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COMMENTARY: On the Queen’s Passing, and the Obama’s Portraits of Democracy

Granted, the Queen had no real “political” power; but as “head of state,” she still had enormous influence in Great Britain and the dozen or so countries in the Commonwealth. It made her a bit of a contradiction. A hood ornament but not the engine of the old British Empire. She was a living museum piece, a reminder of a repulsive imperial past. A colonizer’s deodorizer.

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Granted, the Queen had no real “political” power; but as “head of state,” she still had enormous influence in Great Britain and the dozen or so countries in the Commonwealth.

By Emil Guillermo

The same week Queen Elizabeth died at age 96, back in the news for the unveiling of their White House portraits were Barack Obama and Michelle Obama.

BOMO are reminders: Don’t go overboard on the Queen.

In other words, if I say Queen and you say Latifah, or even Beyonce, you’re keeping it real.

Have compassion for Queen Elizabeth II as a human being, sure. But remain repulsed by all that the monarchy stands for.

Tradition? You mean like the hundreds of thousands of Kenyan Kikuyu people imprisoned in the 1950s in what Harvard professor Caroline called the “British Gulag.”

It was so bad that finally in 2013, survivors of the Gulag sued and forced the British to quietly settle with 5,228 survivors. Reparations payments of 3,800 pounds each were for “torture and ill-treatment at the hands of the colonial administration,” according to a Parliament spokesman.

It all happened during the Queen’s watch.

Kenya was just a fraction of the British Empire’s violent past. All of it together, from the Middle East, to Asia, to Africa, subjugated at one time more than 700 million people. It makes the Queen the nostalgic mascot of white supremacy, in a tradition where “I’m royal and you’re not,” means much.

Granted, the Queen had no real “political” power; but as “head of state,” she still had enormous influence in Great Britain and the dozen or so countries in the Commonwealth. It made her a bit of a contradiction. A hood ornament but not the engine of the old British Empire. She was a living museum piece, a reminder of a repulsive imperial past. A colonizer’s deodorizer.

In 1983, I recall covering the Queen when she visited San Francisco. I was not her loyal subject, neither were the 700 Irish protestors outside the St. Francis Hotel. Then as now, I am gratefully reminded how America has no monarchy.

But it can have a president and first lady like Barack Obama and Michelle Obama.

The day the Obamas were back in the White House a Washington Post investigation exposed how a former disgraced president, the one after Obama, had documents containing the top-secret nuclear capabilities of a foreign government, at his Mar-a-Lago civilian home.

On a day like that, we all realized how much we missed “No Drama Obama.”

Barack Obama kept things light so we could remember happier times.

“Thanks for letting us invite a few friends to the White House,” Barack Obama said to Biden at the start. “We will try not to tear up the place.” A burst of laughter put people at ease. But maybe because we all know he couldn’t tear up the place any worse than President 45.

We all know what Obama meant through just a few of his associated acronyms. Health care through ACA (The Affordable Care Act). A life in America for the young, innocent, and undocumented through DACA (Deferred Action on Childhood Arrivals). A home no longer “underwater” due to the bad loans banks made during the recession thanks to HAMP (Home Affordable Modification Program).

But this was a time for art, not policy. Barack Obama’s portrait, a masterful bit of photorealism by Robert McCurdy, captured the first biracial African American from Hawaii ever to be president, as a standout amid a background of white space.

And there was Michelle Obama, in a Sharon Sprung portrait, full of life and color, a first lady like never before.

Both Obamas individually portrayed, artfully, and more truthfully than any literal photo, leaving viewers with plenty of room for imagination, appreciation, and inspiration.

A braided Michelle Obama was humbled to see her canvas. “This big, beautiful painting staring back at me,” she said. “I never could have imagined that any of this would-be part of my story.”

But this is the story of America.

“Too often in this country, people feel like they have to look a certain way or act a certain way to fit in,” Michelle Obama said. “That they have to make a lot of money or come from a certain group, or class or faith in order to matter. But what we’re looking at today, a portrait of a biracial kid with an unusual name, and the daughter of a water pump operator and a stay-at-home mom, what we are seeing is a reminder that there’s a place for everyone in this country.”

That’s the takeaway.

The British can have their impotent figureheads, their kings and queens bloodied by history.

In America, we have the power of democracy.

Emil Guillermo is a journalist and commentator. See him on www.amok.com

Black History

IN MEMORIAM: The Rev. Leon “Sonny” Clark, Longtime Orange County Pastor and Community Leader, Dies at 72

Rev. Leon William “Sonny” Clark, the longtime pastor of New Spirit Baptist Church in Santa Ana and a prominent faith and community leader in Orange County, passed away on September 9 at the age of 72. Born in Bennettsville, South Carolina, Clark was a U.S. Navy veteran who dedicated his life to service. He served various Southern California churches before leading New Spirit Baptist Church for over 22 years, extending his work into counseling, mentoring, and civic engagement, and supporting the African American community. To learn more about his life and contributions, read more.

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The Rev. Leon “Sonny” Clark. File photo.

Rev. Leon William “Sonny” Clark, longtime pastor of New Spirit Baptist Church in Santa Ana and a respected faith and community leader in Orange County, died Sept. 9. He was 72.

Born Oct. 2, 1953, in Bennettsville, South Carolina, Clark was a U.S. Navy veteran who later built a life of service centered on family, faith, ministry, and community.

Clark began his formal ministry at Metropolitan Baptist Church in Altadena in 1978. After acknowledging his call to ministry in 1980, he preached his first sermon and went on to serve churches throughout Southern California, including Second Baptist Church in Riverside, Mount Vernon Baptist Church in Rubidoux, Antioch Missionary Baptist Church in Pomona, and Friendship Baptist Church in Yorba Linda.

