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TIFF 2019: In ‘Dolemite Is My Name,’ Eddie Murphy makes a way out of no way

NEW TRI-STATE DEFENDER — Directed by Craig Brewer, Dolemite Is My Name shares some familiar beats with your typical film about the movie business, namely a persevering protagonist who dreams of making it big but is down on his luck. This time, he’s played by Murphy, who stars as Rudy Ray Moore, the real-life figure who crafted the Dolemite character and the blaxploitation-era films centered on him. Moore is an over-the-hill vaudevillian with a potbelly who works as the assistant manager of a record store in Los Angeles and never seemed to catch a break. He sings, he dances, he tells jokes. When he left his sharecropping daddy back in Arkansas, he dreamed of becoming a movie star.

Published

7 years ago

September 19, 2019

Oakland Post

In Dolemite Is My Name, Eddie Murphy plays Rudy Ray Moore, who dreams of making it big but is down on his luck. (Photo Courtesy of TIFF)

Hollywood loves films about itself. Finally, we’ve got one from a black perspective.

By Soraya Nadia McDonald

TORONTO — If there’s one thing that Hollywood loves, it’s films about the hometown business. Once Upon a Time in Hollywood, Hail, Caesar!, La La Land, The Artist, Sunset Boulevard, Tropic Thunder, The Day of the Locust, Slums of Beverly Hills, Trumbo, Saving Mr. Banks and Hollywoodland, just to name a few. (Then there’s a subset of this genre dedicated entirely to stories about Marilyn Monroe, a well that never seems to run dry.)

There’s just one issue with these films: They suffer from a self-indulgent racial myopia. Films that tell stories of what it’s like to be a minority in Hollywood are all too rare. Enter Dolemite Is My Name, a new Netflix film starring Eddie Murphy that premiered at the Toronto International Film Festival (TIFF).

Directed by Craig Brewer, Dolemite Is My Name shares some familiar beats with your typical film about the movie business, namely a persevering protagonist who dreams of making it big but is down on his luck. This time, he’s played by Murphy, who stars as Rudy Ray Moore, the real-life figure who crafted the Dolemite character and the blaxploitation-era films centered on him.

Moore is an over-the-hill vaudevillian with a potbelly who works as the assistant manager of a record store in Los Angeles and never seemed to catch a break. He sings, he dances, he tells jokes. When he left his sharecropping daddy back in Arkansas, he dreamed of becoming a movie star.

Dolemite Is My Name tells the story of how that finally happened and the challenges that Moore faced getting Dolemite made. Although he didn’t know a thing about filmmaking, Moore miraculously assembled a team through his own grit, hustle and charisma. He persuades a hoity-toity thespian named Jerry Jones (Keegan-Michael Key) to co-write the first Dolemite film with him after the character he’s created becomes a hit on the black nightclub circuit. Dolemite wears a wig, carries a cane, dresses like a pimp and tells jokes in verse. Moore doesn’t have the looks, acting ability or panache of Harry Belafonte or Sidney Poitier, but he has something else: a tremendous knack for entertaining, and an understanding that sometimes a little crude humor makes you forget that you’re broke.

Moore’s director, D’Urville Martin (Wesley Snipes) is a lot like Jerry Jones: a black actor with real credits who can’t break out of the shadows and into the meaty, demanding roles that go to white leads. Snipes gives Martin an assortment of truly gut-busting affectations, from a pinkie nail perfect for escorting a bump of cocaine to his nose to an eye roll that’s just begging to be memed. It’s Snipes’ funniest and most inspired comic role since he played Noxeema in To Wong Foo, Thanks For Everything! Julie Newmar, which came out in 1995. He upstages Murphy, who plays Moore as a showman who’s been humbled but not broken, in just about every scene the two share.

Genocide, systemic injustice and police violence were among the themes that dominated the TIFF films I saw this year, and frankly, Dolemite offered a welcome reprieve. What a relief to see something so nakedly committed to entertaining its audience, and which made the case for doing so with such passion.

What a breath of fresh air to see a film in a genre that’s way too dominated by whiteness, revealing, in funny and stylish fashion, how black artists make a way out of no way.

