Black History

California ’22 Election: Black Candidates Running for Statewide Office

There are four Black candidates running for state public office: Shirley Weber, Tony Thurmond, Malia Cohen and Angela Underwood Jacobs.

Published

4 years ago

November 4, 2022

Oakland Post

There are four Black candidates running for state public office. The three Democrats are: Shirley Weber, incumbent Secretary of State; Tony Thurmond, incumbent Superintendent of Public Instruction; Malia Cohen is seeking the state controller position. Angela Underwood Jacobs, a Republican, is vying to be the first Black woman to serve as lieutenant governor of California. Photos courtesy of official web sites of the candidates.

By Solomon O. Smith | California Black Media

There are four Black candidates running for statewide office in California. Three are contenders to win as they fight it out with their opponents in the final days of the election.

Dr. Shirley Nash Weber (D), the incumbent Secretary of State (SOS), is the front-runner in her race against Robert Bernosky (R). Weber was appointed by Gov. Gavin Newsom in December 2020. She is California’s first Black Secretary of State and only the fifth African American to serve as a state constitutional officer in California’s 170-year history.

Since her appointment, Weber has led successful public information campaigns resulting in more Californians going to the polls. She conducted a tour of state schools and local communities as part of an ongoing initiative by her office. SOS is the third-highest office in California and is responsible for establishing and implementing voting rules as well as the logistics of bringing the vote to a little over 20 million voters.

In Weber’s race, she has a lengthy list of supporters and endorsements including: Gov. Gavin Newsom, Lt. Gov. Eleni Kounalakis, State Treasurer Fiona Ma, Controller Betty Yee, Superintendent of Public Instruction Tony Thurmond, Attorney Gen. Rob Bonta, and Chair of the California State Board of Equalization Malia Cohen. In addition, several newspapers like the Los Angeles Sentinel, the Los Angeles Times and the San Diego Union Tribune have also endorsed her candidacy.

Her opponent has a bit of a different opinion on the vote, as per his platform which lists “cleaning up” California’s voter rolls as No. 3 on his to-do list. Many claimed that illegal immigrants were scattered throughout the voting rolls of Western states, all of which has been debunked by fact checkers like PolitiFact.

Tony Thurmond, a student of the public education system and a graduate of the foster youth system, is running for a second term as Superintendent for Public Instruction (SPI). Thurmond attributes the lag in the performance of Californian students to insufficient funding, an opinion which the teachers’ unions support.

“I’m honored to be supported by teachers. I’m in a race where I am supported by teachers and my opponent is supported by billionaires,” Thurmond said.

Although Thurmond is a favorite to retain his office, he has gotten some criticisms about how he handled public schools during the pandemic. Those angry about the school closures blame Thurmond and some studies show that children may have been held back academically by the shutdowns, particularly children of color.

Thurmond’s opponent, Lance Christensen, works for a California Policy Center, a right-leaning think tank. Christensen’s push for more control for parents and local communities is in line with Republican policies. SPI is a non-partisan elected position.

Christensen has called out teachers for “indoctrinating” children and has endorsed many right-wing views. “I’m a religious person, I’m a conservative, I don’t make any bones about that,” he said. “I don’t try to excuse it. I don’t hide it.”

Thurmond says that he wants to invest more in education, at least an amount that is commensurate with California’s standing as the fifth-wealthiest economy in the world. His opponent is focused on removing bad teachers and giving parents more control.

Although Thurmond is the favorite and garnered a larger share of the vote during the June primary, Christensen appeals to some parents and his right-leaning language about school choice could make Thurmond’s race more difficult in some conservative areas.

The race for state controller is a bit more complicated. The previous occupant of the position, Betty Yee, a Democrat has termed out of her position. Malia Cohen is the Democratic choice to replace Yee. Cohen has dedicated her career in public service focused on making public dollars work for all Californians, her campaign says.

Her opponent Lanhee Chen (R) is a self-described “conservative in the vein of Mitt Romney.”

In the primary, Cohen placed second, behind Republican Yee, 36.9% to 26.8%. However, the electorate favors Cohen in November. In the electorate, 46.8% of voters are registered Democrats while just 23.9 % of voters are registered Republican. The LA Times refers to this as the only open race this year.

