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Film Review: ‘Lila & Eve’

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Viola Davis and Jennifer Lopez in Lila & Eve (Courtesy Photo)

Viola Davis and Jennifer Lopez in Lila & Eve (Courtesy Photo)

 

By Dwight Brown
NNPA Film Critic

“When our child is killed we feel guilt. We feel like failures,” says the leader of a women’s group devoted to mothers whose children have been murdered.  “Get to acceptance, so you can get on with life.” Those words of comfort and guidance are lost on Lila (Oscar-nominee Viola Davis) in this oddly affecting, but always engaging drama/crime/thriller that is themed around a topical subject but takes viewers in an unpredictable direction.

This project started with actress/producer Viola Davis and screenwriter Pat Gilfillan, who spent two years interviewing mothers of murdered children to prep for the script.  Davis and co-star Jennifer Lopez worked together originally on the film Out of Sight back in 1998. Director Charles Stone III made an auspicious film debut with the popular film Drumline. They are the A-team that pulled this very female appealing film together along with funding from Lifetime Networks. What’s on view is a low-budget film that fluctuates between a cable movie and an indie art film. Consistently, it is the latter element that saves the movie, along with Ms. Davis, who is up to the challenge of carrying 94 minutes of mama drama on her shoulders.

Told in flashbacks that don’t really ruffle the story’s inner clock, Lila (Davis), a single mom and public-records worker lives with her 18-year-old son, Stephon (Aml Ameen, Beyond the Lights), and her younger son, Justin (Ron Caldwell). They are a close-knit family. Lila is loving, and her sons feed off her attempts to talk in their young hip lexicon while still being a taskmaster mom. There is no preparation for the night Stephon is gunned down on a street corner. Shot dead in a drive-by killing meant for someone else. Lila grieves. She seeks support at the “Mothers of Young Angels” support-group meetings.

At one of the sessions, she meets Eve Rafael (Lopez), who lost her daughter to a crime. Eve becomes Lila’s sponsor and the two strike up a friendship. Both are hurt.  Both are angry.  Neither has seen the police department or the justice system find the killers of their children, and Eve is extremely pessimistic about the police’s efforts: “They don’t think about us.  Hell, they don’t even see us.” From a thought, to action, to involvement in their own investigation, the two ladies, with a revolver in tow and not much of a conscience, seek out leads, take names, confront suspects and let the bodies fall where they may.

If this film had stuck to a Lifetime Original series tone, what follows would be laughable. Instead, thanks to Patrick Gilfillan’s unpredictable script, Charles Stone III’s spot on direction, Wyatt Garfield’s (Beasts of the Southern Wild) moody cinematography and Robert K. Lambert’s (Three Kings) well-paced editing, what unfolds is an engaging, twisted, and shockingly understated, slightly dreamy revenge movie lead by two feminine women who have the balls of a stevedore.

Jenny from the Block wears too much makeup for a movie like this, but she is passable as the temptress Eve, who leads Lila down a bloody path of murder.  Shea Whigham (The Wolf of Wall Street) as the investigating Detective Hollister, who is by-the-book and consequently inept, is the one who can unravel the mystery of the street hoods who are being popped like stuff pigeons in a shooting gallery. Andre Royo (The Wire), his partner, is an articulate and politically ambitious cop who wants to take the case in another direction. Julius Tennon portrays Ben, the guy down the street who tries to mend Lila’s broken heart; he’s also Davis’ husband. There is a long list of supporting actors who play gang members; all are good, none stand out.  They do their job. They act tough and take a bullet.

The strange script and steady direction would be nothing without an actress of Davis’ caliber.  She is raw.  Her emotions run the gamut. You believe Lila loves her children, is capable of being duplicitous to inquiring cops and able to stand up to a thug, in imperfect and sometimes implausible ways (e.g. The film’s climax).

There are times when the proceedings have the feel and methodical pacing of a foreign indie film. This almost intangible quality rarely wavers. You will stick with this film and its main characters even if you have to suspend your disbelief every now and then. After a revelation towards the end that puts the proceedings in a different light, your patience will be rewarded. The footage rolls to an ending that is satisfying and makes the time it takes to watch this crime thriller evolve worth the effort. Lila & Eve will someday be a great cable movie. For right now it is a compelling indie film.

Visit NNPA Film Critic Dwight Brown at DwightBrownInk.com.

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Oakland Post: Week of February 11 = 17, 2026

The printed Weekly Edition of the Oakland Post: Week of – February 11 – 17, 2026

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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Activism

Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996.

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‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.
‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.

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