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68th GRAMMYs Recap: Kendrick Lamar wins most awards, Bad Bunny wins Album of the Year

Bad Bunny won album of the year at the 68th annual Grammy Awards on Sunday night for DeBÍ TiRAR MáS FOToS. During the evening, Bad Bunny, aka Benito Antonio Martínez Ocasio, was among the artists that took stands against the U.S. Immigration Customs and Enforcement (ICE) presence in many American cities.  “Before I say thanks […]

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Bad Bunny won album of the year at the 68th annual Grammy Awards on Sunday night for DeBÍ TiRAR MáS FOToS. During the evening, Bad Bunny, aka Benito Antonio Martínez Ocasio, was among the artists that took stands against the U.S. Immigration Customs and Enforcement (ICE) presence in many American cities. 

“Before I say thanks to God, I’m gonna say: ICE out,” Bad Bunny said to great applause while accepting the award for best música urbana album. “We’re not savage, we’re not animals, we’re not aliens. We are humans and we are Americans.”

More Political Statements

Political messaging took center stage at the Grammys, as multiple high-profile artists used the platform to express unity and protest. Billie Eilish, her brother Finneas, and music legend Carole King were seen wearing white pins stamped with the bold message “ICE OUT” during their appearances onstage. The statement extended beyond the usual activists, as Justin and Hailey Bieber—who generally steer clear of overt political expression in U.S. affairs—also chose to wear the pins.

The message was further amplified when Eilish addressed the audience during her Song of the Year acceptance speech, opening with the pointed remark, “no one is illegal on stolen land,” underscoring the broader sentiment behind the symbolic display.

King Kendrick Reigns

Kendrick Lamar made history at the 2026 Grammy Awards, surpassing Jay-Z’s record to become the rapper with the most career Grammy wins. Lamar secured a total of five awards on Sunday night.

His wins included Record of the Year for “Luther” (featuring SZA) and Best Rap Album for GNX. The pre-telecast saw him claim three initial awards: Best Rap Song for “TV Off,” Best Melodic Rap Performance for “Luther” (with SZA), and Best Rap Performance for “Chains & Whips” (where he was a featured performer).

Lamar’s historic fourth win, for Best Rap Album, officially broke Jay-Z’s long-standing record. He solidified his new position with his fifth win of the night for Record of the Year. Among those who picked up two awards each during the pre-telecast: Kehlani, the Cure, Turnstile, Leon Thomas, Mavis Staples, I’m With Her, Gustavo Dudamel, Amy Allen and Ludwig Göransson (for his work on the “Sinners” soundtrack and score).

Lauryn Hill led powerful tributes

Lauryn Hill closed out the night by spearheading two powerful tribute segments dedicated to D’Angelo and Roberta Flack. The homage to D’Angelo unfolded as an expansive musical celebration, featuring performances of his iconic tracks such as “Nothing Even Matters,” “Brown Sugar,” “Lady,” “Devil’s Pie,” “Another Life,” “Untitled (How Does It Feel),” and “Africa.” The segment brought together an impressive lineup of artists, including Lucky Daye, Raphael Saadiq, Anthony Hamilton, Leon Thomas, Bilal, and Jon Batiste. D’Angelo, a four-time Grammy Award recipient whose influence reshaped modern R&B and neo-soul, passed away from pancreatic cancer in October at just 51 years old.

The tribute to Roberta Flack was presented as a sweeping medley honoring her timeless legacy. It included emotionally rich renditions of “The First Time Ever I Saw Your Face,” performed alongside Jon Batiste, and “Compared to What,” featuring Leon Bridges and Alexia Jayy. Additional highlights included “The Closer I Get to You” with Lalah Hathaway and October London, as well as “Where Is the Love,” joined by John Legend and Chaka Khan. The tribute culminated in a show-stopping Fugees reunion, as Hill reunited with Wyclef Jean for a stirring performance of “Killing Me Softly with His Song,” the track that helped define their career through its iconic sample. Flack, a revered singer-pianist and five-time Grammy winner, passed away on February 24, 2025, at the age of 88, leaving behind a legacy that was formally recognized with a Lifetime Achievement Award in 2020.

Topping the list of nominees for the 68th GRAMMY Awards® were Kendrick Lamar (9), Cirkut (7), Jack Antonoff (7), Lady Gaga (7), Bad Bunny (6), Leon Thomas (6), Sabrina Carpenter (6), Serban Ghenea (6), Andrew Watt (5), Clipse (5), Doechii (5), Sounwave (5), SZA (5), Turnstile (5), and Tyler, The Creator (5). 

A full list of this year’s Grammy winners follows. The winners are in bold. 

Record of The Year

“DtMF” – Bad Bunny
“Manchild” – Sabrina Carpenter
“Anxiety” – Doechii
“WILDFLOWER” – Billie Eilish
“Abracadabra” – Lady Gaga
“luther” – Kendrick Lamar With SZA (WINNER)
“The Subway” – Chappell Roan
“APT.” – ROSÉ, Bruno Mars

Album of The Year

DeBÍ TiRAR MáS FOToS — Bad Bunny (WINNER)
SWAG — Justin Bieber
Man’s Best Friend — Sabrina Carpenter
Let God Sort Em Out — Clipse, Pusha T & Malice
MAYHEM — Lady Gaga
GNX — Kendrick Lamar
MUTT — Leon Thomas
CHROMAKOPIA — Tyler, The Creator

Song of the Year

“Abracadabra” – Lady Gaga, Henry Walter & Andrew Watt, songwriters (Lady Gaga)
“Anxiety” – Jaylah Hickmon, songwriter (Doechii)
“APT.” – Amy Allen, Christopher Brody Brown, Rogét Chahayed, Omer Fedi, Philip Lawrence, Bruno Mars,
Chae Young Park, Theron Thomas & Henry Walter, songwriters (ROSÉ, Bruno Mars)
“DtMF” – Marco Daniel Borrero, Scott Dittrich, Benjamin Falik, Benito Antonio Martínez Ocasio, Hugo René Sención Sanabria, Tyler Thomas Spry & Roberto José Rosado Torres, songwriters (Bad Bunny)
“Golden [From “KPop Demon Hunters”]” – EJAE & Mark Sonnenblick, songwriters (HUNTR/X: EJAE, Audrey Nuna, REI AMI)
“luther” – Jack Antonoff, Roshwita Larisha Bacha, Matthew Bernard, Scott Bridgeway, Sam Dew, Ink, Kendrick Lamar, Solána Rowe, Mark Anthony Spears & Kamasi Washington, songwriters (Kendrick Lamar With SZA)
“Manchild” – Amy Allen, Jack Antonoff & Sabrina Carpenter, songwriters (Sabrina Carpenter)
“WILDFLOWER” – Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish) (WINNER)

Best New Artist

Olivia Dean (WINNER)
KATSEYE
The Marias
Addison Rae
sombr
Leon Thomas
Alex Warren
Lola Young

Producer of the Year, Non-Classical

Dan Auerbach
Cirkut (WINNER)
Dijon
Blake Mills
Sounwave

Songwriter of The Year, Non-Classical

Amy Allen (WINNER)
Edgar Barrera
Jessie Jo Dillon
Tobias Jesso Jr
Laura Veltz

Best Pop Solo Performance

“DAISIES” — Justin Bieber
“Manchild” — Sabrina Carpenter
“Disease” — Lady Gaga
“The Subway” — Chappell Roan
“Messy” — Lola Young (WINNER)

