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FILM: From Borderlands to Megalopolis: A Sneak Peek At 2024’s Biggest Films
CINCINNATI HERALD — The pressure is on for the 2024 box office to restore Hollywood to financial stability after the combined challenges of the pandemic and the fight to give its workers fair wages. The first four months of 2024 are fairly sparse on new releases, in large part because prolonged labor negotiations set timelines back for films scheduled in the early part of the year.
The post FILM: From Borderlands to Megalopolis: A Sneak Peek At 2024’s Biggest Films first appeared on BlackPressUSA.
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2 years agoon
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By Sofia Voss | The Cincinnati Herald
It’s safe to say that 2023 was a revolutionary year for film, reflected by the historic Writers Guild of America and Screen Actors Guild-American Federation of Television and Radio Artists strikes. With the two strikes overlapping, Hollywood effectively shut down for roughly half the year, delaying or otherwise impacting dozens of film and television projects. As of November, both strikes have ended, and many of the affected productions are on track to hit theaters in 2024.
Marvel, which originally planned for a record-breaking six new films to come out in 2024, is now expecting only four. Among those 2024 releases are “Madame Web,” the first-ever female-led “Spider-Man” spinoff film, and the third installment of the “Venom” franchise. Renowned production company A24 has a full 2024 slate, including Mia Goth’s return to horror in “MaXXXine,” Ti West’s follow-up to “X” and “Pearl.” New offerings from renowned directors like Luca Guadagnino and George Miller are also forthcoming.
The pressure is on for the 2024 box office to restore Hollywood to financial stability after the combined challenges of the pandemic and the fight to give its workers fair wages. The first four months of 2024 are fairly sparse on new releases, in large part because prolonged labor negotiations set timelines back for films scheduled in the early part of the year. There are, however, a few prospective big hits in those months, including high-profile films like “Argylle” and “Dune: Part Two.” The “Mean Girls” musical, which premiered in January 2024, lived up to its anticipation—garnering a $28M box office debut and the number one spot after just three days.
Suffice it to say, 2024 is not only an incredibly important year for the future of the film industry but also quite an exciting one in terms of its cinematic offerings. To give audiences more insight into what to expect, Casino Bonus CA looked ahead at movies coming out in 2024 and highlighted the most buzzed-about titles.
Blitz
– Director: Steve McQueen
“Blitz” takes its name from the World War II German aerial bombing campaign known as the “blitzkrieg,” and follows a group of civilians in London during the years 1940 and 1941. The film is written and directed by Steve McQueen, the British filmmaker best known for his Academy Award-winning drama “12 Years a Slave.” “Blitz” marks McQueen’s first narrative feature film since 2018’s “Widows,” and stars acting talents like Saoirse Ronan, Stephen Graham, and Harris Dickinson.
Borderlands
– Director: Eli Roth
“Borderlands” is based on the popular video game of the same name, which follows a team of hunters as they travel to the dystopian planet Pandora in search of mysterious alien vaults. The feature film adaptation has horror filmmaker Eli Roth at its helm, and follows up his 2023 slasher “Thanksgiving.” While many plot details are still hidden, Roth has said that the film will loosely adhere to the Borderlands game, but isn’t precious about the specifics.
Challengers
– Director: Luca Guadagnino
Originally slated to premiere on the opening night of the prestigious Venice Film Festival in 2023, Luca Guadagnino’s “Challengers” is now set for theatrical release on April 26, 2024. “Challengers” is a romantic drama that follows three young tennis stars as they contend with the price of winning and continued relevance. The film stars Zendaya, Mike Faist, and Josh O’Connor in a convoluted love triangle that caused an internet meltdown after the release of the trailer.
Civil War
– Director: Alex Garland
“Civil War” marks Alex Garland’s third directorial collaboration with A24, following 2022’s “Men” and 2014’s “Ex Machina.” The film depicts a desolate and divided near-future United States, caught in the midst of a civil war after 19 states secede from the Union. Kirsten Dunst stars as a journalist trying to survive alongside her family. “Civil War” also features rising star Cailee Spaeny, whose performance in Sofia Coppola’s 2023 film “Priscilla” won the Volpi Cup for Best Actress at the Venice Film Festival.
