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Barbara Brandon-Croft: A Cartoon Legacy – Learning Black History Year-Round

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Historically, Black cartoonists have never enjoyed the same representation as their white counterparts. This barrier is slowly being demolished, specifically by Black female artists. Their works are being recognized; their commentary, heard; and social issues, addressed.

Among these women stands Barbara Brandon-Croft (born 1958), creator of  “Where I’m Coming From,” a comic strip described as having “reclaimed the funnies as a space where Black women’s voices could be represented and amplified.” It was published in more than 60 newspapers throughout the U.S. and Canada from 1986 to 2005.

The characters took on tough social issues such as sexism and racism.

Brandon-Croft is the first and only African American woman to have her work nationally syndicated in mainstream press.

Born in Brooklyn, Barbara was 10 years old when she started her career (although she says she “didn’t know it at the time”). As a way to earn money for her allowance, she assisted her father, the pioneer syndicated cartoonist Brumsic Brandon, Jr. (1927–2014), creator of the comic strip “Luther,” which ran from 1969–1986.

“My dad worked in the house … initially his studio was in the dining room,” she said during an interview with ABC’s “Here and Now.”

“I had a brother and a sister and he gave each of us a drawing pen. I seemed to be the one that got that ‘gene.’ I was enlisted to do some work on his strips, like coloring in the silhouettes … even one time doing the lettering. I was trained, but I had no idea I was being trained.”

Later, Brandon-Croft would attend Syracuse University’s College of Visual and Performing Arts. Her ambitions were broad, including fashion illustrator. “But I still didn’t know,” she said about her career path. It wasn’t until she interviewed for a position at a magazine that an opportunity to draw came about.

“The [interviewer] said, ‘You brought your portfolio,’ and I said I’d do anything. She said, ‘Well, you have a sense of humor, can you do a comic strip?’ I said, ‘I think I can.’ But had my dad been a bus driver, I wouldn’t have thought that.”

Today, both artists remain the only father-daughter lineage in comic syndication history.

What became Brandon-Croft’s big break was the publishing of “Where I’m Coming From” in the Detroit Free Press (1989). Two years later, she would sign a contract with Universal Press Syndicate. Her characters would be known by readers in over 100 US cities as well as in publications in Jamaica and South Africa.

Through “Where I’m Coming From,” Brandon-Croft wanted white readers to “fully grasp the struggles of Black Americans as people in their own right, not just characters that happened to be brown-skinned.”

During a 1992 interview with the New York Times she said: “If mainstream folk understood the Black perspective better, they wouldn’t be surprised at the rage we’re holding. We know white people because we’re exposed to them, but they don’t know us. If we’re going to have a peaceful existence, they have to understand our perspective.”

Source:  https://en.wikipedia.org/wiki/Barbara_Brandon-Croft

https://inthetrove.com/barbara-brandoncroft

Image:  https://inthetrove.com/barbara-brandoncroft

 

Tamara Shiloh

Tamara Shiloh


About Tamara Shiloh





Tamara Shiloh has published the first two books in her historical fiction chapter book series, Just Imagine…What If There Were No Black People in the World is about African American inventors, scientists and other notable Black people in history. The two books are Jaxon’s Magical Adventure with Black Inventors and Scientists and Jaxon and Kevin’s Black History Trip Downtown. Tamara Shiloh has also written a book a picture book for Scholastic, Cameron Teaches Black History, that will be available in June, 2022.

Tamara Shiloh’s other writing experiences include: writing the Black History column for the Post Newspaper in the Bay area, Creator and Instruction of the black History Class for Educators a professional development class for teachers and her non-profit offers a free Black History literacy/STEM/Podcast class for kids 3d – 8th grade which also includes the Let’s Go Learn Reading and Essence and tutorial program.   She is also the owner of the Multicultural Bookstore and Gifts, in Richmond, California,

Previously in her early life she was the /Editor-in-Chief of Desert Diamonds Magazine, highlighting the accomplishments of minority women in Nevada; assisting with the creation, design and writing of a Los Angeles-based, herbal magazine entitled Herbal Essence; editorial contribution to Homes of Color; Editor-in-Chief of Black Insight Magazine, the first digital, interactive magazine for African Americans; profile creations for sports figures on the now defunct PublicFigure.com; newsletters for various businesses and organizations; and her own Las Vegas community newsletter, Tween Time News, a monthly publication highlighting music entertainment in the various venues of Las Vegas.

