Black History

COMMENTARY: ‘Make America Great Again’ slogan reeks with insensitivity

NASHVILLE PRIDE — The ‘Make America Great Again’ slogan is shown on caps and shirts worn by many of Trump’s supporters or base. Many Americans find this slogan to be offensive and racist, referring to a time of history of great wealth, prosperity and power for some White Americans made possible by the exploitation of African Americans. The displaying of the slogan is seen as a slap in the face to many African Americans, depicting times in history when Blacks were subjected to slavery.

Published

7 years ago

March 25, 2019

Oakland Post

By William T. Robinson

The ‘Make America Great Again’ slogan is shown on caps and shirts worn by many of Trump’s supporters or base. Many Americans find this slogan to be offensive and racist, referring to a time of history of great wealth, prosperity and power for some White Americans made possible by the exploitation of African Americans. The displaying of the slogan is seen as a slap in the face to many African Americans, depicting times in history when Blacks were subjected to slavery.

Slaves were considered as chattel property; therefore, they provided free labor for slave owners, making slaves paramount in generating White wealth. It was on the back of Black slaves, unpaid free labor that built this country and made it possible for many Whites to prosper. The wealth of White slave-owning families was bequeathed on to future generations of Whites. Thus you have Whites who inherently enjoy privileges and entitlements they have not earned or deserved. These benefits are merely granted because of the color of their skin. Through no fault on their own, younger generations are not cognizant of the weight of slavery and discrimination in our country’s history, a history of alienating and dehumanizing people because of the color of their skin.

Many Whites are quick to rationalize about the economical, social and political power this country may have enjoyed on a global stage during different times of history. But Blacks and people of color have always been on the back burner and could not boast about the gains so many of their White counterparts enjoy. Generally speaking, good times for Whites in this country were not shared by African Americans. Blacks look back at the sweat, blood, and tears their ancestors contributed to building this country’s wealth and subconsciously feel conflicted that they were left out. But many of our White counterparts refer to these times of unbridled wealth off the backs of an enslaved people as great times for America. It is just a matter of great for whom?

Whether White America cares or truly wants to acknowledge the truth, there has never been a time in America’s history when African Americans totally felt included. Once slavery was supposed to be abolished, America found a way to continue their brutal and inhumane practice of trivializing the humanity of former slaves. While many Whites can boast of the economic legacy inherited and made possible by their ancestors, this is not true for Blacks.

Forgive African Americans if they adamantly refuse to embrace the mantra of Make America Great Again. When White America rallies about good times and unbridled prosperity, Blacks think about slavery, the raping of their women, sharecropping, lynchings, Jim Crow, Black Codes, segregation, and blatant discrimination. Make no mistake, the psychological damage of hundreds of years of slavery followed by continuing years of unmitigated and debilitating abuse and discrimination is still permeating and embedded in the psyche of many African Americans minds.

I am sorry if those who are so quick to showcase the Make America Great Again slogan don’t understand the outcry by other Americans. I can only assume they just don’t care or are just cold-blooded White supremacists. I say this because if they really cared how African Americans feel about this slogan, they wouldn’t flaunt it out of empathy and respect for African Americans feelings. But because you have Whites (and a few African American ‘props’ who should know better) continue to display the Make America Great Again slogan seen by most as disrespectful, painful and hurtful—there is a disconnect or hate that continues to divide this country.

If those so adamantly supportive of the Make America Again slogan put themselves in the shoes of African Americans and saw things from their lenses, I think they would understand the disrespect, pain, hurt and disdain felt by some Blacks.

Better yet, do you think it would be respectful for people to display a ‘Long Live Hitler’ slogan? I think not. That would understandably cause an incendiary response. People (especially Jews) would be enraged of the insensitivity of those displaying the slogan.If the wearers of the slogan ‘Make America Great Again’ had any empathy for the history and feeling of African Americans in this country, they would not display the slogan out of deference and respect for their Black counterparts. But for many, it is their intent to use the slogan to rally their racist base.

Don’t feel vilified and spurned if you willingly and adamantly wear the slogan Make America Great Again. Many Americans will decry you as a racist or White nationalist. Everyone wants their feelings to be respected, but what about Black feelings? Thanks to the courageous and morally conscious Whites who have always stood up and fought against the injustices hurled and imposed against African Americans throughout our tumultuous history in this country.

It is easy to conclude why Make America Great Again solidifies Blacks who are so adamantly into the Black Lives Matter Movement. America needs to stop enacting actions or movements trivializing African Americans’ worth—acting as if their feelings are inconsequential. I hope defenders of the Make America Great Again slogan do not continue to insult African Americans by rationalizing and trying to legitimize the slogan.

