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Family Absent from Premiere of Houston Biopic

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Actress Angela Bassett, second from left, making her directorial debut with the Lifetime film "Whitney," poses with cast members, left to right, Suzzanne Douglas, Arlen Escarpeta, Yaya DaCosta and Yolonda Ross at the premiere of the film at the Paley Center for Media on Tuesday, Jan. 6, 2015, in Beverly Hills, Calif. (Photo by Chris Pizzello/Invision/AP)

Actress Angela Bassett, second from left, making her directorial debut with the Lifetime film “Whitney,” poses with cast members, left to right, Suzzanne Douglas, Arlen Escarpeta, Yaya DaCosta and Yolonda Ross at the premiere of the film at the Paley Center for Media on Tuesday, Jan. 6, 2015, in Beverly Hills, Calif. (Photo by Chris Pizzello/Invision/AP)

MIKE CIDONI LENNOX, AP Entertainment Writer

BEVERLY HILLS, Calif. (AP) — Colleagues and friends of Whitney Houston gathered Tuesday night to screen “Whitney,” a new telefilm about the beloved entertainer’s triumphant career, often troubled life and tragic death.

But Houston’s family was conspicuously absent from the premiere, which took place at the Paley Center for Media, located just blocks away from The Beverly Hilton hotel, where the 48-year-old Houston drowned in her guest room in February 2012. The official coroner’s report listed heart disease and cocaine as contributing factors in her death.

Relatives were invited to participate in the “Whitney” project from the start, explained Angela Bassett, the Oscar-nominated actress marking her feature-directing debut with the biopic, which debuts Jan. 17 on the Lifetime cable network.

“And it was the family’s choice and decision, because of what they want to do and whatever their desires or their plans are, not to be involved in this one,” Bassett said. “But they didn’t have anything negative to say about it. You know, sometimes to be silent is the greatest gift.”

And at least the family could breathe a bit easier knowing Bassett was at the helm. The “Whitney” director and Houston worked closely during production and promotion of the 1994 big-screen drama “Waiting to Exhale,” and Bassett expressed fond memories of her co-star.

“To have had that experience of being around her,” noted Bassett, “all that came back to serve me in the making of this.”

Nevertheless, without the family’s blessing, the “Whitney” production was not allowed to use Houston’s original recordings. So, to deliver something approximating Houston’s remarkable voice, Bassett hired singer Deborah Cox, Houston’s one-time label mate, recording partner and long-time friend.

Cox took the gig, even if it was destined to be a thankless one.

“I knew I would be judged,” Cox said, with a smile. “Everyone was going to come for me. Don’t. I come with love.”

As did actress Yaya DaCosta (“Lee Daniels’ The Butler”), who said she took on the role of Houston concerned about just one critic: Houston herself.

“When we were on set, that’s all I thought about: ‘I don’t really care what any living person thinks. I want to make her proud,'” DaCosta recalled. “And that, for me, is all I needed to be O.K. with this project.”

___

Online:

www.mylifetime.com/movies/whitney

Follow Mike Cidoni Lennox at www.twitter.com/CidoniLennox

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Oakland Post: Week of September 9 – 15, 2026

The printed Weekly Edition of the Oakland Post: Week of September 9 – 15, 2026

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Oakland Post: Week of September 2 – 8, 2026

The printed Weekly Edition of the Oakland Post: Week of September 2 – 8, 2026

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Black History

Jackie Wright Champions Bay Area Stories, Filmmakers and Cultural Institutions

As an award-winning communications professional, Wright has worked with corporations, nonprofits, government agencies, educational institutions, artists, and community organizations. In 2026, she expanded that work by launching an introductory public relations class for small businesses and nonprofits, offering practical tools for gaining visibility, shaping messages and building productive relationships with the media.

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Jackie Wright of Wright Enterprises. Photo courtesy of Wright Enterprises.

Jackie Wright has spent more than two decades helping people, organizations and communities understand the power of a well-told story.

As founder and president of Wright Enterprises, a San Francisco-based strategic communications and public affairs firm, Wright has built a career spanning journalism, public relations, media relations, crisis communications, community engagement and multimedia storytelling. 

As an award-winning communications professional, Wright has worked with corporations, nonprofits, government agencies, educational institutions, artists, and community organizations. In 2026, she expanded that work by launching an introductory public relations class for small businesses and nonprofits, offering practical tools for gaining visibility, shaping messages and building productive relationships with the media.

Wright’s commitment to storytelling is also deeply personal. She wrote and co-directed the 15-minute documentary, “Love Separated in Life…Love Reunited in Honor,” which chronicles the story of her parents, Specialist Five (S5 Wyley Wright Jr. and Ouida Fay McClendon Wright. Her father, a U.S. Army helicopter crew chief, died in Vietnam in 1964 while serving as an honor guard during a visit by then-Secretary of Defense Robert McNamara. Decades later, Wright and her siblings had their father exhumed from a segregated cemetery in Jacksonville, Florida, and their mother moved from her burial place in Georgia so the couple could be reunited at Arlington National Cemetery in 2014.

The family journey later took Wright and her sister to Vietnam, where they discovered the former military compound that had been named in honor of their father and another fallen soldier. The documentary, centered on love, war, family, racial understanding, and remembrance, earned festival recognition at screenings.

“It was quite an honor to learn about my family’s history and share it on film,” said Wright.

That filmmaking experience complements Wright’s longstanding advocacy for independent cinema. She has served as a media partner and brand ambassador for Bay Area film festivals, including the San Francisco Black Film Festival, Oakland International Film Festival, and the Durban International Film Festival in South Africa.

“It’s important to help filmmakers and underrepresented stories reach broader audiences,” said Wright.

Whether promoting a neighborhood organization, championing an independent filmmaker or preserving her own family history, Wright has remained consistent. Through Wright Enterprises, she has turned communications into both a profession and a form of community service, telling stories that might otherwise go unheard. 

“Our stories are an integral part of our history, and our history is not only American history, but worldwide,” she said.

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