By Carla Thomas

Black Vines: A Toast to Black Wineries, Black Art and Black Culture held their 12th anniversary event on Saturday, Feb. 25 at The Bridgeyard, near the Judge John Sutter Regional Shoreline in Oakland. It is the longest-running African American winemaker showcase.

Hundreds of guests gathered to celebrate and enjoy a live jazz band while sampling wines and buffets of gourmet bites throughout the venue.

The brainchild of founder Fern Stroud, the event is designed to both promote and support the Black wine experience along with good food and great music.

Stroud, a former Silicon Valley technology professional says, “Black Vines, is a way to bridge gaps and build lifelong ties between community, business and the arts while we celebrate Black excellence.”

Proceeds from the event supports the nonprofit think tank, BlackFemaleProject.org.

Stroud was also excited to announce a new partnership with Alaska Airlines. In the new “Wines Fly Free” program, guests were able to bring cases of wine on their flights back home for free. Also, the McBride Sisters wines are now a featured option on flights with Alaska Airlines.

A.T. Howe, founder of Bass Note Sangria at the Black Vines: A Toast to Black Wineries, Black Art and Black Culture 12th anniversary event. Photo By Carla Thomas

Paula Harrell, left, owner of P. Harrell Wines with staff at the Black Vines: A Toast to Black Wineries, Black Art and Black Culture 12th anniversary event. Photo By Carla Thomas

Wachira Wines staff pour samples of wine at the Black Vines: A Toast to Black Wineries, Black Art and Black Culture 12th anniversary event. Photo By Carla Thomas

Winemakers and vintners at Black Vines included Free Range Flower Winery, Wachira Wines, She Wines, Vintnoir, P. Harrell, and Bass Note Sangria, among others.

“We see this event as an extension of their collective and independent outreach efforts to increase awareness, visibility and market demand for these labels. Our core mission is to provide a tasting experience unlike any other. There has been a steady loyalty factor born out of our Black Vines annual event.”

Additional Black Vine partners include Wine Direct, an industry-leading direct-to-consumer platform; the NAACP x BeyGOOD Black-Owned Small Business Impact Fund for winery empowerment, and She Can, which provides grants and services via the McBride Sisters wine brand.

For Stroud, building economic pathways in the industry will strengthen the business of Black vintners, and ensure sustainability for their community.

“These strategic alliances further establish our desire to provide a consumer touchpoint for wineries to be introduced to a new consumer base. The future success of wineries, going forward, will be heavily dependent upon the experiences created for new potential customers.”

For every event, Stroud, says spreading love is key. “With all that we do for Black Vines, love is at the heart of it, and we want our guests and patrons to feel every bit of that.”

For more information visit: www.BlackVines.net

By Carla Thomas

On Saturday, Feb. 26 at the Laney College Odell Johnson Theater, the Third Annual Black Centric Showcase celebrated Black History Month. The show depicted eras of Black history, while featuring talent showcases of monologues, skits, dance, rap and singing expressing the past, present and future.

“The showcase was designed to feature talented members of the community performing all eras of Black history: Where we are from, where we have been, and where are we going,” said Saleemah Jones, production company founder-producer of “Put Ur Play On” with assistant director Angel Galloway.

Pamela Terry performed a monologue spun from August Wilson’s “Fences.” Terry responded to a casting call ad for the role. “Through my audition I learned about the production company, Saleemah Jones, and assistant director, Angel Galloway,” said Terry. “These two sisters are brilliant in their work to improve the quality of life in the community.” She said the experience was both inspiring and challenging.

AKIL of Oakland performed his original song “Gave Us 28,” referring to the number of days in February for Black History Month. “I like to produce positive rap,” said AKIL. “They gave us 28 but every day we make history.”

Other performances featured an original skit on love by Lauren Black and Erynne-Dnae of Cotati, California, and a poem by Oakland middle-schooler Talia Rochelle entitled “Go to the Back, Rosa Parks.” “Rosa Parks is an important, strong, brave woman in Black history,” she said.

Paris Jackson Jr. performed an original dance.

Gary Moore of San Francisco performed a monologue from August Wilson’s “Ma Rainey’s Black Bottom.” Shelly Broadnax performed an original poem entitled “MIBPOC,” about having to check the ‘other’ box when filling out surveys and applications.

IMAC FADICHI of Chicago performed an original rap, “The Good Show,” and Pierre Jones of Richmond performed an original monologue entitled, “Black Caesar.”

The second half of the show included the stage production “Unapologetically Black: Here to Facilitate Harm Reduction Services for Those in Need, Inc.,” written by Itoro Bassey, a Nigerian playwright.

“Itoro reached out to us, and we thought it was a great way to put this perspective on our platform to raise voices,” said Jones, play producer.

The production, satiric in nature, explored the seriousness of Black and white race relations including white privilege and white insensitivity toward African Americans in everyday situations.

In one scene a white male doctor talks to a Black female patient in a dismissive manner. At the height of their disagreement, the two actors are frozen in time. A third actor enters, “Dr. Find You an Ally,” performed by Anthony Dixon, who narrates the situation and offers to serve as a white ally for the Black woman for 24 hours at the price of $59.99.

The actors unfreeze and the Black woman joins the narrator, as he explains his services including a bootcamp provided to retrain white perpetrators and transform their behavior into one of respect, understanding and empathy toward Black people.

