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How Black WNBA Players Became Collateral Damage in the Caitlin Clark Culture War

AFRO-AMERICAN – WASHINGTON — Caitlin Clark, a WNBA player, has been weaponized against Black women, leading to federal government involvement. A letter signed by 11 Republican lawmakers, led by Texas Rep. August Pfluger, was sent to WNBA Commissioner Cathy Engelbert, threatening a Department of Justice investigation into the league due to concerns that fouls against Clark “may be racially motivated.

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How Black WNBA Players Became Collateral Damage in the Caitlin Clark Culture War

(Black Press USA Newswire) – Caitlin Clark is more than a WNBA player; she has become a tool of weaponization against Black women. And now the federal government is involved.

Led by Texas Rep. August Pfluger, 11 Republican lawmakers signed a letter to WNBA Commissioner Cathy Engelbert, threatening to have the Department of Justice investigate the league because fouls against Clark “may be racially motivated.”

“As Commissioner, you have an obligation to ensure that every player competes in a safe and professional environment, both on and off the court, free from violence, discrimination, or retaliation. If discrimination or retaliation is occurring and creating a hostile work environment, we support any appropriate investigation by the Department of Justice, the Department of Labor, or the Equal Employment Opportunity Commission. If true, such conduct could constitute violations of federal civil rights laws,” the letter stated.

The letter creates a false narrative and is irresponsible and dangerous.

Stephanie Christmas, a former women’s basketball player at Georgia Southern University, has remained a WNBA fan since its inaugural season in 1997. Christmas has never seen politicians use their platforms to sway the league’s direction.

“If you want only one player to play the game, that’s not basketball anymore,” Christmas shared. “I don’t think that they should be putting any legislation in place. They are making it worse for the players and the WNBA game.” ​

The people who are using Clark as a tool couldn’t care less about what occurs in between the lines of a basketball court. Statistically, Clark is a decent shooter and above-average passer, but she lacks offensive efficiency and is a liability on defense. Her most staunch defenders are not basketball enthusiasts; instead, they view Clark as a symbol to further their hatred for Black women.

Every moment of discomfort Clark appears to face on the court becomes an opportunity for her supporters to unleash vile and racist language against the alleged perpetrator. If Clark is fouled hard, engages in trash talk with an opponent, or receives what she views as an unfair call by a referee, her defenders are incited to unleash their wrath. ​

During a tightly contested match between Clark’s Indiana Fever and Phoenix Mercury in June, the Mercury’s Alyssa Thomas and Clark were on the court battling for a loose ball. Thomas’ arm briefly pressed against Clark’s neck during the scramble, but no foul was called. Following the game, Thomas was issued a flagrant one and suspended for one game by WNBA officials. The play triggered Clark’s supporters, and they aimed racial slurs and death threats at Thomas. Thomas responded by calling out WNBA commissioner Engelbert for not protecting athletes in the league.

“We still have yet to hear anything from Cathy. It’s no surprise,” Thomas shared in a press conference after her suspension. “You can see ​what’s being said on social media. It’s unfortunate, but as ​usual, she remains silent. That’s unfortunate when our lives are being threatened.”

It was only after Thomas’ statement that Engelbert responded to the threats sparked by Clark’s supporters.

“The WNBA vehemently condemns any and ​all forms of hate,” Engelbert said in a statement. “The safety ​and well-being of everyone in our community is always the league’s top priority. We ‌are aware of Alyssa Thomas’ comments, and what she and her teammates have experienced is completely unacceptable and not representative of the WNBA community.”

Weeks later, Chelsea Gray of the Las Vegas Aces faced racial animus following a simple foul call that went against Clark. While driving to the basket, Gray was fouled on the arm by Clark, who collapsed to the ground and held her stomach as if she was in pain. Clark yelled at the referee, claiming that Gray had hit her, but video replay proved that Gray never initiated contact with Clark.

But an otherwise normal basketball play led to Gray enduring racial slurs and harassment. Following the game, Gray reposted a screenshot on Instagram of a man using a racial slur against her, and she wrote, “People act like we make this s— up.” ​

The post went viral, and the man, who worked for Hilton Grand Vacations, was fired within days.

Gray responded to the ordeal in a press conference, revealing that she and other WNBA players have faced ongoing harassment.

“Enough is kind of enough,” Gray said. “These messages are not the first time. It’s not. There was other stuff, too. I just decided to share that one. This time I got fed up with it, and I just decided to share it. And maybe I don’t share the other ones, but I know people will think twice.”

