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DMX, Long a Voice of the Community, Was the News

The New York Times is not where you turn to get the Black experience in America. But they couldn’t ignore the passing of one of American pop culture’s leading Black voices of a generation.

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DMX performance at the BET awards, photo credits: BET.com

 

    The narrative of the Black Man in America continues with Daunte Wright, 20, gunned down by a white, female cop in a Minneapolis suburb who thought she was using a Taser. 

    Does it sound like Fruitvale Station 2009, when Oscar Grant was face down on the ground and shot by an officer who thought he was firing a Taser? And all of this just 10 miles from where another white officer is on trial for excessive force that resulted in the killing of George Floyd.

   Earl Simmons would have had a lot to rap about. But the mic has already dropped for the icon known as DMX.

    On April 9, I got a news flash at 4:11 a.m. Oakland time. Britain’s Prince Philip died. I slept through it. 

    Five hours later at 9:35 a.m. the New York Times flashed the real breaking news: “DMX, the snarling yet soulful rapper whose string of No.1 albums electrified audiences and reflected his gritty past, is dead at 50.”

     This time, I paid attention. You probably did, too. 

DMX sold more records than the Queen’s Duke. And now DMX was pronounced dead from that heart attack he suffered on April 2.

    To be honest, I didn’t know the difference between DMX and my old Reeboks.   

     I grew up with the Temptations, the Stylistics, and Tower of Power. When hip/hop and rap emerged,  I was more prone to KRS-1. 

    By the time DMX hit, I was raising kids and playing “Barney” songs.

    I missed out. But when he made Page one of the Times, I listened to all the music of Earl Simmons a/k/a DMX over the weekend.

    I got it. 

    I use the moniker “Emil Amok” when I write my columns, because “amok” described the explosion of the pent-up anger in me.  It’s my “rap” name.

     But my columns are practically the Queen’s English compared to DMX. 

    A major voice of Black America, he sang the real headlines of the community. 

     With multiple arrests for fraud, assault, weapons possession, drugs, DUI,  Simmons knew a part of  the Black experience well.  He did jail time for animal cruelty, drug possession and theft, and then again for tax evasion. It all came out in his defiant music, where he put into rhymes and a back beat what it meant to be Black in America. 

    After listening to his “Ruff Ryder’s Anthem,” his macho calling card, and his other songs like his hit “Party Up (Up in Here),” you notice he’s in the world that doesn’t use the euphemistic phrase “n-word.” 

    I live and work in a white supremacists’ world that wants to hide racism and pretend it doesn’t exist.  DMX lived in the world where the word is real and exists as a source of agony and identity. 

    He wasn’t pretending. 

    He just says the word in full.  A lot.

     No one censored DMX. His music was raw and ready for a rap battle at the drop of a hat.  In his memoir, he said he always made it personal. “Nothing was too rude or vicious for me because I didn’t care.”

    That’s what made him a winner. It’s the kind of “nothing to lose” confidence you take to a fight. But he was also known for his introspective songs, like “Damien,” where he wonders “Where’s my guardian angel? Need one, wish I had one.” In concert, he could show a commanding spiritual sense, switching from the profane to the profound, often heard preaching and praying to his audiences.

     Simmons was born on Dec. 18, 1970, and grew up in Yonkers, N.Y. He rarely saw his father and lived with a single mother who beat him. He turned to street crime and ended up in group homes or detention facilities. Or on crack. He found love in fighting dogs– ironic because he spent jail time in 2008 for animal cruelty. 

     In “A Yo’Kato,” (a dog named after a Bruce Lee character? It’s our common ground. I love dogs and Bruce), DMX sings to a favorite dog who died.  

    “I need you to save me a spot, next to you and the Lord. I don’t know when I’m coming but keep checking the door.” 

    The angel Gabriel had a dog looking out for DMX. 

    The New York Times is not where you turn to get the Black experience in America.  But they couldn’t ignore the passing of one of American pop culture’s leading Black voices of a generation. Nor can I.

    Let the world mourn the Queen’s prince. Where DMX was king, he spoke the news and told the truth.

    Emil Guillermo is an award-winning Bay Area journalist and commentator. See his vlog at www.amok.com

 

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Alameda County

The Marin City Flea Market Is Back

The Marin City Flea Market returns on May 23, offering arts, crafts, vintage items, and collectibles. The market aims to uplift local vendors and celebrate cultural diversity.

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Customers shopping in Marin City Flea Market. Photo courtesy of marincityflea.org.
Customers shopping in Marin City Flea Market. Photo courtesy of marincityflea.org.

By Godfrey Lee

After a long absence, Marin City will once again hold its flea market. The market will have its grand opening on Saturday, May 23, from 8 a.m. to 2 p.m. at the St. Andrew Presbyterian Church parking lot on 101 Donahue St. It will be held every fourth Saturday of the month

The market will be free to the public

There will be arts, crafts, vintage, collectibles, and other items on sale at the market. Interested vendors can contact info@marincityflea.org or text (415) 484-2984 for more information.