Deadpool & Wolverine
– Director: Shawn Levy
One of the Marvel films impacted by the Hollywood strikes, “Deadpool & Wolverine” will hit theaters on July 26 after getting pushed back from its original May 2024 release. With filming happening as recently as November 2023, Ryan Reynolds will reprise his role as Deadpool. This installment will also include Hugh Jackman as Wolverine, Emma Corrin as the new lead villain, and “Succession” star Matthew Macfadyen in a still-unknown role.
Dune: Part Two
– Director: Denis Villeneuve
The first installment of Denis Villeneuve’s “Dune” project in 2021 was a massive success, earning over $400 million in the global box office—and if Villeneuve has anything to say about it, “Dune: Part Two” will be even bigger. At a press conference, the director was quoted as saying that the sequel is a “much better” movie than Part One, reaching “an intensity and a quality of emotions” that he hadn’t quite attained in the first film. Like several films on this list, its release date has been shuffled due to the strike but is currently slated for March 1.
Furiosa: A Mad Max Saga
– Director: George Miller
Charlize Theron originated the character Furiosa in 2015’s critically acclaimed “Mad Max: Fury Road,” a spinoff film of the classic “Mad Max” series starring Mel Gibson. In “Furiosa,” Anya Taylor-Joy will play the titular role in the “Fury Road” prequel, following a younger version of the character on an odyssey to get back home after being kidnapped by Warlord Dementus (Chris Hemsworth). With George Miller once again at the helm, “Furiosa: A Mad Max Saga” has an expected release of May 24.
Here
– Director: Robert Zemeckis
Robert Zemeckis is the director behind blockbuster hits including 1985’s “Back to the Future,” 1994’s “Forrest Gump,” 2000’s “Cast Away,” and 2012’s “Flight,” so it is safe to say there’s buzz surrounding his upcoming film “Here.” Starring frequent collaborator Tom Hanks, reuniting with his “Forrest Gump” co-star Robin Wright, “Here” follows the lives of people who occupied the same room at various points over the course of centuries. The film harnesses Metaphysics Live, an AI tool, to de-age actors on set in real time without the need for postproduction digital effects. The film is based on a graphic novel of the same name written by Richard McGuire.
Horizon: An American Saga
– Director: Kevin Costner
Kevin Costner is no stranger to Westerns—he’s the star of the hit television show “Yellowstone,” as well as 1990’s “Dances with Wolves,” 1994’s “Wyatt Earp,” and the 2003 film “Open Range,” among other films. Now, the actor is writing and directing his own series of Western films titled “Horizon: An American Saga.” This two-part film project is said to explore the topic of Westward expansion, centered around the years before and after the Civil War.
Inside Out 2
– Director: Kelsey Mann
In 2015, Disney and Pixar’s animated film “Inside Out” was released to great critical and commercial acclaim, snagging the Best Animated Feature Oscar in 2016. Where the first film explores the mind of 11-year-old Riley, the sequel promises to explore her teenage emotions, which includes the addition of Anxiety, voiced by Maya Hawke. While Amy Poehler, Phyllis Smith, and Lewis Black will return as Joy, Sadness, and Anger, respectively, Bill Hader’s Fear and Mindy Kaling’s Disgust have been replaced.
Joker: Folie à Deux
– Director: Todd Phillips
While Batman adaptations abound, “Joker: Folie à Deux” promises an entirely new look into the world of Gotham. Following the box office success of 2019’s “Joker,” which starred Joaquin Phoenix as the titular character, joined by Zazie Beetz and Robert De Niro, the sequel introduces Lady Gaga as notorious Batman villain Harley Quinn. Gaga’s portrayal will no doubt differ significantly from previous depictions of the character, such as Margot Robbie’s, particularly because “Joker: Folie à Deux” will be a musical.
Maria
– Director: Pablo Larraín
Pablo Larraín has established himself as director of some of the most high-profile biopics of the last decade, including 2016’s “Neruda” and “Jackie,” as well as 2021’s “Spencer,” which featured Kristen Stewart as Princess Diana. His next film, “Maria,” will follow legendary Greek American opera singer Maria Callas, played by Angelina Jolie, in the last few days of her life. Even though the production signed an interim SAG agreement in order to begin filming during the strike, there is no set release date. “Maria” is reportedly still in postproduction.
