Connect with us

#NNPA BlackPress

Black College Students Lead Movement to Eliminate Bias in Tech

NNPA NEWSWIRE — “Civics of technology derives from a lot of related concepts, but it’s about how we can use technology to further civic engagement, the democratic process, and social justice — especially anything that will galvanize a group of individuals to create social good,” Cierra Robson, associate director of the Ida B. Wells Just Data Lab, explained.
The post Black College Students Lead Movement to Eliminate Bias in Tech first appeared on BlackPressUSA.

Published

on

By Nadira Johnson | Word in Black | The Afro

From self-driving cars that can’t detect folks with darker skin to keep from running them over, to digital assistants like Siri that have trouble understanding non-White accents, technology is biased, and it is hurting Black folks.

“A lot of people will look toward technology as the end all, be all solution to a lot of social issues, but often social issues are not solved by technology, and technology often exacerbates these social issues,” said Cierra Robson, associate director of the Ida B. Wells Just Data Lab which brings students, educators, and activists together to develop creative approaches to data conception, production, and circulation.

Founded in 2018 and led by Ruha Benjamin, a sociologist and professor in the Department of African American Studies at Princeton University, the lab focuses on finding ways to “rethink and retool the relationship between stories and statistics, power and technology, data and justice.”

“Civics of technology derives from a lot of related concepts, but it’s about how we can use technology to further civic engagement, the democratic process, and social justice — especially anything that will galvanize a group of individuals to create social good,” Robson explained.

In her role at the lab, Robson works closely with Princeton students on a variety of projects that look at how technology bias is contributing to bias in all areas of our lives, from healthcare, to labor, and education.

Robson first became passionate about finding solutions to biased technology after learning about how the issue leads to violent over-policing.

“When I was an undergrad at Princeton, I had access to this entire wealth of resources that was kind of stuck in the university,” Robson said. “One of the biggest things that I wanted to do when the labs started in the summer of 2020 was figure out a way to get those resources from Princeton into the community, to people who needed them.”

And people do need this information, desperately, because biased technology is killing Black and Brown folks and contributes to higher rates of incarceration and injustice.

“Predictive policing technologies — there’s a whole bunch of them — but one of the ones I focus on a lot is that it predicts where crime is likely to happen in a given city, and that prompts police to go be deployed in those areas so that they can catch whatever crime might happen there,” Robson said. “What they base that data on is an algorithm that uses data on historic police interaction, but no one really stops to think that those historic police interactions are colored by all sorts of discriminatory processes.”

Robson points out that a recent study conducted by Aaron Chalfin, a criminologist at the University of Pennsylvania, found that in Southern cities with large Black populations the homicide rate did not change when more police presence was added. But, more officers made arrests for low-level offenses like alcohol-related infractions, “which are not typically seen as contributing to public safety.”

“The fact is that Black communities are historically over-policed even before the advent of these technologies and algorithms,” Robson explained. “When you feed the data that focuses on arrests only in Black communities into an algorithm that predicts where crime is likely to happen, what you are going to get out of it is that crime only happens in Black and Brown neighborhoods when that’s not true.

“As a result,” Robson said. “Police are deployed overwhelmingly to Black and Brown neighborhoods, and it creates this cycle where more data is being created because there are more police there. This obviously has negative impacts on people’s lives. From the waves of violent policing that we’ve seen for quite some time, it’s evident why you would not want police in your community all the time. There has also been chronic over-policing and under-protection. Just because police are in a neighborhood, does not equate to greater safety in that neighborhood.”

Through her work with the lab and the Civics of Technology conference, Robson hopes to inspire more students to ask critical questions about how data is sourced and how technology is used in Black and Brown communities so that they can use their newfound knowledge to create better practices in whatever fields of work and study they choose to venture in to.

“A lot of them will end up in politics, in the tech industry, as lawyers, doctors, and all sorts of things,” Robson said. “One of the best things that comes out of teaching students of all kinds about this work is that it ripples out in every single environment in our daily lives, whether that be the law, whether that be healthcare, whether that be worker justice and labor.”

