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FILM: From Borderlands to Megalopolis: A Sneak Peek At 2024’s Biggest Films

CINCINNATI HERALD — The pressure is on for the 2024 box office to restore Hollywood to financial stability after the combined challenges of the pandemic and the fight to give its workers fair wages. The first four months of 2024 are fairly sparse on new releases, in large part because prolonged labor negotiations set timelines back for films scheduled in the early part of the year.
The post FILM: From Borderlands to Megalopolis: A Sneak Peek At 2024’s Biggest Films first appeared on BlackPressUSA.

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1 year ago

February 27, 2024

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By Sofia Voss | The Cincinnati Herald

It’s safe to say that 2023 was a revolutionary year for film, reflected by the historic Writers Guild of America and Screen Actors Guild-American Federation of Television and Radio Artists strikes. With the two strikes overlapping, Hollywood effectively shut down for roughly half the year, delaying or otherwise impacting dozens of film and television projects. As of November, both strikes have ended, and many of the affected productions are on track to hit theaters in 2024.

Marvel, which originally planned for a record-breaking six new films to come out in 2024, is now expecting only four. Among those 2024 releases are “Madame Web,” the first-ever female-led “Spider-Man” spinoff film, and the third installment of the “Venom” franchise. Renowned production company A24 has a full 2024 slate, including Mia Goth’s return to horror in “MaXXXine,” Ti West’s follow-up to “X” and “Pearl.” New offerings from renowned directors like Luca Guadagnino and George Miller are also forthcoming.

The pressure is on for the 2024 box office to restore Hollywood to financial stability after the combined challenges of the pandemic and the fight to give its workers fair wages. The first four months of 2024 are fairly sparse on new releases, in large part because prolonged labor negotiations set timelines back for films scheduled in the early part of the year. There are, however, a few prospective big hits in those months, including high-profile films like “Argylle” and “Dune: Part Two.” The “Mean Girls” musical, which premiered in January 2024, lived up to its anticipation—garnering a $28M box office debut and the number one spot after just three days.

Suffice it to say, 2024 is not only an incredibly important year for the future of the film industry but also quite an exciting one in terms of its cinematic offerings. To give audiences more insight into what to expect, Casino Bonus CA looked ahead at movies coming out in 2024 and highlighted the most buzzed-about titles.

Blitz

– Director: Steve McQueen

“Blitz” takes its name from the World War II German aerial bombing campaign known as the “blitzkrieg,” and follows a group of civilians in London during the years 1940 and 1941. The film is written and directed by Steve McQueen, the British filmmaker best known for his Academy Award-winning drama “12 Years a Slave.” “Blitz” marks McQueen’s first narrative feature film since 2018’s “Widows,” and stars acting talents like Saoirse Ronan, Stephen Graham, and Harris Dickinson.

Borderlands

– Director: Eli Roth

“Borderlands” is based on the popular video game of the same name, which follows a team of hunters as they travel to the dystopian planet Pandora in search of mysterious alien vaults. The feature film adaptation has horror filmmaker Eli Roth at its helm, and follows up his 2023 slasher “Thanksgiving.” While many plot details are still hidden, Roth has said that the film will loosely adhere to the Borderlands game, but isn’t precious about the specifics.

Challengers

– Director: Luca Guadagnino

Originally slated to premiere on the opening night of the prestigious Venice Film Festival in 2023, Luca Guadagnino’s “Challengers” is now set for theatrical release on April 26, 2024. “Challengers” is a romantic drama that follows three young tennis stars as they contend with the price of winning and continued relevance. The film stars Zendaya, Mike Faist, and Josh O’Connor in a convoluted love triangle that caused an internet meltdown after the release of the trailer.

Civil War

– Director: Alex Garland

“Civil War” marks Alex Garland’s third directorial collaboration with A24, following 2022’s “Men” and 2014’s “Ex Machina.” The film depicts a desolate and divided near-future United States, caught in the midst of a civil war after 19 states secede from the Union. Kirsten Dunst stars as a journalist trying to survive alongside her family. “Civil War” also features rising star Cailee Spaeny, whose performance in Sofia Coppola’s 2023 film “Priscilla” won the Volpi Cup for Best Actress at the Venice Film Festival.

Deadpool & Wolverine

– Director: Shawn Levy

One of the Marvel films impacted by the Hollywood strikes, “Deadpool & Wolverine” will hit theaters on July 26 after getting pushed back from its original May 2024 release. With filming happening as recently as November 2023, Ryan Reynolds will reprise his role as Deadpool. This installment will also include Hugh Jackman as Wolverine, Emma Corrin as the new lead villain, and “Succession” star Matthew Macfadyen in a still-unknown role.