“The Marin City Flea Market’s mission is to uplift local vendors, celebrate cultural diversity, and provide an accessible community space where creativity, entrepreneurship, and connection can thrive,” says their website, marincityflea.org.

The flea market is sponsored and run by the Rotary Club of Marin City.

For more information, contact info@marincityflea.org. Or text to (415) 484-2984

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Alameda County

Mayor Barbara Lee Declares ‘Delroy Lindo Day,’ Presents Acclaimed Actor with Key to the City

Oakland Mayor Barbara Lee honored acclaimed actor Delroy Lindo with the Key to the City and declared “Delroy Lindo Day” to celebrate his contributions to film, television, and theater.

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Oakland Mayor Barbara Lee presents Oakland actor Delroy Lindo the key to the cCity Council chambers of Oakland City Hall in downtown Oakland. Photo by Carla Thomas. 
Oakland Mayor Barbara Lee presents Oakland actor Delroy Lindo the key to the cCity Council chambers of Oakland City Hall in downtown Oakland. Photo by Carla Thomas. 

By Carla Thomas

Oakland honored one of its most distinguished residents on May 6 as Mayor Barbara Lee presented acclaimed actor Delroy Lindo with the Key to the City and an official proclamation declaring “Delroy Lindo Day.”

The event, titled “Rooted in Legacy: Honoring Delroy Lindo,” took place at Oakland City Hall and brought together community leaders, artists, and young people for an evening centered on storytelling, cultural pride, and intergenerational connection.

Lindo, a critically acclaimed artist who lives in Oakland, was recognized for his extensive contributions to film, television, and theater, as well as his impact on the global African diaspora. Most recently the Oscar-nominated artist was recognized for his phenomenal role as a bluesman in Ryan Coogler’s “Sinners,” a winner both critically and at the box office.

His celebrated body of work included roles in “Unprisoned,” “Malcolm X”, “Clockers,” “Get Shorty,” and ”Da 5 Bloods,” among others.

“He’s brought depth, inspiration, and authenticity to the screen,” said Lee.

The program highlighted both Lindo’s artistic legacy and his influence as a mentor. A centerpiece of the evening was an intimate fireside conversation between MLee and Lindo.

“I am a living, breathing example of somebody who has achieved the American Dream,” said Lindo. “The other side of that is I walk through the world as a Black man of African descent.”

At 5 years of age, Lindo played King Balthazar in a Nativity play. And years later on Easter of 1973 in New York the Negro Ensemble Company’s play, “The River Niger” left a great impact on him.

“Seeing that production and so many Blacks in the audience, gave me an understanding that maybe I could have a career as an actor,” said Lindo.

Students from the Oakland School for the Arts delivered powerful monologues, adding a dynamic and emotional layer to the program. The students’ instructor, Tavia Percia, chairman of the school’s theatre department, watched the performance proudly. Their performances emphasized the importance of arts education and demonstrated the next generation of talent inspired by figures like Lindo.

Five young men from All Tied Up Academy had the honor of presenting the “Rooted in Legacy” plaque to Lindo with Lee.

The evening also featured a cinematic showcase of Lindo’s work, offering a retrospective glimpse into his decades-long career.

The Golden State Warriors presented Lindo with a custom jersey, symbolizing the city’s appreciation for his contributions both on and off the screen.

The highlight of the evening came as  Lee formally presented Lindo with the Key to the City and read the proclamation establishing “Delroy Lindo Day.” The recognition marked not only his artistic achievements but also his enduring connection to Oakland and his commitment to community engagement.

Celebrities, including filmmaker Ryan Coogler, congratulated Lindo via a video presentation. Lindo did not hold back the tears of gratitude. “I carry Oakland with me wherever I go,” said. Lindo, who is Jamaican via the UK, said he chose the Bay Area to call home with his wife and raise his son.

When young men who grew up with his son entered the council chambers, Lindo welcomed them to the stage for a hug and acknowledgement. “These young men are all honorable. I’ve watched them grow up, and they are the future,” he said. “These are three people that give me hope for this country.”

Addressing the audience, Lindo said, “You are part of the infrastructure of my life. My life would not be as it is without you. You give me more than I give you. Wherever I go, I bring Oakland with me.”

advised everyone to push past negativity of the world.

“Hold onto your dreams, particularly now in this country being fed the constant narrative that ‘we are less than,’ because we know we are more than. And kudos to Mayor Lee at the forefront for decades repping us for Oakland and America.”

“Everyone, hold fast to your purpose and charge as a human being and to the young; go for yours!”

Lindo thanked his many fans, friends, and family in the audience. Attendees included broadcaster Dave Clark, attorney John Burris, former Alameda County Supervisor Keith Carson, Dr. Albert Brooks who delivered his son, and First African Methodist Episcopal Church  Rev. Rodney Smith. Screenwriter David Webb Peoples, who gave him his first film role in Australia, “The Blood of Heroes, was also in attendance.

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Activism

Oakland Post: Week of May 13 – 19, 2026

The printed Weekly Edition of the Oakland Post: Week of May 13 – 19, 2026

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