Participants in the Ida B. Wells Just Data Lab might go on to earn a doctorate degree or work in the tech industry, but that isn’t required. Robson says if they end up working in another industry entirely, she wants students to be “able to take some of the tools that we teach them about — about fair design practices and questioning what it really means to have something be objective or questioning what it really means for something to be data-driven — into whatever area they’re going into in the future. Hopefully, if we can create enough students to do that, we are creating a new generation with a new awareness so that people are thinking twice about the technologies that they deploy and the data that they use in every area.”

To that end, in early August, the student members of the lab participated in Civics of Technology, a free, two-day virtual conference designed to bring the knowledge they’ve acquired while participating in the lab to the greater public.

Technology and education justice

During the virtual conference, Collin Riggins, a junior at Princeton and a research associate at the lab, and Payton Croskey, a senior at Princeton and creative content director for the lab, led “Reimagining Education Justice: Practices and Tools for Tech Freedom Schools,” a workshop which focused on education justice — from early childhood to college and beyond the traditional classroom. Their goal was to determine how technology can be used to promote better education practices for diverse students if it is used properly.

“The theme for this summer’s convention is Freedom Schools,” Croskey said, “Freedom Schools is where all of the research groups and products stem from. We are rooting ourselves in history before we try to build something new for the future.”

Freedom Schools were created in 1964 as entirely new schools specifically designed for the education and advancement of Black students. Supporters of these schools believed in paying attention to and meeting the unique needs of each individual child. Bringing that concept into the present day, Croskey and Riggins say that if we want to eliminate bias in education, we must similarly listen to and respond to the needs of the communities we wish to serve with technology.

We need to shift to “Thinking how we can build technology and community with those that the technology is seeking to serve,” Croskey said. “If we are building technology for young Black students in New York City, and we are saying that this is going to help them learn, then they also need to be part of that conversation and need to be included in that design.

“Technology is not going to be one size fits all,” Croskey said. “Especially in the education field, technology is going to need to be curated for a specific group and specific environments. Not pushing this one model that everyone needs to follow.”

“Although our goals are revolutionary, our work spawns from a long tradition of Black radical education,” Collins added. “We’re looking at the Freedom Schools, which decided in the summer of 1964 to create entirely different schools for Black students so they could learn frameworks for how to resist and how to function in daily life.”

“Across any institution, and even maybe across the world in general, there is a fixed approach to how you engage with technology,” Collins said. “One of the things the Lab does beautifully is allow people from different backgrounds and disciplines to come together in conversation. This has been very radical to me, especially at an institution like Princeton, which is very tech-driven and quantitatively driven. It’s nice to be able to engage with these concepts through art, or through storytelling, or through speculative fiction, and that not only be accepted but embraced. That inclusivity is rare.”

The two students have also used their time in the lab to focus on the use of surveillance in schools, which has significantly increased given the rising rates of school shootings. Although surveillance may prove useful in keeping some students safe from shooters, Croskey worries this will prove dangerous for Black students and students from other marginalized backgrounds.

“There is a lot of surveillance being used these days with the rise of school shootings. There is a lot of data being collected and a lot of tracking done on students who do not have the power to consent,” Croskey said. In addition, there are “Parents who are not being given the power to truly consent because they are not being given full explanations about how this data is being used or where it will be sent to.”

Their hope is that technology can be reimagined in a way that is “curated for a specific group and specific environments. Not pushing this one model that everyone needs to follow,” Croskey explains.

Connecting technological and environmental justice

It’s been a boiling hot summer with historic droughts ravaging the globe, but many people don’t often think about the connections between technology and environmental justice.

“When you look into it, there are a lot of ways that the technologies that we are using can be harmful to the environment,” said Kenia D. Hale, a fellow at Princeton’s Center for Information Technology. During the Civics of Technology conference, Hale, who is also a graduate of Yale University, led “Reimagining Environmental Justice: Practices and Tools for Tech Freedom Schools,” a session that explored the intersection of the two topics.