Dune: Part Two

– Director: Denis Villeneuve

The first installment of Denis Villeneuve’s “Dune” project in 2021 was a massive success, earning over $400 million in the global box office—and if Villeneuve has anything to say about it, “Dune: Part Two” will be even bigger. At a press conference, the director was quoted as saying that the sequel is a “much better” movie than Part One, reaching “an intensity and a quality of emotions” that he hadn’t quite attained in the first film. Like several films on this list, its release date has been shuffled due to the strike but is currently slated for March 1.

Furiosa: A Mad Max Saga

– Director: George Miller

Charlize Theron originated the character Furiosa in 2015’s critically acclaimed “Mad Max: Fury Road,” a spinoff film of the classic “Mad Max” series starring Mel Gibson. In “Furiosa,” Anya Taylor-Joy will play the titular role in the “Fury Road” prequel, following a younger version of the character on an odyssey to get back home after being kidnapped by Warlord Dementus (Chris Hemsworth). With George Miller once again at the helm, “Furiosa: A Mad Max Saga” has an expected release of May 24.

Here

– Director: Robert Zemeckis

Robert Zemeckis is the director behind blockbuster hits including 1985’s “Back to the Future,” 1994’s “Forrest Gump,” 2000’s “Cast Away,” and 2012’s “Flight,” so it is safe to say there’s buzz surrounding his upcoming film “Here.” Starring frequent collaborator Tom Hanks, reuniting with his “Forrest Gump” co-star Robin Wright, “Here” follows the lives of people who occupied the same room at various points over the course of centuries. The film harnesses Metaphysics Live, an AI tool, to de-age actors on set in real time without the need for postproduction digital effects. The film is based on a graphic novel of the same name written by Richard McGuire.

Horizon: An American Saga

– Director: Kevin Costner

Kevin Costner is no stranger to Westerns—he’s the star of the hit television show “Yellowstone,” as well as 1990’s “Dances with Wolves,” 1994’s “Wyatt Earp,” and the 2003 film “Open Range,” among other films. Now, the actor is writing and directing his own series of Western films titled “Horizon: An American Saga.” This two-part film project is said to explore the topic of Westward expansion, centered around the years before and after the Civil War.

Inside Out 2

– Director: Kelsey Mann

In 2015, Disney and Pixar’s animated film “Inside Out” was released to great critical and commercial acclaim, snagging the Best Animated Feature Oscar in 2016. Where the first film explores the mind of 11-year-old Riley, the sequel promises to explore her teenage emotions, which includes the addition of Anxiety, voiced by Maya Hawke. While Amy Poehler, Phyllis Smith, and Lewis Black will return as Joy, Sadness, and Anger, respectively, Bill Hader’s Fear and Mindy Kaling’s Disgust have been replaced.

Joker: Folie à Deux

– Director: Todd Phillips

While Batman adaptations abound, “Joker: Folie à Deux” promises an entirely new look into the world of Gotham. Following the box office success of 2019’s “Joker,” which starred Joaquin Phoenix as the titular character, joined by Zazie Beetz and Robert De Niro, the sequel introduces Lady Gaga as notorious Batman villain Harley Quinn. Gaga’s portrayal will no doubt differ significantly from previous depictions of the character, such as Margot Robbie’s, particularly because “Joker: Folie à Deux” will be a musical.

Maria

– Director: Pablo Larraín

Pablo Larraín has established himself as director of some of the most high-profile biopics of the last decade, including 2016’s “Neruda” and “Jackie,” as well as 2021’s “Spencer,” which featured Kristen Stewart as Princess Diana. His next film, “Maria,” will follow legendary Greek American opera singer Maria Callas, played by Angelina Jolie, in the last few days of her life. Even though the production signed an interim SAG agreement in order to begin filming during the strike, there is no set release date. “Maria” is reportedly still in postproduction.

Megalopolis

– Director: Francis Ford Coppola

As the title indicates, “Megalopolis” features an impressive roster of megastars including Adam Driver, Forest Whitaker, Laurence Fishburne, Shia LaBeouf, and Aubrey Plaza, just to name a few. Not much information about the film’s plot and characters is publicly available, but it is rumored to explore a destroyed New York City and an architect determined to rebuild it. “Megalopolis” is apparently a passion project for Coppola—so much so that he self-financed most of the nearly $100 million production—and he’s taking his time to get it right, pushing the film back from its initially expected 2023 release date.