Megalopolis
– Director: Francis Ford Coppola
As the title indicates, “Megalopolis” features an impressive roster of megastars including Adam Driver, Forest Whitaker, Laurence Fishburne, Shia LaBeouf, and Aubrey Plaza, just to name a few. Not much information about the film’s plot and characters is publicly available, but it is rumored to explore a destroyed New York City and an architect determined to rebuild it. “Megalopolis” is apparently a passion project for Coppola—so much so that he self-financed most of the nearly $100 million production—and he’s taking his time to get it right, pushing the film back from its initially expected 2023 release date.
Mufasa: The Lion King
– Director: Barry Jenkins
Barry Jenkins is best known for his Best Picture Oscar-winning drama “Moonlight” and “If Beale Street Could Talk.” Now he’s lending his talents to Disney for the upcoming film “Mufasa: The Lion King,” which will serve as a prequel to Jon Favreau’s 2019 remake of “The Lion King.” The 2019 movie broke ground with its photorealistic animation style, an aesthetic “Mufasa” will also adopt. In the aftermath of the Hollywood strikes, the release date was pushed from July to Dec. 20.
Nosferatu
– Director: Robert Eggers
The first-ever “Nosferatu” came out all the way back in 1922 as a silent film directed by F.W. Murnau. The film centers around the evil vampire Count Orlok as he terrorizes an unsuspecting young couple. The new “Nosferatu” is written and directed by Robert Eggers, whose past films—including 2015’s “The Witch” and 2019’s “The Lighthouse”—showcase the director’s aptitude for eerie horror. Starring Bill Skarsgård and Lily-Rose Depp, Eggers’ “Nosferatu” is slated for a Christmastime release.
They Follow
– Director: David Robert Mitchell
David Robert Mitchell’s 2014 film “It Follows” was the low-budget indie horror hit that no one saw coming, garnering over $20 million at the global box office. Nearly a decade later, the sequel, “They Follow,” was announced, with lead actress Maika Monroe committed to return. While there are no plot details available, it’s likely that the sexually transmitted monster capable of shifting its appearance at any time will return as an antagonist.
Additional research by Luke Hicks. Story editing by Eliza Siegel. Copy editing by Tim Bruns.
This story originally appeared on Casino Bonus CA and was produced and distributed in partnership with Stacker Studio.
The post From Borderlands to Megalopolis: A sneak peek at 2024’s biggest films appeared first on The Cincinnati Herald.
The post FILM: From Borderlands to Megalopolis: A Sneak Peek At 2024’s Biggest Films first appeared on BlackPressUSA.
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COMMENTARY: The National Protest Must Be Accompanied with Our Votes
Just as Trump is gathering election data like having the FBI take all the election data in Georgia from the 2020 election, so must we organize in preparation for the coming primary season to have the right people on ballots in each Republican district, so that we can regain control of the House of Representatives and by doing so, restore the separation of powers and balance that our democracy is being deprived of.
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By Dr. John E. Warren, Publisher San Diego Voice & Viewpoint Newspaper
As thousands of Americans march every week in cities across this great nation, it must be remembered that the protest without the vote is of no concern to Donald Trump and his administration.
In every city, there is a personal connection to the U.S. Congress. In too many cases, the member of Congress representing the people of that city and the congressional district in which it sits, is a Republican. It is the Republicans who are giving silent support to the destructive actions of those persons like the U.S. Attorney General, the Director of Homeland Security, and the National Intelligence Director, who are carrying out the revenge campaign of the President rather than upholding the oath of office each of them took “to Defend The Constitution of the United States.”
Just as Trump is gathering election data like having the FBI take all the election data in Georgia from the 2020 election, so must we organize in preparation for the coming primary season to have the right people on ballots in each Republican district, so that we can regain control of the House of Representatives and by doing so, restore the separation of powers and balance that our democracy is being deprived of.
In California, the primary comes in June 2026. The congressional races must be a priority just as much as the local election of people has been so important in keeping ICE from acquiring facilities to build more prisons around the country.
“We the People” are winning this battle, even though it might not look like it. Each of us must get involved now, right where we are.
In this Black History month, it is important to remember that all we have accomplished in this nation has been “in spite of” and not “because of.” Frederick Douglas said, “Power concedes nothing without a struggle.”