Best Pop Duo/Group Performance

“Defying Gravity” — Cynthia Erivo & Ariana Grande (WINNER)
“Golden” (from KPop Demon Hunters) — HUNTR/X: EJAE, Audrey Nuna, REI AMI
“Gabriela” — KATSEYE
“APT” — ROSÉ, Bruno Mars
“30 For 30” — SZA Featuring Kendrick Lamar

Best Pop Vocal Album

SWAG — Justin Bieber
Man’s Best Friend — Sabrina Carpenter
Something Beautiful — Miley Cyrus
MAYHEM — Lady Gaga (WINNERS)
I’ve Tried Everything But Therapy — Part 2 — Teddy Swims

Best Dance/Electronic Recording

“No Cap” — Disclosure & Anderson .Paak
“Victory Lap” — Fred again.., Skepta, & PlaqueBoyMax
“SPACE INVADER” — KAYTRANADA
“VOLTAGE” — Skrillex
“End Of Summer” — Tame Impala (WINNER)

Best Dance Pop Recording

“Bluest Flame” — Selena Gomez & benny blanco
“Abracadabra” — Lady Gaga (WINNER)
“Midnight Sun” — Zara Larsson
“Just Keep Watching” (from F1 The Movie) — Tate McRae
“Illegal” — PinkPantheress

Best Dance/Electronic Album

EUSEXUA — FKA twigs (WINNER)
Ten Days — Fred again..
Fancy That — PinkPantheress
Inhale / Exhale — RÜFÜS DU SOL
F— U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3> — Skrillex

Best Remixed Recording

“Abracadabra – Gesaffelstein Remix” — Gesaffelstein, remixer (Lady Gaga, Gesaffelstein) (WINNER)
“Don’t Forget About Us” — KAYTRANADA, remixer (Mariah Carey & KAYTRANADA)
“A Dreams A Dream – Ron Trent Remix” — Ron Trent, remixer (Soul II Soul)
“Galvanize” — Chris Lake, remixer (The Chemical Brothers & Chris Lake)
“Golden – David Guetta REM/X” — David Guetta, remixer (HUNTR/X: EJAE, Audrey Nuna, REI AMI)

Best Rock Performance

“U Should Not Be Doing That” — Amyl and The Sniffers
“The Emptiness Machine” — Linkin Park
“NEVER ENOUGH” — Turnstile
“Mirtazapine” — Hayley Williams
“Changes (Live From Villa Park) Back To The Beginning” — YUNGBLUD Featuring Nuno Bettencourt, Frank Bello, Adam Wakeman, II (WINNER)

Best Metal Performance

“Night Terror” — Dream Theater
“Lachryma” — Ghost
“Emergence” — Sleep Token
“Soft Spine” — Spiritbox
“BIRDS” — Turnstile (WINNER)

Best Rock Song

“As Alive As You Need Me To Be” — Trent Reznor & Atticus Ross, songwriters (Nine Inch Nails) (WINNERS)
“Caramel” — Vessel & II, songwriters (Sleep Token)
“Glum” — Daniel James & Hayley Williams, songwriters (Hayley Williams)
“NEVER ENOUGH” — Daniel Fang, Franz Lyons, Pat McCrory, Meg Mills & Brendan Yates, songwriters (Turnstile)
“Zombie” — Dominic Harrison & Matt Schwartz, songwriters (YUNGBLUD)

Best Rock Album

private music — Deftones
I quit — HAIM
From Zero — Linkin Park
NEVER ENOUGH — Turnstile (WINNER)
Idols — YUNGBLUD

Best Alternative Music Performance

“Everything Is Peaceful Love” — Bon Iver
“Alone” — The Cure (WINNER)
“SEEIN’ STARS” — Turnstile
“mangetout” — Wet Leg
“Parachute” — Hayley Williams

Best Alternative Music Album

SABLE, fABLE — Bon Iver
Songs Of A Lost World — The Cure (WINNER)
DON’T TAP THE GLASS — Tyler, The Creator
moisturizer — Wet Leg
Ego Death At A Bachelorette Party — Hayley Williams

Best R&B Performance

“YUKON” — Justin Bieber
“It Depends” — Chris Brown Featuring Bryson Tiller
“Folded” — Kehlani (WINNER)
“MUTT — Live From NPR’s Tiny Desk” — Leon Thomas
“Heart Of A Woman” — Summer Walker

Best Traditional R&B Performance

“Here We Are” — Durand Bernarr
“UPTOWN” — Lalah Hathaway
“LOVE YOU TOO” — Ledisi
“Crybaby” — SZA
“VIBES DON’T LIE” — Leon Thomas (WINNER)

Best R&B Song

“Folded” — Darius Dixson, Andre Harris, Donovan Knight, Don Mills, Kehlani Parrish, Khris Riddick-Tynes & Dawit Kamal Wilson, songwriters (Kehlani) (WINNER)

“Heart Of A Woman” — David Bishop & Summer Walker, songwriters (Summer Walker)

“It Depends” — Nico Baran, Chris Brown, Ant Clemons, Ephrem Lopez Jr., Ryan Press, Bryson Tiller, Elliott Trent & Dewain Whitmore Jr., songwriters (Chris Brown Featuring Bryson Tiller)

“Overqualified” — James John Abrahart Jr, Durand Bernarr, John Derisme, Egberto “Budda” Foster, Amaire Johnson, Frank Moka, Cary Singer & Chase Worrell songwriters (Durand Bernarr)

“YES IT IS” — Jariuce Banks, Lazaro Andres Camejo, Mike Hector, Peter Lee Johnson, Rodney Jones Jr., Ali Prawl & Leon Thomas, songwriters (Leon Thomas)

Best Progressive R&B Album

BLOOM — Durand Bernarr (WINNER)
Adjust Brightness — Bilal
LOVE ON DIGITAL — Destin Conrad
Access All Areas — FLO
Come As You Are — Terrace Martin & Kenyon Dixon

Best R&B Album

BELOVED — GIVĒON
Why Not More — Coco Jones
The Crown — Ledisi
Escape Room — Teyana Taylor
MUTT — Leon Thomas (WINNER)

Best Rap Performance

“Outside” — Cardi B
“Chains & Whips” — Clipse, Pusha T & Malice Featuring Kendrick Lamar & Pharrell Williams (WINNER)
“Anxiety” — Doechii
“tv off” — Kendrick Lamar Featuring Lefty Gunplay
“Darling, I” — Tyler, The Creator Featuring Teezo Touchdown

Best Melodic Rap Performance

“Proud Of Me” — Fridayy Featuring Meek Mill
“Wholeheartedly” — JID Featuring Ty Dolla $ign & 6Lack
“luther” — Kendrick Lamar With SZA (WINNER)
“WeMaj” — Terrace Martin & Kenyon Dixon Featuring Rapsody
“SOMEBODY LOVES ME” — PARTYNEXTDOOR & Drake

Best Rap Song

“Anxiety” — Jaylah Hickmon, songwriter (Doechii)

“The Birds Don’t Sing” — Gene Elliott Thornton Jr., Terrence Thornton, Pharrell Williams & Stevie Wonder, songwriters (Clipse, Pusha T & Malice Featuring John Legend & Voices Of Fire)

“Sticky” — Aaron Bolton, Dwayne Carter, Jr., Dudley Alexander Duverne, Tyler Okonma, Janae Wherry, Gloria Woods & Rex Zamor, songwriters (Tyler, The Creator Featuring GloRilla, Sexyy Red & Lil Wayne)

