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Soul Singers Come to the Aid of Rosie Gaines with Benefit, Jan. 31

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Oakland soul singer Brenda Vaughn began planning a fundraiser benefit for her friend, singer and keyboardist Rosie Gaines, who has gone through periods of homelessness and was hospitalized for most of last year.

 

 

 

 

The benefit, “I Am My Sister’s Keeper,” is scheduled for Saturday, Jan. 31, 8 p.m. at Geoffrey’s Inner Circle, 410 14th Street in Oakland. It will feature a star-studded lineup of performers, including Lenny Williams, D’Wayne Wiggins of Tony Toni Tone, Wilton Rabb of Graham Central Station, Tuck and Patti, Tony Dwayne and Levi Seacer.

 

Brenda Vaughn

Brenda Vaughn

While in Singapore for an engagement at the Ritz Carlton Hotel, Vaughn received reports from back home about the plight of her friend, each one more alarming than the last.

 

Gaines, who is best known for her duet with Prince on his 1993 hit “Diamonds and Pearls,” had spent much of her time in and out of the hospital after her legs had become swollen and seriously infected since she stopped taking her insulin.

 

Gaines, according to Vaughn, is now living in a homeless shelter in Richmond, where staff is making sure she takes her medication.

 

“I knew she was in trouble for over a year,” said Vaughn, while sitting in her office at Geoffrey’s Inner Circle in Oakland.

 

Gaines – from Pittsburg, CA – had been a popular attraction at such local venues as Earle’s Solano Club, Yoshi’s and the Great American Music Hall prior to joining Prince’s New Power Generation in 1989.

 

“I was thinking I’d send $300 or something to help out, but it just kept coming back to me. Once I found out she had nowhere to stay, I felt like I was supposed to do something bigger,” said Vaughn.

 

Vaughn began orchestrating the benefit in November while in Singapore and reached out to several Bay Area entertainers, asking them to part in the event. In December, at the end of her long-term contract with the hotel, Vaughn flew home to recruit more participants and put the final touches on the benefit.

 

Other performing vocalists include Vaughn, Tiffany Austin, Faye Carol, Melvin Carter, Darlene Coleman, La Toya Gaines, Nikita Germaine, Derick Hughes, Tara Kemp, Lady Bianca, Charlene Moore, Terrie Odabi, Otis Redding III and former En Vogue member Maxine Jones.

 

Vaughn said Gaines is expected to attend.

 

“Her legs have been getting better,” said La Toya, 37. “Since she has diabetes, it’s going to take a long time for them to heal. If she stops taking her medicine and her legs get re-infected, they’re going to end up having to amputate them. We’re trying to avoid that at all costs.”

 

Proceeds from the benefit will go towards housing where Gaines’ only child, La Toya, can help her 54-year-old mother get back on her feet, physically and mentally, and provide other living necessities.

 

Prince, according to a very reliable source, “is absolutely helping.”

 

Admission is $30. For tickets, visit www.geoffreysinnercircle.com.

Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Activism

Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Oakland Post: Week of December 24 – 30, 2025

The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025

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