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FILM REVIEW: Yardie

NNPA NEWSWIRE — Actor Idris Elba turns a lifelong fascination with the book Yardie, by Victor Headley, into his directing debut. His passion for the story, Jamaican, its music and an immigrant’s life is evident in every frame. Though the film’s direction and script do not live up to his enthusiasm, there are memorable moments buried in this 1hr 41min island/urban tale.

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By Dwight Brown NNPA News Wire Film Critic

Yardie is a term that is used to refer to people of Jamaican origin. It’s also a slang patois name for Jamaican gangs and gang members. Want to know more? Come for the movie. Stay for the culture, music and a street-smart education.

Aml Ameen stars in Yardie

Aml Ameen stars in Yardie

Actor Idris Elba turns a lifelong fascination with the book Yardie, by Victor Headley, into his directing debut. His passion for the story, Jamaican, its music and an immigrant’s life is evident in every frame. Though the film’s direction and script do not live up to his enthusiasm, there are memorable moments buried in this 1hr 41min island/urban tale.

In 1970s Kingston, Jamaica, two brothers try to cool the fiery tension between warring gangs by throwing a music party in their community. Jerry (Everaldo Creary), a Rastafarian, is the one-love DJ. His little bro Young D (Antwayne Eccelston) looks on. The heads of two rival gangs are pulled onstage to prove that peace is in the air. A shot rings out and Jerry is killed. Young D sees the perpetrator and is haunted by the experience.

Years later in the ‘80s, a now-twentysomething D (Aml Ameen, The Maze Runner) is sent by a drug lord from Jamaica to the East End of London to deliver coke. D makes his connection with an uppity, high-strung dealer, but things go awry. He seeks solace in the arms of his old girlfriend Yvonne (Shantol Jackson). She’s a nurse who lives in London with a young daughter and thinks she’s escaped the turbulence of Kingston. Yvonne welcomes D back into her life and home only to find out that crime and his enemies are coming too.

Shantol Jackson co-stars in Yardie

Shantol Jackson co-stars in Yardie

The basic plot lays down a strong foundation that has the potential for being a tense gangster/crime/drama fueled by revenge. Credit the cult-classic novel for the blueprint. Blame the screenwriters for laying on way on too many characters and subplots, which overpower the story’s essence. Brock Norman Brock (a British playwright) and Martin Stellmen (screenwriter for the 1980s Jamaican/English film Babylon and writer/director of the 1988 Denzel Washington movie For Queen & Country) have created a script that feels convoluted and bloated.

Elba pours his heart and soul into this immigrant’s odyssey. If anything, his over-ambitious but well-intentioned direction heads down too many paths. Simplicity, brevity and a single focus would have served the narrative and his efforts better. From opening sequences, the audience knows that D is in an emotional free fall due to his brother’s death. No need to show a slew of flashbacks to explain what he’s feeling. Skip the images of Jerry’s ghost. Viewers know the backstory and there’s no need to browbeat them with cuts back to that ill-fated day.

Incessant voiceovers weigh the footage down, too. Books use words to relay what characters think—there’s no other means of expression. Movies have a blank canvass. Elba didn’t have to verbalize characters’ thoughts. He should have trusted the action and actors to express feelings and tell the story. D’s distress is on Ameen’s face and evident in all the wrong choices the character makes. And don’t, don’t, don’t repeat the same dialogue again and again. No need to belabor points. The script, direction and editing (Justine Wright) have to take the blame if they go against conventional filmmaking wisdom.

Aml Ameen stars in Yardie

Aml Ameen stars in Yardie

Sift through this weighty presentation, however, and there are some fun scenes and raw emotions: D’s introduction to three young male musicians starts a relationship among the quartet that is refreshing. He is jaded beyond his young years. The guys are just starting out. They’re naïve and impressionable, particularly a dude named Sticks (Calvin Demba, Kingsman: The Golden Circle). The boys are way too vulnerable to be put in harm’s way, but that’s their destiny.

D’s relationships with his fellow drug dealers are mistrustful and life-threatening. His sole refuge is his love for Yvonne. Scenes between Ameen and the very gifted actress Shantol Jackson give the film heart. If the very aimless D has any chance at redemption, it’s with her.

The supporting cast is never less than professional. Listening to their deep patois is part of the fun and one of the film’s many beguiling introductions to Jamaican culture. No doubt actors from this cast will go on to bigger and better things.

