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Viola Davis: I Used to Think There Was Only One Way to Be Sexy

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Viola Davis accepts the award for outstanding performance by a female actor in a drama series for “How to Get Away with Murder” on stage at the 21st annual Screen Actors Guild Awards at the Shrine Auditorium on Sunday, Jan. 25, 2015, in Los Angeles. (Photo by Vince Bucci/Invision/AP)

Viola Davis accepts the award for outstanding performance by a female actor in a drama series for “How to Get Away with Murder” on stage at the 21st annual Screen Actors Guild Awards at the Shrine Auditorium on Sunday, Jan. 25, 2015, in Los Angeles. (Photo by Vince Bucci/Invision/AP)

 

(People) – From her captivating colorful red carpet moments to her all-natural beauty remedies, Viola Davis is one of the most relatable actresses on our small screens every week. And now, the How To Get Away With Murder star is opening up about her sexuality in a recent interview, and we can’t help like her even more.

Years before landing the lead role as sexy, intense Annalise Keating in How To Get Away With Murder, Davis attended Julliard, where she felt she had to be something she wasn’t in order to land roles. “I always tried to be the 90-lb. white girl. Only because we did a lot of classical training and all of the ingénues in Shakespeare were very small women,” she told Essence. “So I tried to make myself small. Literally. I don’t know how I did that. I was like thinking, ‘Small. Light.’ I would try to have a higher voice, which sounds ridiculous, right? But I felt like there’s only one way to be sexy. It’s almost like I felt like I had to disappear.”

But now, the Screen Actors Guild award winner is thrilled to have the opportunity to embrace her sexuality on screen each week. “It feels really good to embrace exactly who I am and be my sexy or be my sexualized. To be my woman, you know?,” she said. “And it’s been the joy of my life. It really has and I think it found me at the right time of my life.”

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Oakland Post: Week of January 28, 2025 – February 3, 2026

The printed Weekly Edition of the Oakland Post: Week of January 28, 2025 – February 3, 2026

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Oakland Post: Week of January 21 – 27, 2026

The printed Weekly Edition of the Oakland Post: Week of January 21 – 27, 2026

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OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Viola Davis: I Used to Think There Was Only One Way to Be Sexy

Published

on

Viola Davis accepts the award for outstanding performance by a female actor in a drama series for “How to Get Away with Murder” on stage at the 21st annual Screen Actors Guild Awards at the Shrine Auditorium on Sunday, Jan. 25, 2015, in Los Angeles. (Photo by Vince Bucci/Invision/AP)

Viola Davis accepts the award for outstanding performance by a female actor in a drama series for “How to Get Away with Murder” on stage at the 21st annual Screen Actors Guild Awards at the Shrine Auditorium on Sunday, Jan. 25, 2015, in Los Angeles. (Photo by Vince Bucci/Invision/AP)

 

(People) – From her captivating colorful red carpet moments to her all-natural beauty remedies, Viola Davis is one of the most relatable actresses on our small screens every week. And now, the How To Get Away With Murder star is opening up about her sexuality in a recent interview, and we can’t help like her even more.

Years before landing the lead role as sexy, intense Annalise Keating in How To Get Away With Murder, Davis attended Julliard, where she felt she had to be something she wasn’t in order to land roles. “I always tried to be the 90-lb. white girl. Only because we did a lot of classical training and all of the ingénues in Shakespeare were very small women,” she told Essence. “So I tried to make myself small. Literally. I don’t know how I did that. I was like thinking, ‘Small. Light.’ I would try to have a higher voice, which sounds ridiculous, right? But I felt like there’s only one way to be sexy. It’s almost like I felt like I had to disappear.”

But now, the Screen Actors Guild award winner is thrilled to have the opportunity to embrace her sexuality on screen each week. “It feels really good to embrace exactly who I am and be my sexy or be my sexualized. To be my woman, you know?,” she said. “And it’s been the joy of my life. It really has and I think it found me at the right time of my life.”

READ MORE

Activism

Oakland Post: Week of January 28, 2025 – February 3, 2026

The printed Weekly Edition of the Oakland Post: Week of January 28, 2025 – February 3, 2026

Published

on

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Continue Reading

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Oakland Post: Week of January 21 – 27, 2026

The printed Weekly Edition of the Oakland Post: Week of January 21 – 27, 2026

Published

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To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Continue Reading

Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Published

on

Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

Continue Reading

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