Clark never asked to become a symbol for those who aim hatred at Black women, but is she doing enough to distance herself from the position?​

She issued a statement after hearing of the harassment Thomas experienced. “The harassment, the hate. None of that is OK,” Clark said. “There should never be a question of character, as I’ve always stood up here and said that, and that’s truly what I believe; that’s how I was raised. So, none of that is okay, and I don’t want anyone to experience that.” ​

It’s similar to another statement Clark made in 2025 after Angel Reese faced racial slurs while playing against the Fever in Indianapolis. “There’s no place for that in our game, there’s no place for that in society,” Clark said. “Certainly, we want every person who comes into our arena, whether player or fan, to have a great experience. I appreciate the league doing that. I appreciate that the Fever organization has been at the forefront of that.”

A competitive moment between Clark and Reese during the 2023 NCAA Championship game sparked a cultural division that followed both players to the WNBA. Their star power has coincided with the league’s recent emergence, but the overall success continues to be marred by the divisiveness initiated by Clark’s supporters. ​

“I would like for to have addressed her fans,” Christmas said. “Her fans are making threats, and they’re making racist comments. And it’s only racial coming from her fans. They don’t even really love the game. They just love her and then try to make it about race. At some point. I would like to see her stand against her fans when she sees them attacking some people that are on the court.”

Beyond her polarizing fanbase, Clark has also been accused of presenting herself as a victim and throwing tantrums on the court when things don’t go her way. During a recent game against the Golden State Valkyries, Clark used her hand to create distance while driving for a layup against the Valkyries’ Kiah Stokes. Clark fell to the ground after the layup and began berating referee Gerda Gatling while yelling, “Give me a f—-g call! I got fouled five times!” Replay video revealed that Stokes initiated no contact, and Gatling showed restraint by not giving Clark a technical foul.

The clip of Clark’s tantrum went viral, and she faced backlash online for her negative attitude.

“Caitlin Clark is a liar and the most dangerous type of white woman,” @mama4obama wrote on X. “One whose lies get Black women death threats. She wasn’t even touched and should have been thrown out of the game for the way she behaved toward the ref.”

“The Caitlin Clark experience serves as a microcosm of America’s divided socio-political atmosphere.”

The Caitlin Clark experience serves as a microcosm of America’s divided socio-political atmosphere. She has been chosen as a figurehead for hatred and division while her Black colleagues on the court remain prime targets.

It’s become an inescapable stain for a league that fought for years to garner interest and respect.

The opinions expressed in this commentary are those of the writer and not necessarily those of the AFRO.

The post How Black WNBA players became collateral damage in the Caitlin Clark culture war appeared first on AFRO American Newspapers.

Based on reporting by Afro-American – Washington.



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Oakland Post: Week of September 2 – 8, 2026

The printed Weekly Edition of the Oakland Post: Week of September 2 – 8, 2026

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Black History

Jackie Wright Champions Bay Area Stories, Filmmakers and Cultural Institutions

As an award-winning communications professional, Wright has worked with corporations, nonprofits, government agencies, educational institutions, artists, and community organizations. In 2026, she expanded that work by launching an introductory public relations class for small businesses and nonprofits, offering practical tools for gaining visibility, shaping messages and building productive relationships with the media.

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Jackie Wright of Wright Enterprises. Photo courtesy of Wright Enterprises.

Jackie Wright has spent more than two decades helping people, organizations and communities understand the power of a well-told story.

As founder and president of Wright Enterprises, a San Francisco-based strategic communications and public affairs firm, Wright has built a career spanning journalism, public relations, media relations, crisis communications, community engagement and multimedia storytelling. 

As an award-winning communications professional, Wright has worked with corporations, nonprofits, government agencies, educational institutions, artists, and community organizations. In 2026, she expanded that work by launching an introductory public relations class for small businesses and nonprofits, offering practical tools for gaining visibility, shaping messages and building productive relationships with the media.

Wright’s commitment to storytelling is also deeply personal. She wrote and co-directed the 15-minute documentary, “Love Separated in Life…Love Reunited in Honor,” which chronicles the story of her parents, Specialist Five (S5 Wyley Wright Jr. and Ouida Fay McClendon Wright. Her father, a U.S. Army helicopter crew chief, died in Vietnam in 1964 while serving as an honor guard during a visit by then-Secretary of Defense Robert McNamara. Decades later, Wright and her siblings had their father exhumed from a segregated cemetery in Jacksonville, Florida, and their mother moved from her burial place in Georgia so the couple could be reunited at Arlington National Cemetery in 2014.

