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Urban One Honors 2021: “Women Leading the Change”

“These women aren’t the Real Housewives of you name the city. These women are working on improving the lives of Black folk,” media mogul and entrepreneur Cathy Hughes said in a recent interview. Please encourage your young women to watch this show. We don’t know who the next Kamala Harris will be, a Black woman who became the nation’s first woman vice president or someone who changes the voting structure like Stacey Abrams.”

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And while many might consider those individuals able to spend more than seven decades with their mother as fortunate, Hughes said such longevity also created a startling realization. “The longer God blesses you with having your mother in your life, the more difficult it is to adjust to life without her,” she said.

And while many might consider those individuals able to spend more than seven decades with their mother as fortunate, Hughes said such longevity also created a startling realization. “The longer God blesses you with having your mother in your life, the more difficult it is to adjust to life without her,” she said.

By Keith L. Alexander for the NNPA

For media mogul and entrepreneur Cathy Hughes, this year’s Mother’s Day was going to be difficult.

Last July, Hughes’s mother, Helen Jones Woods, 96, died from complications of Covid-19. For the 74-year-old Hughes, multi-millionaire and founder and chairperson of Urban One Inc., this year marks Hughes’s first Mother’s Day without her mother present.

And while many might consider those individuals able to spend more than seven decades with their mother as fortunate, Hughes said such longevity also created a startling realization. “The longer God blesses you with having your mother in your life, the more difficult it is to adjust to life without her,” she said.

It was during Hughes’s mourning, that she birthed an idea to not only celebrate her mother’s life with a national TV program, but to also celebrate and honor the lives of other African American women who -specifically during the pandemic – worked at protecting and spotlighting Black Americans.

On Sunday, May 16, 2012 at 9 p.m. (EST) Hughes’s cable TV networks, TV One and its sister network CLEO-TV, will air the network’s annual “Urban One Honors” celebration. The two-hour program this year will be a first; all honorees are African American women. The show is themed “Women Leading the Change.”

Hughes said the women honored left an indelible mark on the country last year, one of this nation’s darkest and most challenging periods in American history due to the deadly pandemic.

The show is co-hosted by Grammy-award winning singer and syndicated gospel radio show host Erica Campbell and award-wining journalist and news commentator Roland Martin. The recorded, virtual awards show will feature live performances by R&B saangers, Avery Sunshine and Jazmine Sullivan, gospel powerhouse Le’Andria Johnson and legendary rapper, Da Brat.

The program will honor six Black female leaders in business, politics, journalism and humanitarian efforts including Atlanta’s political powerhouse and Nobel Peace Prize nominee Stacey Abrams and Rosaline “Roz” Brewer, chief executive officer of Walgreens Boots Alliance and the nation’s third Fortune 500 company ever led by a Black female executive. The program will also honor the four African American, Greek sororities; Alpha Kappa Alpha, Inc., Delta Sigma Theta, Inc., Sigma Gamma Rho, Inc. and Zeta Phi Beta, Inc.

The show will also pay tribute to Hughes’s mother, who before becoming a wife and mother, was a famed trombone player who played with an all-girl, integrated swing music band called the International Sweethearts of Rhythm in the 1930s and 1940’s. Hughes called her mother’s group, “the original Freedom Fighters” who traveled by bus through the South playing for audiences and even played clubs overseas. At one point, white and Hispanic band members had to wear dark makeup to look like their Black bandmates to avoid being stopped by police for promoting integration, Hughes recalled. The segment will be introduced by a longtime fan of the group, political activist, author and college professor Angela Davis.

Hughes’s excitement about the upcoming evening is electric. An hour before “Urban One Honors” airs, TV One will broadcast an exclusive, hour-long interview with legendary rapper DMX. The interview was recorded for the network’s weekly show “Uncensored” about three weeks before DMX’s sudden death April 9 at age 50. The show’s producers said DMX spoke, at times through tears, about his life, his music and his legacy. The producers said hearing DMX’s commentary just weeks before his death, is more sobering and haunting today.

After the celebration of one of the kings of rap music with “Uncensored,” the TV network will then celebrate its queens with the “Urban One Honors.”

“I think it’s going to be the biggest night in TV One’s history,” Hughes exclaimed.

Hughes, along with a group of Urban One executives chose the honorees because they wanted viewers, especially young girls, to see Black women who were not celebrated singers, dancers or actresses, but instead who were ideological firebrands, making differences in their communities and around the nation.

“These women aren’t the Real Housewives of you name the city. These women are working on improving the lives of Black folk,” Hughes said in a recent interview. Please encourage your young women to watch this show. We don’t know who the next Kamala Harris will be, a Black woman who became the nation’s first woman vice president or someone who changes the voting structure like Stacey Abrams.”