Actors in the production included Tyler Mae, David Cesari, Shayna Howlett, Toni Rochelle, Ziare Whitelow, Christina Gluszaczak, Harley Ford and Cody Johnson.

“It’s been great to combine a showcase featuring some of the best in Bay Area talent with a stage play production written by a Nigerian sister,” said Jones. “The month may have 28 days, but we are 365 days a year, 24-7 making history,” said Galloway.

By Maxim Elramsisy

California Black Media

Civil rights and media icon Xernona Clayton became the first woman to be enshrined with a statue in downtown Atlanta on March 8, 2023, International Women’s Day.

The eight-foot statue with its arms open, high on a pedestal, looks down on Xernona Clayton Plaza, making the petite icon a giant in the cradle city of the modern Civil Rights Movement.

World renowned sculptor Ed Dwight created the bronze statue despite challenges with his vision. With Dwight by her side, Clayton announced that it would be his final commissioned project. “As he was making this statue he lost vision in his good eye,” Clayton said at a private dinner before the unveiling. “But if he could do this without seeing, imagine what he could do if he had vision.”

More than 20 speakers, including representatives from the Bahamas and Ghana, praised Clayton at the unveiling ceremony, which was followed by “High Heels in High Places,” an event honoring distinguished women in business and journalism.

Among the “sheroes: honored at the dinner were California Black Media Executive Director Regina Brown Wilson and LA Focus Publisher Lisa Collins. Clayton also acknowledged the mothers of several local celebrities, including Silvia Dickens, mother of Atlanta mayor Andre Dickens, Trice Morgan, mother of rapper T.I., and Mary Tucker, mother of comedian Chris Tucker.

A few of the speakers at the event claimed to be Clayton’s boyfriends, including Mayor Andre Dickens, who began working on the project as a city councilman, and Clayton’s close friend and fellow civil rights icon, Ambassador Andrew Young. Former CNN President, Tom Johnson spoke on behalf of Ted Turner, who was ill, lauding Clayton’s outstanding achievements and attesting to her contributions to broadcast media. Clayton was also a consistent supporter of the Black press across the country.

Martin Luther King III reflected on his memories of Clayton growing up. “There is no greater honor than what is being done here today,” said King III.

At the unveiling, Clayton recalled arranging logistics for a meeting between Dr. King and supporters of the Southern Christian Leadership Conference in the heart of Atlanta. “I pride myself in getting everything right before I start out, and I knew I had all my details in order for this special luncheon hosted by Dr. King, but everything went wrong,” Clayton said.

The motel which supposedly had an “open door policy,” expressly told Dr. King to leave. “I, Xernona Clayton was thrown out of a hotel. Now, you are standing backed by a street named Xernona Clayton Way.”

“The idea for a monument to Xernona Clayton was born from a 4 a.m. meeting with her in 2020. Our kids didn’t know who she was, and we felt that such an inspiring figure deserved recognition,” said Project Co-Founder Mariela Romero, a Latina journalist, originally from Venezuela, who co-presented the idea for the statue and has been one of the forces helping to make the monument a reality.

Romero said when she learned about Clayton’s contributions to the Civil Rights Movement and all her personal accomplishments, she was surprised that more Americans of all races did not know about her life story and legacy.

“Seeing the statue standing proudly in Xernona Clayton Plaza, facing downtown Atlanta, fills me with incredible pride and accomplishment,” Romero added.

“This project was important to us because Xernona Clayton has been a role model, she has dedicated her life to serving others and we have always admired her tenacity, grace, and vision.”

Romero partnered with philanthropist and Bank of America-Merrill executive Rick Baker to spearhead the campaign that made Clayton’s monument a reality.

Xernona Clayton (center) and Xernona Clayton Statue Project Co-Creators Mariana Romero (Left) and Rich Baker (right) cross Xernona Clayton Way in Downtown Atlanta, Georgia toward the unveiling of the Xernona Clayton statue on Wednesday, March 8, 2023. Photo by Maxim Elramsisy, California Black Media.

Clayton became involved in the civil rights movement working for the National Urban League in Chicago. She went undercover to investigate employment discrimination against African Americans at Marshall Fields, a major Chicago department store.

She moved to Atlanta at the behest of Dr. Martin Luther King Jr, where she organized events for SCLC and grew close with Dr. King and his wife, Coretta Scott King.

Clayton was instrumental in the desegregation of Atlanta’s hospitals by organizing the city’s Black doctors. In 1967, Clayton became the first Black female in the southern U.S. to host a weekly prime time talk show. The show eventually came to be known as “The Xernona Clayton Show.”

In 1968, Clayton’s impact in the fight against bigotry became clear when Calvin Craig, a Grand Dragon of the Ku Klux Klan, denounced the Klan, crediting Clayton’s influence in the decision.

In 1988, Clayton was named Corporate Vice President for Urban Affairs with Turner Broadcasting System. In her role she served as liaison between Turner Broadcasting and civil rights groups, both in Atlanta and across the country.

As a broadcast executive, Clayton founded the Trumpet Foundation and, with Turner Broadcasting, established the prestigious Trumpet Awards in 1993 to highlight the achievements and contributions of African Americans.

With the unveiling of the Xernona Clayton statue, an influential Black woman is finally immortalized in Atlanta, a city that still holds several confederate monuments and countless stories and memories of its history in the segregated south.

This California Black Media article was supported in whole or in part by funding provided by the State of California, administered by the California State Library