Aml Ameen stars in Yardie

Aml Ameen stars in Yardie

Some technical aspects are right on the money: James Keast’s costumes, Damien Creagh’s production design along with the art direction by Alison Adams and Donna Noble vividly evoke the colors, clothes and images of the ‘70s and ‘80s. John Conroy’s (TV’s Luther) cinematography is very colorful, with moody nightclub lighting and bright exteriors all rolled into one.

The musical score by Dickon Hinchliffe (Winter’s Bone) is spaced nicely between a toe-thumping playlist courtesy of Elba, who is a noted DJ. Tunes by Yellowman, Black Uhuru, The Isley Bros and Dennis Brown are a who’s who of vibrant reggae and soul music. Adding in Grace Jones wailing on “My Jamaican Guy” makes the soundtrack a collector’s item.

Yardie starts with a voiceover by D that clearly states: “This is a story about the path I chose.”  If that simple line had been the film’s only voiceover… If the script had fewer characters… If the editing had cut out all the repetition… If the filmmakers had decided to let the action tell the story…

There wouldn’t be a long list of “ifs,” had Yardie been stripped down to its core.

Visit NNPA News Wire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.

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IN MEMORIAM: Ramona Edelin, Influential Activist and Education Advocate, Dies at 78

NNPA NEWSWIRE — Born on September 4, 1945, in Los Angeles, California, activist Ramona Edelin’s early years were marked by a commitment to education and social justice. According to her HistoryMakers biography, after graduating from Fisk University with a Bachelor’s degree in 1967, she pursued further studies at the University of East Anglia in England. She earned her master’s degree before completing her Ph.D. at Boston University in 1981.
The post IN MEMORIAM: Ramona Edelin, Influential Activist and Education Advocate, Dies at 78 first appeared on BlackPressUSA.

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By Stacy M. Brown, NNPA Newswire Senior National Correspondent
@StacyBrownMedia

Once upon a time, Black Americans were simply known as colored people, or Negroes. That is until Ramona Edelin came along. The activist, renowned for her pivotal roles in advancing civil rights, education reform, and community empowerment, died at her D.C. residence last month at the age of 78. Her death, finally confirmed this week by Barnaby Towns, a communications strategist who collaborated with Dr. Edelin, was attributed to cancer.

Born on September 4, 1945, in Los Angeles, California, Edelin’s early years were marked by a commitment to education and social justice. According to her HistoryMakers biography, after graduating from Fisk University with a Bachelor’s degree in 1967, she pursued further studies at the University of East Anglia in England. She earned her master’s degree before completing her Ph.D. at Boston University in 1981.

Edelin’s contributions to academia and activism were manifold. She was pivotal in popularizing the term “African American” alongside Rev. Jesse L. Jackson in the late 1980s.

Jackson had announced the preference for “African American,” speaking for summit organizers that included Dr. Edelin. “Just as we were called Colored, but were not that, and then Negro, but not that, to be called Black is just as baseless,” he said, adding that “African American” “has cultural integrity” and “puts us in our proper historical context.”

Later, Edelin told Ebony magazine, “Calling ourselves African Americans is the first step in the cultural offensive,” while linking the name change to a “cultural renaissance” in which Black Americans reconnected with their history and heritage.

“Who are we if we don’t acknowledge our motherland?” she asked later. “When a child in a ghetto calls himself African American, immediately he’s international. You’ve taken him from the ghetto and put him on the globe.”

The HistoryMakers bio noted that Edelin’s academic pursuits led her to found and chair the Department of African American Studies at Northeastern University, where she established herself as a leading voice.

Transitioning from academia to advocacy, Edelin joined the National Urban Coalition in 1977, eventually ascending to president and CEO. During her tenure, she spearheaded initiatives such as the “Say Yes to a Youngster’s Future” program, which provided crucial support in math, science, and technology to youth and teachers of color in urban areas. Her biography noted that Edelin’s efforts extended nationwide through partnerships with organizations like the National Science Foundation and the United States Department of Education.

President Bill Clinton recognized Edelin’s expertise by appointing her to the Presidential Board on Historically Black Colleges and Universities in 1998. She also co-founded and served as treasurer of the Black Leadership Forum, solidifying her standing as a respected leader in African American communities.