“TGIF” — Lucas Alegria, Dillon Brophy, Yakki Davis, Jess Jackson, Ronnie Jackson, Mario Mims, Jorge M. Taveras & Gloria Woods, songwriters (GloRilla)

“tv off” — Jack Antonoff, Larry Jayy, Kendrick Lamar, Dijon McFarlane, Sean Momberger, Mark Anthony Spears & Kamasi Washington, songwriters (Kendrick Lamar Featuring Lefty Gunplay) (WINNER)

Best Rap Album

Let God Sort Em Out — Clipse, Pusha T & Malice
GLORIOUS — GloRilla
God Does Like Ugly — JID
GNX — Kendrick Lamar (WINNER)
CHROMAKOPIA — Tyler, The Creator

Best Spoken Word Poetry Album

A Hurricane in Heels: healed people don’t act like that — partially recorded live @City Winery & other places — Queen Sheba
Black Shaman — Marc Marcel
Pages — Omari Hardwick & Anthony Hamilton
Saul Williams Meets Carlos Niño & Friends At Treepeople — Saul Williams, Carlos Niño & Friends
Words For Days Vol. 1 — Mad Skillz (WINNER)

Best Jazz Performance

“Noble Rise” — Lakecia Benjamin Featuring Immanuel Wilkins & Mark Whitfield
“Windows – Live” — Chick Corea, Christian McBride & Brian Blade (WINNER)
“Peace Of Mind / Dreams Come True” — Samara Joy
“Four” — Michael Mayo
“All Stars Lead To You – Live” — Nicole Zuraitis, Dan Pugach, Tom Scott, Idan Morim, Keyon Harrold, Rachel Eckroth & Sam Weber

Best Jazz Vocal Album

Elemental — Dee Dee Bridgewater and Bill Charlap

We Insist 2025 — Terri Lyne Carrington and Christie Dashiell Featuring Weedie Braimah, Milena Casado, Morgan Guerin, Simon Moullier and Matthew Stevens

Portrait — Samara Joy (WINNER)

Fly — Michael Mayo

Live at Vic’s Las Vegas — Nicole Zuraitis, Dan Pugach, Tom Scott, Idan Morim, Keyon Harrold, Rachel Eckroth and Sam Weber

Best Jazz Instrumental Album

Trilogy 3 — Live — Chick Corea, Christian McBride & Brian Blade
Southern Nights — Sullivan Fortner Featuring Peter Washington & Marcus Gilmore (WINNER)
Belonging — Branford Marsalis Quartet
Spirit Fall — John Patitucci Featuring Chris Potter & Brian Blade
Fasten Up — Yellowjackets

Best Large Jazz Ensemble Album

Orchestrator Emulator — The 8-Bit Big Band
Without Further Ado, Vol 1 — Christian McBride Big Band (WINNER)
Lumen — Danilo Pérez and Bohuslän Big Band
Basie Rocks — Deborah Silver and The Count Basie Orchestra
Lights on a Satellite — Sun Ra Arkestra
Some Days Are Better: The Lost Scores — Kenny Wheeler Legacy Featuring The Royal Academy of Music Jazz Orchestra and Frost Jazz Orchestra

Best Latin Jazz Album

La Fleur de Cayenne — Paquito D’Rivera and Madrid-New York Connection Band

The Original Influencers: Dizzy, Chano & Chico Arturo O’Farrill & The Afro Latin Jazz Orchestra — Featuring Pedrito Martinez, Daymé Arocena, Jon Faddis, Donald Harrison & Melvis Santa

Mundoagua – Celebrating Carla Bley — Arturo O’Farrill & The Afro Latin Jazz Orchestra

A Tribute to Benny Moré and Nat King Cole — Gonzalo Rubalcaba, Yainer Horta & Joey Calveiro (WINNER)

Vanguardia Subterránea: Live at The Village Vanguard — Miguel Zenón Quartet

Best Alternative Jazz Album

honey from a winter stone — Ambrose Akinmusire
Keys To The City Volume One — Robert Glasper
Ride into the Sun — Brad Mehldau
LIVE-ACTION — Nate Smith (WINNER)
Blues Blood — Immanuel Wilkins

Best Traditional Pop Vocal Album

Wintersongs — Laila Biali
The Gift Of Love — Jennifer Hudson
Who Believes In Angels — Elton John & Brandi Carlile
Harlequin — Lady Gaga
A Matter Of Time — Laufey (WINNER)
The Secret Of Life: Partners, Volume 2 — Barbra Streisand

Best Contemporary Instrumental Album

Brightside — ARKAI (WINNER)
Ones & Twos — Gerald Clayton
BEATrio — Béla Fleck, Edmar Castañeda, Antonio Sánchez
Just Us — Bob James & Dave Koz
Shayan — Charu Suri

Best Musical Theater Album

Buena Vista Social Club (WINNER)
Marco Paguia, Dean Sharenow & David Yazbek, producers (Original Broadway Cast)

Death Becomes Her
Taurean Everett, Megan Hilty, Josh Lamon, Christopher Sieber, Jennifer Simard & Michelle Williams, principal vocalists; Mary-Mitchell Campbell, Noel Carey, Sean Patrick Flahaven, Julia Mattison & Scott M. Riesett, producers; Noel Carey & Julia Mattison, composers/lyricists (Original Broadway Cast)

Gypsy
Danny Burstein, Kevin Csolak, Audra McDonald, Jordan Tyson & Joy Woods, principal vocalists; David Caddick, Andy Einhorn, David Lai & George C. Wolfe, producers (Jule Styne, composer; Stephen Sondheim, lyricist) (2024 Broadway Cast)

Just In Time
Emily Bergl, Jonathan Groff, Erika Henningsen, Gracie Lawrence & Michele Pawk, principal vocalists; Tom Kirdahy, Derik Lee, Andrew Resnick, Bill Sherman & Alex Timbers, producers (Bobby Darin, composer & lyricist) (Original Broadway Cast)

Maybe Happy Ending
Marcus Choi, Darren Criss, Dez Duron & Helen J Shen, principal vocalists; Deborah Abramson, Will Aronson, Ian Kagey & Hue Park, producers; Hue Park, lyricist; Will Aronson, composer & lyricist (Original Broadway Cast)

Best Country Solo Performance

“Nose On The Grindstone” — Tyler Childers
“Good News” — Shaboozey
“Bad As I Used To Be” (from F1 The Movie) — Chris Stapleton (WINNER)
“I Never Lie” — Zach Top
“Somewhere Over Laredo” — Lainey Wilson

Best Country Duo/Group Performance

“A Song To Sing” — Miranda Lambert And Chris Stapleton
“Trailblazer” — Reba McEntire, Miranda Lambert, Lainey Wilson
“Love Me Like You Used To Do” — Margo Price & Tyler Childers
“Amen” — Shaboozey & Jelly Roll (WINNER)
“Honky Tonk Hall Of Fame” — George Strait, Chris Stapleton

Best Country Song

“Bitin’ List” — Tyler Childers, songwriter (Tyler Childers) (WINNER)

“Good News” — Sean Cook, Collins Obinna Chibueze, Michael Ross Pollack, Sam Elliot Roman, Nevin Sastry & Jacob Torrey, songwriters (Shaboozey)

“I Never Lie” — Carson Chamberlain, Tim Nichols & Zach Top, songwriters (Zach Top)

“Somewhere Over Laredo” — Andy Albert, Trannie Anderson, Dallas Wilson & Lainey Wilson, songwriters (Lainey Wilson)

“A Song To Sing” — Jenee Fleenor, Jesse Frasure, Miranda Lambert & Chris Stapleton, songwriters (Miranda Lambert And Chris Stapleton)

