Community
The Philadelphia Masjid, Inc.: Reclaiming a bastion for Black Muslims
THE PHILADELPHIA TRIBUNE — As one of the nation’s most historic Islamic sites, The Philadelphia Masjid, Inc. has a deep and textured history that’s seen highs and lows — from the building of a thriving religious community to having its very existence threatened. The Masjid was established in 1976 as a congregation of eight temples that were formerly apart of the Nation of Islam, and is known for fostering a robust Black Muslim community that produced devout followers, operated businesses and maintained an independent school.
By Samaria Bailey
As one of the nation’s most historic Islamic sites, The Philadelphia Masjid, Inc. has a deep and textured history that’s seen highs and lows — from the building of a thriving religious community to having its very existence threatened.
The Masjid was established in 1976 as a congregation of eight temples that were formerly apart of the Nation of Islam, and is known for fostering a robust Black Muslim community that produced devout followers, operated businesses and maintained an independent school.
Imam Kenneth Nuriddin addresses the congregation (Photo by: Abdul R. Sulayman | Tribune Chief Photographer)
Now rebuilding from a series of leadership and legal challenges nearly 10 years ago, their vision is to reclaim their position as a bastion for Black Muslims and the surrounding community.
“We grew out of a movement or a community that was known as the Nation of Islam, and it was a community that was independent in the sense that we relied on ourselves,” said Resident Imam Kenneth Nurridin. “We didn’t look to the East for direction, we really didn’t even look to America for direction, but we sort of looked at the need we had and our needs as a people.”
The Philadelphia Masjid has roots in the Nation of Islam’s Temple No. 12, formerly located at 13th and Susquehanna streets.
Following changes in the Nation, brothers and sisters left the main Temple No. 12 and other Temple No. 12 locations around the city to join the the World Community of Islam in the West under the leadership of Imam Warith Deen Muhammad. These brothers and sisters established the Philadelphia Masjid in 1976.
“Imam Warith Deen Muhammad … brought us the religion, the traditional standards that are lived by Muslims all over the world, but the unique thing is we didn’t have to depend on them for interpretation or application of it. It was based on what we as a people needed,” said Nurridin. “We began to look at the things that the Nation of Islam espoused — the white man is the devil. This was also like a shock treatment for our people and for the greater society and it was almost like a chemotherapy because white supremacy was a cancer. If you got cancer, you need a strong drug. The treatments of Elijah Muhammad were like a chemotherapy that cured us of inferiority complexes and it freed us to now be in a position where we can take responsibility for our own community.”
The practice of this do-for-self philosophy resulted in the Philadelphia Masjid becoming a house of prayer that empowered its people socially just as much as it did spiritually.
“We [had] a school here … We had businesses. We had a supermarket, we had bakeries. We had a fish program where we were bringing in fish from Peru,” said Nurridin. “So, all of the economic necessities were brought into perspective and among our people. We had more economic strength when we were isolated or segregated because we had to do for self.”
The Sister Clara Muhammad School was a special point of pride. For nearly 30 years, it educated thousands of Black Muslim students in academics and the tenets of Islam.
By the early 2000s, the Masjid was embroiled in legal troubles and leadership issues, which hurt the development and economic progress made in their early years. The school, facing competition from charter schools, closed in 2005 amid the legal battles.
“It did slow down because everything we did was centered around the children,” said Aazim Muhammad, executive director of the Masjid’s Community Development Corporation. “There became a period when we were not as visible to the broader community because we were always associated with education. Now that we are going through a rebirth process, we are placing an emphasis back on education and education programming.”
Muhammad has been a member of the Philadelphia Masjid for more than 35 years. He was married and raised three children there but he moved to California in 2008 and was away for almost 10 years. Upon his return, he began working in the CDC, leading efforts to build programs to empower the community.
“We have new leadership. The CDC existed as a seed but we have new leadership and he has a very extensive background in running CDCs, so his expertise, his zeal, his commitment has enabled the CDC to grow in leaps and bounds in just a year,” said Nurridin.