Hopefully, changes will occur and African Americans, as well as all Americans, can honestly and proudly proclaim that this country is great for all.

This article originally appeared in the Nashville Pride.

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Arts and Culture

COMMENTARY: Black Music is the Sound of Black Freedom: Let Us Reclaim Both This Juneteenth

Black Music Month started when Black Music Association members Ed Wright, Kenny Gamble and his wife, journalist and radio host Dyanna Williams were able to persuade President Jimmy Carter to establish the observation on June 7, 1979.

Published

18 hours ago

June 9, 2026

Oakland Post

Robert Johnson (1911-1938) is thought of as the godfather of blues music, especially Delta blues. The 29 songs recorded by him during his short life have been of massive inspiration to guitarists and musicians over the last 80 years. Public domain photo.

By Wanda Ravernell

Black Music Month and Juneteenth are inextricably linked – Black music is the sound of our freedom.

From the plaintive moans of the enslaved Africans’ ‘sorrow songs,’ to the fields of Civil War battle where Black soldiers picked up abandoned bugles, to the upright piano played in juke joints on Saturday night and churches come Sunday morning, our ancestors’ innovation in the face of want, fear, degradation, and hopelessness has yielded genres of music imitated ’round the world.

In 2000, Congress made it official. In 2009, Pres. Barack Obama changed the name to African American Music Heritage Month and in 2023, Pres. Joe Biden changed it back to Black Music Month, two years after he declared Juneteenth a national holiday, the result of a movement led by Opal Lee.

Our ancestors battle for freedom over these last 400 years and the music that allowed them expression of their humanity deserved to be honored.

But we may be losing sight of the value of their sacrifices.

‘Sing a Song Full of the Faith That the Dark past Has Taught Us…’

Along with the long-known exploitation of Black musicians whose recordings were stolen by record companies, the commercialization of Juneteenth feels like another kind of theft.

I had never heard of Juneteenth until I moved to the Bay Area from my hometown of Philadelphia. I didn’t know it was one of many freedom festivals celebrated by descendants of enslaved people in the United States.

Emancipation Day was Jan. 1 in Pennsylvania, April 16 in Wash., D.C., May 20 in Florida, and Aug. 8 in Kentucky. But Juneteenth, June 19, has the most renown, known in Texas as the ‘colored peoples’ Fourth of July.’

It was marked by parades, beauty pageants, rodeos, backyard barbecues and church picnics.

Yes, church.

The formerly enslaved began the day praying in thanks for their freedom just as they had prayed for Jubilee – the day of freedom – when they had chains on their feet and hands. They ‘testified’ about their past suffering and how they had managed to overcome.

And they sang.

Although, we will not hold it this year, Omnira Institute’s Juneteenth Ritual of Remembrance recalled this part of Juneteenth with prayers in the languages of the African captives. In the middle of the ceremony, a soloist would lead us in singing “Many Thousand Gone” while we took turns reciting portions of the Emancipation Proclamation, the news of freedom that took more than two years to reach Texas – two months after the Civil War ended.

“Many Thousand Gone” was famously recorded by Black luminary Paul Robeson in 1947:

“No more auction block for me,

No more, no more

No more auction black for me

Many thousand gone.”

Other verses refer to the ‘pint of salt’ and the ‘driver’s lash,’ the realities of enslavement that they had survived.

‘Sing a Song Full of the Hope That the Present has Brought Us’

All of the genres of African American music have at their root songs like that, the essence being, as Stevie Wonder, wrote, “the joy inside our pain.” So Black music is not just music. It is our story, our history, our very strength.

During the Civil Rights Movement, which peaked 100 years after slavery ended, the people testified that it was the freedom songs – based on spirituals – that gave them the heart to march, face attack dogs, fire hoses, beatings, and shootouts with vigilantes.

The music reminded them that power was in the people. That music, our music, can do so again. We don’t have to accept the commodification of the products of our culture.

The power of those songs is showing a resurgence across the South as we battle again for the right to self-determination through the ballot box.

Those songs are the voices of our ancestors, voices forged in their blood, their sweat, their tears, joy and, above all, faith. Those songs, those prayers live in our blood and our very breath.

This Juneteenth, let us reclaim those holy voices expressed in Black music for ourselves. It is our birthright. It can neither be bought nor sold. No more. Never again.

Wanda Ravernell is the executive director of Omnira Institute, sponsor for 18 years of the Juneteenth Ritual of Remembrance and Oakland’s 11^th Annual Black-Eyed Pea Festival, which will take place on Sept. 12.