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I Do Not Believe you are a Racists

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At the Miami Democratic Presi­dential Debate, Kamala Harris questioned Joe Biden about his opposition to integrating the schools through court-ordered busing. Biden responded: “I did not oppose busing in America. What I op­posed is busing ordered by the Department of Education.” Af­ter the debate, Biden spoke at the Rainbow Push Convention in Chicago. He said, “I want to be absolutely clear about my record and position on ra­cial justice, including busing. I never, never, ever opposed vol­untary busing.”

As Harris noted in the de­bate, Biden is not a racist. He served the country well as a senator and as Barack Obama’s vice president. On this ques­tion, however, he has lined up with the opposing team.

In the struggle for civil rights, the stakes were clear. After the Civil War brought an end to slavery, the Reconstruc­tion — the effort to integrate the slave states of the South — was resisted widely, and rapidly brought to an end. The former slave states claimed to have state’s rights over laws concerning labor, voting rights, education, health care and civil rights. Under the banner of states’ rights, they enforced le­gal segregation — apartheid, stripping black citizens of their rights. Blacks were banned from restaurants and hotels. Schools were segregated. Vot­ing rights were suppressed. Blacks were forced to sit at the back of the bus.

In 1954 in Brown v. Board of Education, the Supreme Court ruled that segregation — specifically segregation of schools — violated the Con­stitution. Separate but equal was inherently unequal. They ordered communities to inte­grate their schools. Once again resistance was immediate and widespread. African Ameri­cans were forced to go to court to enforce their rights. One re­sult was court-ordered busing.

For Dr. King and the civil rights movement, the claim of states’ rights was always the segregationist dodge.

It took federal intervention to gain the right to public ac­commodations, to enforce the right to vote, to enforce desegregation of schools. To this day, federal intervention is vital, as Vice President Biden knows, to deal with the struc­tural racism of police forces, voting rights, racially motivat­ed hate crimes and more.

When Ronald Reagan opened his presidential cam­paign in Mississippi talking about states’ rights, everyone got the message. There were two sides of history and he was on the other side from those seeking equal justice for all.

As a senator, Biden initially supported busing. Then the white backlash grew. Racially separate communities in the North — often forged with red-lining and restrictive cov­enants that effectively segre­gated communities — started to get challenged in court.

The schools in Black com­munities were often more crowded, shabbier and less well-funded than those in the white suburbs. Communities resisted integration — and so courts began to order busing and redistricting to integrate schools.

Communities like Wilming­ton, Delaware faced the threat of court ordered integration, so the pressure on Biden grew to oppose busing. It was then that he called busing “asinine,” and voted with segregationists like Jesse Helms and Strom Thurmond on resolutions de­signed to prohibit the federal government — specifically the Department of Education -from enforcing court-ordered busing.

The problem wasn’t busing. Children are bused to school across America every day. The problem was where the bus was going.

As Matthew Delmont, au­thor of “Why Busing Failed: Race, Media, and the National Resistance to School Deseg­regation,” concluded, “De­scribing opposition to busing as something other than resis­tance to school desegregation was a move that obscured the histories of racial discrimina­tion and legal contexts for de­segregation orders.”

In 1975, Biden offered his own amendment to the edu­cation bill, mandating that no funds could be used to “assign teachers or students to schools … for reasons of race.”

When the Biden amend­ment passed, Massachusetts Republican Edward Brooke, the only African American in the Senate, called it the “great­est symbolic defeat for civil rights since 1964.” It was later stripped from the bill.

Court-ordered busing to in­tegrate schools has remained unpopular, and courts have retreated from enforcing it. Schools, particularly in the North, remain deeply segre­gated by race.

And too often, schools pop­ulated by people of color are still unequal — with fewer re­sources, dilapidated facilities and less prepared teachers than those in the suburbs.

Like Harris, I don’t believe Biden is a racist. But I do know that he was on the wrong side of history.

Invoking states’ rights or community choice is not a de­fense. It is an admission.

(You can write to the Rev. Jesse Jackson in care of this newspaper or by email at jj­ackson@rainbowpush.org. Follow him on Twitter @RevJ­Jackson.)

Rev. Jesse L. Jackson

Rev. Jesse L. Jackson

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Arts and Culture

COMMENTARY: Black Music is the Sound of Black Freedom: Let Us Reclaim Both This Juneteenth

Black Music Month started when Black Music Association members Ed Wright, Kenny Gamble and his wife, journalist and radio host Dyanna Williams were able to persuade President Jimmy Carter to establish the observation on June 7, 1979.