The Philadelphia Masjid still owns its property — 44,000 square feet, including the building and land. As the surrounding community develops, Muhammad said, the Masjid has a vision to develop as well, even as they receive countless offers.
“We get inquiries in the mail almost on a daily basis,” he said. “But nobody is bold enough to knock on the door.”
Muhammad emphasized that the Masjid is not interested in selling the property. Instead, they’ve designed a vision that calls for the Black independence and do-for-self mentality that distinguished them in their early history.
The development plans include multigenerational, affordable housing for seniors and first-time homebuyers, an early-childhood training center and a vocational training or building trades program.
One piece of the development that will be piloted this year is a culinary training program for high-school dropouts and ex-offenders, in partnership with YouthBuild.
“No one came from another city and started the [Philadelphia Masjid]. It’s African-American started. We own this building. That’s what made it special. And it’s the biggest one in Philadelphia,” said Khadijah Hameen, a member of the Masjid for 44 years.
Hameen remembered coming up as a Muslim girl in training when she joined the Masjid as a teenager. She wasn’t raised in the religion but she was inspired by the Muslim women in her community.
“I lived down the block from Muslims. They were in the Nation of Islam. I always liked the way they carried themselves, the way they dressed,” said Hameen.
She joined the Philadelphia Masjid when she was 18 and is still there, an active sister who distributes free food for members and the community.
But what’s been just as important to her as the family-like environment of the Philadelphia Masjid is the sense of empowerment that’s come from being a part of it.
“It made you love yourself more. You were able to have self-love, self-preservation,” she said. “We’ve always been here for each other. We know this is something we have built and it’s something that belongs to us and we are not giving it up. This is our establishment.”
Tauheedah Jihad, a member who joined the Philadelphia Masjid as a teenager and also came up as a Muslim girl in training, agreed.
“This is my home. This is where I started. We used to cook. I was selling [the publication] “Muhammad Speaks,” she said. “Since they first opened this Masjid, through thick and thin, we’ve been together. We will fight to the bitter end to hold this institution up.”
This article originally appeared in The Philadelphia Tribune.
Art
Misty Copeland Shapes Ballet’s Tomorrow
THE POSITIVE COMMUNITY — Misty Copeland will curate the 2026 Joyce Ballet Festival, a two-week event in New York City from August 4-16. This role allows her to influence the future of ballet by showcasing a wide range of dancers, choreographers, and companies. The festival will present both established and contemporary works, blending classical traditions with new artistic expressions.
This summer, Misty Copeland will step into a different kind of spotlight. Instead of taking center stage as a dancer, she will help determine what audiences see onstage as curator of the 2026 Joyce Ballet Festival. Taking place August 4 through August 16 at The Joyce Theater in New York City, the two-week celebration will bring together dancers, choreographers and companies representing a broad spectrum of ballet. The festival gives Copeland an opportunity to share not only her appreciation for ballet’s traditions, but also her vision for its future.
Copeland understands better than most how powerful a ballet stage can be. Her historic career with American Ballet Theatre changed the conversation about representation in one of the world’s most traditional performing arts. When she became the company’s first Black woman to reach the rank of principal dancer, her achievement carried significance far beyond a personal milestone. It gave young dancers of color a new image of what was possible and challenged the industry to reconsider who belonged at the center of ballet.
That history informs the perspective she brings to the festival. Copeland has spent much of her career moving between performance, mentorship, advocacy and storytelling. Her curatorial role allows her to bring those interests together by creating a program that does not treat ballet as a museum piece. Instead, the festival presents dance as an evolving language capable of carrying classical traditions into new cultural and artistic territory.
Audiences will encounter a mixture of established works and contemporary creations during the festival. Classical ballet vocabulary will share space with choreography that pushes dancers toward different physical, emotional and theatrical possibilities. The result is intended to give audiences a broader understanding of the art form while demonstrating that tradition and innovation do not have to be competing forces.
