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Chef Dominique Leach: From Humble Beginnings to Culinary Stardom

CHICAGO DEFENDER — From the proverbial ashes rose her dream of making a mark in the world of cooking. Her now brick-and-mortar Lexington Betty Smokehouse restaurant, which she founded with her wife Tanisha, is further proof. It has fans from all over the region and around the country who crave her luxurious smoked meats and “soulful sides” like gouda mac and cheese, brisket baked beans and collard greens. 
The post Chef Dominique Leach: From Humble Beginnings to Culinary Stardom first appeared on BlackPressUSA.

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By Tacuma Roeback, Managing Editor | Chicago Defender

Chef Dominique Leach saw her dream go up in flames a few years ago. Yet, it didn’t die. 

Leach started a food truck in July 2017 that caught fire months later. The signs pointed to arson, but no one was ever arrested.  

After watching the fire settle that night, she opened the doors and discovered that everything on that truck had been destroyed, save for one item: a foam poster board.

That board had her name and bio of achievements. It was given to her by organizers of an event she was featured at, and Leach took it everywhere. 

The fact that the poster board, an enduring reminder of all she had accomplished to that point, was untouched by the flames was a sign.

“I used it as inspiration,” Leach said. “Whoever thought they were gonna stop the trajectory of what I have in mind, this is proof that this is just another obstacle that I’ll have to get through and will get through.”

Leach got through and then some. 

From the proverbial ashes rose her dream of making a mark in the world of cooking. Her now brick-and-mortar Lexington Betty Smokehouse restaurant, which she founded with her wife Tanisha, is further proof. It has fans from all over the region and around the country who crave her luxurious smoked meats and “soulful sides” like gouda mac and cheese, brisket baked beans and collard greens. 

Let’s not forget about her line of Wagyu beef hot dogs sold at regional supermarkets like Mariano’s and available nationally online, or her memorable TV appearances on popular Food Network contest cooking shows like “Chopped” and “BBQ Brawl,” which she won in Season 4.

 

“I’ve always been the youngest one, the hardest working one, the only Black one. And in a lot of cases, a lot of times, I was the only woman. But I always knew I was the best.” – Chef Dominique Leach

 

Indeed, the fire couldn’t extinguish Leach’s dream, which persists because she learned early on that she had to keep fighting, working and showing up — to become a thriver by necessity. 

And her own “fire,” which manifests as a tireless desire to succeed, was inspired by two things from her childhood: family gatherings at her mother’s house and peanut butter cookies.

Making a Way Out of No Way

The July 4th holiday was noteworthy at the Humboldt Park home where Leach grew up. Relatives, including her aunts, uncles and cousins, would come over to her mother’s house, where a celebration of food, family and fellowship would commence.  

“I could picture kids running around. The smell of the first batch of meat hitting the grill. Chaos in the kitchen, everybody trying to find whatever bowl or pot they need to get whatever side or dish they’re responsible for making all together,” Leach recalled. 

“Cars pulling up, pulling out. Shuffling in and out of the front of the building. We all trying to get situated. And there is anticipation, for the next couple of hours, and once we get settled and can start the prep work, that it turns into hanging out and a lot of love in the room.”

Chaotic yet beautiful is how she described those times. For her, the Independence Day holiday was especially more joyous because her birthday was the day after. 

From those gatherings, Leach learned the importance of providing hospitality and how a good meal could satiate the body and fortify the spirit, especially for relatives on an extended stay at their house.  

Leach also said those gatherings were where she acquired a grownup’s taste for food.

“Hot dogs and chicken wings came off the grill first. That’s what they passed out to us as kids, but I always wanted to see what that steak or rib tips was tasting like,” she said, laughing.

Eating those foods was like experiencing luxury to her because “it wasn’t something that we ate regularly.”

And during the summer, when Leach wasn’t helping herself to those prime fixings or playing basketball, she was dabbling with a cookie recipe imprinted on the side of a large can of peanut butter. She started doing this at 12. 

“It was just a black and white can of peanut butter and a peanut butter cookie recipe on the side,” she said, “I would just throw the recipe together, and sometimes it would be delicious, and sometimes it’d be too much flour and chalky.”

What captivated her were the reactions of her taste testers. 

“I gravitated towards that feeling of how people felt about the finished product, ‘Like man, these are real good! You made these?’” she said. 

She kept making peanut butter cookies until she perfected the recipe.

“That was really the only recipe that I can remember doing for a long time because we didn’t have cookbooks in the house or anything like that,” she said. 

Something else dawned on her as we spoke at a table at her Lexington Betty restaurant.

“Now that I think about it,” she said, “That was the beginning of me just wanting to be great at whatever it was that I did.”

That became her modus operandi — to make a way out of no way, especially when times got tough. And they did.   

‘I Had to Embody This Hustler Mentality’

Leach came out to her family when she was 16, and not too long afterward, in her senior year at William Howard Taft High School, she began to grapple with what she wanted to do with her life. 

At the time, Leach didn’t want to go away to college, believing she would struggle because her family would not be able to help her financially.  

She admitted that differences with her mother over her decision to identify as a Black queer woman helped her make a crucial decision early, one many people don’t make until they’re well into their twenties. 