Mufasa: The Lion King

– Director: Barry Jenkins

Barry Jenkins is best known for his Best Picture Oscar-winning drama “Moonlight” and “If Beale Street Could Talk.” Now he’s lending his talents to Disney for the upcoming film “Mufasa: The Lion King,” which will serve as a prequel to Jon Favreau’s 2019 remake of “The Lion King.” The 2019 movie broke ground with its photorealistic animation style, an aesthetic “Mufasa” will also adopt. In the aftermath of the Hollywood strikes, the release date was pushed from July to Dec. 20.

Nosferatu

– Director: Robert Eggers

The first-ever “Nosferatu” came out all the way back in 1922 as a silent film directed by F.W. Murnau. The film centers around the evil vampire Count Orlok as he terrorizes an unsuspecting young couple. The new “Nosferatu” is written and directed by Robert Eggers, whose past films—including 2015’s “The Witch” and 2019’s “The Lighthouse”—showcase the director’s aptitude for eerie horror. Starring Bill Skarsgård and Lily-Rose Depp, Eggers’ “Nosferatu” is slated for a Christmastime release.

They Follow

– Director: David Robert Mitchell

David Robert Mitchell’s 2014 film “It Follows” was the low-budget indie horror hit that no one saw coming, garnering over $20 million at the global box office. Nearly a decade later, the sequel, “They Follow,” was announced, with lead actress Maika Monroe committed to return. While there are no plot details available, it’s likely that the sexually transmitted monster capable of shifting its appearance at any time will return as an antagonist.

Additional research by Luke Hicks. Story editing by Eliza Siegel. Copy editing by Tim Bruns.

This story originally appeared on Casino Bonus CA and was produced and distributed in partnership with Stacker Studio.

The post From Borderlands to Megalopolis: A sneak peek at 2024’s biggest films appeared first on The Cincinnati Herald.

The post FILM: From Borderlands to Megalopolis: A Sneak Peek At 2024’s Biggest Films first appeared on BlackPressUSA.

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Trump Set to Sign Largest Cut to Medicaid After a Marathon Protest Speech by Leader Jeffries

BLACKPRESSUSA NEWSWIRE — The bill also represents the biggest cut in Medicare in history and is a threat to the health care coverage of over 15 million people. The spending in Trump’s signature legislation also opens the door to a second era of over-incarceration in the U.S.

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By a vote of 218 to 214, the GOP-controlled U.S. House passed President Trump’s massive budget and spending bill that will add $3.5 trillion to the national debt, according to the Congressional Budget Office (CBO). The bill also represents the biggest cut in Medicare in history and is a threat to the health care coverage of over 15 million people. The spending in Trump’s signature legislation also opens the door to a second era of over-incarceration in the U.S. With $175 billion allocated in spending for immigration enforcement, the money for more police officers eclipsed the 2026 budget for the U.S. Marines, which is $57 billion. Almost all of the policy focus from the Trump Administration has focused on deporting immigrants of color from Mexico and Haiti.

The vote occurred as members were pressed to complete their work before the arbitrary deadline of the July 4 holiday set by President Trump. It also occurred after Democratic Leader Hakeem Jeffries took the House floor for over 8 hours in protest. Leader Jeffries broke the record in the U.S. House for the longest floor speech in history on the House floor. The Senate passed the bill days before and was tied at 50-50, with Republican Senator Lisa Murkowski saying that, “my hope is that the House is gonna look at this and recognize that we’re not there yet.” There were no changes made to the Senate bill by the House. A series of overnight phone calls to Republicans voting against, not changes, was what won over enough Republicans to pass the legislation, even though it adds trillions to the debt. The Trump spending bill also cuts money to Pell grants.

“The Big Ugly Bill steals food out of the hands of starving children, steals medicine from the cabinets of cancer patients, and equips ICE with more funding and more weapons of war than the United States Marine Corps. Is there any question of who those agents will be going to war for, or who they will be going to war against? Beyond these sadistic provisions, Republicans just voted nearly unanimously to close urban and rural hospitals, cripple the child tax credit, and to top it all off, add $3.3 trillion to the ticking time bomb that is the federal deficit – all from a party that embarrassingly pretends to stand for fiscal responsibility and lowering costs,” wrote Congressional Black Caucus Chairwoman Yvette Clarke (D-NY) in a statement on July 3.