Beyond her professional achievements, Edelin dedicated herself to numerous boards and committees, including chairing the District of Columbia Educational Goals 2000 Panel and contributing to the Federal Advisory Committee for the Black Community Crusade for Children.

Throughout her life, Edelin received widespread recognition for her contributions. Ebony magazine honored her as one of the 100 Most Influential Black Americans, and she received prestigious awards such as the Southern Christian Leadership Award for Progressive Leadership and the IBM Community Executive Program Award.

The post IN MEMORIAM: Ramona Edelin, Influential Activist and Education Advocate, Dies at 78 first appeared on BlackPressUSA.

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Tennessee State University Board Disbanded by MAGA Loyalists as Assault on DE&I Continues

NNPA NEWSWIRE — Recent legislative actions in Tennessee, such as repealing police reform measures enacted after the killing of Tyre Nichols, underscore a troubling trend of undermining local control and perpetuating racist agendas. The new law preventing local governments from restricting police officers’ authority disregards community efforts to address systemic issues of police violence and racial profiling.
The post Tennessee State University Board Disbanded by MAGA Loyalists as Assault on DE&I Continues first appeared on BlackPressUSA.

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By Stacy M. Brown, NNPA Newswire Senior National Correspondent
@StacyBrownMedia

Tennessee State University (TSU), the state’s only public historically Black college and university (HBCU), faces a tumultuous future as Gov. Bill Lee dissolved its board, a move supported by racist conservatives and MAGA Republicans in the Tennessee General Assembly, who follow the lead of the twice-impeached, four-times indicted, alleged sexual predator former President Donald Trump. Educators and others have denounced the move as an attack on diversity, equity, and inclusion (DE&I) and a grave setback for higher education.

Critics argue that TSU’s purported financial mismanagement is a manufactured crisis rooted in decades of underinvestment by the state government. They’ve noted that it continues a trend by conservatives and the racist MAGA movement to eliminate opportunities for Blacks in education, corporate America, and the public sector.

Gevin Reynolds, a former speechwriter for Vice President Kamala Harris, emphasizes in an op-ed that TSU’s financial difficulties are not the result of university leadership because a recent audit found no evidence of fraud or malfeasance.

Reynolds noted that the disbanding of TSU’s board is not an isolated incident but part of a broader assault on DE&I initiatives nationwide. Ten states, including Tennessee, have enacted laws banning DE&I policies on college campuses, while governors appointing MAGA loyalists to university trustee positions further undermine efforts to promote inclusivity and equality.

Moreover, recent legislative actions in Tennessee, such as repealing police reform measures enacted after the killing of Tyre Nichols, underscore a troubling trend of undermining local control and perpetuating racist agendas. The new law preventing local governments from restricting police officers’ authority disregards community efforts to address systemic issues of police violence and racial profiling.

The actions echo historical efforts to suppress Black progress, reminiscent of the violent backlash against gains made during the Reconstruction era. President Joe Biden warned during an appearance in New York last month that Trump desires to bring the nation back to the 18th and 19th centuries – in other words, to see, among other things, African Americans back in the chains of slavery, women subservient to men without any say over their bodies, and all voting rights restricted to white men.

The parallels are stark, with white supremacist ideologies used to justify attacks on Black institutions and disenfranchise marginalized communities, Reynolds argued.

In response to these challenges, advocates stress the urgency of collective action to defend democracy and combat systemic racism. Understanding that attacks on institutions like TSU are symptomatic of broader threats to democratic norms, they call for increased civic engagement and voting at all levels of government.

The actions of people dedicated to upholding the principles of inclusivity, equity, and justice for all will determine the outcome of the ongoing fight for democracy, Reynolds noted. “We are in a war for our democracy, one whose outcome will be determined by every line on every ballot at every precinct,” he stated.

The post Tennessee State University Board Disbanded by MAGA Loyalists as Assault on DE&I Continues first appeared on BlackPressUSA.

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Braxton Haulcy and the Expansion of Walker|West Music Academy

May 24, 2023 – Walker West Music Academy gets an early start on expansion. Join us for a Wednesday episode of The …
The post Braxton Haulcy and the Expansion of Walker|West Music Academy first appeared on BlackPressUSA.

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May 24, 2023 – Walker West Music Academy gets an early start on expansion. Join us for a Wednesday episode of The …

The post Braxton Haulcy and the Expansion of Walker|West Music Academy first appeared on BlackPressUSA.

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