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Essay: A Survivor Relives “The Strike,” a Moving Film Capturing Injustices at Pelican Bay State Prison

It was a privilege to be invited to be part of the panel for the October 9th screening of the documentary “The Strike” at Sonoma State University.
Students from Caitlin Henry’s Criminology and Justice Studies class attended, and their engagement during the event was inspiring.

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(L-R) Richard “Razor” Johnson, plaintiff and hunger strike survivor; JoeBill Muñoz and Lucas Guilkey, director and producer, respectively, of the Film Documentary “The Strike;” and event host Caitlin Henry, Criminology and Justice Studies Lecturer at Sonoma State University. Photo by Jonathanfitnessjones
(L-R) Richard “Razor” Johnson, plaintiff and hunger strike survivor; JoeBill Muñoz and Lucas Guilkey, director and producer, respectively, of the Film Documentary “The Strike;” and event host Caitlin Henry, Criminology and Justice Studies Lecturer at Sonoma State University. Photo by Jonathanfitnessjones

By Richard “Razor” Johnson

It was a privilege to be invited to be part of the panel for the October 9th screening of the documentary “The Strike” at Sonoma State University.

Students from Caitlin Henry’s Criminology and Justice Studies class attended, and their engagement during the event was inspiring.

After the screening, many students were deeply moved and had the opportunity to ask questions of the Director and Producer, JoeBill Muñoz and Lucas Guilkey, as well as myself, Richard Johnson, one of the hunger strike survivors and a panel speaker. I was one of the ten plaintiffs against the California Department of Corrections, a case that garnered the attention of the United Nations.

Some students lingered after the Q&A, expressing gratitude for raising awareness about the realities faced by those incarcerated. Their emotional responses highlighted the personal connections many have with the prison system, with some sharing experiences of relatives enduring similar conditions. It became clear that there was a significant lack of understanding about the Security Housing Units (SHU) and the stark differences between general population inmates and those confined in Pelican Bay.

On Oct. 23, the Grand Lake Theater will screen “The Strike,” a compelling documentary about Pelican Bay State Prison and the SHU. This film has received numerous accolades, including nominations for “Best Documentary” at the Imagen Awards and the Hot Docs Student Choice Award.

“The Strike” chronicles the harrowing experiences of California men subjected to decades of solitary confinement, culminating in the largest hunger strike in U.S. history. It will also be broadcast nationally on PBS’s Independent Lens in spring 2025.

This documentary is essential viewing, as it critically examines the failures of our judicial system in administering justice and the societal implications of our penal practices. It delves into the psychological torment endured by those held in isolation — many without any rule infractions — and exposes the broader victimization of individuals both inside and outside prison walls.

With over 33,000 inmates participating in the hunger strikes, the film provides an intimate exploration of the power dynamics at play, from the highest levels of state governance to the guards overseeing the units. It reveals the oppressive policies that perpetuate control and abuse within the prison system, ultimately leading to legal interventions to address these injustices.

Don’t miss this powerful documentary that challenges our perceptions of crime and punishment and highlights the resilience of those who fought for justice.

Join us on October 23 at the Grand Lake Theater at 6:30 PM. We will have Q&A at 8:00 PM after the screening with myself and some of the survivors. We look forward to your support and Tickets can be purchased online at www.renaissancerialto.com/TheStrike.php. For more information about the film, visit www.thestrikefilm.com.

Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Activism

Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Activism

Big God Ministry Gives Away Toys in Marin City

Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grow up.

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From top left: Pastor David Hall asking the children what they want to be when they grow up. Worship team Jake Monaghan, Ruby Friedman, and Keri Carpenter. Children lining up to receive their presents. Photos by Godfrey Lee.
From top left: Pastor David Hall asking the children what they want to be when they grow up. Worship team Jake Monaghan, Ruby Friedman, and Keri Carpenter. Children lining up to receive their presents. Photos by Godfrey Lee.

By Godfrey Lee

Big God Ministries, pastored by David Hall, gave toys to the children in Marin City on Monday, Dec. 15, on the lawn near the corner of Drake Avenue and Donahue Street.

Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grew up.

Around 75 parents and children were there to receive the presents, which consisted mainly of Gideon Bibles, Cat in the Hat pillows, Barbie dolls, Tonka trucks, and Lego building sets.

A half dozen volunteers from the Big God Ministry, including Donnie Roary, helped to set up the tables for the toy giveaway. The worship music was sung by Ruby Friedman, Keri Carpenter, and Jake Monaghan, who also played the accordion.

Big God Ministries meets on Sundays at 10 a.m. at the Mill Valley Community Center, 180 Camino Alto, Mill Valley, CA Their phone number is (415) 797-2567.

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