“I said, ‘I gotta take care of myself’ because of the differences that we were going through in the house. It was already clear that I was going to have to just figure things out on my own,” she said.

“I had to embody this hustler mentality.”

So, Leach sold Italian ice at her first food industry job and did whatever she could legally to get by.  

She eventually answered that larger question about what to do with her life. 

“I decided that cooking was one of the few things that I can think of that inspired me, and I could get paid off of,” she said, “But it wouldn’t necessarily have to feel like work. It was something that I looked forward to doing.”

After graduating from Taft, she eventually enrolled in culinary school at the Illinois Institute Of Art Chicago, earning an associate’s degree in Culinary Arts in 2006.

From there, she went to work at some of the most prestigious restaurant kitchens in Chicago under the guidance of renowned culinary figures like James Beard award-winning owner and chef Tony Mantuano and Executive Chef Sarah Grueneberg of Spiaggia, a Michelin-starred Italian restaurant in Chicago. She collaborated with award-winning author and chef Raghavan Lyer at The Art Institute Museum.

By then, Leach was a chef’s chef, classically trained and fluent in various culinary traditions and working in a world dominated by White men with funky hair and tattoos. 

And in school and those kitchens, Leach had to show and prove her value every time. 

“I’ve always been the youngest one, the hardest working one, the only Black one. And in a lot of cases, a lot of times, I was the only woman.” 

“But I always knew I was the best,” she said.  

No Role Models

Chef Dominique Leach

Leach had to bear the burden of being a trailblazer with no role models or mentors to help guide her through a craggy journey littered with tests, obstacles, disappointments and closed doors.

She was equipped to excel in those fine dining kitchens, but the opportunities weren’t there. Eventually, Leach branched out with her wife to form their own catering company in 2016 called “Cater to You Events & Drop Offs.”

Though the catering company did brisk business and provided a broad menu of items, Leach yearned to do something different, to narrow her focus to a particular specialty that appealed to her community and spoke to her upbringing. That answer came in a notepad, where she scribbled ideas for a barbecue restaurant concept. 

From those notes, Leach determined she would feature smoked meats like brisket, smoked chicken and pulled pork. 

All she had to do was determine the sides, a critical element for barbecue restaurants, which are judged not only by their meats but also by the quality and uniqueness of their sides. 

“I took my sides from my soul food catering menu and incorporated it with this barbecue concept that I had written down several times,” Leach said. “And I came up with smoked meats and soulful sides, and it took me a few weeks to figure out what the name would be. And when I figured it out, I thought it was perfect.” 

All that was left was to give it a name. What would this barbecue joint be called?

The smells from the kitchens of her youth came to mind, especially those of her grandmother, Betty King, who hailed from Lexington, Mississippi, a small town with a population below 2,000, about a good hour north of Jackson. 

After recalling those memories, she came up with a name.

“Lexington Betty.”

Her barbecue food truck was born. Before the fire happened, the truck was a success. Finally, Leach found a niche that spoke to her sensibilities and married her classic training with the food she grew up cherishing. 

But watching her truck burn in the parking space by her house after only having it for a few months was devastating. 

“If I ever felt like my dream was threatened, it was in that moment,” she said.

“But fortunately, you know, somehow I found strength from it.”

In 2022, the brick-and-mortar Lexington Betty Smokehouse opened, taking over the One Eleven Food Hall, an incubation space for Black food businesses at 756 E. 111th St.

Chicago Neighborhood Initiatives, the nonprofit running the food hall, contacted Leach about moving her business there. The organization offered her a $35,000 grant to renovate the restaurant, and Leach used her money to reconfigure the space.

The stone gray and muted orange interior greets you when you walk through the doors of Lexington Betty Smokehouse. Large tables are arranged around the restaurant, lending it a family cookout vibe — much like the ones she attended in her youth. 

The walls are lined with laminated food reviews and feature stories about the restaurant. They hang by photos of Leach. There is even a cardboard cutout the chef flashing her vibrant yet hard-earned smile near the front of the store.

The Humboldt Park native has been featured in numerous publications, including People, Food & Wine and HuffPost. Good Morning America named her restaurant “Best Barbecue in Chicago.” In addition to being featured on Food Network, she serves as a judge on Food Network Canada’s Fire Masters. Even renowned chefs and bonafide barbecue pitmasters are seeking her out. 

Chef Leach accomplished it all through hard work, consistency, imagination and endurance. She is genuinely self-made as someone who “got it out the mud,” which means to rise from humble circumstances and make your way to the top.  

“The adversities I had to face, finding my authentic self, will tear anybody down, but I just kept going,” she said, tears running out from behind her shades. 

Finally, I asked her, right there in her restaurant, what she would tell the younger version of herself about this very moment, of going from those family cookouts and making peanut butter cookies to being a nationally recognized chef and trailblazer out of necessity.

“Consistency really is key,” she said.

“I never waited for validation from anybody. And now I got people looking up to me, depending on me. It was just because I kept going.” 

“So, I would just tell her to keep going.”

The post Chef Dominique Leach: From Humble Beginnings to Culinary Stardom appeared first on Chicago Defender.

The post Chef Dominique Leach: From Humble Beginnings to Culinary Stardom first appeared on BlackPressUSA.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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