She is a member of:

  • Society of Children’s Book Writers and Illustrators (SCBWI)

  • Richmond Chamber of Commerce

  • Point Richmond Business Association

  • National Association of Professional Women (NAPW)

  • Independent Book Publishers Association (IPBA)

  • California Writers Club-Berkeley & Marin

  • Richmond CA Kiwanis

  • Richmond CA Rotary

  • Bay Area Girls Club


Tamara Shiloh, a native of Northern California, has two adult children, one grandson and four great-grand sons. She resides in Point Richmond, CA with her husband, Ernest.

www.multiculturalbookstore.com

About Tamara Shiloh

Tamara Shiloh has published the first two books in her historical fiction chapter book series, Just Imagine…What If There Were No Black People in the World is about African American inventors, scientists and other notable Black people in history. The two books are Jaxon’s Magical Adventure with Black Inventors and Scientists and Jaxon and Kevin’s Black History Trip Downtown. Tamara Shiloh has also written a book a picture book for Scholastic, Cameron Teaches Black History, that will be available in June, 2022. Tamara Shiloh’s other writing experiences include: writing the Black History column for the Post Newspaper in the Bay area, Creator and Instruction of the black History Class for Educators a professional development class for teachers and her non-profit offers a free Black History literacy/STEM/Podcast class for kids 3d – 8th grade which also includes the Let’s Go Learn Reading and Essence and tutorial program.   She is also the owner of the Multicultural Bookstore and Gifts, in Richmond, California, Previously in her early life she was the /Editor-in-Chief of Desert Diamonds Magazine, highlighting the accomplishments of minority women in Nevada; assisting with the creation, design and writing of a Los Angeles-based, herbal magazine entitled Herbal Essence; editorial contribution to Homes of Color; Editor-in-Chief of Black Insight Magazine, the first digital, interactive magazine for African Americans; profile creations for sports figures on the now defunct PublicFigure.com; newsletters for various businesses and organizations; and her own Las Vegas community newsletter, Tween Time News, a monthly publication highlighting music entertainment in the various venues of Las Vegas. She is a member of:
  • Society of Children’s Book Writers and Illustrators (SCBWI)
  • Richmond Chamber of Commerce
  • Point Richmond Business Association
  • National Association of Professional Women (NAPW)
  • Independent Book Publishers Association (IPBA)
  • California Writers Club-Berkeley & Marin
  • Richmond CA Kiwanis
  • Richmond CA Rotary
  • Bay Area Girls Club
Tamara Shiloh, a native of Northern California, has two adult children, one grandson and four great-grand sons. She resides in Point Richmond, CA with her husband, Ernest. www.multiculturalbookstore.com

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Activism

Black-Owned Nonprofit Gameheads Expands Youth Opportunities with New Gameheads KIDS Summer Program

Throughout the five-week experience, students will explore Scratch coding, digital illustration using drawing tablets, storytelling, technical art, animation, board games, arts and crafts, physical movement, and STEAM-based learning that encourages creativity, collaboration, and problem-solving.

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Gameheads Student Ethen Gibbs will attend UC Santa Cruz this Fall, Damon Packwood Co-Founder of Gameheads, Student Yahn Mae McCallum will attend UC San Diego this Fall. Photo Credits by: Jonathan Fitness Jones.
Gameheads Student Ethen Gibbs will attend UC Santa Cruz this Fall, Damon Packwood Co-Founder of Gameheads, Student Yahn Mae McCallum will attend UC San Diego this Fall. Photo Credits by: Jonathan Fitness Jones.

