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Bill Cosby Returns to Stage for 1st Time Since November

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 In this Nov. 21, 2014 file photo, comedian Bill Cosby performs during a show at the Maxwell C. King Center for the Performing Arts in Melbourne, Fla. Los Angeles prosecutors have declined to file any charges against Cosby after a woman recently reported the comedian molested her around 1974. The rejection of a child sexual abuse charge by prosecutors on Tuesday comes roughly 10 days after the woman, Judy Huth, met with police detectives. The Los Angeles County District Attorney’s Office rejected filing a misdemeanor charge of annoying or molesting a child under the age of 18 because the statute of limitations had passed. (AP Photo/Phelan M. Ebenhack, File)

In this Nov. 21, 2014 file photo, comedian Bill Cosby performs during a show at the Maxwell C. King Center for the Performing Arts in Melbourne, Fla. (AP Photo/Phelan M. Ebenhack, File)

ROB GILLIES, Associated Press

KITCHENER, Ontario (AP) — A scandal-plagued Bill Cosby returns to the stage Wednesday night for the first time since November, with some ticket-holders vowing not to show up and others saying they will heckle the comedian.

The three performances in Canada’s Ontario province follow sexual assault allegations by more than 15 women and come after Cosby saw at least 10 performances get canceled on his North American tour.

The 77-year-old comedian is scheduled to appear at the Centre in the Square in Kitchener on Wednesday; at the Budweiser Gardens in London on Thursday; and at the Hamilton Place Theatre in Hamilton on Friday.

“I don’t know how people in good conscience can go and enjoy the show,” said Maureen Dragasevich.

Dragasevich, 59, said she and her family bought tickets and were once huge fans, but they’re not going now.

Since November, at least 15 women have come forward with claims Cosby sexually assaulted them decades ago. Most of the women say he drugged them before he assaulted them.

Cosby, who starred as Dr. Cliff Huxtable on “The Cosby Show” from 1984 to 1992, earning a reputation as “America’s Dad,” has never been charged in connection with any of the allegations. A 2005 lawsuit by a Pennsylvania woman was settled before it went to trial, and he is being sued by a woman who claims he molested her in 1974 and by three other women who allege they were defamed by the comedian when his representatives denied some of the allegations.

Cosby’s career unraveled after his accusers came forward, with a TV project halted and at least 10 standup comedy tour performances canceled or indefinitely postponed. The show in Kitchener will be his first show since Nov. 21 in Melbourne, Florida, where Cosby was greeted by an adoring audience that laughed so hard they slapped their knees, shouted love at the stage and rose to their feet as he came and went. Protesters didn’t show and there were no hecklers.

Protests are planned in Canada, however. Megan Walker, executive director of the London Abused Women’s Centre, said there will be a demonstration outside the London venue, and was told some ticket holders who couldn’t get a refund will heckle Cosby instead.

Kitchener’s mayor, Berry Vrbanovic, said he will attend an alternative event that was organized to raise awareness of sexual assault at the same time as Cosby’s show. The mayor said he hopes people will not heckle Cosby inside the venue, however.

“It’s important that people respect those who have decided to go and attend the show and their right to attend a show they have paid for,” Vrbanovic said.

Katie Gosen, who organized the protest event, said she wanted the community to have a voice and for Cosby to know he’s not welcome.

“He’s meeting opposition everywhere he goes and that’s a testament to how bad his actions are,” Gosen said

London Mayor Matt Brown said the promoter should consider canceling the London show and Ontario Premier Kathleen Wynne said she wouldn’t attend any of Cosby’s shows in the province because of the “very serious” allegations.

“Until those are sorted out I certainly would not go to a performance,” Wynne said.

Cosby’s promoter, Adam Epstein of Chicago-based Innovation Arts & Entertainment, said he is legally obligated to move ahead with the shows in Canada, and said it would send the wrong message to other artists if he canceled.

“If the allegations are true, of course I find them abhorrent, but at the same time at this point I find it presumptuous for anyone to expect me to take action and break an agreement with another business client at this stage,” Epstein said. “What if it is not true? If there’s an indictment and conviction that’s one thing.”