Hughes described Abrams as “voting rights champion” who not only changed the political landscape of Atlanta, but also helped ensure all voters were recognized on behalf of two U.S. Senate Democratic candidates and helped flip Georgia from majority Republican to majority Democrat.

When Walgreen’s selected Spelman College graduate Roz Brewer as its newest CEO in January, Brewer became the nation’s second Black female executive to ever lead a Fortune 500 company. Before being tapped by Walgreen’s, Brewer served as chief operating officer for Starbucks. Prior to that, she served as CEO of Sam’s Club which is owned by Walmart. In 2009, Ursula Burns, became the nation’s first Black female CEO of a Fortune 500 company when Xerox Holdings selected her as its CEO. Burns retired in 2017. The third Black woman CEO to lead a Fortune 500 company, Thasunda Brown Duckett, was named president and CEO of the retirement and investment managing company TIAA in February, a month after Brewer.

The TV One program is also honoring Ala Stanford, a Philadelphia-based physician and surgeon who last year founded the Black Doctors COVID-19 Consortium and used her own funds to ensure Black residents of the city – a group that was quickly becoming Philadelphia’s hardest hit by the pandemic – were able to be tested for the coronavirus.

Urban One, is based in Silver Spring, Md. about 30 minutes from downtown Washington, D.C. Last year, Hughes and other Urban One executives watched as Kim Ford, president and chief executive of Martha’s Table, provided healthy meals and fresh produce to needy residents in the nation’s capital during the pandemic.

For more than 40 years, Martha’s Table has ensured the neediest of Washington residents had healthy meals and clothing. Martha’s Table was named after the Biblical figure Martha who offered food to Jesus when he visited the home she shared with her sister Mary.

As a youth growing up in Washington, Ford volunteered serving and handing out meals with the non-profit organization. Then in 2019, she was chosen as the company’s president and chief executive. Prior to being named Martha’s Table chief executive, Ford served as deputy assistant secretary and acting assistant secretary for the U.S. Department of Education’s Office of Career, Technical and Adult Education where she oversaw management of more than $2 billion in career and technical education, adult education, correctional and re-entry education and community college initiatives for more than 25 million students a year. Ford previously served as a member of President Obama’s Recovery Implementation Office, which was responsible for implementing the American Recovery and Reinvestment Act of 2009.

Last year, Martha’s Table reported a 400 percent increase in need from users, as thousands of residents sought assistance for themselves and their families enabling the program to feed as many as 2,200 residents a day, Martha’s Table reported recently.

Another honoree, Robin Rue Simmons, is an alderman in Evanston’s fifth ward in Louisiana. A champion of Black residents in the city, Simmons was elected alderman in 2017. Simmons then led Evanston to becoming the first U.S. city to approve a reparations program. Since taking office, Simmons led the passing of the nation’s first reparations program, which will be funded by the first $10 million of Adult Use Cannabis sales tax revenue. Simmons is also the director of the city’s innovation and outreach at Sunshine Enterprises, which has supported more than 1000 neighborhood entrepreneurs – 98 percent of whom are African American and 74 percent of whom are women – in starting or growing their own business ventures.

Also being honored is New York Times journalist Nikole Hannah-Jones. Hannah-Jones covered racial injustice for the Times’s magazine before convincing the paper’s top editors to create an entire investigative series tied to the U.S. slave trade. The enterprise was called the 1619 Project which was published by the magazine in 2019. Last year the project won Jones the coveted Pulitzer Prize. The series is now the subject of a documentary produced by Oprah Winfrey’s Harpo Films and Lionsgate and is scheduled to air on Hulu.

“We wanted to spotlight Sisters who were getting the change accentuated and making sure the change occurs,” Hughes said.

The show will also feature several noted Black men honoring the sisters. Black Entertainment Television founder Bob Johnson makes his debut appearance on TV One. Also providing commentary on the honorees include Sen. Raphael Warnock (D-Ga.), Urban One CEO and Hughes’s son Alfred C. Liggins III and former Louisiana Congressman Cedric Richmond.

As co-host of the evening’s program, Campell said she hoped families with young daughters and young sons watch the program together and discuss the awardees and their work.

“I can have a conversation with my daughters to show them there is more to do than just look cute and wear nice makeup,” Campbell said. “They can literally shake up the world. Far too many of our girls look up to one dimensional type of celebrities or influencers. There is so much more than what we can be or what we can do. Offer this wide range of women who are changing the world.”

That was the impotence of the show, says Hughes. “Young people are so focused on celebrities. I wanted to focus this awards’ show on actions. The entertainment industry was shut down for the year. But these individuals we are honoring continued to work during the year,” Hughes said. “During the pandemic, these women were actively engaged.”

And while this year was for the ladies, what about the men? “Who knows maybe next year it will be brothers only,” Hughes said.