The family journey later took Wright and her sister to Vietnam, where they discovered the former military compound that had been named in honor of their father and another fallen soldier. The documentary, centered on love, war, family, racial understanding, and remembrance, earned festival recognition at screenings.

“It was quite an honor to learn about my family’s history and share it on film,” said Wright.

That filmmaking experience complements Wright’s longstanding advocacy for independent cinema. She has served as a media partner and brand ambassador for Bay Area film festivals, including the San Francisco Black Film Festival, Oakland International Film Festival, and the Durban International Film Festival in South Africa.

“It’s important to help filmmakers and underrepresented stories reach broader audiences,” said Wright.

Whether promoting a neighborhood organization, championing an independent filmmaker or preserving her own family history, Wright has remained consistent. Through Wright Enterprises, she has turned communications into both a profession and a form of community service, telling stories that might otherwise go unheard. 

“Our stories are an integral part of our history, and our history is not only American history, but worldwide,” she said.

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Black History

BOOK REVIEW: Every Inch of a Lady

“Born, bred, toasted, buttered, jellied, and honeyed in Harlem” in 1937, Audrey Smaltz was a force to be reckoned with almost from the time she could walk. Her parents imbued confidence in her; they nurtured her creativity and sent her to charm school, but they never allowed her to create a stir.

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Audrey Smaltz' latest book "Every Inch a Lady" with Alina Mitchell, is a colorful autobiographical story following a young Black model's pursuit to become a fashion designer in New York City during the pre-Civil Rights era.

Author: Audrey Smaltz with Alina Mitchell, foreword by Michael Kors, Copyright: c.2026, Publisher: Amistad, SRP: $27.99, Page Count: 256 Pages, Snaps, zippers, buttons, ties.

Toss that garment on, pull it up, wrap it around; you know what you like and how to wear it. The color is perfect for your skin tone, and the fabric enhances your figure. Yep, you always look your best and, as in the new book “Every Inch a Lady” by Audrey Smaltz (with Alina Mitchell), that best is fabulous.

“Born, bred, toasted, buttered, jellied, and honeyed in Harlem” in 1937, Audrey Smaltz was a force to be reckoned with almost from the time she could walk. Her parents imbued confidence in her; they nurtured her creativity and sent her to charm school, but they never allowed her to create a stir.

“That,” says Smaltz, “is not what ladies did.”

By the time she was a teenager, Smaltz was modeling for New York City designers. Shortly thereafter, she started working for a married man with whom she had an affair, and whom she loved very much. She broke up with him, attended college, and worked a series of jobs that taught her about fashion and jobs that didn’t seem to fit her. An ill-fated marriage took her to Chicago, where she ultimately landed a position that sent her to work in Ebony magazine’s New York office.

Working at Ebony was a career-changer, in a way. Smaltz traveled the world and learned more about fashion, but she didn’t exactly get along with her boss.

Finally, seizing an opportunity, Smaltz decided to launch her own company, Audrey Smaltz, Inc., a “fashion production business,” but she couldn’t get any designers to take a chance on her. Undaunted, she reorganized, re-branded, hit the streets, and knocked on doors until she finally found one client, which led to many others.

Through it all, her personal life was a whirlwind. She dated “more men than you can shake a book at,” settling down occasionally, briefly. Fashion had always been her first love, but she accidentally found real love, “the love of a woman,” at a leadership course…

There’s an old saying that writers need to add lots of “color” into their stories. Read a little of “Every Inch a Lady,” and you’ll notice immediately that author Audrey Smaltz (with Alina Mitchell) quite literally takes that to heart by mentioning nearly every color of the spectrum here. Hmm.

That oddity aside, Smaltz is a wonderfully lively storyteller, speaking with the energy of a woman much younger to the heart of anyone who loves fashion. That glee extends to collectors of vintage clothing, who will be delighted to read about the industry long ago and the way things worked then. Smaltz says she experienced racism, which is not unusual for pre-Civil Rights America, but doors were surprisingly closed for other reasons that will astound anyone who’s savvy about the fashion industry, even today.

There’s quite a bit of name-dropping in this book, but most of it belongs in the anecdotes, so you likely won’t mind. If you’re a fashionista, too, find “Every Inch a Lady,” and snap it up.

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