseph internationally famous. He was also skilled as a swimmer, runner, ice skater, pistol shooter, dancer, and horseman. With one arm tied behind his back, he swam the Seine River during winter.

Paris’ Pre-Revolutionary period, he stood amongst the most important musicians being a composer, violinist, and conductor. He became music director of the private theater of the Marquise de Montesson. The conductor of the Le Concert des Amateurs orchestra chose Saint-Georges as first violin. He made his public debut as a soloist during the 1772–73 concert season, performing his own violin concertos.

It has been argued that Saint-Georges’ work demonstrated the influence of Wolfgang Amadeus Mozart. He was thereby dubbed “The Black Mozart.” However, history shows that Mozart did not come to Paris until 1778 to study at the Paris School of Composition while Saint-Georges was a member.

Saint-Georges produced 14 violin concertos and nine symphonies between 1773 and 1785. He wrote two solo violin compositions, two symphonies, three sonatas for violin and harpsichord, and 18 string quartets divided into three collections of six quartets in each. In 1777, he began to compose several operas for the Comedie-Italienne.

“It is no exaggeration or overstatement to say that classical music does owe a debt to the Black experience in classical music,” says Hutchinson, “And the goal is to show music lovers and readers how that debt continues to be paid in concert halls everywhere.”

Learn more about Saint-Georges and other Black composers of classical music, read “It’s Our Music Too: The Black Experience in Classical Music” by Earl Ofari Hutchinson.

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Bay Area

Bishop Bob Jackson Celebrates 38 Years at Acts Full

On May 5, Rev. W.R., “Smokie” Norful Jr. preached the sermon. Norful is an American gospel singer and pianist, best known for his 2002 album, “I Need You Now” and “Nothing Without You,” which won a Grammy at the 47th Annual Grammy Awards for Best Contemporary Soul Gospel Album in 2004.

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Bishop Bob Jackson, First Lady Barbara Jackson, Rev. Smokie Norful, Gospel recording artist, and Cathy D. Adams, president and CEO of the Oakland African American Chamber of Commerce.
Bishop Bob Jackson, First Lady Barbara Jackson, Rev. Smokie Norful, Gospel recording artist, and Cathy D. Adams, president and CEO of the Oakland African American Chamber of Commerce.

From May 4-6, 2022, hundreds of well-wishers came to celebrate with the senior pastor of Acts-Full Gospel Church of God in Christ, Bishop Robert (Bob) L. Jackson, as he marked 38 years of service. On May 5, Rev. W.R., “Smokie” Norful Jr. preached the sermon. Norful is an American gospel singer and pianist, best known for his 2002 album, “I Need You Now” and “Nothing Without You,” which won a Grammy at the 47th Annual Grammy Awards for Best Contemporary Soul Gospel Album in 2004. Norful received his second Grammy in 2015 at the 57th Annual Grammy awards for his song “No Greater Love,” 10 years after winning his first.

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Art

Marin Fair Competitive Exhibits Open for Entry

“We are thrilled to provide an array of online competitions for our community during our outdoor only 2022 Fair,” said Director of Cultural Services Gabriella Calicchio. “The Competitive Exhibits program is the heart and soul of the Fair and we’re excited to bring our talented community together again to participate.”

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Marin County Fair “So Happy Together!” returns June 30-July 4

Courtesy of Marin County

2022 Marin County Fair Poster depicting a variety of farm animals with the Marin County Civic Center and Marin Fairgrounds property in the background. San Rafael, California — With Marin County Fair’s June 30 opening day just around the corner, the Competitive Exhibits categories for the 2022 Fair are now available on the Fair’s website MarinFair.org.

The competitive exhibit program, which usually takes place indoors, will remain online for one more year and will include competitions such as fine art and photography, decorated cakes and cookies, wine and beer label design, clothing and textiles, cartoon art, exceptional art, poetry and creative writing, hobbies and crafts, and more. The Plein Air painting competition on the first day of the Fair will take place outdoors. The agriculture competitions will remain outdoors and will include poultry, rabbits, sheep dog trials, pocket pets, dog care and training, and small animal round robin showmanship, to name a few.

“We are thrilled to provide an array of online competitions for our community during our outdoor only 2022 Fair,” said Director of Cultural Services Gabriella Calicchio. “The Competitive Exhibits program is the heart and soul of the Fair and we’re excited to bring our talented community together again to participate.”

The full list of categories and entry guidelines is available online at MarinFair.org. Submissions will be accepted from May 6 to May 31 and winners will be announced online during Fair time.

The 2022 fair will also focus on outdoor entertainment including the headline concerts, performers roaming the grounds such as jugglers, unicyclists, and stilt walkers, and interactive art experiences for fans of all ages. Returning fair favorites will include traditional carnival rides, the Global Marketplace, the Barnyard, food and drinks, and fireworks every night over the Civic Center’s Lagoon Park.

Early bird tickets sold out within one day of release. Discounted Fair tickets are still available for adults and teens through June 29. The Fair is a one-price gate featuring 28 carnival rides, exciting exhibits, spectacular firework displays, first-rate concerts and exciting attractions are FREE with gate admission. Tickets are available online only at MarinFair.org.

Headline concerts will soon be announced, and reserved gold circle tickets will go on sale May 16. Reserved concert seating in a special section is $60 per person and includes Fair admission.

Special Admission Days:
Kids Day at the Fair – Thursday, June 30
Children 12 and under are FREE on Thursday, June 30.
Senior Day at the Fair – Thursday, June 30
Seniors 65+ are admitted FREE

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