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Activism

At the event, 16 entities signed the EIP pledge, vowing to take steps to increase public contracting opportunities in their spheres for small and historically underutilized businesses.  The pledge signees included Hub International, the Port of San Francisco, the San Francisco Public Utilities Commission, California High-Speed Rail Authority, the Port of Oakland, Robert Graham of Webcor Builders, Holder Construction, the Weitz Company, Sky Blue Builders, Hornblower, Swinerton, Luster National, Talson Solutions, Center for Community Wealth Building, and the Construction Contractors Alliance.

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Toks Omishakin, secretary of the California State Transportation Agency, was one of the speakers at the event. Photo by Shellee Fisher Photography and Design.
Toks Omishakin, secretary of the California State Transportation Agency, was one of the speakers at the event. Photo by Shellee Fisher Photography and Design.

By Calvin Naito, Special to The Post

On June 4, a national nonprofit named the Equity in Infrastructure Project (EIP) – which aims to increase public construction contracting opportunities for small and historically underutilized businesses – held a day-long event in downtown San Francisco to rally supporters and build momentum to its cause.

It was attended by more than 100 individuals from public agencies, private firms, and other organizations committed to increasing contracting opportunities with governmental agencies, thereby creating more competition and lowering public costs.

The EIP event was held the Hyatt Regency San Francisco in conjunction with BuildIT, which aims to increase contracting opportunities for LGBT-owned businesses.

At the event, 16 entities signed the EIP pledge, vowing to take steps to increase public contracting opportunities in their spheres for small and historically underutilized businesses.

The pledge signees included Hub International, the Port of San Francisco, the San Francisco Public Utilities Commission, California High-Speed Rail Authority, the Port of Oakland, Robert Graham of Webcor Builders, Holder Construction, the Weitz Company, Sky Blue Builders, Hornblower, Swinerton, Luster National, Talson Solutions, Center for Community Wealth Building, and the Construction Contractors Alliance.

Following the workshop, BuildIT hosted a VIP evening reception honoring EIP, whose principals – Phil Washington, John Procari, and Rick Jacobs – accepted the award.

The event also set in motion the coalition’s efforts to implement recommendations from EIP’s “Procurement for Prosperity: A Playbook.”

The Playbook is a practical guide for public agency leaders and procurement and contracting practitioners to grow the capacity of small and first-time contractors, strengthen competition, and deliver better value for taxpayers.

Toks Omishakin, Secretary of the California State Transportation Agency (CalSTA), a long-time EIP supporter, also told attendees, “This is about commitment.  This has been a life’s work. This is a tailwind moment.”

The event’s presenting sponsor was Hub International, one of the largest insurance brokerages in the nation, which was joined by partners Travelers Insurance and the State Compensation Insurance Fund.

After the pledge-signing ceremony, attendees participated in a workshop in which they examined the policies, practices, and programs needed to meet EIP goals, learned from practitioners, and identified next steps toward utilizing the Playbook.

Ingrid Meriwether, formerly of Merriwether & Williams Insurance Services (MWIS) and current president of Hub International’s Aligned Risk Management, MWIS, described the hard-fought lessons she and her MWIS team have learned over the last three decades administering contractor development programs (CDPs) for the City and County of San Francisco, Alameda County, City of Los Angeles, LA Metro, and other municipalities.

The CDPs help small and local construction firms win public infrastructure contracts with these government agencies.  The program provides bonding assistance, contract financing, technical support, training, and other services to underrepresented businesses funded by public agencies who seek greater contracting participation with these firms.

Merriwether said programs like these “break down systemic barriers, create greater fairness, and save taxpayers money by enabling more competition.  The contractor development programs have, cumulatively, over two decades, helped contractors access over $1 billion in bonding, supporting over $380 million in awarded contracts, and maintaining a loss ratio 250 times lower than the industry average – while saving participating municipalities more than $27 million in contracting costs as a result of enabling more competition.”

Rick Jacobs, EIP co-founder and co-chair urged attendees make plans to meet again in the near future “to continue building on this work, share progress on organizational commitments, and discuss how we can collectively advance the goals of the EIP pledge.”

For more information on the EIP and to access a copy of the Playbook, go online to https://equityininfrastructure.org/

Calvin Naito is communications manager for Equity in Infrastructure Project.

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Activism

Oakland Museum Presents Landmark Retrospective Celebrating Beloved Bay Area Artist Mildred Howard

“Poetics of Memory” coincides with a year of major recognition for Howard. In 2026, she received the California Arts Council’s 50th Anniversary Award, honoring artists whose work has shaped California’s cultural and civic life, as well as the Museum of the African Diaspora’s Artist Impact Award. In 2025, she was awarded a prestigious Guggenheim Fellowship in recognition of her transformative contributions to American cultural life.

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Mildred Howard. Photo by Christine Cueto for the Oakland Museum of California, 2025.
Mildred Howard. Photo by Christine Cueto for the Oakland Museum of California, 2025.