Today, the struggle is to maintain our very institutions and history. Our strength in this struggle rests in our “collectiveness.” Our newspapers and journalists are at the greatest risk. We must not personally add to the attack by ignoring those who have been our very foundation, our Black press.
Are you spending your dollars this Black History Month with those who salute and honor contributions by supporting those who tell our stories? Remember that silence is the same as consent and support for the opposition. Where do you stand and where will your dollars go?
Oakland Post
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Why Black Parents Should Consider Montessori
BLACKPRESSUSA NEWSWIRE — I have found that there are some educational approaches that consistently provide a safer, more enriching, and more affirmative environment for Black children. The Montessori method, developed by Italian physician Maria Montessori and introduced to the U.S. in the early 20th century, is one such approach.
Published
4 days agoon
February 9, 2026By
Oakland Post
As a mother of four children, I’ve done A LOT of school shopping. I don’t mean the autumn ritual of purchasing school supplies. I mean shopping for schools – pouring over promotional materials, combing through websites, asking friends and community members for referrals to their favorite schools, attending open houses and orientations, comparing curriculums and educational philosophies, meeting teachers and principals, and students who all claim that their school is the best.
But keep in mind – I’m not just a mom of four children. I’m a mom of four Black children, and I’m also a psychologist who is very interested in protecting my little ones from the traumatic experience that school can too often become.
For Black children in the United States, school can sometimes feel more like a prison than an educational institution. Research shows that Black students experience school as more hostile and demoralizing than other students do, that they are disciplined more frequently and more harshly for typical childhood offenses (such as running in the halls or chewing gum in class), that they are often labeled as deviant or viewed as deficient more quickly than other children, that teachers have lower academic expectations of Black students (which, in turn, lowers those students’ expectations of themselves), and that Black parents feel less respected and less engaged by their children’s teachers and school administrators. Perhaps these are some of the underlying reasons that Black students tend to underperform in most schools across the country.
The truth is that schools are more than academic institutions. They are places where children go to gain a sense of who they are, how they relate to others, and where they fit into the world. The best schools are places that answer these questions positively – ‘you are a valuable human being, you are a person who will grow up to contribute great things to your community, and you belong here, with us, exploring the world and learning how to use your gifts.’ Unfortunately, Black children looking for answers to these universal questions of childhood will often hit a brick wall once they walk into the classroom. If the curriculum does not reflect their cultural experiences, the teachers don’t appear to value them, and they spend most of their time being shamed into compliance rather than guided towards their highest potential, well…what can we really expect? How are they supposed to master basic academic skills if their spirits have been crushed?
Here’s the good news. In my years of school shopping, and in the research of Black education specialists such as Jawanza Kunjufu and Amos Wilson, I have found that there are some educational approaches that consistently provide a safer, more enriching, and more affirmative environment for Black children. The Montessori method, developed by Italian physician Maria Montessori and introduced to the U.S. in the early 20th century, is one such approach.
The key feature of Montessori schooling is that children decide (for the most part) what they want to do each day. Led by their own interests and skill levels, children in a Montessori classroom move around freely and work independently or with others on tasks of their own
choosing. The classroom is intentionally stocked with materials tailored to the developmental needs of children, including the need to learn through different senses (sight, touch/texture, movement, etc.). The teacher in a Montessori classroom is less like a boss and more like a caring guide who works with each child individually, demonstrating various activities and then giving them space to try it on their own. The idea is that over time, students learn to master even the toughest tasks and concepts, and they feel an intense sense of pride and accomplishment because they did it by themselves, without pressure or pushing.
I think that this aspect of the Montessori method is good for all kids. Do you remember the feeling of having your creativity or motivation crushed by being told exactly what to do, when to do it, how to do it, and why? The truth is that when presented with a new challenge and then given space, children actually accomplish a lot! They are born with a natural desire to learn. It is that spirit of curiosity, sense of wonder, and excitement to explore that Montessori helps to keep alive in a child. But that’s not the only reason that I think Black parents need to consider Montessori.