Scott Warren, the general manager of the Hamilton Place Theatre, said the theater is bound by a contract with the promoter and would risk being sued if the show were canceled.

Don Jones, who has promoted Cosby shows in London previously, estimated the promoter is on the hook for half a million dollars for the three shows.

“That’s a lot of money to lose if you decide to cancel. He’s caught between a rock and a hard place,” Jones said. “To be honest I’m amazed Cosby hasn’t canceled just for the embarrassment part of it.”

But Jones said Cosby probably has his reasons.

“He’s 77 years old. I’ve heard that there’s about 17 shows left in the schedule. I’m sure he realizes that it’s over. I can’t imagine any venue buying a Cosby show in the future,” Jones said.

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Business

From Historic Memories to New Possibilities: Oakland Celebrates Coliseum 60

More than 75 people gathered at Youth UpRising in East Oakland on Friday, September 18, for Coliseum 60, an event marking six decades of sports, entertainment, employment, and community memories at the Oakland-Alameda County Coliseum Complex. Held 60 years to the day after the Coliseum first opened, the celebration featured cultural performances and a mini-documentary highlighting its history. Speakers reflected on the venue’s significant role in the community and its future possibilities. Read more to learn about the individuals and stories honored during this special event.

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Quixote Atkins of VillageGIVE moderates a panel discussion at the Coliseum 60 celebration at Youth UpRising featuring Keith Brown, a member of IATSE Local 107; author, historian and former Black Panther Party member Tareka Lewis; and African American Sports and Entertainment Group President Ray Bobbitt.

More than 75 people gathered at Youth UpRising in East Oakland on Friday, Sept. 18, for Coliseum 60, a celebration honoring six decades of sports, entertainment, employment and community memories connected to the Oakland-Alameda County Coliseum Complex.

Held 60 years to the day after the Coliseum opened, the event carried the theme, “One Community. One Legacy. One Future. Forward Together.”

The celebration opened with the national anthem performed by sisters Anese Jade, Amina Benjamin and Zaza Benjamin. Diamano Coura West African Dance Company contributed African dance and drumming, bringing movement, rhythm and cultural expression to the program.

A mini documentary highlighted the Coliseum’s sports history and its broader role as an entertainment destination. Archival material recalled performances by Prince and Tina Turner, along with memorable games featuring the Warriors, Oakland A’s and Raiders.

“The Coliseum 60 is about much more than celebrating a building or looking back at 60 years of history,” said event organizer Quixote Atkins of VillageGIVE.

“It’s about the people who made that history possible: the families, workers, athletes, artists, community leaders, fans and generations who gathered there and created memories together.”

A panel exploring that history featured author, historian and former Black Panther Party member Tareka Lewis; stagehand and union representative Keith Brown; and Ray Bobbitt, president of the African American Sports and Entertainment Group AASEG. Lewis described her family as fourth-generation Bay Area pioneers.

“My family and Black families who arrived even earlier helped build the Bay Area, grew businesses and established culture here,” Lewis said. “This should be taught in the public schools.”

Lewis recalled Oakland’s influence on sports, music and literature, from the Raiders’ beginnings at Laney College to stars such as The Pointer Sisters and Rickey Henderson who attended Oakland public schools. She also advocated for school museums, historical timelines, entrepreneurship training and investments benefiting corridors such as Bancroft Avenue and High Street.

Keith Brown, a member of Local 107 of the International Alliance of Theater and Stage Employees (IATSE) who began working at the Coliseum in 2011, remembered the Ringling Bros. and Barnum & Bailey Circus, the Ice Capades, baseball bat giveaways and Nelson Mandela’s 1990 appearance.

“The special events are amazing, but it’s the workers that make the memories real for everyone,” Brown said. “They make the magic happen at the Coliseum.”

The program recognized longtime workers, including beer-stand manager Robert Preston, who served for 40 years, and Kenyatta Gentry, who worked as a vendor for 24 years and used her earnings to purchase her first apartment. Union workers Jose Gonzales and Carmen Sandoval were also honored. Speakers emphasized that Coliseum employment provided generations of residents with union wages and benefits.

