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FILM REVIEW: Black Mother
NNPA NEWSWIRE — The reward for finding the discipline to sit through Allah’s kaleidoscope of HD video, mini DV, 16mm, Hi8 Tape and Super 8 footage are glimpses of Jamaica that convey harsh realism, history, social dynamics, religion, African heritage, prostitution, birth, families, dying and death.
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The location for Black Mother is Allah’s ancestral homeland of Jamaica. The format is a string of images and scenes that tourists don’t see on perfectly curated sightseeing trips. The first two parts of this trinary, 77-minute collage require great patience. The focus is on sex workers, their potential johns, street vendors and impoverished people—some with grotesque deformities (a neck cyst the size of a basketball; a bare arm missing a hand; a hole in the middle of a face with the depth of a crater). The visuals are often sobering, if not shocking. Mixed in are clips of nude women, some are pregnant, and other scenes.
The reward for finding the discipline to sit through Allah’s kaleidoscope of HD video, mini DV, 16mm, Hi8 Tape and Super 8 footage are glimpses of Jamaica that convey harsh realism, history, social dynamics, religion, African heritage, prostitution, birth, families, dying and death. Landscapes of verdant mountains. Bustling street scenes. The insides of sacred churches during funerals. A man galloping on a horse through a neighborhood. This is Allah’s Jamaica, not the one in the fancy Come to Jamaica commercials. This is his sermon. His camera ministry.
The last section of the Black Mother segues from the poorest neighborhoods in Jamaica to a middle- and working-class family, the kind of people who are the heart and soul of the island/nation. There is an absolutely beautiful and arty sequence where Allah’s camera captures ocean waves from high above, that ebb and flow with white water caps appearing and disappearing. If the film finds an anchor to its puzzling array it is here.

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Watch the full video: https://youtu.be/EH5A4eQ4ipY