Chen has been an aggressive underdog in the race attacking Cohen on several issues. To date, Cohen has yet to directly debate Chen, who taunted her on Twitter with images of herself, alone, on the debate stage.

Angela Underwood Jacobs is vying to be the first Black woman to serve as Lt. Gov of California. She is a Republican.

Underwood’s experience includes service as deputy mayor of Lancaster where she was the first Black woman on the City Council. Jacobs received 19.9% of the vote in the primaries, a distant second to incumbent Eleni Kounalakis’ 52.7%. Her platform includes many of the conventional Republican issues like smaller government and less regulation, but there are also some differences.

Her brother Dave Patrick Underwood, a federal security officer in Oakland, was shot and killed by a member of a far-right extremist group called the Bugaloo Bois — some members of the organization reportedly participated in the January 6 riots at the U.S. Capitol. Jacobs sued Facebook for promoting and facilitating the activities of these types of groups.

Jacobs’ “Make California Gold Again” motto, is emblematic of her mildly Trumpian platform.

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Black Developers Forum Celebrates Accomplishments

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Activism

At the event, 16 entities signed the EIP pledge, vowing to take steps to increase public contracting opportunities in their spheres for small and historically underutilized businesses. The pledge signees included Hub International, the Port of San Francisco, the San Francisco Public Utilities Commission, California High-Speed Rail Authority, the Port of Oakland, Robert Graham of Webcor Builders, Holder Construction, the Weitz Company, Sky Blue Builders, Hornblower, Swinerton, Luster National, Talson Solutions, Center for Community Wealth Building, and the Construction Contractors Alliance.

Published

1 week ago

June 24, 2026

Oakland Post

Toks Omishakin, secretary of the California State Transportation Agency, was one of the speakers at the event. Photo by Shellee Fisher Photography and Design.

By Calvin Naito, Special to The Post

On June 4, a national nonprofit named the Equity in Infrastructure Project (EIP) – which aims to increase public construction contracting opportunities for small and historically underutilized businesses – held a day-long event in downtown San Francisco to rally supporters and build momentum to its cause.

It was attended by more than 100 individuals from public agencies, private firms, and other organizations committed to increasing contracting opportunities with governmental agencies, thereby creating more competition and lowering public costs.

The EIP event was held the Hyatt Regency San Francisco in conjunction with BuildIT, which aims to increase contracting opportunities for LGBT-owned businesses.

At the event, 16 entities signed the EIP pledge, vowing to take steps to increase public contracting opportunities in their spheres for small and historically underutilized businesses.

The pledge signees included Hub International, the Port of San Francisco, the San Francisco Public Utilities Commission, California High-Speed Rail Authority, the Port of Oakland, Robert Graham of Webcor Builders, Holder Construction, the Weitz Company, Sky Blue Builders, Hornblower, Swinerton, Luster National, Talson Solutions, Center for Community Wealth Building, and the Construction Contractors Alliance.

Following the workshop, BuildIT hosted a VIP evening reception honoring EIP, whose principals – Phil Washington, John Procari, and Rick Jacobs – accepted the award.

The event also set in motion the coalition’s efforts to implement recommendations from EIP’s “Procurement for Prosperity: A Playbook.”

The Playbook is a practical guide for public agency leaders and procurement and contracting practitioners to grow the capacity of small and first-time contractors, strengthen competition, and deliver better value for taxpayers.

Toks Omishakin, Secretary of the California State Transportation Agency (CalSTA), a long-time EIP supporter, also told attendees, “This is about commitment. This has been a life’s work. This is a tailwind moment.”

The event’s presenting sponsor was Hub International, one of the largest insurance brokerages in the nation, which was joined by partners Travelers Insurance and the State Compensation Insurance Fund.

After the pledge-signing ceremony, attendees participated in a workshop in which they examined the policies, practices, and programs needed to meet EIP goals, learned from practitioners, and identified next steps toward utilizing the Playbook.