“The Congressional Budget Office predicts that 17 million people will lose their health insurance, including over 322,000 Virginians. It will make college less affordable. Three million people will lose access to food assistance through the Supplemental Nutrition Assistance Program (SNAP). And up to 16 million students could lose access to free school meals. The Republican bill does all of this to fund tax breaks for millionaires, billionaires, and corporations,” wrote Education and Workforce Committee ranking member Rep. Bobby Scott (D-VA) in a statement. The bill’s passage has prompted Democrats to start thinking about 2026 and the next election cycle. With the margins of victory in the U.S. House and U.S. Senate being so narrow, many are convinced that the balance of power and the question of millions being able to enjoy health care come down to only several thousand votes in congressional elections. But currently, Republicans controlled by the MAGA movement control all three branches of government. That reality was never made more stark and more clear than the last seven days of activity in the U.S. House and U.S. Senate.

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WATCH: NNPA Publishers Pivot To Survive

7.2.25 via NBC 4 Washington

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https://youtube.com/watch?v=9oZc5Sz0jQQ&feature=oembed

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Congressional Black Caucus Challenges Target on Diversity

BLACKPRESSUSA NEWSWIRE — we found that the explanations offered by the leadership of the Target Corporation fell woefully short of what our communities deserve and of the values of inclusion that Target once touted

Published

5 days ago

July 3, 2025

Stacy M. Brown

By Stacy M. Brown
Black Press USA Senior National Correspondent

Target is grappling with worsening financial and reputational fallout as the national selective buying and public education program launched by the Black Press of America and other national and local leaders continues to erode the retailer’s sales and foot traffic. But a recent meeting that the retailer intended to keep quiet between CEO Brian Cornell and members of the Congressional Black Caucus Diversity Task Force was publicly reported after the Black Press discovered the session, and the CBC later put Target on blast.

“The Congressional Black Caucus met with the leadership of the Target Corporation on Capitol Hill to directly address deep concerns about the impact of the company’s unconscionable decision to end a number of its diversity, equity, and inclusion efforts,” CBC Chair Yvette Clarke stated. “Like many of the coalition leaders and partner organizations that have chosen to boycott their stores across the country, we found that the explanations offered by the leadership of the Target Corporation fell woefully short of what our communities deserve and of the values of inclusion that Target once touted,” Congresswoman emphasized. “Black consumers contribute overwhelmingly to our economy and the Target Corporation’s bottom line. Our communities deserve to shop at businesses that publicly share our values without sacrificing our dignity. It is no longer acceptable to deliver promises to our communities in private without also demonstrating those values publicly.”

Lauren Burke, Capitol Hill correspondent for Black Press of America, was present when Target CEO Cornell and a contingent of Target officials arrived at the U.S. Capitol last month. “It’s always helpful to have meetings like this and get some candid feedback and continue to evolve our thinking,” Cornell told Burke as he exited the meeting. And walked down a long hallway in the Cannon House Office Building. “We look forward to follow-up conversations,” he stated. When asked if the issue of the ongoing boycott was discussed, Cornell’s response was, “That was not a big area of focus — we’re focused on running a great business each and every day. Take care of our teams. Take care of the guests who shop with us and do the right things in our communities.”

A national public education campaign on Target, spearheaded by Dr. Benjamin F. Chavis Jr., president and CEO of the National Newspaper Publishers Association (NNPA), the NNPA’s board of directors, and with other national African American leaders, has combined consumer education efforts with a call for selective buying. The NNPA is a trade association that represents the more than 220 African American-owned newspapers and media companies known as the Black Press of America, the voice of 50 million African Americans across the nation. The coalition has requested that Target restore and expand its stated commitment to do business with local community-owned businesses inclusive of the Black Press of America, and to significantly increase investment in Black-owned businesses and media, Historically Black Colleges and Universities (HBCU, Black-owned Banks, national Black Church denominations, and grassroots and local organizations committed to improving the quality of life of all Americans, and especially those from underserved communities. According to Target’s latest earnings report, net sales for the first quarter of 2025 fell 2.8 percent to $23.85 billion compared to the same period last year. Comparable store sales dropped 3.8 percent, and in-store foot traffic slid 5.7 percent.

Shares of Target have also struggled under the pressure. The company’s stock traded around $103.85 early Wednesday afternoon, down significantly from roughly $145 before the controversy escalated. Analysts note that Target has lost more than $12 billion in market value since the beginning of the year. “We will continue to inform and to mobilize Black consumers in every state in the United States,” Chavis said. “Target today has a profound opportunity to respond with respect and restorative commitment.”