The lineup also provides an opportunity to see dancers from different artistic environments. Performers connected to organizations including American Ballet Theatre, New York City Ballet, Paris Opera Ballet, Houston Ballet, Dance Theatre of Harlem and Complexions Contemporary Ballet are among those represented in the festival. Each company carries its own history and artistic identity, making their participation part of a larger conversation about the many ways ballet can be performed and interpreted.
The presence of Dance Theatre of Harlem is particularly meaningful within the larger story of Copeland’s career and the evolution of Black representation in ballet. Founded during a period when opportunities for Black dancers were severely limited, the company helped demonstrate that excellence and classical training could flourish in a Black cultural environment. Its legacy continues to influence dancers and audiences, making its connection to a festival curated by Copeland especially resonant.
The program also reaches beyond a single definition of contemporary ballet. Choreographers with different backgrounds and artistic philosophies contribute to an evening that can move from recognizable classical structures to works shaped by modern dance, theater, popular culture and new approaches to movement. That diversity reflects a generation of artists who increasingly see ballet not as a rigid vocabulary but as a foundation from which they can explore.
For New York audiences, the festival offers something that is increasingly valuable: the opportunity to experience outstanding dancers in an intimate setting. The Joyce is known for presenting dance in a theater where audiences can see movement and artistry up close. That environment can make a familiar ballet work feel newly personal while allowing experimental pieces to communicate with unusual immediacy.
Copeland’s role as curator also sends a message about the importance of artistic leadership. The people who select performers and choreography help determine which stories receive attention and which artists receive opportunities. By bringing a range of voices into the festival, Copeland is using that responsibility to broaden the conversation around ballet. Her choices can introduce audiences to artists they may not otherwise encounter while encouraging longtime ballet followers to look at the form from a different perspective.
The 2026 Joyce Ballet Festival ultimately arrives at an important moment for the art form. Ballet is carrying centuries of tradition into an era defined by changing audiences, broader representation and increasingly adventurous choreography. Copeland’s festival reflects that transition. For two weeks in August, The Joyce will become a meeting place for the familiar and the unexpected—a celebration of where ballet came from and a preview of where it may be going. And with Misty Copeland helping shape the conversation, the future of ballet promises to be as expansive as the dancers who are defining it.
Based on reporting by The Positive Community.
Community
As Part of Your Back-to- School Checklist, Vaccinate
POST NEWS GROUP — Vaccines protect your household and also limit the spread of diseases such as measles and polio. The higher the vaccination rate in a community, the greater the protection for everyone – especially the most vulnerable.
Berkeley Public Health recommends families catch up on immunizations before the new school year begins
Parents, check that your children return to school up to date on vaccinations. If necessary, schedule a visit with your family’s doctor or with the City of Berkeley’s Immunization Clinic to catch up.
Vaccines protect your household and also limit the spread of diseases such as measles and polio. The higher the vaccination rate in a community, the greater the protection for everyone – especially the most vulnerable.
Families are encouraged to:
- Check their child’s vaccination records. Ask their health care provider or check California’s Digital Vaccine Record portal.
- Schedule a check-up with your child’s doctor.
If your child doesn’t have a health care provider, you may be able to access free vaccinations through the City of Berkeley’s Immunization Clinic. Make an appointment by calling (510) 981-5350, emailing phmailbox@berkeleyca.gov, or booking online.
See what shots are required for pre-kindergarten or TK-12th grade, and check that your kids have all their recommended vaccines.
FREE VACCINE CLINICS AUG. 4-13
Children without health insurance or whose insurance doesn’t cover vaccines can get them for free:
City of Berkeley Immunization Clinic
West Berkeley Family Wellness Center
1900 Sixth St.
Hours: Tuesdays–Thursdays, 9 a.m.–3 p.m.
Closed 12 p.m.–1 p.m.
Make an appointment between Aug. 4–6 or Aug. 11–13 for back-to-school vaccine clinics:
- Call: (510) 981-5350
- Email: phmailbox@berkeleyca.gov
- Book online
Children 18 years and under are eligible for free City vaccines if they are:
- Medicaid-eligible
- Uninsured
- Underinsured (insurance does not cover vaccines)
- American Indian or Alaska Native
If you are unsure whether you or your child is up to date, the City of Berkeley Vaccination Clinic can help review records and provide recommended vaccines.
