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COMMENTARY: On the Queen’s Passing, and the Obama’s Portraits of Democracy

Granted, the Queen had no real “political” power; but as “head of state,” she still had enormous influence in Great Britain and the dozen or so countries in the Commonwealth. It made her a bit of a contradiction. A hood ornament but not the engine of the old British Empire. She was a living museum piece, a reminder of a repulsive imperial past. A colonizer’s deodorizer.

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Granted, the Queen had no real “political” power; but as “head of state,” she still had enormous influence in Great Britain and the dozen or so countries in the Commonwealth.

By Emil Guillermo

The same week Queen Elizabeth died at age 96, back in the news for the unveiling of their White House portraits were Barack Obama and Michelle Obama.

BOMO are reminders: Don’t go overboard on the Queen.

In other words, if I say Queen and you say Latifah, or even Beyonce, you’re keeping it real.

Have compassion for Queen Elizabeth II as a human being, sure. But remain repulsed by all that the monarchy stands for.

Tradition? You mean like the hundreds of thousands of Kenyan Kikuyu people imprisoned in the 1950s in what Harvard professor Caroline called the “British Gulag.”

It was so bad that finally in 2013, survivors of the Gulag sued and forced the British to quietly settle with 5,228 survivors. Reparations payments of 3,800 pounds each were for “torture and ill-treatment at the hands of the colonial administration,” according to a Parliament spokesman.

It all happened during the Queen’s watch.

Kenya was just a fraction of the British Empire’s violent past. All of it together, from the Middle East, to Asia, to Africa, subjugated at one time more than 700 million people. It makes the Queen the nostalgic mascot of white supremacy, in a tradition where “I’m royal and you’re not,” means much.

Granted, the Queen had no real “political” power; but as “head of state,” she still had enormous influence in Great Britain and the dozen or so countries in the Commonwealth. It made her a bit of a contradiction. A hood ornament but not the engine of the old British Empire. She was a living museum piece, a reminder of a repulsive imperial past. A colonizer’s deodorizer.

In 1983, I recall covering the Queen when she visited San Francisco. I was not her loyal subject, neither were the 700 Irish protestors outside the St. Francis Hotel. Then as now, I am gratefully reminded how America has no monarchy.

But it can have a president and first lady like Barack Obama and Michelle Obama.

The day the Obamas were back in the White House a Washington Post investigation exposed how a former disgraced president, the one after Obama, had documents containing the top-secret nuclear capabilities of a foreign government, at his Mar-a-Lago civilian home.

On a day like that, we all realized how much we missed “No Drama Obama.”

Barack Obama kept things light so we could remember happier times.

“Thanks for letting us invite a few friends to the White House,” Barack Obama said to Biden at the start. “We will try not to tear up the place.” A burst of laughter put people at ease. But maybe because we all know he couldn’t tear up the place any worse than President 45.

We all know what Obama meant through just a few of his associated acronyms. Health care through ACA (The Affordable Care Act). A life in America for the young, innocent, and undocumented through DACA (Deferred Action on Childhood Arrivals). A home no longer “underwater” due to the bad loans banks made during the recession thanks to HAMP (Home Affordable Modification Program).

But this was a time for art, not policy. Barack Obama’s portrait, a masterful bit of photorealism by Robert McCurdy, captured the first biracial African American from Hawaii ever to be president, as a standout amid a background of white space.

And there was Michelle Obama, in a Sharon Sprung portrait, full of life and color, a first lady like never before.

Both Obamas individually portrayed, artfully, and more truthfully than any literal photo, leaving viewers with plenty of room for imagination, appreciation, and inspiration.

A braided Michelle Obama was humbled to see her canvas. “This big, beautiful painting staring back at me,” she said. “I never could have imagined that any of this would-be part of my story.”

But this is the story of America.

“Too often in this country, people feel like they have to look a certain way or act a certain way to fit in,” Michelle Obama said. “That they have to make a lot of money or come from a certain group, or class or faith in order to matter. But what we’re looking at today, a portrait of a biracial kid with an unusual name, and the daughter of a water pump operator and a stay-at-home mom, what we are seeing is a reminder that there’s a place for everyone in this country.”

That’s the takeaway.

The British can have their impotent figureheads, their kings and queens bloodied by history.

In America, we have the power of democracy.