Hale says that although the energy needed for a single internet search or email is small, there are approximately 4.1 billion people, or 53.6 percent of the global population, who now use the internet, and the associated greenhouse gasses emitted with each online activity can add up. It turns out that the carbon footprint of our gadgets, the internet, and the systems supporting them account for about 3.7 percent of global greenhouse emissions. This is similar to the amount produced by the airline industry globally.

“I wanted to figure out ways to challenge the idea that technology is automatically better for the environment and spreading more awareness about the ways it can be quite harmful. People think there is no physical impact, but there is actually a lot of physical impact,” said Hale. “You can’t do anything without a laptop, so this isn’t to shame people into not buying one, but more so to spread awareness. Get engaged with the environmental organizations and activist groups that are in your city. It’s better to be more proactive in getting organized with our communities on how to collectively combat these things.”

Hale says that some questions that folks should be asking themselves when determining the environmental impact of a technological tool are who is mining the materials that go into your car, computer, or smartphone, and does the company that makes this product overly contribute to global pollution?

Learning more about the effects of technology on our lives

To learn more about how to spot technology bias and how to advocate for better data sourcing practices in your community, the lab’s research and resources page lists plenty of useful information.

In addition, the lab’s founder and director, Ruha Benjamin, has written extensively about the connections between technology and inequality. Her 2019 book “Race After Technology: Abolitionist Tools for the New Jim Code” explores how new technologies are framed as “benign and pure,” even though they perpetuate social inequities. The book, which was a 2020 winner of the Oliver Cromwell Cox Book Award (for anti-racist scholarship) from the American Sociological Association Section on Race & Ethnic Minorities also shares ideas on how we can combat these inequities.

In addition, “Black Power: The Politics of Liberation, by Kwame Ture and political scientist Charles V. Hamilton, which defines Black Power, presents insights into the roots of racism in the United States and suggests a means of reforming the traditional political process for the future through technology and other tools.

The post Black college students lead movement to eliminate bias in tech appeared first on AFRO American Newspapers.

The post Black College Students Lead Movement to Eliminate Bias in Tech first appeared on BlackPressUSA.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

#NNPA BlackPress

2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

on

The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


AutoNetwork helps serious car shoppers inspect any new vehicle online before walking into a dealership. I’m Roosevelt — I’ve been reviewing cars and shaping digital car buying and credit union auto leasing since before YouTube car reviews existed.
You’ll find detailed walkaround reviews, POV test drives, and buyer-focused breakdowns covering comfort, space, features, and real-world value.
How to use the channel:

Watch the walkaround of the car you’re considering
Visit AutoNetwork.com for the full review
Check CouponsOffersAndDeals.com for current dealer specials
Walk in already knowing what you want — and what it should cost

Live talk show “AutoNetwork Reports” — Thursdays 3:00 PM ET.
🌐 AutoNetwork.com
💰 CouponsOffersAndDeals.com
Affiliate disclosure: some links earn a small commission at no cost to you and help support the channel. Insta360 is one of those partners.

Continue Reading

#NNPA BlackPress

Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

Published

on

By

Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

Continue Reading

#NNPA BlackPress

OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

Published

on

By

A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

Excerpt:

Photo Captions:

 

Website Tags and SEO Keywords:

Twitter (X) Tags and Handles:

Continue Reading

Subscribe to receive news and updates from the Oakland Post

* indicates required

CHECK OUT THE LATEST ISSUE OF THE OAKLAND POST

ADVERTISEMENT

WORK FROM HOME

Home-based business with potential monthly income of $10K+ per month. A proven training system and website provided to maximize business effectiveness. Perfect job to earn side and primary income. Contact Lynne for more details: Lynne4npusa@gmail.com 800-334-0540

Facebook

Trending

Copyright ©2021 Post News Group, Inc. All Rights Reserved.