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Robert Johnson (1911-1938) is thought of as the godfather of blues music, especially Delta blues. The 29 songs recorded by him during his short life have been of massive inspiration to guitarists and musicians over the last 80 years. Public domain photo.
Robert Johnson (1911-1938) is thought of as the godfather of blues music, especially Delta blues. The 29 songs recorded by him during his short life have been of massive inspiration to guitarists and musicians over the last 80 years. Public domain photo.

By Wanda Ravernell

Black Music Month and Juneteenth are inextricably linked – Black music is the sound of our freedom.

From the plaintive moans of the enslaved Africans’ ‘sorrow songs,’ to the fields of Civil War battle where Black soldiers picked up abandoned bugles, to the upright piano played in juke joints on Saturday night and churches come Sunday morning, our ancestors’ innovation in the face of want, fear, degradation, and hopelessness has yielded genres of music imitated ’round the world.

Black Music Month started when Black Music Association members Ed Wright, Kenny Gamble and his wife, journalist and radio host Dyanna Williams were able to persuade President Jimmy Carter to establish the observation on June 7, 1979.

In 2000, Congress made it official. In 2009, Pres. Barack Obama changed the name to African American Music Heritage Month and in 2023, Pres. Joe Biden changed it back to Black Music Month, two years after he declared Juneteenth a national holiday, the result of a movement led by Opal Lee.

Our ancestors battle for freedom over these last 400 years and the music that allowed them expression of their humanity deserved to be honored.

But we may be losing sight of the value of their sacrifices.

‘Sing a Song Full of the Faith That the Dark past Has Taught Us…’

Along with the long-known exploitation of Black musicians whose recordings were stolen by record companies, the commercialization of Juneteenth feels like another kind of theft.

I had never heard of Juneteenth until I moved to the Bay Area from my hometown of Philadelphia. I didn’t know it was one of many freedom festivals celebrated by descendants of enslaved people in the United States.

Emancipation Day was Jan. 1 in Pennsylvania, April 16 in Wash., D.C., May 20 in Florida, and Aug. 8 in Kentucky. But Juneteenth, June 19, has the most renown, known in Texas as the ‘colored peoples’ Fourth of July.’

It was marked by parades, beauty pageants, rodeos, backyard barbecues and church picnics.

Yes, church.

The formerly enslaved began the day praying in thanks for their freedom just as they had prayed for Jubilee – the day of freedom – when they had chains on their feet and hands. They ‘testified’ about their past suffering and how they had managed to overcome.

And they sang.

Although, we will not hold it this year, Omnira Institute’s Juneteenth Ritual of Remembrance recalled this part of Juneteenth with prayers in the languages of the African captives. In the middle of the ceremony, a soloist would lead us in singing “Many Thousand Gone” while we took turns reciting portions of the Emancipation Proclamation, the news of freedom that took more than two years to reach Texas – two months after the Civil War ended.

“Many Thousand Gone” was famously recorded by Black luminary Paul Robeson in 1947:

“No more auction block for me,

No more, no more

No more auction black for me

Many thousand gone.”

Other verses refer to the ‘pint of salt’ and the ‘driver’s lash,’ the realities of enslavement that they had survived.

‘Sing a Song Full of the Hope That the Present has Brought Us’

All of the genres of African American music have at their root songs like that, the essence being, as Stevie Wonder, wrote, “the joy inside our pain.” So Black music is not just music. It is our story, our history, our very strength.

During the Civil Rights Movement, which peaked 100 years after slavery ended, the people testified that it was the freedom songs – based on spirituals – that gave them the heart to march, face attack dogs, fire hoses, beatings, and shootouts with vigilantes.

The music reminded them that power was in the people. That music, our music, can do so again. We don’t have to accept the commodification of the products of our culture.

The power of those songs is showing a resurgence across the South as we battle again for the right to self-determination through the ballot box.

Those songs are the voices of our ancestors, voices forged in their blood, their sweat, their tears, joy and, above all, faith.  Those songs, those prayers live in our blood and our very breath.

This Juneteenth, let us reclaim those holy voices expressed in Black music for ourselves. It is our birthright. It can neither be bought nor sold.  No more. Never again.

Wanda Ravernell is the executive director of Omnira Institute, sponsor for 18 years of the Juneteenth Ritual of Remembrance and Oakland’s 11th Annual Black-Eyed Pea Festival, which will take place on Sept. 12.

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Activism

Oakland Post: Week of June 3 – 9, 2026

The printed Weekly Edition of the Oakland Post: Week of June 3 – 9, 2026

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Oakland Post: Week of May 27 – June 2, 2026

The printed Weekly Edition of the Oakland Post: Week of May 27 – June 2, 2026

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