Emil Guillermo is a journalist and commentator. See him on www.amok.com

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Commentary

OPINION: The Philippines Isn’t Foreign When Your Family Still Lives There

Americans complain about inflation. Filipinos complain about surviving. That’s not a knock on America. It’s a reminder that for millions of Filipino Americans, the Philippines isn’t some faraway place we visit on vacation. It’s where our parents were born. Where our cousins still

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AI-generated photo by Open AI.

Americans complain about inflation.

Filipinos complain about surviving.

That’s not a knock on America. It’s a reminder that for millions of Filipino Americans, the Philippines isn’t some faraway place we visit on vacation. It’s where our parents were born. Where our cousins still live. Where grandparents are buried. Where every phone call home can begin with, “We’re okay,” or, just as easily, “We need help.”

The Bay Area is home to one of the nation’s largest Filipino communities. California alone has nearly two million Filipinos—roughly half of all Filipino Americans in the United States.

Every year, Filipino Americans send an estimated $17 billion from the United States to the Philippines. Those remittances account for roughly a tenth of the Philippine economy. One wire transfer may keep children in school, put food on the table, pay hospital bills, or help elderly parents make it another month.

That’s why Filipino Americans were paying attention to President Ferdinand Marcos Jr.’s State of the Nation Address this week.

They were listening for justice.

They were listening for Lyle Prijoles.

Prijoles, a 40-year-old Filipino American from Hayward, was killed on April 19 during a Philippine military operation in Negros Occidental. Also killed was Kai Sorem, a 26-year-old activist from Seattle.

The Armed Forces of the Philippines say those killed were connected to the Communist Party’s New People’s Army.

Their families say otherwise.

Human-rights advocates describe Prijoles and Sorem as labor organizers and peaceful activists working alongside sugar workers struggling under crushing poverty. Prijoles had traveled repeatedly to the Philippines since 2006, documenting conditions in Negros and advocating for farm workers whose lives rarely improve no matter who occupies the presidential palace in Manila.

Those conflicting stories are exactly why members of Congress, led by Rep. Pramila Jayapal (D-WA-7), have called for an independent investigation.

After all, two American citizens are dead.

If an ally’s military kills Americans under disputed circumstances, shouldn’t we want to know exactly what happened?

Yet the story barely made news in the United States.

Perhaps because it’s inconvenient.

It’s inconvenient for Manila – and Washington.

Strategic allies aren’t supposed to kill American citizens.

The Philippines isn’t just another country.

It’s family.

President Marcos had bigger issues on his mind this week.

China’s growing aggression in the West Philippine Sea dominated much of the speech. Marcos rightly rejected racist insults aimed at Filipinos and insisted his country would not surrender its sovereignty.

“We are not racists. We are not liars,” Marcos declared. “We are respectful, and we are dignified. We are Filipinos, and we do not yield.”

Strong words.

But patriotism isn’t measured only by how forcefully a government stands up to China.

It’s also measured by how a government treats its own people.

The Philippines inherited many of America’s democratic institutions. Even the “State of the Nation Address” echoes our “State of the Union.” Congress. Elections. Constitutional government. We exported the architecture of democracy.

What we couldn’t export was accountability.

That’s why activists like Lyle Prijoles believed ordinary workers deserved better.

And that’s why his death matters.

About the Author

Emil Guillermo is an award-winning journalist, political analyst and comic monologist. See him on his microtalk show on YouTube at @emilamok1.

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Commentary

Asm. McKinnor’s Bill Banning Drones Above Outdoor Entertainment Events Awaits Senate Decision

POST NEWS GROUP —

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Assemblymember Tina McKinnor (D-Inglewood), right, introduced Assembly Bill 2113 to address a public safety enforcement gap involving unauthorized personal drones flying over crowds at large outdoor events in California. A violation would be an infraction punishable by a fine of up to $500. McKinnor is shown with fellow California Legislative Black Caucus member Assemblymember Isaac Bryan (D-Ladera Heights). CBM photo by Antonio Ray Harvey.

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Assemblymember Tina McKinnor (D-Inglewood) is advancing legislation that would prohibit unauthorized drones from operating within 400 feet of large outdoor ticketed entertainment events. 

Assembly Bill 2113, titled “Aviation: Unmanned Aircraft Systems: Ticketed Entertainment Events,” passed the Senate Public Safety Committee on June 30 by a 6-0 vote and was referred to the Senate Appropriations Committee. 

The Assembly approved the bill May 18 on a bipartisan 72-0 vote, with support from 54 Democrats and 18 Republicans. AB 2113 must clear the Senate Appropriations Committee before the Legislature’s Aug. 31 deadline to remain active. 

