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FunkJazz Kafé Arts & Music Festival celebrates 25 years at Atlanta’s historic Tabernacle

ATLANTA VOICE —

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By Martel Sharpe

With its 25th anniversary on the horizon, Atlanta’s FunkJazz Kafé Arts & Music Festival is celebrating a quarter-of-a-century of artistic Black culture on Saturday, August 10 at The Tabernacle.

Just as vibrate as its creator and curator, Jason Orr, FunkJazz Kafé has survived throughout the years with 49 events under its belt, making its 25th anniversary the 50th.

“Essentially, FunkJazz Kafé Arts & Music Festival is about cultural prevention, cultural sustainability, cultural education, and cultural innovation,” Orr said. “We focus on various artistic disciplines as opposed to music performances. We are not a concert.”

“We just happen to have a cache of exceptional talent.”

Though FunkJazz Kafé is more than just a typical music festival, the event procured a host of iconic artists over the years including Goodie Mob, Outkast, Janelle Monae, Arrested Development, Soul II Soul, Jill Scott, Cee Lo Green, Erykah Badu, India Arie, Public Enemy, and more.

“We want to preserve the legacy of Black excellence in every artform whether its culinary arts or fashion pattern designing. We want to sustain those cultures and not let people take it from us as they have in the past, and we want to innovate upon it. Innovate upon these cultural legacies and educate the generations behind us about it,” Orr said.

The 48-year-old Atlanta native started FunkJazz Kafé Arts & Music Festival back in 1994 with its inaugural event taking place at Atlanta’s historic Royal Peacock on Auburn Avenue.

“It was awesome,” Orr said. “We had multiple vendors. We had great performances from Arrested Development, who in 94’ was like Anderson Paak. Then there was also Bone Cusher and leaders of the New School.”

According to Orr, what he has turned into a 25-year legacy started with a typical day for him, while working for the City of Atlanta at the time and managing a band.

“I got into the Royal Peacock because the guy gave it to me for free,” Orr said. “I was a tax collector for the City of Atlanta and the guy came in to pay his taxes, and he said, ‘I own this club you should come check it out.’”

“I wanted to create something that highlights other artists and musician. I knew a lot of fashion designers, I knew a lot of visual artists. People who did sculptures, people who did water-based paintings, people who did acrylic paintings, people who did pottery and handcrafted jewelry.”

As FunkJazz Kafé continued to grow, the mission stayed the same even though the venues changed.

Orr says that, in the past, the festival set up shop in some of Atlanta’s most notable locations including The Science & Technology Museum of Atlanta (SciTrek) which closed in 2004, Atlanta Stage Works which is now Krog Street Market, Nexus Contemporary Art Gallery which is now Atlanta Contemporary Art Gallery, the Nike Pavilion and World Club which was on Marietta Street.

“I would make venues,” Orr said, “It didn’t even have to be a venue, long as they had bathrooms and were approved for food and beverage, and fire permits, we were good.”

However, returning to The Tabernacle for its 25th anniversary is special for FunkJazz Kafé since it was the first event that ever took place within that space.

“We opened The Tabernacle in 1996 as it was the House of Blues,” Orr said. “FunkJazz Kafé did a partnership with Dallas Austin’s Rowdy Records. And we did the first event in what is now called The Tabernacle.”

Since then, FunkJazz Kafe has expanded, further tackle its mission to preserve Black culture and innovation through its award-winning film, “FunkJazz Kafe’s” Diary of A Decade” and producing the FJK Documentary Film Festival & Music Conference.

Beyond celebrating the arts, Orr also mandated that the festival would have a civic service initiative, creating a positive impact in the community.

“At the first one, we started our civic service initiative,” Orr said. “We were taking food donations for the homeless for a reduced price. It was $12 to get and we would take $5 off if you brought a canned good.”

“We kept that tradition and all the way up to today we’ve donated almost a million plates of food, (approximately) 900,030.”

However, Orr says that he plans to top himself this year with the 25th anniversary featuring various suites to festival-goers to enjoy.

These suites will feature various art forms including poetry, health and wellness, fashion, and different genres of music.

He’s very excited about the “House Party” suite which will simulate a 1980s house party and will change its music every 15 minutes to all people to enjoy hip-hop, reggae, afrobeat, house music, and more.

Additionally, the festival will have a vegan food court and up to 40 vendors participating in its marketplace.

And though it’s FunkJazz Kafé’s tradition to keep its roster of musical guests a secret until the day of, Orr says that he has a lot of great performers lined up and ready to go.

“We’re going to introduce new people that some people don’t know and we’re going to celebrate with some of our musical icons,” Orr said.

This article originally appeared in The Atlanta Voice.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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