Best Traditional Country Album

Dollar A Day — Charley Crockett
American Romance — Lukas Nelson
Oh What A Beautiful World — Willie Nelson
Hard Headed Woman — Margo Price
Ain’t In It For My Health — Zach Top (WINNER)

Best Contemporary Country Album

Patterns — Kelsea Ballerini
Snipe Hunter — Tyler Childers
Evangeline Vs. The Machine — Eric Church
Beautifully Broken — Jelly Roll (WINNER)
Postcards From Texas — Miranda Lambert

Best American Roots Performance

“LONELY AVENUE” — Jon Batiste Featuring Randy Newman
“Ancient Light” — I’m With Her
“Crimson And Clay” — Jason Isbell
“Richmond On The James” — Alison Krauss & Union Station
“Beautiful Strangers” — Mavis Staples (WINNER)

Best Americana Performance

“Boom” — Sierra Hull
“Poison In My Well” — Maggie Rose & Grace Potter
“Godspeed” — Mavis Staples (WINNER)
“That’s Gonna Leave A Mark” — Molly Tuttle
“Horses” — Jesse Welles

Best American Roots Song

“Ancient Light” — Sarah Jarosz, Aoife O’Donovan & Sara Watkins, songwriters (I’m With Her) (WINNER)
“BIG MONEY” — Jon Batiste, Mike Elizondo & Steve McEwan, songwriters (Jon Batiste)
“Foxes In The Snow” — Jason Isbell, songwriter (Jason Isbell)
“Middle” — Jesse Welles, songwriter (Jesse Welles)
“Spitfire” — Sierra Hull, songwriter (Sierra Hull)

Best Americana Album

BIG MONEY — Jon Batiste (WINNER)
Bloom — Larkin Poe
Last Leaf On The Tree — Willie Nelson
So Long Little Miss Sunshine — Molly Tuttle
Middle — Jesse Welles

Best Bluegrass Album

Carter & Cleveland — Michael Cleveland & Jason Carter
A Tip Toe High Wire — Sierra Hull
Arcadia — Alison Krauss & Union Station
Outrun — The Steeldrivers
Highway Prayers — Billy Strings (WINNER)

Best Traditional Blues Album

Ain’t Done With The Blues — Buddy Guy (WINNER)
Room On The Porch — Taj Mahal & Keb’ Mo’
One Hour Mama: The Blues Of Victoria Spivey — Maria Muldaur
Look Out Highway — Charlie Musselwhite
Young Fashioned Ways — Kenny Wayne Shepherd & Bobby Rush

Best Contemporary Blues Album

Breakthrough — Joe Bonamassa
Paper Doll — Samantha Fish
A Tribute To LJK — Eric Gales
Preacher Kids — Robert Randolph (WINNER)
Family — Southern Avenue

Best Folk Album

What Did The Blackbird Say To The Crow — Rhiannon Giddens & Justin Robinson
Crown Of Roses — Patty Griffin
Wild And Clear And Blue — I’m With Her (WINNER)
Foxes In The Snow — Jason Isbell
Under The Powerlines April 24 – September 24 — Jesse Welles

Best Regional Roots Music Album

Live At Vaughan’s — Corey Henry & The Treme Funktet
For Fat Man — Preservation Brass
Church Of New Orleans — Kyle Roussel
Second Line Sunday — Trombone Shorty And New Breed Brass Band
A Tribute To The King Of Zydeco — (Various Artists) (WINNER)

Best Gospel Performance/Song

“Do It Again” — Kirk Franklin; Kirk Franklin, songwriter

“Church” — Tasha Cobbs Leonard, John Legend; Anthony S. Brown, Brunes Charles, Annatoria Chitapa, Kenneth Leonard, Jr., Tasha Cobbs Leonard & Jonas Myrin, songwriters

“Still — Live” — Jonathan McReynolds & Jamal Roberts; Britney Delagraentiss, Jonathan McReynolds, David Lamar Outing II, Orlando Joel Palmer & Terrell Demetrius Wilson, songwriters

“Amen” — Pastor Mike Jr.; Adia Andrews, Michael McClure Jr., David Lamar Outing II & Terrell Anthony Pettus, songwriters

“Come Jesus Come” — CeCe Winans Featuring Shirley Caesar (WINNER)

Best Contemporary Christian Music Performance/Song

“I Know A Name” — Elevation Worship, Chris Brown, Brandon Lake; Hank Bentley, Steven Furtick, Brandon Lake & Jacob Sooter, songwriters

“YOUR WAY’S BETTER” — Forrest Frank; Forrest Frank & Pera, songwriters

“Hard Fought Hallelujah” — Brandon Lake With Jelly Roll; Chris Brown, Jason Bradley Deford, Steven Furtick, Benjamin William Hastings & Brandon Lake, songwriters (WINNER)

“Headphones” — Lecrae, Killer Mike, T.I.; Tyshane Thompson, Bongo ByTheWay, Michael Render, Lecrae Moore & Clifford Harris, songwriters

“Amazing” — Darrel Walls, PJ Morton; PJ Morton & Darrel Walls,songwriters

Best Gospel Album

Sunny Days — Yolanda Adams
Tasha — Tasha Cobbs Leonard
Live Breathe Fight — Tamela Mann
Only On The Road Live — Tye Tribbett
Heart Of Mine — Darrel Walls, PJ Morton (WINNER)

Best Contemporary Christian Music Album

CHILD OF GOD II — Forrest Frank
Coritos Vol. 1 — Israel & New Breed (WINNER)
King Of Hearts — Brandon Lake
Reconstruction — Lecrae
Let The Church Sing — Tauren Wells

Best Roots Gospel Album

I Will Not Be Moved — Live — The Brooklyn Tabernacle Choir (WINNER)
Then Came The Morning — Gaither Vocal Band
Praise & Worship: More Than A Hollow Hallelujah — The Isaacs
Good Answers — Karen Peck & New River
Back To My Roots — Candi Staton

Best Latin Pop Album

Cosa Nuestra — Rauw Alejandro
BOGOTÁ DELUXE — Andrés Cepeda
Tropicoqueta — KAROL G
Cancionera — Natalia Lafourcade (WINNER)
Y ahora qué — Alejandro Sanz

Best Música Urbana Album

DeBÍ TiRAR MáS FOToS — Bad Bunny (WINNER)
Mixteip — J Balvin
FERXXO VOL X: Sagrado — Feid
NAIKI — Nicki Nicole
EUB DELUXE — Trueno
SINFÓNICO — En Vivo — Yandel

Best Latin Rock or Alternative Album

Genes Rebeldes — Aterciopelados
ASTROPICAL — Bomba Estéreo, Rawayana, ASTROPICAL
PAPOTA — CA7RIEL & Paco Amoroso (WINNER)
ALGORHYTHM — Los Wizzards
Novela — Fito Paez

Best Música Mexicana Album (Including Tejano)

MALA MÍA — Fuerza Regida, Grupo Frontera
Y Lo Que Viene — Grupo Frontera
Sin Rodeos — Paola Jara
Palabra De To’s – Seca — Carín León (WINNER)
Bobby Pulido & Friends Una Tuya Y Una Mía – Por La Puerta Grande – En Vivo — Bobby Pulido

Best Tropical Latin Album

Fotografías — Rubén Blades, Roberto Delgado & Orquesta
Raíces — Gloria Estefan (WINNER)
Clásicos 1.0 — Grupo Niche
Bingo — Alain Pérez
Debut y Segunda Tanda, Vol. 2 — Gilberto Santa Rosa