Fostering a love of learning is great. But more importantly, I think that Montessori students excel at learning to love. It begins with Montessori’s acknowledgement that all children are precious because childhood is a precious time. In many school systems, Black children are treated like miniature adults (at best) or miniature criminals (at worst), and are subjected to stressful situations that no kids are equipped to handle – expectations to be still and silent for long periods, competitive and high-stakes testing, and punitive classroom discipline. It’s easy to get the sense that rather than being prepared for college or careers, our children are being prepared to fail. Couple this with the aforementioned bias against Black children that seems to run rampant within the U.S. school system, and you end up with children who feel burned out and bitter about school by the time they hit 3rd grade.
In my experience, Montessori does a better job of protecting the space that is childhood – and all the joy of discovery and learning that should come along with that. Without the requirement that students “sit down and shut up,” behavioral issues in Montessori classrooms tend to be non-existent (or at least, the Montessori method doesn’t harp on them; children are gently redirected rather than shamed in front of the class). Montessori students don’t learn for the sake of tests; they demonstrate what they’ve learned by sharing with their teacher or classmates how they solve real-world problems using the skills they’ve gained through reading, math, or science activities. And by allowing children a choice of what to focus on throughout the day, Montessori teachers demonstrate that they honor and trust children’s natural intelligence. The individualized, careful attention they provide indicates to children that they are each seen, heard, and valued for who they are, and who they might become. Now that’s love (and good education).
As a parent, I’ve come to realize that many schools offer high-quality academics. Montessori is no different. Students in Montessori schools gain exposure to advanced concepts and the materials to work with these concepts hands-on. Across the nation, Montessori schools emphasize early literacy development, an especially important indicator of life success for young Black boys and men. Montessori students are provided with the opportunity to be
successful every day, and the chance to develop a sense of competence and self-worth based on completing tasks at their own pace.
But I have also learned that the important questions to ask when school shopping are often not about academics at all. I now ask, ‘Will my children be treated kindly? Will they be listened to? Protected from bias and bullying? Will they feel safe? Will this precious time in their lives be honored as a space for growth, development, awe, and excitement? Will they get to see people like them included in the curriculum? Will they be seen as valuable even if they don’t always ‘measure up’ to other kids on a task? Will they get extra support if they need it? Will the school include me in major decisions? Will the school leaders help to make sure that my children reach their fullest potential? Will the teacher care about my children almost as much as I do?’
Consistently, it’s been the Montessori schools that have answered with a loud, resounding ‘Yes!’ That is why my children ended up in Montessori schools, and I couldn’t be happier with that decision. If you’re a parent like me, shopping for schools with the same questions in mind, I’d urge you to consider Montessori education as a viable option for your precious little ones. Today more than ever, getting it right for our children is priceless.
Oakland Post
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LIVE from the NMA Convention Raheem DeVaughn Says The Time Is Now: Let’s End HIV in Our Communities #2
Set against the backdrop of the NMA conference, Executive Officers from the National Medical Association, Grammy Award Winning Artist and Advocate Raheem DeVaughn, and Gilead Sciences experts, are holding today an important conversation on HIV prevention and health equity. Black women continue to be disproportionately impacted by HIV despite advances in prevention options. Today’s event […]
Published
1 week agoon
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Oakland Post
Set against the backdrop of the NMA conference, Executive Officers from the National Medical Association, Grammy Award Winning Artist and Advocate Raheem DeVaughn, and Gilead Sciences experts, are holding today an important conversation on HIV prevention and health equity.
Black women continue to be disproportionately impacted by HIV despite advances in prevention options. Today’s event is designed to uplift voices, explore barriers to access, and increase awareness and key updates about PrEP, a proven prevention method that remains underutilized among Black women. This timely gathering will feature voices from across health, media, and advocacy as we break stigma and center equity in HIV prevention.
Additional stats and information to know:
● Black women continue to be disproportionately affected by HIV, with Black women representing more than 50% of new HIV diagnoses among women in the U.S. in 2022, despite comprising just 13% of women in the U.S.
● Women made up only 8% of PrEP users despite representing 19% of all new HIV diagnoses in 2022.
● Gilead Sciences is increasing awareness and addressing stigma by encouraging regular HIV testing and having judgment-free conversations with your healthcare provider about prevention options, including oral PrEP and long-acting injectable PrEP options.
● PrEP is an HIV prevention medication that has been available since 2012.
● Only 1 in 3 people in the U.S. who could benefit from PrEP were prescribed a form of PrEP in 2022.
Oakland Post
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