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California Women Go to “WAR” in Support of Gov. Newsom

WAR volunteers say, in their upcoming messaging campaigns, they will explain to Californians what a recall election is, and why, in their opinion, there is a movement to recall Newsom two years after he was elected to the highest office in the state.

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Governor Gavin Newsom

A broad coalition of California women are banding together to support Gov. Gavin Newsom as he fights to fend off a recall effort that could mar his legacy and throw him out of office in a little over a month.

Members of the group, dubbing itself Women Against the Recall (WAR), say they are not going to allow Gov. Gavin Newsom to be overthrown in the special election scheduled for September 14. California U.S. Congresswomen Karen Bass (D-CA-13) and Barbara Lee (D-CA-37), who are both supporting WAR, joined a press conference August 9 to make the case for Newsom.

Aimee Allison, founder of She The People, an Oakland-based political advocacy group, hosted the briefing.

“We are all against the Republican-led recall because we know that the health of our children, neighbors, and communities depend on Gov. Newsom’s continued leadership,” Lee said at the onset of the virtual event hosted by WAR. “Congresswoman Bass and I decided that any successful, political event must have women on the front lines, especially women of color.”

The women of WAR come from diverse backgrounds and bring their support for Newsom from different regions of the state.  But, organizers say, they remain united by a common goal: to mobilize a statewide grassroots movement that defeats the recall effort.

More than 1,000 women, representing themselves or different organizations across the state, signed a letter composed by WAR opposing the recall. Over the next few weeks, WAR’s leaders say, their group will focus on providing voter education and conducting get-out-the-vote campaigns.

Newsom, who participated in the WAR Event, said that he was “humbled” by the support from the 70 different groups that signed on to the letter. He told attendees that “our values and the things we hold dear” are at stake in the recall election.

“The one thing that sticks out in particular as a list of grievances who inspired this was our support (Democratic party) for diverse communities,” Newsom said. “Our support for immigrants, our support for doing more and being better. It’s about each and every one of us.”

WAR volunteers say, in their upcoming messaging campaigns, they will explain to Californians what a recall election is, and why, in their opinion, there is a movement to recall Newsom two years after he was elected to the highest office in the state.

Many Democrats are blaming Republicans for the attempt to recall Newsom, citing the state’s progressive politics and trailblazing steps it has taken to foster inclusion and address longstanding inequalities suffered by ethnic and racial minorities.

Republican candidates vying to unseat Newsom include former Olympian Caitlyn Jenner, former San Diego Mayor Kevin Faulconer, conservative talk radio host Larry Elder, Assemblymember Kevin Kiley (R-Rocklin), former United States Congressman Doug Ose, and the 2018 GOP gubernatorial nominee John Cox.

“Lacking any crimes or accusations of impropriety, (the members of the Republican Party) are trying to punish the governor for following the advice of scientists to promote mask-wearing and social distancing,” WAR said in a written statement.

WAR continued, “(But) let’s be honest, though, this recall campaign is not about the governor’s handling of COVID. It’s about an anti-democratic, political attack launched by the Republican Party who is exploiting the fear and pain of the COVID pandemic to claw back power after being rejected by the American people in the 2020 election.”

The California election that will determine Newsom’s fate in less than 35 days and could potentially select a new governor on the same day from a list of 46 candidates.

“Those who think this thing is not close I’d hate to disabuse you…it is,” Newsom said during the virtual function that went on for about two hours.

During a news conference last week, California Secretary of State Shirley Weber said the ballot will ask two questions: Do the voters want to recall Newsom, and if so, who do they want to replace the governor.

If 50% or more of the ballots are no votes, Weber said, Newsom stays on as governor. If 50% or more say yes, then he is recalled.

WAR fears a lot is at stake. The group’s leaders say they dread what could happen if the next governor of the state is a Republican.

“Although we began as a nationwide ‘Secure the Seat’ effort to build partners and allies to support increased representation of Black women in the U.S. Senate, we quickly realized this would not be possible without ensuring we have a Democratic governor in California,” WAR pointed out in a statement to the media. “If we lose California, we could potentially lose our majority in the Senate if anything happened to either of our Senators.”

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Oakland Post: Week of April 8 – 14, 2026

The printed Weekly Edition of the Oakland Post: Week of April 8 – 14, 2026

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Oakland Post: Week of April 1 – 7, 2026

The printed Weekly Edition of the Oakland Post: Week of April 1 – 7, 2026

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Black Artists in America, Installation Three Wraps at the Dixon Gallery and Gardens

TRI-STATE DEFENDER — With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit. 

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By Candace A. Gray | Tri-State Defender

The tulips gleefully greet those who enter the gates at the Dixon Gallery & Gardens on an almost spring day. More than 650,000 bulbs of various hues are currently on display. And they are truly breathtaking.

Inside the gallery, and equally as breathtaking, is the “Black Artists in America, From the Bicentennial to September 11” exhibit, which runs through Sunday, March 29. This is the third installment of a three-part series that started years ago and illustrates part of the Black experience through visual arts in the 20th century.

“This story picks up where part two left off,’’ said Kevin Sharp, the Linda W. and S. Herbert Rhea director for the Dixon. “This era is when we really start to see the emergence of these important Black artists’ agency and freedom shine through. They start to say and express what they want to, and it was a really beautiful time.”

With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit.

“Though [Davis] was from LA, he actually lived in Memphis for a decade,” said Sharp. “He was a dean at Memphis College of Art, and later opened the first gallery in New York owned and operated by black curators.”

Another featured artist is former NFL player, Ernie Barnes. His work is distinctive. Where have you seen one of his most popular paintings, Sugar Shack? On the end scene and credits of the hit show “Good Times.” His piece Saturday Night, Durham, North Carolina, 1974 is in this collection.

Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.

Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.

The exhibit features other artists with Memphis ties, including abstract painter James Little, who was raised in a segregated Memphis and attended Memphis Academy of Art (before it was Memphis College of Art). He later moved to New York, became a teacher and an internationally acclaimed fixture in the art world in 2022 when he was named a Whitney Biennial selected artist at the Whitney Museum of American Art in New York.

Other artists like Romare Bearden, who had a Southern experience but lived up North, were featured in all three installments.

“During this period of time, he was a major figure,” said Sharp. “He wrote one of the first books on the history of African American art during a time when there were more Black academics, art teachers, more Black everything!”

Speaking of Black educators, Sharp said the head curator behind this tri-part series and Dixon’s partner in the arts is Earnestine Jenkins, Ph.D., an art history professor at the University of Memphis, who also earned a Master of Arts degree from Memphis State University (now UofM).  “We began working with Dr. Jenkins in 2018,” he said.

Sharp explained that it takes a team of curators, registrars, counterparts at other museums, and more, about three years to assemble an exhibit like this. It came together quite seamlessly, he added. Each room conjured up more jaw-dropping “wows” than the one before it. Each piece worked with the others to tell the story of Black people and their collective experience during this time period.

One of the last artists about whom Sharp shared information was Bettye Saar, who will turn 100 years old this year. She’s been working in Los Angeles for 80 years and is finally getting her due. Her medium is collages or assemblages, and an incredible work of hers is on display. She’s married to an artist and has two daughters, also artists.

The exhibit catalogue bears some of these artists’ stories, among other scholarly information.

The exhibit, presented by the Joe Orgill Family Fund for Exhibitions, is culturally and colorfully rich. It is a must see and admission to the Dixon is free.

Visit https://www.dixon.org/ to learn more.

Fun Facts: An original James Little design lives in the flooring of the basketball court at Tom Lee Park, and he makes and mixes his own paint colors.

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