Best Global Music Performance

“EoO” — Bad Bunny (WINNER)
“Cantando en el Camino” — Ciro Hurtado
“JERUSALEMA” — Angélique Kidjo
“Inmigrante Y Que” — Yeisy Rojas
“Shrini’s Dream” – Live — Shakti
“Daybreak” — Anoushka Shankar Featuring Alam Khan & Sarathy Korwar

Best African Music Performance

“Love” — Burna Boy
“With You” — Davido Featuring Omah Lay
“Hope & Love” — Eddy Kenzo & Mehran Matin
“Gimme Dat” — Ayra Starr Featuring Wizkid
“PUSH 2 START” — Tyla (WINNER)

Best Global Music Album

Sounds Of Kumbha — Siddhant Bhatia
No Sign of Weakness — Burna Boy
Eclairer le monde – Light the World — Youssou N’Dour
Mind Explosion – 50th Anniversary Tour Live — Shakti
Chapter III: We Return To Light — Anoushka Shankar Featuring Alam Khan & Sarathy Korwar
Caetano e Bethânia Ao Vivo — Caetano Veloso And Maria Bethânia (WINNER)

Best Reggae Album

Treasure Self Love — Lila Iké
Heart & Soul — Vybz Kartel
BLXXD & FYAH — Keznamdi (WINNER)
From Within — Mortimer
No Place Like Home — Jesse Royal

Best New Age, Ambient, or Chant Album

Kuruvinda — Kirsten Agresta-Copely
According To The Moon — Cheryl B. Engelhardt, GEM, Dallas String Quartet
Into The Forest — Jahnavi Harrison
NOMADICA — Carla Patullo Featuring The Scorchio Quartet & Tonality (WINNER)
The Colors In My Mind — Chris Redding

Best Children’s Music Album

Ageless: 100 Years Young — Joanie Leeds & Joya
Buddy’s Magic Tree House — Mega Ran
Harmony — FYÜTCH & Aura V (WINNER)
Herstory — Flor Bromley
The Music Of Tori And The Muses —Tori Amos

Best Comedy Album

Drop Dead Years — Bill Burr
PostMortem — Sarah Silverman
Single Lady — Ali Wong
What Had Happened Was… — Jamie Foxx
Your Friend, Nate Bargatze — Nate Bargatze (WINNER)

Best Audio Book, Narration and Storytelling Recording

Elvis, Rocky & Me: The Carol Connors Story — Kathy Garver
Into The Uncut Grass — Trevor Noah
Lovely One: A Memoir — Ketanji Brown Jackson
Meditations: The Reflections Of His Holiness The Dalai Lama — Dalai Lama (WINNER)
You Know It’s True: The Real Story Of Milli Vanilli — Fab Morvan

Best Compilation Soundtrack For Visual Media

A Complete Unknown
Timothée Chalamet
Nick Baxter, Steven Gizicki & James Mangold, compilation producers; Steven Gizicki, music supervisor

F1 The Album
(Various Artists)
Brandon Davis, Joe Khoury, Kevin Weaver, compilation producers; David Taylor & Jake Voulgarides, music supervisors

KPop Demon Hunters
(Various Artists)
Spring Aspers & Dana Sano, compilation producers; Ian Eisendrath, music supervisor

Sinners (WINNER)
(Various Artists)
Ryan Coogler, Ludwig Göransson & Serena Göransson, compilation producers; Niki Sherrod, music supervisor

Wicked
Cynthia Erivo, Ariana Grande (& Wicked Movie Cast)
Stephen Oremus, Stephen Schwartz & Greg Wells, compilation producers; Maggie Rodford, music supervisor

Best Score Soundtrack For Visual Media (Includes Film And Television)

How To Train Your Dragon
John Powell, composer

Severance: Season 2
Theodore Shapiro, composer

Sinners (WINNER)
Ludwig Göransson, composer

Wicked
John Powell & Stephen Schwartz, composers

The Wild Robot
Kris Bowers, composer

Best Score Soundtrack for Video Games and Other Interactive Media

Avatar: Frontiers of Pandora – Secrets of the Spires — Pinar Toprak, composer
Helldivers 2 — Wilbert Roget, II, composer
Indiana Jones And The Great Circle — Gordy Haab, composer
Star Wars Outlaws: Wild Card & A Pirate’s Fortune — Cody Matthew Johnson & Wilbert Roget, II, composers
Sword of the Sea — Austin Wintory, composer (WINNER)

Best Song Written For Visual Media

“As Alive As You Need Me To Be” — From TRON: Ares
Trent Reznor & Atticus Ross, songwriters (Nine Inch Nails)

“Golden” — From KPop Demon Hunters (WINNER)
EJAE, Park Hong Jun, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo & Mark Sonnenblick, songwriters (HUNTR/X: EJAE, Audrey Nuna, REI AMI)

“I Lied to You” — From Sinners
Ludwig Göransson & Raphael Saadiq, songwriters (Miles Caton)

“Never Too Late” — From Elton John: Never Too Late
Brandi Carlile, Elton John, Bernie Taupin & Andrew Watt, songwriters (Elton John, Brandi Carlile)

“Pale, Pale Moon” — From Sinners
Ludwig Göransson & Brittany Howard, songwriters (Jayme Lawson)

“Sinners” — From Sinners
Leonard Denisenko, Rodarius Green, Travis Harrington, Tarkan Kozluklu, Kyris Mingo & Darius Poviliunas, songwriters (Rod Wave)

Best Music Video

“Manchild” — Sabrina Carpenter
Vania Heymann & Gal Muggia, video directors; Aiden Magarian, Nathan Scherrer & Natan Schottenfels, video producers

“So Be It” — Clipse
Hannan Hussain, video director; Theresa Kusumadjaja, video producer

“Anxiety” — Doechii (WINNER)
James Mackel, video director; Pablo Feldman, Jolene Mendes & Sophia Sabella, video producers

“Love” — OK Go
Aaron Duffy, Miguel Espada & Damian Kulash Jr., video directors; Petra Ahmann & Andrew Geller, video producer

“Young Lion” — Sade
Sophie Muller, video director; Aaron Taylor Dean & Sade, video producers

Best Music Film

Devo — Devo
Chris Smith, video director; Danny Gabai, Anita Greenspan, Chris Holmes & Chris Smith, video producers

Live At The Royal Albert Hall — Raye
Paul Dugdale, video director; Stefan Demetriou & Amy James, video producers

Relentless — Diane Warren
Bess Kargman, video director; Peggy Drexler, Michele Farinola, Bess Kargman & Kat Nguyen, video producers

Music By John Williams — John Williams (WINNER)
Laurent Bouzereau, video director; Sara Bernstein, Laurent Bouzereau, Justin Falvey, Darryl Frank, Brian Grazer, Ron Howard, Meredith Kaulfers, Kathleen Kennedy, Frank Marshall, Steven Spielberg & Justin Wilkes, video producers

Piece By Piece — Pharrell Williams
Morgan Neville, video director; Morgan Neville, Caitrin Rogers, Mimi Valdes & Pharrell Williams, video producers

Best Recording Package

And The Adjacent Possible
Hà Trịnh Quốc Bảo, Damian Kulash, Jr., Claudio Ripol, Wombi Rose & Yuri Suzuki, art directors (OK Go)

Balloonerism
Bráulio Amado & Alim Smith, art directors (Mac Miller)

Danse Macabre: De Luxe
Rory McCartney, art director (Duran Duran)