By Dr. Maritony Jones

OAKLAND, Calif. — For more than a decade, Oakland-based nonprofit Gameheads has been transforming the lives of young people by turning a passion for video games into pathways toward careers in technology. This summer, the Black-led organization is expanding that mission by launching Gameheads KIDS, a new five-week program designed to inspire children ages 8 to 11.

Running July 13 through Aug. 13, the Kids summer program introduces children to coding, digital art, storytelling, animation, and game design through hands-on activities that encourage creativity, teamwork, and critical thinking.

Founded more than 12 years ago by Damon Packwood, Co-Founder and Executive Director, Gameheads was created to bridge the opportunity gap facing many Oakland youth despite living in the heart of the world’s technology capital. Mr. Packwood, whose background includes leadership roles with Juma Ventures, Hack the Hood, and Upward Bound, has dedicated his career to making technology education accessible to young people from underserved communities.

“Parents are using apps, tablets, and online games to provide children with digital literacy skills. But, some of these platforms have predatory models that are not in a child’s best interest,” said Packwood. “By combining analog and digital activities that are disconnected from the internet, we can provide that very same experience in a safe, child-friendly, and most of all fun environment.”

Packwood’s vision has grown into a nationally recognized nonprofit that connects students with nearly 200 volunteer mentors from the gaming and technology industries, including professionals who have contributed to games like Minecraft and Marvel’s Spider-Man. Through partnerships with companies such as Sony PlayStation, Microsoft Xbox, Autodesk, and other industry leaders, Gameheads has helped prepare students for successful careers in technology, with many graduates earning $75,000 to more than $100,000 in entry-level positions.

Now, Gameheads is introducing those opportunities even earlier.

Learning Through Play

The new Gameheads KIDS program is built on the belief that children learn best through play. Instead of simply playing video games, campers will discover how games are imagined, designed, and created while developing skills that extend far beyond the screen.

Throughout the five-week experience, students will explore Scratch coding, digital illustration using drawing tablets, storytelling, technical art, animation, board games, arts and crafts, physical movement, and STEAM-based learning that encourages creativity, collaboration, and problem-solving.

No previous coding or gaming experience is required—just curiosity and a willingness to learn, organizers say.

Gameheads Program Manager Randi Dean says the program is about creating opportunities that can shape a child’s future.

“I believe in the mission of Gameheads, and that is what has drawn me to them,” Mrs. Dean said. “We give young people opportunities to change the trajectory of their lives and break away from predetermined narratives.”

Families interested in enrolling are encouraged to register soon, as space is limited.

Gameheads KIDS Summer Program (Pilot Program)

  • Dates: July 13 – Aug.13/ Schedule: Monday–Thursday, 9 a.m.–4 p.m.

For registration and more information, visit GameHeadsOakland.org or email damon@gameheadsoakland.org

More than a summer camp, Gameheads KIDS is an investment in Oakland’s future—giving young minds the confidence, creativity, and technical skills to imagine new possibilities and become tomorrow’s innovators.

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Alameda County

Lower Bottom Playaz Presents Lee Blessing’s ‘Going to St. Ives’

Played by Dr. ayodele nzinga, May N’Kame, the mother of a deadly African dictator, travels to England to see Dr. Cora Gage (Teresa Foss) about medical treatment for her failing eyesight. But what she really wants is a poison to assassinate her son. Gage is then put in a personal dilemma to either uphold her vow to ‘do no harm,’ or help put an end to the atrocities the dictator visits on his people.

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Oakland’s oldest North American African theater company presents a story of race, women, violence, and empire.

By Cat Brooks, Special to The Post

The Lower Bottom Playaz 27th season will kick off on July 9 with “Going to St. Ives,” a play by Lee Blessing.

Directed by playwright, actress, and community advocate Cat Brooks, the play by Lee Blessing is the story of two impressive women brought together by the personal and divided by the political, as both seek to accomplish the greatest good.

