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Colour of Music Festival Honors Pioneering Black Female Composer Florence

CHARLESTON CHRONICLE — Since 2013 the Colour of Music Festival has brought international, national, and regional classically trained black musicians of African descent to share their musical talents.

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By The Charleston Chronicle

The Colour of Music Festival announces the seventh annual Colour of Music Festival March 27-30, 2019 at three historic locations in the heart of downtown Charleston showcasing leading black classical artists from France, Britain, Colombia, and the Caribbean and highlighting the musical achievements of lesser known black female composers including Florence B. Price.

Since 2013 the Colour of Music Festival has brought international, national, and regional classically trained black musicians of 

African descent to share their musical talents, knowledge, and inspiration to Charleston. Since March 2018 the Festival has also traveled across the U.S. to leading collegiate venues and performance halls in Washington DC, Atlanta, Houston, Pittsburgh, and Richmond.

Spring 2019 Colour of Music Festival Highlights

A spotlight on black female composers including pioneer Florence B. Price is a fitting theme for National Women’s History Month and an auspicious evolution of the Festival’s commitment to ensure black female classical performers are both elevated and included in the classical music canon and live performances. 

“Honoring Florence B. Price among other women of color who have contributed significant works but whose compositions are rarely programmed and heard by major American orchestras is classical music’s last glass ceiling which also includes scant percentages of black female conductors and music directors,” said Lee Pringle, Founder and President of the Colour of Music Festival.

Several of Price’s chamber setting works written in 1944 including her Negro Five Folksongs in Counterpoint and String Quartet in G Major will be performed as part of the Festival’s intimate Chamber Music presentations taking place at the Edmondston-Alston House Museum Salon, 21 East Bay Street, Murry Center Salon, 14 George Street, and Burk High Performance Arts Center, 244 President Street in historic downtown Charleston.

Composer Florence B. Price

Florence Beatrice Smith Price (1887-1953) was the first African-American female composer to have a symphonic composition performed by a major American orchestra and is considered the first black woman in the U.S. to be recognized as a symphonic composer. The Chicago Symphony Orchestra performed her Symphony in E Minor in 1933 under the direction of Frederick Stock.

Florence B. Price

Florence B. Price

Price struggled to make headway in a culture that defined composers as white, male, and dead. Only in the past couple of decades have Price’s major works begun to receive recordings and performances, and these are still infrequent. Though widely cited as one of the first African-American classical composers to win national attention, she is mentioned more often than heard. Not only did Price fail to enter the canon, a large quantity of her music came perilously close to obliteration until an Illinois couple found her compositions in a run-down house they were about to renovate—a potent symbol of how a country can forget its cultural history.

“The late Margret Bonds, a student of Ms. Price and many living composers including Dominique Le Gendre and Nkeiru N. Okoye, have been presented at the Festival—our spotlight on women as part of National Women’s Month in March makes this year’s festival very special,” said Lee Pringle, President and Artistic Director of the Colour of Music Festival.

More about Black Female Composers in History

Calendar of Events | Colour of Music Festival March 27-30, 2019

Wednesday, March 27

Piano Recital, Karen Walwyn, pianist • 2 p.m.

Chamber Music I 

Colour of Music Virtuosi (all-female chamber orchestra) • 7 p.m.

Anyango Yarbo-Davenport, conductor and soloist

 

Thursday, March 28

Symposium: Florence B Price Legacy • 2 p.m.

Louse Toppin, Ph.D. presenter

Chamber Music II: Florence B. Price Spotlight • 7 p.m.

Negro Five Folksongs in Counterpoint

 

Friday, March 29

Vocal Recital, Louise Toppin • 2 p.m.

Chamber Music III: Florence B. Price Spotlight • 7 p.m.

String Quartet in G Major

 

Saturday, March 30

Organ Recital, Eldred Marshall, organist • 12 p.m.

Masterworks: Florence B. Price Showcase • 7 p.m.

Piano Concerto in D Minor in One Movement

Chelsea Tipton II, conductor; Karen Walwyn, piano

 

Colour of Music Festival Tickets and Information 

By phone (866) 811-4111

Online: www.colourofmusic.org

At door: (credit card, cash or check) before each performance

Tickets $15-$45; special K-12 pricing for student groups of 10 or more

This article originally appeared in the Charleston Chronicle. 

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Black History

HISTORY MADE: Keisha Lance Bottoms Becomes First Black Woman Elected Governor in American History

ATLANTA DAILY WORLD — History has been made in Georgia. Keisha Lance Bottoms, the former mayor of Atlanta, has been elected governor of Georgia, becoming the first Black woman in American history to win the highest executive office in any state.

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Keisha Lance Bottoms during her 2026 Democratic gubernatorial primary victory speech. Photo: Sikis2021 / Wikimedia Commons.

History has been made in Georgia. Keisha Lance Bottoms, the former mayor of Atlanta, has been elected governor of Georgia, becoming the first Black woman in American history to win the highest executive office in any state.

Bottoms’ victory over Republican businessman Rick Jackson represents a defining moment in American politics, breaking a barrier that has stood since the nation’s founding and placing Georgia at the center of a historic political transformation.

For generations, Black women have played a critical role in American democracy, organizing communities, leading movements, mobilizing voters and shaping public policy. Yet despite their contributions, no Black woman had ever been elected governor of a U.S. state.

Until now.

Bottoms’ election also makes her the first woman and first Black person elected governor of Georgia, a state whose political history has been deeply shaped by slavery, segregation, the civil rights movement and the long struggle for equal representation.

Her victory carries particular significance in a state where Black women have been among the most influential forces in voter registration, political organizing and Democratic electoral success.

A fifth-generation Georgian, Bottoms previously served as Atlanta’s 60th mayor from 2018 to 2022. During her administration, she led the city through the COVID-19 pandemic, nationwide protests over racial injustice and a period of significant economic and population growth.

Following her time as mayor, Bottoms served as a senior adviser in President Joe Biden’s administration before returning to Georgia politics to pursue the governorship.

Her campaign focused on expanding access to health care, strengthening public education, increasing wages and addressing the rising cost of living. She also advocated for expanding Medicaid, raising Georgia’s minimum wage to $15 an hour and increasing compensation for teachers and other public employees.

Bottoms faced Jackson, a wealthy health care executive who invested heavily in his campaign and positioned himself as a political outsider. The contest drew national attention as Democrats sought to reclaim the Georgia governor’s office after more than two decades of Republican control.

The historic nature of Bottoms’ victory extends well beyond party politics.

Georgia, once at the center of some of America’s most consequential civil rights battles, has now elected a Black woman to lead its state government. It is a milestone that reflects generations of political participation, organizing and leadership by Black Georgians.

For Atlanta, the moment is especially significant. A former mayor of the city that helped shape the modern civil rights movement will now lead the entire state.

Bottoms’ election opens a new chapter in Georgia’s political history and establishes a milestone that will be remembered far beyond the 2026 election.

For continuing election coverage and results, visit AtlantaDailyWorld.com/election26.



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Activism

Oakland Post: Week of October 28 – November 3, 2026

Oakland Post: Week of October 28 – November 3, 2026

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Oakland Post: Week of October 21 – 27, 2026

Oakland Post: Week of October 21 – 27, 2026

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