“Large, ticketed entertainment events such as concerts, festivals, and sporting events bring thousands of people into dense confined spaces, including many venues in my (California State Assembly District 61),” McKinnor said. “Unauthorized drones and activities in these settings pose a real risk to public safety and can interfere with event operations and emergency response.” 

McKinnor said the legislation would establish a state-level restriction that local authorities could enforce while preserving the federal government’s authority over U.S. airspace. 

McKinnor also said, “While the Federal Government regulates airspace, local law enforcement is responsible for protecting public safety on the ground, yet current law does not provide a clear state-level prohibition addressing this issue.

Under the bill, the restriction would apply to outdoor professional music, sporting, or performing arts events held at venues with a capacity of at least 1,000 people.

Each violation would be an infraction punishable by a $500 fine. 

McKinnor, who chairs the Assembly Select Committee on the 2028 Olympic and Paralympic Games and the Los Angeles County Legislative Delegation, said the restrictions are particularly important as California prepares to host major international gatherings, including the 2028 Olympic and Paralympic Games. 

“AB 2113 protects the intellectual property rights of artists and addresses a growing public safety gap at public events due to the growing use of drones across California,” said McKinnor, a member of the California Legislative Black Caucus (CLBC). 

The Association for Uncrewed Vehicle Systems International (AUVSI) has raised concerns about the bill’s potential effects on legitimate commercial drone operations. 

Mason Sisk, the group’s director of government affairs, said AB 2113 would address the “disruptive use of drones,” including operations that infringe on artists’ intellectual property. However, the trade association has asked McKinnor’s office to add an exemption for commercial flights providing services such as cargo transportation and infrastructure inspections. 

“Our issue with the bill really has to do with the distinction between the ‘loitering and hovering’ and the disruptive use of drones. So, I would ask that the committee not support the bill until we have language figured out,” Sisk told the Senate Committee on Public Safety.

To address concerns raised during the legislative process, McKinnor accepted amendments that narrowed the bill’s scope and exempted certain authorized operations. The prohibition would not apply to venue-approved flights, venue employees conducting official business, regulated utility employees performing official duties, or emergency personnel responding to an incident. 

“My office and the sponsor have been engaging with stakeholders throughout this process, and I want to thank everyone for their patience and collaboration,” McKinnor said. “We remain committed to working in good faith as the bill moves forward to address concerns of stakeholders.” 

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Black History

George Cook: The Inventor Who Made Fishing Smarter

George Cook was a Black American inventor from Louisville, Kentucky. He was born in 1863, during a time when Black Americans faced unfair laws, limited opportunities, and many barriers to education, jobs, and recognition. Even with these challenges, he became known for his intell

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A copy of the patent for George Cook’s Automatic Fishing Device. Public domain.

George Cook was a Black American inventor from Louisville, Kentucky. He was born in 1863, during a time when Black Americans faced unfair laws, limited opportunities, and many barriers to education, jobs, and recognition. Even with these challenges, he became known for his intelligence, honesty, and ability to think in practical ways. Some records say he worked as a cook for Buffalo Bill Cody and later as a chef on a private dining car for the Louisville and Nashville Railroad. He was even known by the nickname “Honest Mister Cook.”

As with many Black American inventors and scientists of that era, there is little biographical information about Mr. Cook.

Cook’s most famous invention was the Automatic Fishing Device. He received U.S. Patent No. 625,829 for it on May 30, 1899. His patent shows that he was not just someone with an idea, but someone who made it happen.

So, what did the Automatic Fishing Device do? Imagine fishing with a line in the water. Usually, you have to watch carefully and pull the line at just the right moment when a fish bites. Cook wanted to make that process easier. His device was designed to react when a fish pulled on the line. The tension from the fish would trigger a lever. That lever would release a spring-loaded part of the device, causing it to move quickly and help pull in the line. The device also had an alarm gong that would ring to let the fisher know something was happening.

This invention was important because it used simple mechanical ideas in a clever way. Springs, levers, rails, and alarms were not new by themselves, but Cook combined them to solve a real problem. His device showed how inventors often take familiar parts and arrange them in a new way to make life easier. 

Cook looked at fishing and asked, “How can this be improved?” Then, he created a device that could respond automatically when a fish tugged on the line. His invention let fishermen relax instead of watching the line for hours, trusting the alarm to alert them.

Cook may not be as famous as some inventors, but his Automatic Fishing Device shows that creativity and innovation can be applied anywhere. His legacy lives on as part of the larger story of Black innovation in America.

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