Ingrid Meriwether, formerly of Merriwether & Williams Insurance Services (MWIS) and current president of Hub International’s Aligned Risk Management, MWIS, described the hard-fought lessons she and her MWIS team have learned over the last three decades administering contractor development programs (CDPs) for the City and County of San Francisco, Alameda County, City of Los Angeles, LA Metro, and other municipalities.

The CDPs help small and local construction firms win public infrastructure contracts with these government agencies. The program provides bonding assistance, contract financing, technical support, training, and other services to underrepresented businesses funded by public agencies who seek greater contracting participation with these firms.

Merriwether said programs like these “break down systemic barriers, create greater fairness, and save taxpayers money by enabling more competition. The contractor development programs have, cumulatively, over two decades, helped contractors access over $1 billion in bonding, supporting over $380 million in awarded contracts, and maintaining a loss ratio 250 times lower than the industry average – while saving participating municipalities more than $27 million in contracting costs as a result of enabling more competition.”

Rick Jacobs, EIP co-founder and co-chair urged attendees make plans to meet again in the near future “to continue building on this work, share progress on organizational commitments, and discuss how we can collectively advance the goals of the EIP pledge.”

For more information on the EIP and to access a copy of the Playbook, go online to https://equityininfrastructure.org/

Calvin Naito is communications manager for Equity in Infrastructure Project.

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Oakland Museum Presents Landmark Retrospective Celebrating Beloved Bay Area Artist Mildred Howard

“Poetics of Memory” coincides with a year of major recognition for Howard. In 2026, she received the California Arts Council’s 50th Anniversary Award, honoring artists whose work has shaped California’s cultural and civic life, as well as the Museum of the African Diaspora’s Artist Impact Award. In 2025, she was awarded a prestigious Guggenheim Fellowship in recognition of her transformative contributions to American cultural life.

Published

1 week ago

June 24, 2026

Oakland Post

Mildred Howard. Photo by Christine Cueto for the Oakland Museum of California, 2025.

Special to The Post

The Oakland Museum of California (OMCA) opened “Mildred Howard: Poetics of Memory,” the first major museum survey of Bay Area artist Mildred Howard, on June 12.

The exhibition spans five decades of Howard’s influential work, bringing together immersive installations, found-object sculptures, archival materials, and new commissions that explore memory, identity, and power in American life.

Howard was born in San Francisco in 1945 and raised in the East Bay, where she went on to study Afro-Haitian dance, make and sell clothing, and experiment with collage and sculpture.

Her multimedia art practice emerged from these experiences, later becoming associated with West Coast conceptual art, San Francisco funk, and a vibrant community of artists like Oliver Jackson, Betye Saar, and Raymond Saunders. Since the 1970s, she has used found materials and family stories to explore memory—both individual and collective.

At OMCA, visitors enter “Poetics of Memory” through a series of intimate galleries featuring Howard’s early mixed-media pieces and sculptures, along with a large video projection of a number of her public artworks.

Together, they emphasize Howard’s interest in everyday objects as powerful carriers of individual and shared stories. Highlights include collages that remix images of the artist herself; found-object sculptures like The History of the United States with a few Parts Missing (2007) that address omissions in dominant narratives; and public works like “Locks and Keys for Harry Bridges” (2001) that transform urban space into a meditation on access and labor.

This culminates in a richly detailed “studio” environment, where works in progress, archival exhibition flyers, historic photographs of Howard and her community, postcards from fellow artists, and other materials offer insight into her creative process and daily life.

The exhibition then opens into a high-ceilinged, dramatically lit space that brings together Howard’s signature immersive installations. On one end, “Crossings” (1997/2026) – a field of hundreds of ceramic eggs leading to an ornate mirror – suggests cycles of birth, motherhood, and transition, while drawing on the emotional echoes of the Middle Passage. On the other end, “Blackbird in a Red Sky” (a.k.a. “Fall of the Blood House”) (2002) – a red glass shack bordered by a pond – also uses reflection and transparency to draw viewers into the work and prompt consideration of themes of identity and home.

Howard’s newest video installation, “Moving Stills” (2026), repurposes never-before-seen family footage she took as a teenager on a train trip to the American South. Projected onto cascading layers of translucent fabric that stretch across an entire gallery wall, the piece immerses viewers in a layered meditation on memory, migration, and time.