FAMILY WELLNESS RESOURCES
Vaccines are just one of the many public health services you can access at the West Berkeley Family Wellness Center. The center is home to the Women, Infants, and Children program, nutrition support, case management services, and a variety of family support services, plus free classes throughout the year.
Vaccinations aren’t just for kids. Throughout adult life, everyone should keep up with their vaccination needs. See recommended vaccines for adults.
Get a healthy start to the school year. Check your child’s vaccinations. Make an appointment with your doctor or get free vaccines at the City clinic.
VACCINE INFORMATION AND FAMILY RESOURCES
- City of Berkeley Immunization Clinic
- TK–12 school vaccine requirements:
- Family support services:
Get trusted information about the City of Berkeley by bookmarking berkeleyca.gov, subscribing to our newsletter, and following us on Bluesky and Instagram.
Community
As Part of Your Back-to- School Checklist, Vaccinate
POST NEWS GROUP — Vaccines protect your household and also limit the spread of diseases such as measles and polio. The higher the vaccination rate in a community, the greater the protection for everyone – especially the most vulnerable.
Berkeley Public Health recommends families catch up on immunizations before the new school year begins
Parents, check that your children return to school up to date on vaccinations. If necessary, schedule a visit with your family’s doctor or with the City of Berkeley’s Immunization Clinic to catch up.
Vaccines protect your household and also limit the spread of diseases such as measles and polio. The higher the vaccination rate in a community, the greater the protection for everyone – especially the most vulnerable.
Families are encouraged to:
- Check their child’s vaccination records. Ask their health care provider or check California’s Digital Vaccine Record portal.
- Schedule a check-up with your child’s doctor.
If your child doesn’t have a health care provider, you may be able to access free vaccinations through the City of Berkeley’s Immunization Clinic. Make an appointment by calling (510) 981-5350, emailing phmailbox@berkeleyca.gov, or booking online.
See what shots are required for pre-kindergarten or TK-12th grade, and check that your kids have all their recommended vaccines.
FREE VACCINE CLINICS AUG. 4-13
Children without health insurance or whose insurance doesn’t cover vaccines can get them for free:
City of Berkeley Immunization Clinic
West Berkeley Family Wellness Center
1900 Sixth St.
Hours: Tuesdays–Thursdays, 9 a.m.–3 p.m.
Closed 12 p.m.–1 p.m.
Make an appointment between Aug. 4–6 or Aug. 11–13 for back-to-school vaccine clinics:
- Call: (510) 981-5350
- Email: phmailbox@berkeleyca.gov
- Book online
Children 18 years and under are eligible for free City vaccines if they are:
- Medicaid-eligible
- Uninsured
- Underinsured (insurance does not cover vaccines)
- American Indian or Alaska Native
If you are unsure whether you or your child is up to date, the City of Berkeley Vaccination Clinic can help review records and provide recommended vaccines.
FAMILY WELLNESS RESOURCES
Vaccines are just one of the many public health services you can access at the West Berkeley Family Wellness Center. The center is home to the Women, Infants, and Children program, nutrition support, case management services, and a variety of family support services, plus free classes throughout the year.
Vaccinations aren’t just for kids. Throughout adult life, everyone should keep up with their vaccination needs. See recommended vaccines for adults.
Get a healthy start to the school year. Check your child’s vaccinations. Make an appointment with your doctor or get free vaccines at the City clinic.
VACCINE INFORMATION AND FAMILY RESOURCES
- City of Berkeley Immunization Clinic
- TK–12 school vaccine requirements:
- Family support services:
Get trusted information about the City of Berkeley by bookmarking berkeleyca.gov, subscribing to our newsletter, and following us on Bluesky and Instagram.
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Misty Copeland Shapes Ballet’s Tomorrow
As Part of Your Back-to- School Checklist, Vaccinate
As Part of Your Back-to- School Checklist, Vaccinate
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