Loud Is As
Farbod Kokabi & Emily Sneddon, art directors (Tsunami)

Sequoia
Tim Breen & Ken Shipley, art directors (Various Artists)

The Spins — Picture Disc Vinyl
Darby Kaighin-Shields & Miller McCormick, art directors (Mac Miller)

Tracks II: The Lost Albums (WINNER)
Meghan Foley & Michelle Holme, art directors (Bruce Springsteen)

Best Album Cover

CHROMAKOPIA (WINNER)
Tyler Okonma, art director (Tyler, The Creator)

The Crux
Jake Hirshland, Joe Keery, Neil Krug, Taylor Vandergrift & William Wesley II, art directors (Djo)

Debí Tirar Más Fotos
Benito Antonio Martinez Ocasio, art director (Bad Bunny)

Glory
Cody Critcheloe, Mike Hadreas & Andrew J.S., art directors (Perfume Genius)

moisturizer
Iris Luz, Lava La Rue & Rhian Teasdale, art directors (Wet Leg)

Best Album Notes

Adios, Farewell, Goodbye, Good Luck, So Long: On Stage 1964-1974
Scott B. Bomar, album notes writer (Buck Owens And His Buckaroos)

After The Last Sky
Adam Shatz, album notes writer (Anouar Brahem, Anja Lechner, Django Bates, Dave Holland)

Árabe
Amanda Ekery, album notes writer (Amanda Ekery)

The First Family: Live At Winchester Cathedral 1967
Alec Palao, album notes writer (Sly & The Family Stone)

A Ghost Is Born — 20th Anniversary Deluxe Edition
Bob Mehr, album notes writer (Wilco)

Miles ’55: The Prestige Recordings (WINNER)
Ashley Kahn, album notes writer (Miles Davis)

Best Historical Album

Joni Mitchell Archives – Volume 4: The Asylum Years — 1976-1980 (WINNER)
Patrick Milligan & Joni Mitchell, compilation producers; Bernie Grundman, mastering engineer (Joni Mitchell)

The Making Of Five Leaves Left
Joe Black, Cally Callomon & Johnny Chandler, compilation producers; Simon Heyworth & John Wood, mastering engineers; Richard Whittaker & John Wood, restoration engineers (Nick Drake)

Roots Rocking Zimbabwe – The Modern Sound Of Harare’ Townships 1975-1980 — Analog Africa No.41
Samy Ben Redjeb, compilation producer; Michael Graves, mastering engineer; Michael Graves & Jordan McLeod, restoration engineers (Various Artists)

Super Disco Pirata – De Tepito Para El Mundo 1965-1980 — Analog Africa No. 39
Samy Ben Redjeb, compilation producer; Michael Graves, mastering engineer; Jordan McLeod, restoration engineer (Various Artists)

You Can’t Hip A Square: The Doc Pomus Songwriting Demos
Will Bratton, Sharyn Felder & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer; Michael Graves & Jordan McLeod, restoration engineers (Doc Pomus)

Best Engineered Album, Non-Classical

All Things Light
Jesse Brock, Jon Castelli, Matt Chamberlain, Tyler Johnson, Nick Lobel, Simon Maartensson, Lawrence “Boo” Mitchell, Rob Moose, Anders Mouridsen, Ryan Nasci, Ernesto Olvera-LaPier, Ethan Schneiderman, Rahm Silverglade & Owen Stoutt, engineers; Dale Becker, mastering engineer (Cam)

Arcadia
Neal Cappellino & Gary Paczosa, engineers; Brad Blackwood, mastering engineer (Alison Krauss & Union Station)

For Melancholy Brunettes & sad women
Joseph Lorge, Blake Mills & Sebastian Reunert, engineers; Patricia Sullivan, mastering engineer (Japanese Breakfast)

That Wasn’t A Dream (WINNER)
Joseph Lorge & Blake Mills, engineers; Patricia Sullivan, mastering engineer (Pino Palladino, Blake Mills)

Best Engineered Album, Classical

Cerrone: Don’t Look Down (WINNER)
Mike Tierney, engineer; Alan Silverman, mastering engineer (Sandbox Percussion)

Eastman: Symphony No. 2; Tchaikovsky: Symphony No. 2
Gintas Norvila, engineer; Jennifer Nulsen, mastering engineer (Franz Welser-Möst & The Cleveland Orchestra)

Shostakovich: Lady Macbeth Of The Mtsensk District
Shawn Murphy & Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons, Kristine Opolais, Günther Groissböck, Peter Hoare, Brenden Gunnell & Boston Symphony Orchestra)

Standard Stoppages
Sean Connors, Robert Dillon, Peter Martin, Bill Maylone, Judith Sherman & David Skidmore, engineers; Joe Lambert, mastering engineer (Third Coast Percussion)

Yule
Morten Lindberg, engineer; Morten Lindberg, mastering engineer (Trio Mediæval)

Producer Of The Year, Classical

Blanton Alspaugh
All Is Miracle – The Choral Music Of Kyle Pederson (Timothy J. Campbell & Transept) (A)
Heggie: Intelligence (Kwame Ryan, Janai Brugger, Jamie Barton, J’Nai Bridges & Houston Grand Opera) (A)
Marsalis: Blues Symphony (Jader Bignamini & Detroit Symphony Orchestra) (A)
Massenet: Werther (Robert Spano, Matthew Polenzani, sabel Leonard & Houston Grand Opera) (A)
The Mirage Calls (Charles Bruffy & Kansas City Chorale) (A)
Sheehan: Ukrainian War Requiem (Michael Zaugg, Axios Men’s Ensemble & Pro Coro Canada) (A)
Sun, Moon, Stars, Rain (Christopher Gabbitas & Phoenix Chorale) (A)

Sergei Kvitko
Biedenbender: Enigma; River Of Time (Kevin L. Sedatole & Michigan State University Wind Symphony) (A)
Chiaroscuro (Vedrana Subotic) (A)
Dancing In A Still Life (Tasha Warren) (A)
Excursions (Vuorovesi Trio) (A)
Four Hands. Two Hearts. One Hope. Ukrainian And American Music For Piano Duo (Mykhailo Diordiiev & Anastasiia Larchikova) (A)
Here And Now – Trumpet Music By Virginia Composers (Jason Crafton, Richard Masters, Annie Stevens & Paul Langosch) (A)
Lansky: Touch And Go (Gwendolyn Dease) (A)
Orbiting Garden (William Hobbs) (A)
Would That Loving Were Enough (Haven Trio) (A)

Morten Lindberg
Fred Over Jorden (Peace To The World) (Elisabeth Holte, Kjetil Bjerkestrand & Uranienborg Vokalensemble) (A)
Stjernebru (Anne Karin Sundal-Ask & Det Norske Jentekor) (A)
Yule (Trio Mediæval) (A)

Dmitriy Lipay
Heggie: Before It All Goes Dark (Joseph Mechavich, Megan Marino, Ryan McKinny & Music Of Remembrance Ensemble) (A)
Odyssey (Jorge Glem, Gustavo Dudamel & Simón Bolívar Symphony Orchestra Of Venezuela) (A)
Ortiz: Yanga (Gustavo Dudamel, Alisa Weilerstein & Los Angeles Philharmonic) (A)