The “Mildred Howard: Poetics of Memory” exhibit will be on display through Oct. 11 at the Oakland Museum of California, 1000 Oak St., Oakland, CA 94612. Museum hours are Wednesday through Sunday, 11 a.m. to 5 p.m., with extended hours on Fridays to 9 p.m.

This story is sourced from the Oakland Museum of California press office.

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IN MEMORIAM: Oakland Dance Legend Reginald Ray-Savage, 67

Savage lived his life as tribute to the teachers who had shared their wisdom on art and life with him. With a palpably genuine enthusiasm and desire to bring out the best in people, and pass the torch to the next generation, he poured into his students, as his teachers and mentors had into him. His infectious energy, love of life, and generosity of spirit inspired countless souls, both inside and outside the dance studio.

Published

1 week ago

June 24, 2026

Oakland Post

Reginald Ray-Savage brought the old-school teaching techniques he learned in the Katherine Dunham Dance Company to the youth at the Oakland School for the Arts in 2003. Courtesy photo.

Special to The Post

Reginald Ray-Savage – dancer, choreographer, and beloved teacher, mentor, and inspiration to many – passed away on May 17. The Oakland School for the Arts dance instructor was 67.

Born Reginald Ray, Jr. in St. Louis, Missouri, on Sept. 5, 1958, he formally adopted the name ‘Savage,’ to honor the great Archie Savage, his mentor at Katherine Dunham’s Performing Arts Training Center where his dance training journey began in East St. Louis, Illinois.

He soon started dancing professionally with Katherine Dunham Dance Company, making dance a way of life. His grit, tenacity, and notorious work ethic brought him scholarships to train at multiple prestigious dance institutions, including The Ailey School (NYC) and Ruth Page School of Dance (Chicago), under the direction of acclaimed ballet instructor Larry Long and Dolores Lipinski-Long.

He danced with several companies including Joel Hall Dance Company, Ruth Page Ballet Chicago, Lyric Opera, Chicago City Ballet, American Festival Ballet, and touring productions of “Music Man” and “A Chorus Line”.

In 1989, Savage moved to Oakland where he started teaching seven days a week, amassing a devoted following that was attracted to his no-nonsense, impassioned, and effective old-school teaching style.

In 1992, at the insistence of his committed core of students, he founded Savage Jazz Dance Company (SJDC). Over a span of 30 years, Savage produced more than 100 original works, and tour SJDC nationally and internationally, performing at Casa del Jazz in Rome to a packed house and rave reviews—the first dance company to receive such an invitation.

Savage built SJDC into one of the Bay Area’s most respected dance companies, creating a signature style known for its combination of disciplined training, blended with rich artistic musical expression, and raw energy.

In 2003, Savage joined the Oakland School for the Arts as chair of the School of Dance. Over the next two decades, he created, built, and maintained a strong dance program, recognized, and respected by other dance institutions for forging well-trained and resilient dancers and human beings.

The depth of Savage’s tough love and care, and the skill of his teaching and mentoring are reflected in the careers of his students who have gone on to dance with the San Francisco Ballet, Martha Graham Dance Company, Mark Morris Dance Group, Janet Jackson, Ariana Grande, and companies across the globe.

Mark Kitaoka, a photographer hired by Savage in 2016, posted a living eulogy on the dance instructor.

“When I see the self-pride he builds in his students I am constantly impressed that people like Savage still exist in our ‘meme’ society,” Kitaoka wrote. “The kids he mentors are fiercely loyal to one another and I’m certain his methods teach each of those kids to put aside social status, race and gender and is replaced by solid loyalty for other souls.

“What Savage contributes to our world cannot be completely summed up in a few meager paragraphs but can be seen in the countless lives of those he has touched. Because of him, our world, and the world of the future is both a richer and better place.

Reginald Ray-Savage will forever be missed, remembered, and lovingly quoted. He is survived by his beloved wife, Alison Hurley, his sister, Sonia, and his brothers, Pierre, and Andre. May his inextinguishable spirit and impact live on in all the lives he touched.