Dr. Denise Saddler, the superintendent of the Oakland Unified School District (OUSD) was also honored. Saddler shared her family’s history of working at the Coliseum. 

District 7 Oakland City Councilmember Ken Houston discussed the complex ownership arrangements involving the city, county and private interests.

“This was the most complex deal of its kind in the country,” Houston said.

Prior to moving from the East Coast, Alameda County Supervisor and Coliseum Joint Powers Authority Chair Nate Miley recalled learning about Oakland through its three professional sports teams. As an elected official and public servant, Miley fought hard to keep the Golden State Warriors, Oakland As, and the Raiders, but he is hopeful for the future.

“The story is not over for the Coliseum,” Miley said. “We’re entering a new chapter.”

Bobbitt said the departure of three teams had once seemed unimaginable, but he maintained that Oakland’s future remains bright.

“Oakland is a cultural superpower worldwide,” Bobbitt said. “We’re going to write the future where we participate and drive the redevelopment.”

Bobbitt highlighted AASEG’s four-year partnership with Castlemont High School’s architecture program, which engages students in reimagining and creating redevelopment concepts for the Coliseum property. “The youth will always move us forward. They are the future.”

In closing, Atkins said, “September 18 is the celebration, but what we build together afterward is the legacy.”

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Oakland Post: Week of September 23 – 29, 2026

The printed Weekly Edition of the Oakland Post: Week of September 23 – 29, 2026

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Books

BOOK REVIEW: ‘Laws of Solomon’ Reveals Tender Heart of Former Child Soldier

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

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Book cover of “Laws of Solomon.” Courtesy of Poisoned Pen Press

Author: Eriq La Salle, Copyright: c.2026, Publisher: Poisoned Pen Press, SRP: $18.99, Page Count: 304 pages

Finally, after so much work, you’ve left your past behind.

That’s what you tell yourself: what’s done is done and you can’t undo history. It’s over. You try not to think about last month, last year, a decade back because what does it matter? As in the new novel, “Laws of Solomon” by Eriq La Salle, remembering is too full of pain.

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

Now, his days were filled working the soil in gardens near Malibu, and he loved the quiet life.

Still, he kept his guns.

And he was glad: when Solomon recognized two Zeta gunmen stalking a well-dressed man, woman, and child through the gardens, he couldn’t walk away. He stopped the gangsters with bullets, but not before the adults and their bodyguards were dead. The child, an 8-year-old boy named Gaby, was safe, but Gaby couldn’t tell Solomon what was going on.

What became quickly certain, however, was that Solomon was now Gaby’s guardian, and the Zeta crime boss wanted them dead, too.

When he was the same age as Gaby, Solomon saw unspeakable things, the murder of his parents, the destruction of his homeland, and the atrocities that Uganda dictator Idi Amin’s soldiers committed. He learned to kill, he observed, and he was hardened, understanding as a small boy that revenge was often necessary and needed, and that blood would shed at those times.

But Gaby was pure, an innocent, a child.

Solomon reached out to his contacts to try to get the boy to safety, but being a contact of a marked man was likewise a dangerous thing: the monsters outside were worse than the ones inside him.

Two words for you: ‘Whoo weee.’ That’s what you’re going to say when you close the back cover of “Laws of Solomon,” knowing that you’ve just been taken on a wild up-and-down, around-and-round ride.

La Salle makes it impossible not to like Solomon, an African man who has, over time, lost nearly everything dear to him and who has no faith in much of anything. Readers get that part of the story eventually, and there’s historical authenticity in some of it, but we never really get to know Solomon, which makes the book feel dark and dangerous. Along the way, we meet and get to know his helpers, which buoys Solomon’s chase to find safety for the boy, and your heart won’t stop pounding.

Keep in mind that this is a thriller partially set in 1970s Uganda, so expect lots of violence but don’t expect a lot of people to live. If you’re up for that, find “Laws of Solomon.” You won’t be able to leave it behind.

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