Played by Dr. ayodele nzinga, May N’Kame, the mother of a deadly African dictator, travels to England to see Dr. Cora Gage (Teresa Foss) about medical treatment for her failing eyesight. But what she really wants is a poison to assassinate her son. Gage is then put in a personal dilemma to either uphold her vow to ‘do no harm,’ or help put an end to the atrocities the dictator visits on his people.

“While the Empire’s location is fictional, a very real genocide is happening in the Congo right now that many of us are ignoring,” Brooks observed. “We set this play there in hopes of utilizing theater to make audiences aware of injustices moving in places and amongst people that mainstream media omits from its headlines.

“In these times, it is more important than ever that theater do more than just entertain. It must tell tales that ignite us into action.”

Also explored in Going to St. Ives are themes of motherhood and sacrifice. What does it cost mothers to raise sons only to lose them to the violence of the world? What experiences are shared amongst mothers across race, class, and country?

“Going to St. Ives examines the weight of privilege against the cost of ‘being responsible’ in a world carved by colonialism, greed, and loss in a high-stakes chess game between two women with only one thing in common,” said nzinga who is also the artistic director of Lower Bottom Playaz.

The play was first performed in 1997 in Seattle, eventually enjoying a highly praised off-Broadway run in New York in 2005.

For this production, Lower Bottom Playaz is partnering with non-government organizations that focus on raising awareness and providing support to displaced refugees across the diaspora, emphasizing community solidarity and collective action.

“Going to St. Ives” premieres on July 9 at BAM House in the Sister Thea Theater, 1540 Broadway, Oakland, CA 94612. All performances are scheduled through July 26 on Friday and Saturday at 8 p.m. and matinees on Saturday and Sunday at 2 p.m. For tickets and more information, please visit http://www.lowerbottomplayaz.com/. Reservations: 510 332-1319, leave a message.

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Activism

‘The Oakland Street Academy Saved My Life’

The first time a teacher pulled up a chair to sit next to me to help me out, I panicked because no adult had ever sat so close to me in any kind of a caring or helping way. My English teacher, Kitty (Epstein), would make the biggest impact in my life. I didn’t know then what it meant to have a teacher who would care about me enough to spend her precious time with me even through all of my frustration about learning and thinking the whole time I couldn’t learn anything because I thought I was stupid.

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Mural at the Emiliano Zapata Oakland Street Academy, an alternative high school in the Oakland Unified School District, located at 417 29th St. in Oakland. Phone: (510) 874-3630.
Mural at the Emiliano Zapata Oakland Street Academy, an alternative high school in the Oakland Unified School District, located at 417 29th St. in Oakland. Phone: (510) 874-3630.

By Ze Segundo, Special to The Post

This is an autobiographical statement by a former Street Academy student who overcame many obstacles in the1970s, attended S.F. State University, and built a successful life for herself.

I was born and raised in Oakland, living in a household with a single mother and eight children. My life was chaotic: I never felt loved, never hearing the words, “I love you.”

I was 4 years old when all of us were sent to foster homes. There, my little sister and I were tortured. I believe we were there a little over a year.

When we finally returned home to our mother, she had a new husband who was very abusive to all of us including my mother.

I and my other sisters were sexually abused by two uncles and my big brother. I remember my uncle choking me and telling me if I told anyone, he would kill me and my little brother – so I didn’t tell. I was terrified of him. I tried to stay away from him as much as possible, but that’s kind of hard to do when a sexual predator lives with you.

My mother would have parties on the weekends where there would be many people drinking and fighting. The police were often at my home. I hated Sunday mornings because my mother would make us kids clean up after the parties. The house had the stench of cigarettes and booze.

Having to clean up other people’s vomit made me sick to my stomach. This is when I started to drink myself. Taking sips of leftover alcohol in glasses and beer cans. That would be the start of my alcoholism.