Elaine Martone (WINNER)
Berlioz: Symphonie Fantastique (Franz Welser-Möst & The Cleveland Orchestra) (A)
Chopin & Rachmaninoff: Cello Sonatas (Brian Thornton & Spencer Myer) (A)
Dear Mrs. Kennedy (Ryan Townsend Strand) (A)
Eastman: Symphony No. 2; Tchaikovsky: Symphony No. 2 (Franz Welser-Möst & The Cleveland Orchestra) (A)
LeFrak: Romántico (Sharon Isbin, Lopez-Yañez & Orchestra Of St. Luke’s) (A)
Mozart: Piano Concerto No. 27 & Symphony No. 29 (Garrick Ohlsson, Franz Welser-Möst & The Cleveland Orchestrea) (A)
The Poet & The Prodigy (Debra Nagy & Mark Edwards) (A)
Shapes In Collective Space (Tallā Rouge) (A)
Songs Of Orpheus (Kelley O’Connor) (A)

Best Immersive Audio Album

All American F—boy
Andrew Law, immersive mix engineer (Duckwrth)

Immersed (WINNER)
Justin Gray, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Justin Gray, Drew Jurecka & Morten Lindberg, immersive producers (Justin Gray)

An Immersive Tribute To Astor Piazzolla — Live
Andrés Mayo & Martín Muscatello, immersive mix engineers; Andrés Mayo & Martín Muscatello, immersive producers (Various Artists)

Tearjerkers
Hans-Martin Buff, immersive mix engineer; Hans-Martin Buff, immersive producer (Tearjerkers)

Yule
Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Arve Henriksen & Morten Lindberg, immersive producers (Trio Mediæval)

Best Instrumental Composition

“First Snow” (WINNER)
Remy Le Boeuf, composer (Nordkraft Big Band, Remy Le Boeuf & Danielle Wertz)

“Live Life This Day: Movement I”
Miho Hazama, composer (Miho Hazama, Danish Radio Big Band & Danish National Symphony Orchestra)

“Lord, That’s A Long Way”
Sierra Hull, composer (Sierra Hull)

“Opening”
Zain Effendi, composer (Zain Effendi)

“Train To Emerald City”
John Powell & Stephen Schwartz, composers (John Powell & Stephen Schwartz)

“Why You Here / Before The Sun Went Down”
Ludwig Göransson, composer (Ludwig Göransson Featuring Miles Caton)

Best Arrangement, Instrumental or A Cappella

“Be Okay”
Cynthia Erivo, arranger (Cynthia Erivo)

“A Child Is Born”
Remy Le Boeuf, arranger (Nordkraft Big Band & Remy Le Boeuf)

“Fight On”
Andy Clausen, Addison Maye-Saxon, Riley Mulherkar & Chloe Rowlands, arrangers (The Westerlies)

“Super Mario Praise Break” (WINNER)
Bryan Carter, Charlie Rosen & Matthew Whitaker, arrangers (The 8-Bit Big Band)

Best Arrangement, Instruments and Vocals

“Big Fish” (WINNER)
Erin Bentlage, Sara Gazarek, Johnaye Kendrick, Nate Smith & Amanda Taylor, arrangers (Nate Smith Featuring säje)

“How Did She Look”
Nelson Riddle, arranger (Seth MacFarlane)

“Keep An Eye On Summer”
Jacob Collier, arranger (Jacob Collier)

“Something In The Water — Acoustic-Ish”
Clyde Lawrence, Gracie Lawrence & Linus Lawrence, arrangers (Lawrence)

“What A Wonderful World”
Cody Fry, arranger (Cody Fry)

Best Orchestral Performance

“Coleridge-Taylor: Toussaint L’Ouverture, Ballade Op. 4, Suites From 24 Negro Melodies”
Michael Repper, conductor (National Philharmonic)

“Messiaen: Turangalîla-Symphonie”
Andris Nelsons, conductor (Boston Symphony Orchestra) (WINNER)

“Ravel: Boléro, M. 81”
Gustavo Dudamel, conductor (Simón Bolívar Symphony Orchestra Of Venezuela)

“Still & Bonds”
Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)

“Stravinsky: Symphony In Three Movements”
Esa-Pekka Salonen, conductor (San Francisco Symphony)

Best Opera Recording

Heggie: Intelligence (WINNER)
Kwamé Ryan, conductor; Jamie Barton, J’Nai Bridges & Janai Brugger; Blanton Alspaugh, producer (Houston Grand Opera; Gene Scheer)

Huang Ruo: An American Soldier
Carolyn Kuan, conductor; Hannah Cho, Alex DeSocio, Nina Yoshida Nelsen & Brian Vu; Adam Abeshouse, Silas Brown & Doron Schachter, producers (American Composers Orchestra; David Henry Hwang)

Kouyoumdjian: Adoration
Alan Pierson, conductor; Miriam Khalil, Marc Kudisch, David Adam Moore, Omar Najmi, Naomi Louisa O’Connell & Karim Sulayman; Mary Kouyoumdjian, producer (Silvana Quartet; The Choir Of Trinity Wall Street)

O’Halloran: Trade & Mary Motorhead
Elaine Kelly, conductor; Oisín Ó Dálaigh, John Molloy & Naomi Louisa O’Connell; Alex Dowling & Emma O’Halloran, producers (Irish National Opera Orchestra; Mark O’Halloran)

Tesori: Grounded
Yannick Nézet-Séguin, conductor; Ben Bliss, Emily D’Angelo, Greer Grimsley & Kyle Miller; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus; George Brant)

Best Choral Performance

Advena – Liturgies For A Broken World
Craig Hella Johnson, conductor (Simon Barrad, Emily Yocum Black & Michael Hawes; Conspirare)

Childs: In The Arms Of The Beloved
Grant Gershon, conductor (Billy Childs, Dan Chmielinski, Christian Euman, Larry Koonse, Lyris Quartet, Anne Akiko Meyers, Carol Robbins & Luciana Souza; Los Angeles Master Chorale)

Lang: Poor Hymnal
Donald Nally, conductor (Steven Bradshaw, Michael Hawes, Lauren Kelly, Rebecca Siler & Elisa Sutherland; The Crossing)

Ortiz: Yanga (WINNER)
Gustavo Dudamel, conductor; Grant Gershon, chorus master (Los Angeles Philharmonic; Los Angeles Master Chorale)

Requiem Of Light
Steven Fox, conductor; Emily Drennan & Patti Drennan, chorus masters (Brian Giebler & Sangeeta Kaur; The Clarion Choir)

Best Chamber Music/Small Ensemble Performance

“Dennehy: Land Of Winter”
Alan Pierson & Alarm Will Sound (WINNER)

“La Mer – French Piano Trios”
Neave Trio

“Lullabies For The Brokenhearted”
Lili Haydn & Paul Cantelon

“Slavic Sessions”
Mak Grgić & Mateusz Kowalski

“Standard Stoppages”
Third Coast Percussion

Best Classical Instrumental Solo

Coleridge-Taylor: 3 Selections From 24 Negro Melodies
Curtis Stewart; Michael Repper, conductor (National Philharmonic)

Hope Orchestrated
Mary Dawood Catlin; Jesús David Medina & Raniero Palm, conductors (Venezuela Strings Recording Ensemble)

Inheritances
Adam Tendler

Price: Piano Concerto In One Movement In D Minor
Han Chen; John Jeter, conductor (Malmö Opera Orchestra)

Shostakovich: The Cello Concertos (WINNER)
Yo-Yo Ma; Andris Nelsons, conductor (Boston Symphony Orchestra)

Shostakovich: The Piano Concertos; Solo Works
Yuja Wang; Andris Nelsons, conductor (Boston Symphony Orchestra)

Best Classical Solo Vocal Album

Alike – My Mother’s Dream
Allison Charney, soloist; Benjamin Loeb, conductor (National Symphonia Orchestra)