But Dolemite Is My Name offered more than belly laughs and a light bit of popcorn fare about how a low-budget Shaft-inspired comedy came to be a hit. So many of Moore’s struggles, which largely center on drumming up the money to give himself work when no one else will, are still relevant for black artists trying to make it in the film business today. I’ve spoken to many promising black artists who, like Moore, have had to beg, borrow and steal to get their art made in front of people’s eyes. That’s the story of the early days of Numa Perrier, Ava DuVernay, Issa Rae, and of so many black directors of the L.A. Rebellion. So many talented black directors are forced into becoming new iterations of John Cassavetes because Hollywood still struggles to see how employing them is profitable.

Despite their limited viewpoint, I enjoy films about classic Hollywood more often than not. The best ones help us understand what an enormous undertaking it can be to make and release a feature film, and how many people and jobs are involved in such an enterprise. They shed light on eras gone by and the troubles that characterized them, such as the tyranny of the studio system and the struggles against McCarthyism. Plus, the costuming is just delicious.

Costuming, by the way, is essential to Dolemite Is My Name. Oscar-winning costume designer Ruth E. Carter makes the film a feast for the eyes with an array of 1970s trends, from wide-lapel suits in eye-searing colors to polyester getups that look as though they’ll burst into flames if they come too close to a naked lightbulb. What a breath of fresh air to see a film in a genre that’s way too dominated by whiteness, revealing, in funny and stylish fashion, how black artists make a way out of no way. With any luck, Dolemite Is My Name will make the case for more such films to come.

Soraya Nadia McDonald is the culture critic for The Undefeated. She writes about pop culture, fashion, the arts, and literature. She’s based in Brooklyn.

This article originally appeared in the New Tri-State Defender

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NFL: Week Two Recap | Jalen Hurts did not fold; Caleb Williams exits game with injury

Philadelphia Eagles quarterback Jalen Hurts found Darius Cooper with nine seconds left for the game winning touchdown as his team beat the Tennessee Titans 24-20 in Nashville. Hurts finished the day 26/37 for 264 yards. He threw for two touchdowns and two interceptions. Prior to the final drive, the Eagles ran 25 plays for 45 […]
The post NFL: Week Two Recap | Jalen Hurts did not fold; Caleb Williams exits game with injury appeared first on BlackPressUSA.

Published

1 week ago

September 20, 2026

Oakland Post

Prior to the final drive, the Eagles ran 25 plays for 45 yards. During the final drive Hurts went 6-8 with 61 passing yards and the touchdown. Titans defensive tackle — and team captain — Jeffery Simmons said this week that the way to defend Jalen Hurts is to make him “play quarterback.”

Hurts said to Simmons after today’s game: “You started that sh**. I had to finish it.”

Running back Saquon Barkley suffered a stinger in the first half but he ultimately finished the game. He had four carries and nine yards and one catch for eleven yards. He will get an MRI for his injury, but admitted to Cameron Wolfe of the NFL Network he was fine.

Caleb Williams leaves game against Vikings with apparent lower-body injury

Chicago Bears quarterback Caleb Williams was helped off the field with a right leg injury with 7:42 remaining in the fourth quarter. Williams was down, writhing in pain after scrambling to his left. After departing the injury tent, Williams raised his right fist, acknowledging the crowd while expressing his frustration. Testing will commence on Monday to find out more details about his injury.

“We’ll know tomorrow,” Johnson admitted regarding Williams’ injury. “He’s in good spirits. He’s a team player.”

Williams finished the day with 138 passing yards and one interception.

“I’m actually happy it’s nothing with the knee — that was my first inclination,” Johnson said. “But, a hamstring could be pretty damaging as well. So, we’ll see. We’ll see how bad it is tomorrow and we’ll go from there.”

Bryce Young once again dominated the Falcons

Carolina Panthers quarterback Bryce Young is 5-1 against the Atlanta Falcons and is undefeated at Mercedes-Benz Stadium. Today, Young threw for 287 yards and three touchdowns as he led the Panthers to a 34-3 dismembering of the Atlanta Falcons. Georgia Tech alumnus Darren Waller caught two touchdowns and linebacker Devin Lloyd returned one of his two interceptions for a touchdown.

