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Hurdles in ‘Suge’ Knight Case: Hesitant Witness, Fuzzy Video

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In this March 9, 2015 file photo, Marion "Suge" Knight, center, arrives in court for a hearing about evidence in his murder case, in Los Angeles. Knight will stand trial on murder and attempted-murder charges after the former rap music mogul struck two men with his pickup truck in January, killing one and seriously injuring the other. Superior Court Judge Ronald Coen made the ruling Thursday after concluding a hearing that focused heavily on testimony from Cle "Bone" Sloan, who was hit outside a Compton burger stand. The judge also reduced bail from $25 million to $10 million. (Kevork Djansezian/Pool Photo via AP, File)

In this March 9, 2015 file photo, Marion “Suge” Knight, center, arrives in court for a hearing about evidence in his murder case, in Los Angeles. Knight will stand trial on murder and attempted-murder charges after the former rap music mogul struck two men with his pickup truck in January, killing one and seriously injuring the other. Superior Court Judge Ronald Coen made the ruling Thursday after concluding a hearing that focused heavily on testimony from Cle “Bone” Sloan, who was hit outside a Compton burger stand. The judge also reduced bail from $25 million to $10 million. (Kevork Djansezian/Pool Photo via AP, File)

ANTHONY McCARTNEY, AP Entertainment Writer

LOS ANGELES (AP) — On paper, the evidence in the murder case against Marion “Suge” Knight looks strong: Prosecutors have a surviving witness, video of the former rap music mogul running over two men and Knight’s history of violence and intimidation.

But a hearing this week that ended with a judge ordering Knight to stand trial showed the difficulty prosecutors will face if they hope to convict the Death Row Records co-founder. The witness says he doesn’t want to testify and be labeled a “snitch” and won’t even identify Knight as the one who ran over him. The video is fuzzy and has elements that could help either side.

And Knight is not the only one involved with a shady past.

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THE WITNESSES

Cle “Bone” Sloan, the man who survived the crash, is a former gang member, and Knight has ties to the Mob Piru Bloods, a gang that helped him maintain a fearsome image during the heyday of Death Row Records. Experts say witness issues are common in prosecutions involving gang members.

Meanwhile, Knight’s defense attorney used the video to show that several men with gang affiliations hired by Sloan for work on the film “Straight Outta Compton” were at the scene, when they should have been several blocks away preparing to shoot a promo video.

Sloan made clear that he is a reluctant witness. Such behavior is common in cases involving gang members, in large part because testimony can mean physical harm or death for someone seen as a snitch.

“That is the hallmark of a gang case,” said Alan Jackson, a former Los Angeles prosecutor who has written guidelines used nationwide in gang prosecutions.

“Although it’s a very daunting situation to be confronted with, it’s one that can be overcome,” Jackson said. “It’s usually overcome by the prosecutor explaining to the jury through a gang expert what these rules of the street are.”

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THE VIDEO

Footage of Knight running over Sloan and Terry Carter, who died, could be used by both sides.

While the video shows Knight’s truck barreling over Carter, it offers a limited view of the scene. Knight’s attorney, Matt Fletcher, has contended that Sloan was carrying a gun — the video shows one of Sloan’s associates taking something off him after he was hit.

A prosecutor implied at this week’s hearing that it could have been a radio used by Sloan during the film shoot. Fletcher said Thursday that testimony ruled out that it was a radio, cellphone or wallet.

“We eliminated all the possibilities but the last remaining possibility, which is the gun,” Fletcher said.

Stan Goldman, a criminal law professor at Loyola Law School in Los Angeles, said, “You never quite know what’s going to happen with a video.”

He noted that defense lawyers slowed down and painstakingly analyzed footage of Los Angeles police beating motorist Rodney King, successfully winning acquittal of the officers in a state criminal trial. Convictions against two of the officers were later obtained through a separate federal case.

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A SHADY PAST

Knight, 49, was a key player in the gangster rap scene that flourished in the 1990s, and his label once listed Dr. Dre, Tupac Shakur and Snoop Dogg among its artists. Knight lost control of the company after it was forced into bankruptcy.

He has prior felony convictions for armed robbery and assault with a gun. He pleaded no contest in 1995 and was sentenced to five years’ probation for assaulting two rap entertainers at a Hollywood recording studio in 1992.

For his part in perhaps the most infamous violence associated with rap music in the 1990s, Knight was sentenced to prison in February 1997 for violating terms of that probation by taking part in a fight at a Las Vegas hotel hours before Shakur was fatally wounded in a drive-by attack as he rode in Knight’s near the Strip. Shakur’s slaying remains unsolved.

