National

Justice Dept.: No Federal Charges in Trayvon Martin Death

Published

11 years ago

February 25, 2015

This image provided by the Seminole County Sherif’s Office shows former neighborhood watch volunteer George Zimmerman after he was arrested Monday, Nov. 18, 2013, in Apopka, Fla. Authorities said they responded to a disturbance call at a house earlier in the day. (AP Photo/Seminole County Sheriff`s Office)

JENNIFER KAY, Associated Press
ERIC TUCKER, Associated Press

MIAMI (AP) — George Zimmerman, the former neighborhood watch volunteer who fatally shot Trayvon Martin in a 2012 confrontation with the teenager, will not face federal charges, the Justice Department said Tuesday.

The decision, announced in the waning days of Attorney General Eric Holder’s tenure, resolves a case that focused public attention on self-defense laws and became a flashpoint in the national conversation about race two years before the Ferguson, Missouri, police shooting.

Zimmerman has maintained that he acted in self-defense when he shot the 17-year-old Martin during a confrontation inside a gated community in Sanford, Florida, just outside Orlando. Martin, who was black, was unarmed when he was killed. Zimmerman identifies himself as Hispanic.

Once Zimmerman was acquitted of second-degree murder by a state jury in July 2013, Martin’s family turned to the federal investigation in final hopes that he would be held accountable for the shooting.

That probe focused on whether Zimmerman could be charged with a federal hate crime in the killing and whether he willfully deprived Martin of his civil rights, a difficult legal standard to meet. Federal investigators, who independently conducted dozens of interviews, ultimately determined there was insufficient evidence to prove Zimmerman killed the teenager on account of his race.

“Our decision not to pursue federal charges does not condone the shooting that resulted in the death of Trayvon Martin and is based solely on the high legal standard applicable to these cases,” Vanita Gupta, the Justice Department’s top civil rights lawyer, said in a statement announcing the decision.

Zimmerman’s attorney, Don West, was on a flight and couldn’t immediately comment on the decision. A call to Zimmerman’s cellphone went directly to voicemail.

Martin’s parents were too distraught after their meeting in Miami with Justice Department officials to speak with reporters, said their attorney Ben Crump, who called the decision a “bitter pill to swallow” even though it was expected.

“What they told his family and I was that because Trayvon wasn’t able to tell us his version of events, there was a lack of evidence to bring the charges. That’s the tragedy,” Crump said.

The February 2012 confrontation began after Zimmerman observed Martin while driving in his neighborhood. Zimmerman called police and got out of his car and approached Martin, who was returning from a store while visiting his father and his father’s fiancee at the same townhome complex where Zimmerman lived.

Prosecutors contended that Zimmerman was profiling Martin and perceived him as someone suspicious in the neighborhood; Zimmerman did not testify at his trial, but he earlier told investigators that he feared for his life as Martin straddled him and punched him during the fight.

Federal investigators said they examined the case under multiple civil-rights provisions, including ones that make it illegal to use force against someone based on their race and another that criminalizes race-based interference with a person’s federally protected housing rights. They said they conducted roughly 75 witness interviews, examined police reports and reviewed all of the evidence gathered during the state prosecution.

Tamara Rice Lave, a professor of the University of Miami’s School of Law, said the Justice Department conclusion was not surprising because there was no direct or circumstantial evidence that Zimmerman’s actions were motivated by race.

In a 911 call, as he followed Martin through their Sanford neighborhood, Zimmerman said the teenager “looks black.”

“But he doesn’t say the things that would make you think it was motivated by race,” Lave said. “He doesn’t call him the N-word.”

Black leaders in Sanford, where Martin was shot, also said they weren’t surprised by the decision.

“I was expecting this to happen,” said Turner Clayton, a former local leader of the NAACP.

The conclusion in the Zimmerman case comes even though Holder has made civil rights a cornerstone of his tenure. The Justice Department is moving to resolve a separate high-profile civil rights case: the August shooting by a Ferguson police officer of Michael Brown, an unarmed black 18-year-old. Holder has indicated that he plans to announce a decision in that case, which prompted weeks of protests, before he leaves the Justice Department in the coming weeks. In the Ferguson case, the Justice Department has been investigating whether the officer deprived Brown of his civil rights by using excessive force.

Days after Zimmerman was acquitted, Holder said he considered Martin’s death an “unnecessary shooting.” In a statement Tuesday, Holder echoed remarks he made in the shooting’s aftermath.

“Though a comprehensive investigation found that the high standard for a federal hate crime prosecution cannot be met under the circumstances here, this young man’s premature death necessitates that we continue the dialogue and be unafraid of confronting the issues and tensions his passing brought to the surface,” Holder said. “We, as a nation, must take concrete steps to ensure that such incidents do not occur in the future.”

___

Associated Press Writer Mike Schneider contributed to this report from Orlando, Fla.

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Oakland Post: Week of May 6 – 12, 2026

The printed Weekly Edition of the Oakland Post: Week of may 6 – 12, 2026

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4 days ago

May 10, 2026

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

2 weeks ago

May 3, 2026

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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2 weeks ago

May 3, 2026

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.