Cooper Rush started his second straight game for the Falcons and it did not go well. The partisan crowd voiced their displeasure after Rush completed 10/17 passes for 86 yards and two interceptions. Jack Strand entered the game for Rush prompting cheers from the Falcons fans. The rookie threw a pick-six on his first career pass attempt. Strand was the first QB to accomplish that feat since Sam Darnold in 2018 and is the first Falcons player to do that since Brett Favre in 1991. Strand finished the day with 59 passing yards and 16 rushing yards.

According to reports, quarterback Michael Penix, Jr. is expected to make his season debut this Thursday at the Green Bay Packers. His return should help the Falcons. They are the first team since the 2008 Rams to not run any plays in the red zone after the first two games to open a season.

The bright spots for the Falcons today were the Spelman College Jaguarettes performing with the Falcons cheerleaders and Florida A&M’s marching band, The Marching 100, also performed during halftime!

Jayden Daniels gets carted off after apparent arm injury

Washington Commanders quarterback Jayden Daniels appeared to injure his left elbow on the final play of the first half in his game against the Dallas Cowboys. During the play, Daniels got stepped on, braced himself for the fall, and his elbow bent the wrong way. Daniels draped a towel over his head as he exited the field on the cart.

He was later ruled out.

Daniels suffered a dislocated elbow to the same arm during week nine of last season against the Washington Commanders, which led to him being shut down for the remainder of the season.

The post NFL: Week Two Recap | Jalen Hurts did not fold; Caleb Williams exits game with injury appeared first on BlackPressUSA.

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The Complete Negotiation Framework — Every Stage, Every Tactic, Every Win

Master the complete vehicle-purchase negotiation framework with Roosevelt Gist and Roosevelt. Learn every stage, tactic, and win!
The post The Complete Negotiation Framework — Every Stage, Every Tactic, Every Win appeared first on BlackPressUSA.

Published

1 week ago

September 20, 2026

Oakland Post

Negotiation framework stages, tactics, and winning strategies from AutoNetwork

Roosevelt Gist and Roosevelt deliver the complete vehicle-purchase negotiation framework in Episode 8 of The Color of Our Money Is Green. This episode covers the three foundations of every effective negotiation, the full seven-stage negotiation sequence with exact language for every stage, and five of the most common dealership tactics with the specific response each one requires.
What You Learn in This Episode:
The three foundations that make every negotiation tactic work
The complete seven-stage car-buying negotiation sequence
Exact language for every stage of the dealership conversation
Five common dealership tactics — the turnover, the four-square, the packed payment, spot delivery, and forced add-ons — and how to counter each one
Why signing preliminary paperwork isn’t the same as signing the final contract
___________________________________________________________________
“The Color of Our Money Is Green: A Buyer’s Guide to What Cars Actually Cost” — stan.store/RGist
____________________________________________________________________
AutoNetwork helps serious car shoppers inspect any new vehicle online before walking into a dealership. I’m Roosevelt — I’ve been reviewing cars and shaping digital car buying and credit union auto leasing since before YouTube car reviews existed.
You’ll find detailed walkaround reviews, POV test drives, and buyer-focused breakdowns covering comfort, space, features, and real-world value.

How to use the channel:
Watch the walkaround of the car you’re considering
Visit AutoNetwork.com for the full review
Check CouponsOffersAndDeals.com for current dealer specials
Walk in already knowing what you want — and what it should cost

AutoNetwork.com
CouponsOffersAndDeals.com
Affiliate disclosure: some links earn a small commission at no cost to you and help support the channel. Insta360 is one of those partners.

The post The Complete Negotiation Framework — Every Stage, Every Tactic, Every Win appeared first on BlackPressUSA.

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Mazda CX-90 Luxury: Heated Seats & Premium Comfort! #shorts

Stay toasty in the CX-90! Plush Nappa leather, heated/ventilated seats, and a memory-equipped heated steering wheel deliver ultimate luxury.
The post Mazda CX-90 Luxury: Heated Seats & Premium Comfort! #shorts appeared first on BlackPressUSA.

Published

2 weeks ago

September 20, 2026

Oakland Post

Mazda CX-90 interior with heated seats offering premium comfort.

Experience ultimate comfort in the CX-90. Nappa leather, heated/ventilated seats, 8-way power adjustments, and memory settings for both front passengers. The heated steering wheel with memory tilt/telescope adds premium convenience.

Watch the full video: https://youtu.be/EH5A4eQ4ipY