I started cutting myself when I was 11 years old and didn’t know why. I think it was because it made me feel something different and somehow made whatever I was feeling go away for the moment.

I didn’t have many friends and didn’t have any social skills. I was very shy and withdrawn. In my early teen I couldn’t look people in the eyes. If I was walking down the street and someone was walking towards me, I would purposely cross the street, so I didn’t have to have contact with them.

I was terrified of the world around me. I didn’t even talk to my mother much because I didn’t know what kind of mood she would be in. I learned to stay silent and stay away from her.

My grandmother lived in Hayward; my sister, brother and I took a bus from Oakland to attend junior high school there. Because I didn’t have any social skills, the kids would tease me and bully me. I had to fight a lot, so much that my brother and I were kicked out; they didn’t want any of us in their schools.

After we were kicked out of the school district, I tried to attend a junior high in Oakland, but the noise in the classroom overwhelmed me. The sounds rumbled in my ears.

Again, I was bullied and teased. So, I stopped going to school. I would leave the house with my brothers and sisters but didn’t set foot into any classroom after that. I just wandered the streets until it was time to go home.

It was a very chaotic home life, and I was a severely abused child, overwhelmed with everything around me.

When I was 15, a social worker talked to my mother about sending me to Oakland Street Academy. My mother thought it was a continuation school, where the worst students went.

I didn’t want to go to Street Academy, fearful of being bullied again, but I was tired of hanging out in the street all day. I thought the Street Academy was strange, a school that took over an old furniture store building. It was an open floor plan with partitions that sectioned off classes.

During class, we could hear the buses go by and people talking as they were walking by. I was still painfully shy and withdrawn. I would show up to school early, so I didn’t have to walk past other students in the classroom. I didn’t speak to any students and barely spoke to the teachers. Even when class was going on, I would sit across the room in a small chair and table between two lockers.

I isolated myself from the rest of the class, not really knowing why, but that’s where I sat. I had a third-grade reading level at age 15 and couldn’t spell much at all.

The first time a teacher pulled up a chair to sit next to me to help me out, I panicked because no adult had ever sat so close to me in any kind of a caring or helping way. My English teacher, Kitty (Epstein), would make the biggest impact in my life. I didn’t know then what it meant to have a teacher who would care about me enough to spend her precious time with me even through all of my frustration about learning and thinking the whole time I couldn’t learn anything because I thought I was stupid.

Kitty told me that I could learn, and that there were no stupid students. I remember one time a small group of students walked to fast food restaurants just to read the menu because reading anything is better than reading nothing at all.

Kitty didn’t give up on me – so, I didn’t give up on myself.

School was difficult for me because so many things were going on at home. It was hard for me to focus, but the teachers were really patient with me. Street Academy empowered students by teaching Chicano studies and Black studies. We were learning about our own histories and cultures. Street Academy students participated in demonstrations like the United Farm Workers grape boycott of the mid-1970s. We learned that we could make a difference with our voices. It was a great self-esteem builder.

In many ways, Street Academy saved my life because I was going nowhere.
The minute I set foot into that school I knew it was something special. It took me four years to graduate because I was so far behind in my schooling, and I was dyslexic.

When I left Street Academy, I was reading college material and attended San Francisco State University. I was the first in my family to graduate high school and the first to go to college. As a 15-year-old with CPTSD (Complex Post-Traumatic Stress Disorder), I accomplished what I thought would never happen to me.

I am grateful to the school’s staff and what Street Academy stands for. Schools and teachers should treat students like human beings, care about them, spend a little extra time, believe in them, and they will believe in themselves because you never know what students are going through and what they have experienced in their past that affects their learning.

There are no stupid kids, bad kids, or lazy kids, only kids who need to be understood and loved. Street Academy gave all of that to me.

During the 1970s, Ze Segundo attended the Oakland Street Academy, an Oakland Unified School District school now known as Emiliano Zapata Street Academy located at 417 29th St. in Oakland.

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