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Black Families Beg Cops to Take Action When Loved Ones Go Missing

THE SACRAMENTO OBSERVER — At least three complaints alleged that officers at stations where they tried to file a report in-person told them to instead call 911, even though Illinois law clearly states police cannot refuse in-person reports. One father, who asked to remain anonymous, told City Bureau and the Invisible Institute that police would not allow him to report his 17-year-old daughter missing in 2020 because police told him she was an adult and could move freely in the world.
The post Black Families Beg Cops to Take Action When Loved Ones Go Missing first appeared on BlackPressUSA.

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By Trina Reynolds-Tyler, Invisible Institute, and Sarah Conway, City Bureau | Word In Black | The Sacramento Observer

This story is part three of Chicago Missing Persons, a two-year investigation by City Bureau and Invisible Institute, two Chicago-based nonprofit journalism organizations, into how Chicago police handle missing person cases reveals the disproportionate impact on Black women and girls, how police have mistreated family members or delayed cases, and how poor police data is making the problem harder to solve.

(WIB) – Some say it’s simply a mother’s intuition: a lump in the throat or a throb to the heart that warns their child is in danger, even when police suggest otherwise.

It guided Latonya Moore when her 26-year-old daughter Shantieya Smith still wasn’t home as night fell on May 28, 2018. It was out of character for her to not reach out, especially on a school night. Moore worried officers would be dismissive if she called in, so her cousin suggested they head to a nearby 10th District police station. “I wanted them to see my face so that they could understand my concern was real,” remembers Moore.

Read More: Why Don’t Police Find Missing Black Folks?

It guided her even as the officer at the front desk told her not to worry, she remembers. Maybe she is with a boyfriend, the officer suggested. It wasn’t uncommon for young women like Smith to run off with a man. “Give it 48 hours” before filing the report, Moore remembers the officer saying.

But Moore didn’t want to give it 48 hours. She thought about 15-year-old Sadaria Davis, another girl who had gone missing in the neighborhood that spring, who later was found decomposed in a trash-strewn abandoned building. It was the latest in a spate of missing women and girls; in fact, the whole neighborhood was on edge.

Moore’s cousin, part of their tight-knit family group, was adamant the officer accept the report and said they would not leave the station without one. They mentioned Smith’s bipolar disorder, which — unknown to the family at the time — meant police could have immediately characterized her case as “at-risk” and started an investigation.

Finally, officers told Moore her request was accepted.

“If she shows up, give us a call,” officers told Moore. She wouldn’t hear from them for the next four days.

RELATED: Black Children Deserve to Be Children

In Illinois, it’s against state law for any law enforcement official to refuse an in-person missing person report on any grounds, regardless of the missing person’s age, affiliation, lifestyle, or amount of time missing. Nowadays, the first 24 to 48 hours after someone goes missing are widely understood as the most vital part of a police investigation — critical to finding leads, collecting evidence and, in some cases, saving lives. The Chicago Police Department even collaborated with the network A&E on a show called “The First 48: Missing Persons,” showing (as research confirms) those crucial early hours can make or break a missing person case.

And yet, Moore clearly remembers an officer telling her to wait before filing a missing person report. City Bureau and the Invisible Institute spoke with multiple people who had similar experiences. In an analysis of police complaint records from 2011 to 2015, City Bureau and Invisible Institute found 17 complaints against officers for allegedly refusing to file missing person reports. None of the officers named in these complaints were disciplined. Black women made a majority of the complaints against officers, often when attempting to report their children missing.

Additionally, at least three complaints alleged that officers at stations where they tried to file a report in-person told them to instead call 911, even though Illinois law clearly states police cannot refuse in-person reports. One father, who asked to remain anonymous, told City Bureau and the Invisible Institute that police would not allow him to report his 17-year-old daughter missing in 2020 because police told him she was an adult and could move freely in the world.

“They were saying you have to wait 48 hours before you can actually report the person missing,” says the Rev. Robin Hood, who remembers hearing this from police officers starting in the 1990s. The West Side activist preacher has raised awareness and led community searches for missing Black girls and women on the West Side for decades.

In response to this accusation, police spokesperson Thomas Ahern wrote in an email statement: “The Chicago Police Department takes each missing person report seriously and investigates every one consistently. Under state law, CPD is required to take every missing person report regardless of how long the person has been absent or who is submitting the report.”

In some cases, families believe if police had acted more urgently, their loved ones might still be alive. While it’s impossible to prove a hypothetical, these heartbreaking stories demonstrate how important urgent police response can be.

On July 24, 2016, Shante Bohanan called her sister and said she was being held against her will. Bohanan’s boyfriend had recently died in a shooting, and the 20-year-old had gone to her boyfriend’s family’s house in order to grieve, family members told City Bureau and the Invisible Institute. A police document stated that during the phone call, Bohanan told her sister that she had a “gun held to her head.”

Tammy Pittman holds a portrait of her daughter, Shante Bonahan. Pittman says police asked her to wait 24 hours before reporting her daughter missing in 2016, even though her daughter had called in distress. (Photo: Natasha Moustache)

Tammy Pittman holds a portrait of her daughter, Shante Bonahan. Pittman says police asked her to wait 24 hours before reporting her daughter missing in 2016, even though her daughter had called in distress. (Photo: Natasha Moustache)

Bohanan’s mother, Tammy Pittman, says she went to the boyfriend’s house herself the same evening, but residents of the home said Bohanan had already left. Worried for her daughter’s safety, she attempted to report her missing.

Instead, officers suggested Bohanan had run away, and urged Pittman to wait another 24 hours before reporting her daughter missing, against state law and their own policy. Police did not search the boyfriend’s home until the next evening, and they found nothing.

Three days after her mother first tried to file a missing person report, Bohanan’s naked body was found inside a black plastic garbage bag on 92nd Street in Burnside. As of 2023, Pittman says she hasn’t heard from detectives in five years.

Ultimately, whether it’s a refused report, confusion about whether or not they can file a report, or a delay in investigation, the process leaves families in limbo as leads are lost and cases go cold.

Tammy Pittman talks about her experience with police after filing a missing person report for her daughter Shante Bohanan.

“The police failed me,” Pittman says. “Even though she’s dead, she’s gone, I don’t have no answers and that’s what hurts most of all. It hurts more than anything.”

CPD media affairs did not respond to a request for comment.

Editor’s Note: In this article, anonymous sources have their names and credentials checked and double-checked by reporters and editors, though their identities are not revealed to the public. Sources may be granted anonymity if they provide unique and critical perspective or information and are at risk for personal or professional harm if their identities are revealed.

This story is part of the Chicago Missing Persons project by City Bureau and Invisible Institute, two Chicago-based nonprofit journalism organizations. Read the full investigation and see resources for families at chicagomissingpersons.com

The post Black Families Beg Cops to Take Action When Loved Ones Go Missing first appeared on BlackPressUSA.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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