Entertainment

Case of TV Anchor Dismissed for Using Epithet Heads to Court

Published

11 years ago

June 10, 2015

Oakland Post

Tom Burlington and Joyce Evans (Courtesy Photo)

MARYCLAIRE DALE, Associated Press

PHILADELPHIA (AP) — A former TV anchor’s discrimination lawsuit over the racial epithet that ended his career raises the question of whether the station let black staffers use the same word with impunity but not whites.

Tom Burlington, who is white, believes he lost his job over a news meeting discussion of the epithet because he said the full word instead of the hyphenated version.

The June 2007 discussion at WTXF-TV, the local Fox station, involved a story on the ceremonial “burial” of the word at an event organized by an NAACP youth group. The participants had used the word repeatedly, although the reporter did not plan to use it herself.

“Does that mean we can finally say the word ‘N—–?'” Burlington asked in the meeting, according to court documents.

At least one black colleague took offense, and tension at the station grew after co-anchor Joyce Evans, who is black, heard about the conversation, the judge found.

“Evans encouraged other co-workers to complain to management …, even urging a white co-worker to do so because ‘(t)he only people who have complained so far have been black people,'” U.S. District Judge R. Barclay Surrick, quoting a white employee, wrote in a memo last year.

Evans, on the stand Tuesday, denied saying that but said she was concerned about Burlington’s statement because co-workers were upset.

She said that heated words were exchanged inside the station that week as the issue devolved into “a little more than a journalistic debate about what to say on television. It turned into a little something more than that, I think.”

Bad press followed in the local newspapers. Burlington, initially sent for sensitivity training, was instead told to clear his desk. By then, he had used the word several more times in his attempts to apologize to black colleagues, according to witness depositions.

“It was the continual insensitivity that Tom showed,” former WTXF general manager Mike Renda testified Tuesday. “He continued not to get it.”

Burlington, who had joined the station in 2004, was paid $90,000 for the months remaining on his contract. Renda insisted Tuesday that he was never fired.

The 2009 lawsuit against Fox TV has been on hold for years while the U.S. Supreme Court decided a legal theory involved in a parallel case. Surrick finally ruled in October it could go to trial.

“Management was clearly aware that plaintiff’s actions were being judged in light of the social norm that it is acceptable for African-Americans to use the word, but not whites. Deposition testimony suggests that some supervisors even subscribed to this view themselves,” Surrick wrote in a 30-page decision.

Burlington is seeking unspecified damages for lost income, pain and suffering, legal expenses and punitive damages.

The jury seated in the Philadelphia courtroom this week is all white. The federal courthouse pulls jurors from the city and eight suburban counties.

Burlington told jurors when the trial opened Monday that he never used the racial slur maliciously.

He now works in real estate. Evans remains on-air.

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Oakland Post: Week of February 11 = 17, 2026

The printed Weekly Edition of the Oakland Post: Week of – February 11 – 17, 2026

Published

10 hours ago

February 16, 2026

Oakland Post

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

Published

6 days ago

February 10, 2026

Oakland Post

Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various,

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow? In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons? They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are. This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Published

1 week ago

February 9, 2026

Oakland Post

‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.