In November 2003, Clark was called to lead New Spirit Baptist Church in Santa Ana, where he served as pastor for more than 22 years. His work extended beyond the pulpit through counseling, mentoring, civic engagement, and efforts to strengthen Orange County’s African American community.

Clark served on the Orange County Heritage Council and supported efforts to preserve and celebrate African American history and culture. He helped organize the Orange County Black History Parade and Unity Festival, served on the Interfaith Committee and the Orange County Transit Authority, and served as president of the Orange County Ministers Conference.

In 2024, the City of Santa Ana recognized Clark for his contributions to the community. He also received the Orange County Southern Baptist Association Hall of Faith Award and was previously honored as Pastor of the Year by the Orange County Heritage Council.

Clark is survived by his wife, Andrea Joyles Clark; six children, Shawn Williams, Le Ondra Clark Harvey, Kyla Coward, Joshua Clark, Marissa Clark and Ashley Clark; grandchildren and great-grandchildren; siblings; extended family; and the New Spirit Baptist Church congregation.

A wake will be held Thursday, Oct. 1, from 4 to 8 p.m. at New Spirit Baptist Church, 701 S. Sullivan St. in Santa Ana, with a remembrance service from 5 to 6:30 p.m.

A Celebration of Life will be held Friday, Oct. 2, at Friendship Baptist Church, 17145 Bastanchury Road in Yorba Linda. Viewing begins at noon, followed by the service at 1 p.m.

Burial will take place Monday, Oct. 5, at 10:15 a.m. at Riverside National Cemetery.

Clark often shared a guiding principle that shaped his ministry: “Start where you are. Use what you have. Do what you can.”

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Black History

Remembering Chauncey Bailey as Student Journalists Face Threats to Truth-Telling

Nearly two decades ago, Oakland Post reporter and editor-in-chief Chauncey Bailey was tragically murdered for investigating a crooked business. His assassination shocked the journalism world and is remembered as student journalists today face increasing threats and censorship. A former classmate of Bailey and chair of the Student Press Law Center notes a significant rise in calls from students seeking legal advice amid a hostile environment. This situation highlights the importance of protecting young journalists and their pursuit of truth. Read more to learn about Bailey’s legacy and current challenges facing student press.

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Chancey Bailey. File photo.

It is nearly 20 years since Chauncey Bailey, a crusading journalist, was murdered

on an Oakland street corner, gunned down to prevent him from writing stories about a

crooked business.

I hope people remember Bailey, a reporter and editor-in-chief for the

Oakland Post, the city’s Black newspaper. He had already written several articles about

the problems of a business called Your Muslim Bakery and was working on another

when the bakery’s owner ordered an employee to kill Bailey.

His murder shocked the journalism world that found the idea of an American

reporter killed for doing his job unfathomable. For me, the shock and sadness were also

personal.

I knew Bailey. In the mid-1970s we were classmates in the Michelle Clark Memorial

Foundation program, the precursor to the Institute for Journalism Education Summer

Program. A program, backed by the Ford Foundation, that provided intensive training

for fledgling minority journalism students and then placed them in jobs at newspapers

and television stations.

I’m reminded of Bailey and that program when I visit the East Bay at the end of

September to discuss the future of student journalism. To me, the visit will not only

evoke memories of Bailey. It will also be an opportunity to hone strategies to protect and

support student journalists who are under attack today, maybe not in the way that took away Chauncey Bailey, but an attack, nonetheless.

Spurred by the hostility toward the free press emanating out of Washington, high

school and college journalists are facing a barrage of censorship and harassment from

school administrators and local officials.

The 24-hour hotline staffed by the Student Press Law Center (SPLC), the non-profit I chair, has seen a 35% increase in calls from student journalists seeking legal advice on censorship, libel and copyright issues during the past two years, as well as a tripling in the number of complaints of harassment, including threats of firing, of faculty advisors.

I am not suggesting today’s national climate is as dangerous as the murderous

intentions of Yusef Bey IV, the man who ordered Bailey’s assassination. But the

harassment of student journalists does kill something else. It can destroy the desire of

student journalists to continue their growth to become professional news gatherers and

producers – something the country will always need.

It is that professional maturation that I’m reminded of when I think back on Chauncey

Bailey.

Truth be told, when we were classmates back in 1974 Bailey was the class clown,

known more for his sardonic wit than his writing or reporting talent. I have vivid

memories of Bailey sitting at his desk in the back of the room regaling us with sarcastic

comments. Sure, he was funny.

And he didn’t exhibit the level of reporting skills of our other classmates such as Milton Coleman who went on to be the Deputy Managing Editor of the Washington Post or Alexis Scott who for years has run the Atlanta Daily World.

After a series of reporting jobs in Hartford, Connecticut, Detroit, Michigan, and Oakland, Bailey had risen in talent and skill to helm this very newspaper. A tip from a source led Bailey to look into the possibility that Bey was running Your Muslim Bakery into bankruptcy. Word that Bailey was working on that story filtered back to Bey who ordered the journalist killed.

On August 2, 2007, Bailey was shot three times at point-blank range as he walked to work.

So, when I think of my trip to the East Bay my thoughts go to journalism’s past

represented by Chauncey Bailey’s sacrifice and what the staff and the board of SPLC

can do to secure the current and future work of student journalists.

Steven A. Holmes is a former Pulitzer Prize-winning journalist. His novel “Black Messiahs” was published in May this year.

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Activism

Oakland Post: Week of September 23 – 29, 2026

The printed Weekly Edition of the Oakland Post: Week of September 23 – 29, 2026

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