Special to The Post

The Oakland Museum of California (OMCA) opened “Mildred Howard: Poetics of Memory,” the first major museum survey of Bay Area artist Mildred Howard, on June 12.

The exhibition spans five decades of Howard’s influential work, bringing together immersive installations, found-object sculptures, archival materials, and new commissions that explore memory, identity, and power in American life.

“Poetics of Memory” coincides with a year of major recognition for Howard. In 2026, she received the California Arts Council’s 50th Anniversary Award, honoring artists whose work has shaped California’s cultural and civic life, as well as the Museum of the African Diaspora’s Artist Impact Award. In 2025, she was awarded a prestigious Guggenheim Fellowship in recognition of her transformative contributions to American cultural life.

Howard was born in San Francisco in 1945 and raised in the East Bay, where she went on to study Afro-Haitian dance, make and sell clothing, and experiment with collage and sculpture.

Her multimedia art practice emerged from these experiences, later becoming associated with West Coast conceptual art, San Francisco funk, and a vibrant community of artists like Oliver Jackson, Betye Saar, and Raymond Saunders. Since the 1970s, she has used found materials and family stories to explore memory—both individual and collective.

At OMCA, visitors enter “Poetics of Memory” through a series of intimate galleries featuring Howard’s early mixed-media pieces and sculptures, along with a large video projection of a number of her public artworks.

Together, they emphasize Howard’s interest in everyday objects as powerful carriers of individual and shared stories. Highlights include collages that remix images of the artist herself; found-object sculptures like The History of the United States with a few Parts Missing (2007) that address omissions in dominant narratives; and public works like “Locks and Keys for Harry Bridges” (2001) that transform urban space into a meditation on access and labor.

This culminates in a richly detailed “studio” environment, where works in progress, archival exhibition flyers, historic photographs of Howard and her community, postcards from fellow artists, and other materials offer insight into her creative process and daily life.

The exhibition then opens into a high-ceilinged, dramatically lit space that brings together Howard’s signature immersive installations. On one end, “Crossings” (1997/2026) – a field of hundreds of ceramic eggs leading to an ornate mirror – suggests cycles of birth, motherhood, and transition, while drawing on the emotional echoes of the Middle Passage. On the other end, “Blackbird in a Red Sky” (a.k.a. “Fall of the Blood House”) (2002) – a red glass shack bordered by a pond – also uses reflection and transparency to draw viewers into the work and prompt consideration of themes of identity and home.

Howard’s newest video installation, “Moving Stills” (2026), repurposes never-before-seen family footage she took as a teenager on a train trip to the American South. Projected onto cascading layers of translucent fabric that stretch across an entire gallery wall, the piece immerses viewers in a layered meditation on memory, migration, and time.

The “Mildred Howard: Poetics of Memoryexhibit will be on display through Oct. 11 at the Oakland Museum of California, 1000 Oak St., Oakland, CA 94612. Museum hours are Wednesday through Sunday, 11 a.m. to 5 p.m., with extended hours on Fridays to 9 p.m.

This story is sourced from the Oakland Museum of California press office.

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Alameda County

Ferry Fares to Increase July 1 as Ridership Hits Record Highs

The Oakland and Alameda routes will increase from $4.90 to $5.10, the South San Francisco route will go up from $7.40 to $7.60, and the Vallejo route will increase from $9.90 to $10.

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Courtesy photo.

By Mike Aldax, The Richmond Standard

Starting July 1, the standard adult fare for the San Francisco Bay Ferry route between Richmond and San Francisco will increase to $5.20, up from the current $4.90.

Discounted fares for eligible passengers, including youth, seniors, people with disabilities, and Clipper START users, will rise to $2.60 from the current $2.40. Children under 5 will continue to ride for free.

The Oakland and Alameda routes will increase from $4.90 to $5.10, the South San Francisco route will go up from $7.40 to $7.60, and the Vallejo route will increase from $9.90 to $10.

The adjustments are part of a systemwide fare update approved by the agency’s Board of Directors, which is moving away from a flat 3% annual increase to route-specific pricing for the 2027 and 2028 fiscal years.

This fare update arrives as San Francisco Bay Ferry celebrates a historic May, transporting 301,270 passengers. The record-breaking figure represents an 8% increase over May 2025 and marks the third consecutive month of record-setting ridership.

Furthermore, it is the sixth month in a row that passenger numbers have exceeded pre-pandemic levels. Weekend travel has been a primary driver of this growth, with average weekend ridership seeing a 56% increase compared to pre-pandemic trends.

The agency states that the fare adjustments are necessary to ensure the long-term fiscal sustainability of public ferry services. By shifting to route-specific adjustments, the agency aims to offset rising operating costs while maintaining the high levels of service frequency and reliability.

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