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All Eyes Fixed on Ferguson’s April 7 Election

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In this Nov. 25, 2014 file photo, police officers watch protesters as smoke fills the streets in Ferguson, Mo. after a grand jury's decision in the fatal shooting of Michael Brown. Newly released documents reveal that police planning for a grand jury announcement wanted Guard troops and armored Humvees stationed in the Ferguson neighborhood where Brown had been shot. But the records show the requests were not granted, because Missouri Gov. Jay Nixon preferred to use the Guard in a support role to police. (AP Photo/Charlie Riedel, File)

In this Nov. 25, 2014 file photo, police officers watch protesters as smoke fills the streets in Ferguson, Mo. after a grand jury’s decision in the fatal shooting of Michael Brown. (AP Photo/Charlie Riedel, File)

 

By Freddie Allen
NNPA Senior Washington Correspondent

WASHINGTON (NNPA) – If the Black residents of Ferguson, Mo., want to radically reform the political climate that encouraged police to disproportionately ticket, fine and arrest them to collect revenue for the city coffers, they’ll have to do more than embrace non-violent acts of civil disobedience and peaceful protests – they will have to vote.

In the north St. Louis suburb that is nearly 70 percent Black, five of six city councilmembers are White and the mayor is a White Republican. The police force is almost 95 percent White.

On April 7, voters in Ferguson will go to the polls in a round of highly-anticipated elections for three out of the six of the city council seats.

“We are in the process now of preparing people to go to polls so that we can turn the tide of the council, where the real power lies in Ferguson,” said Rev. Traci Blackmon, pastor of Christ the King Church of Christ in Florissant, Mo., adding that four residents who have been actively involved in the protests are running for those three open seats.

The city council selects the city manager, who supervises every department in Ferguson. While Mayor James Knowles brings home $350 a month for serving as mayor of the St. Louis suburb. The St. Louis Post-Dispatch reported that Ferguson city manager, John Shaw’s annual salary soared to $120,000 after he was hired in 2007 at $85,000. Shaw resigned shortly after the release of two separate Justice Department reports, one of which painted him as one of the chief architects of a plan that turned the Ferguson police into collection agents for the city.

Getting voters to turn out will be an uphill battle for the activists that have led protests in Ferguson for more than 200 days since Officer Darren Wilson shot and killed Michael Brown, an unarmed Black teenager.

CNN reported that roughly 42 percent of Ferguson voters cast ballots during last November’s midterm elections and that only a few hundred residents had registered to vote between August 11 and October 8.

In 2013, even though Blacks account for nearly 70 percent of the population in Ferguson, Whites made up more than half of the Ferguson electorate, according to voter data analyzed by the Washington Post. Less than 20 percent of eligible voters showed up at the polls when Ferguson Mayor James Knowles was elected in 2011.

Blackmon said that low voter turnout in local elections is not unique to Ferguson. Municipal elections are often held separately from national elections and in some jurisdictions party affiliation is left off of the ballot completely. Blackmon said that economic depravity and educational inequality have caused some to turn away from the political process.

Denise Lieberman, an attorney with the Advancement Project who also co-chairs the Don’t Shoot Coalition, a network of more than 50 diverse local organizations that came together in the wake of the shooting of Michael Brown, said that the epidemics of police violence and voter suppression add to that malaise.

Police investigating the shooting left Brown’s body in the middle of the road for more than four hours, then responded with military-style weapons and gear when residents began to protest. The events were chronicled on social media and transmitted across the world. Attorney General Eric Holder visited Ferguson to underscore the Justice Department’s commitment to investigate the shooting and the police response. Activists from Ferguson met with President Barack Obama at the White House.

Following two separate reports from the Justice Department, a slew of resignations including the city manager and the chief of police and the shootings of two police officers, with local elections rapidly approaching, activists say that protests will continue.

Rev. Traci Blackmon, the pastor of Christ the King Church of Christ in Florissant, Mo., said that the activists were praying for the police and their families just like they continue to pray for the victims of police violence in the region.

“We must not let the rogue actions of a few derail the positive path that the Department of Justice has placed us on,” said Blackmon. “We will continue to pray with our feet until there is no more blood in the streets.”

After an extensive investigation into the August 9 shooting death of Michael Brown, the Justice Department released a report that stated, “Under the law, it was not unreasonable for Wilson to perceive that Brown posed a threat of serious physical harm, either to him or to others. When Brown turned around and moved toward Wilson, the applicable law and evidence do not support finding that Wilson was unreasonable in his fear that Brown would once again attempt to harm him and gain control of his gun.”

The report also stated that, “There are no credible witness accounts that state that Brown was clearly attempting to surrender when Wilson shot him,” and that witnesses who said that the teenager was trying to surrender when he was fatally shot, “could not be relied upon in a prosecution because they are irreconcilable with the physical evidence, inconsistent with the credible accounts of other eyewitnesses, inconsistent with the witness’s own prior statements, or in some instances, because the witnesses have acknowledged that their initial accounts were untrue.”

On the same day, the Justice Department also released a searing report that found Ferguson Police Department not only violated First, Fourth, and Fourteenth Amendments of the United States Constitution, and federal statutory, law officials routinely urged Thomas Jackson, the police chief, to generate more revenue through law enforcement and disproportionately targeted discriminated African American residents for searches and use of excessive force.

Montague Simmons, the executive director of the Organization for Black Struggle, a group founded in 1980 that advocates for a society free of exploitation and oppression, said that the realities exposed in the Justice Department’s report on the Ferguson police department are realities that community members have known for a very long time.

“Even with the findings being revealed, we have yet to really see clear action that there is going to be an effective transformation of the way that policing authorities are allowed to operate in our communities,” said Montague. “We’ve seen some resignations, but no real commitment toward change officially coming from Ferguson or the [surrounding] St. Louis County municipalities who are guilty of the same things.”

Rev. Osagyefo Sekou agreed.

Sekou of the First Baptist Church in Jamaica Plain, Mass., said that the events that occurred in Ferguson follow a familiar pattern of injustice that is happening around the country.

“Throughout the nation Black communities see Ferguson in their own experiences with police,” Sekou. “The resignations and recent shake ups in Ferguson are simply not enough. We need wholesale change.”

Lieberman said that Ferguson groups have had many meetings with members of the Justice Department and other members of the administration about necessary reforms for police departments, local communities and the statehouses.

Lieberman also led a group to Missouri’s statehouse to advocate for legislation that called for greater accountability for police actions and reporting of interactions with residents, greater civilian input and oversight for local police departments.

“This is a movement that is deeply-rooted in principles of nonviolent civil disobedience. And it works,” said Lieberman. “There is no indication that anything would be changing in Ferguson if it weren’t for the people that have taken to the streets for more than 200 days demanding change, forcing government actors to step in.”

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Oakland Post: Week of May 6 – 12, 2026

The printed Weekly Edition of the Oakland Post: Week of may 6 – 12, 2026

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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