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KNIGHT’S DEFENSE

Fletcher has repeatedly said that his client’s life was in danger when he was attacked by Sloan.

“There’s no intent to kill,” Fletcher said, arguing to dismiss the case. “There’s an intent to survive.”

Knight’s fiancee also provided a preview of a self-defense claim that may be raised.

“He heard them verbally saying that they were going to shoot him,” Toi Kelly said of Knight. “And not to shoot him in the truck, to pull him out of the vehicle and shoot him.”

___

Associated Press writers Brian Melley and Raquel Maria Dillon contributed to this report.

___

Anthony McCartney can be reached at http://twitter.com/mccartneyAP

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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Activism

Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996.

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‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.
‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.

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Alameda County

Black History Events in the East Bay

What began as Negro History Week in 1926 by author and journalist Carter G. Woodson as a way to celebrate the achievements of African Americans, the observance is now a month-long event

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The Oakland Black Cowboys Association will hold an event to teach children the love of riding at Fairyland on Feb. 14. Here, a member of the OBCA high-fives a young rider at an event in 2021. Facebook photo.
The Oakland Black Cowboys Association will hold an event to teach children the love of riding at Fairyland on Feb. 14. Here, a member of the OBCA high-fives a young rider at an event in 2021. Facebook photo.

By Post Staff

What began as Negro History Week in 1926 by author and journalist Carter G. Woodson as a way to celebrate the achievements of African Americans, the observance is now a month-long event, and nearly every day in the Bay Area, there is somewhere to honor the ancestors, our living thought leaders, artists, and activists, and prepare children for the future. Below are just a few places to go.

Lunar New Year X Black History Month 2026: Celebrating Asian & African American Solidarity

Now in its fourth year, the Oakland Asian Cultural Center rolls out its biggest event, featuring lion dancers, drummers, performers, arts & crafts, a Kids + Teens Zone curated by Storyland Collective, a marketplace of local artisans, and free admission for all ages! This event is part of OACC’s ongoing Open E.A.R.S. for Change initiative, launched in 2020 to build stronger relationships between local APIA and Black communities. SambaFunk closes out the day at 3:15 and the Bantaba Drum Call and Comrade Lover Lion Dancers perform shortly after story time for young children at noon. Register for free tickets. https://oacc.liveimpact.org/li/8737/sevent/evt/home/294475/69

Oakland Asian Cultural Center
388 Ninth St. Suite 290
Oakland, CA
Feb. 7, 11 a.m.- 4 p.m.

DIY: Black Culture Bookmark Making

Go to the Golden Gate Branch of the Oakland Public Library for small-scale collaging at this Black-themed make-your-own-bookmarks session.

Bring: Your vision, creativity, and, if you like, wallet-sized photos or images of your favorite Black heroes or family members.

We’ll supply the cardstock paper, African diaspora designs, artwork, images, lettering, glue, scissors, and laminating. This session is suitable for adults and seniors.

Golden Gate Library
5609 San Pablo Ave.
Oakland, CA,
Feb. 11, 5:30-7 p.m.

Oakland Black Cowboy Association Shares Love of the Ride

Celebrate the history, culture, and living legacy of Black cowboys at the Black Cowboy Academy. It will be an interactive day of lasso lessons, pony grooming with real live ponies, and meet and greets with actual cowboys! Fairyland joins hands and hearts with the Oakland Black Cowboy Association and the Metropolitan Horsemen’s Association this Valentine’s Day for an immersive event of learning and love. Included with general admission.

Children’s Fairyland
699 Bellevue Ave.
Sat., Feb. 14, 10 a.m.- 1 p.m.

Love Stories for Black History Month

At the Berkeley Public Library, a children’s book fair “Valentine to Black Stories” will feature some of your favorite Black authors of children’s books!

Come celebrate love, Black authors, and Black stories at this special children’s book fair. They will have free books, crafts and special presentations from Bay Area Black authors.Festivities will feature a collage workshop led by Oakland artist  Chanel London of Hella Artsy. Participants will be invited to make collage portraits inspired by artist Derrick Barnes.

Berkeley Central Public Library
2090 Kittredge St. Berkeley, CA
Sat. Feb. 14, 1- 4 p.m.

The Black Child Book Fair (BCBF) from Chicago to Oakland, CA- Book Signing Event

BCBF began in Chicago in 2009 through the vision and experience of author and poet Darryl Harvey. Harvey’s vision brings extraordinary children’s book authors together to close the great need for black representation in children’s books. Engage with authors, participate in story time and fun activities.

Oakland African American Museum and Library
859 14th St., Oakland CA
Sat. Feb. 21, 12-5 p.m.

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