Black Pierrot
Sidney Outlaw, soloist; Warren Jones, pianist

In This Short Life
Devony Smith, soloist; Danny Zelibor, pianist; Michael Nicolas, artist

Kurtág: Kafka Fragments
Susan Narucki, soloist; Curtis Macomber, artist

Schubert Beatles
Theo Hoffman, soloist; Steven Blier, pianist (Rupert Boyd, Julia Bullock, Alex Levine, Andrew Owens, Rubén Rengel & Sam Weber)

Telemann: Ino – Opera Arias For Soprano (WINNER)
Amanda Forsythe, soloist; Robert Mealy, Paul O’Dette & Stephen Stubbs, conductors (Boston Early Music Festival Orchestra)

Best Classical Compendium

Cerrone: Don’t Look Down
Sandbox Percussion; Jonathan Allen, Victor Caccese, Christopher Cerrone, Ian Rosenbaum, Terry Sweeney & Mike Tierney, producers

The Dunbar/Moore Sessions, Vol. II
Will Liverman; Jonathan Estabrooks, producer

Ortiz: Yanga (WINNER)
Gustavo Dudamel, conductor; Dmitriy Lipay, producer

Seven Seasons
Janai Brugger, Isolde Fair, MB Gordy & Starr Parodi; Nicholas Dodd, conductor; Jeff Fair, Starr Parodi & Kitt Wakeley, producers

Tombeaux
Christina Sandsengen; Shaun Drew & Christina Sandsengen, producers

Best Contemporary Classical Composition

Cerrone: Don’t Look Down
Christopher Cerrone, composer (Conor Hanick & Sandbox Percussion)

Dennehy: Land Of Winter
Donnacha Dennehy, composer (Alan Pierson & Alarm Will Sound)

León: Raíces — Origins
Tania León, composer (Edward Gardner & London Philharmonic Orchestra)

Okpebholo: Songs In Flight
Shawn E. Okpebholo, composer (Will Liverman, Paul Sánchez & Various Artists)

Ortiz: Dzonot (WINNER)
Gabriela Ortiz, composer (Alisa Weilerstein, Gustavo Dudamel & Los Angeles Philharmonic)

 

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COMMENTARY: Jim Crow 2.0 at the Pentagon

BLACKPRESSUSA NEWSWIRE — The American people are expected to believe that one extraordinary officer after another suddenly fails to meet some undefined standard of excellence. We are expected to ignore impeccable service records while accepting that political appointees alone possess the wisdom to determine who is worthy of advancement.

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Photo: iStockphoto / NNPA.

Pete Hegseth insists that he is restoring “merit” to the United States military. But after months of dismissals, blocked promotions, and ideological purges, the evidence tells a different story. His campaign against so-called “diversity, equity, and inclusion” has become something far more dangerous: an assault on equal opportunity that falls with particular force on African Americans, while also targeting women, Latinos, gay Americans, and transgender service members.

The latest example is both troubling and infuriating.

Once again, Defense Secretary Pete Hegseth has reportedly blocked the promotion of an exceptionally qualified woman—Rear Admiral Amy Bauernschmidt. Bauernschmidt is no ordinary officer. She became the Navy’s first woman to command a nuclear-powered aircraft carrier, one of the most demanding leadership assignments in the world. Her career reflects decades of exemplary performance, operational excellence, and leadership under extraordinary pressure.

Yet once again, a distinguished military career appears to have been subordinated to an ideological agenda masquerading as “merit.”

I call BS!

The American people are expected to believe that one extraordinary officer after another suddenly fails to meet some undefined standard of excellence. We are expected to ignore impeccable service records while accepting that political appointees alone possess the wisdom to determine who is worthy of advancement.

The pattern has become impossible to ignore.

General Charles Q. Brown Jr., only the second African American to serve as Chairman of the Joint Chiefs of Staff, was dismissed despite a career that placed him among the most accomplished military leaders of his generation.

Admiral Lisa Franchetti, the first woman ever to serve as Chief of Naval Operations, was removed despite decades of distinguished command experience.

Reports have documented interventions that blocked or delayed the promotions of Black officers and women selected through the military’s rigorous promotion system.

Now Rear Admiral Amy Bauernschmidt joins the growing list of highly accomplished officers whose careers have been derailed for reasons that have never been persuasively explained.

Where is Congress?

Its silence has become deafening.

Congress has an independent constitutional responsibility to oversee the armed forces. Instead, too many lawmakers have watched silently while one of the nation’s most respected institutions is subjected to ideological litmus tests and political interference.

This is not military reform.  It is testosterone-fueled performative masculinity disguised as a philosophy of military excellence.

The irony is impossible to miss. Hegseth repeatedly invokes “merit,” yet his rhetoric begins with the assumption that Black officers, women, and other historically excluded Americans must somehow justify their achievements in ways that white male officers are rarely required to do.

That is not meritocracy.  It is prejudice wrapped in patriotic language.

No one is asking that anyone be promoted because of race or gender. Americans simply expect that promotions be based on demonstrated competence, leadership, integrity, and service. The officers being targeted have already proven themselves repeatedly under one of the world’s most demanding evaluation systems.

Their records speak for themselves.

The attack on African American military leadership has been especially pernicious.

For generations, Black Americans fought in segregated units, earned decorations while denied equal treatment, and repeatedly demonstrated loyalty to a nation that often failed to extend them full citizenship. They broke barriers not because standards were lowered but because excellence finally overcame institutional discrimination.

Today’s campaign against “diversity” threatens to revive old assumptions under new slogans.

The implication that Black generals and admirals somehow owe their success to affirmative action rather than extraordinary performance echoes some of the ugliest stereotypes of the Jim Crow era. Yesterday’s segregationists claimed Black Americans were inherently less qualified. Today’s culture warriors simply employ more politically acceptable language while inviting the same suspicion about Black achievement.

That is why Hegseth’s campaign increasingly resembles Jim Crow 2.0.

The targets may now wear stars on their shoulders instead of military patches on segregated uniforms, but the underlying message is hauntingly familiar: Black excellence is presumed suspect, while white excellence is presumed earned.

America’s military became the finest fighting force in history because it opened its doors to talent wherever it could be found. It grew stronger after President Truman desegregated the armed forces. It became stronger when women assumed greater command responsibilities. It became stronger when every qualified American was given the opportunity to serve to the fullest extent of their abilities.

Diversity is not a concession.  It is a strategic advantage.

The nation’s adversaries do not fear an American military because it is racially homogeneous. They fear it because it draws upon the talents of more than 340 million Americans whose diverse experiences, perspectives, and abilities make our armed forces unmatched anywhere in the world.

Every politically motivated dismissal of a distinguished officer sends a chilling message throughout the ranks: excellence alone may no longer be enough if you belong to the wrong demographic group.

That weakens morale.  It weakens recruitment.  It weakens retention.

And ultimately, it weakens national security.

Pete Hegseth has every right to pursue military readiness. He has no right to redefine merit in ways that repeatedly cast suspicion upon the accomplishments of Black officers, women, and others who have devoted their lives to defending this nation.

America deserves better.  The men and women who wear the uniform deserve better.  The Constitution deserves better.

And unless Congress finds the courage to exercise meaningful oversight, history may well remember this period not as a restoration of military excellence, but as the moment political ideology attempted to resurrect, in modern form, the old poison of exclusion.

Jim Crow did not strengthen America.  Jim Crow 2.0 will not strengthen America’s military.  It will only diminish it

Wade Henderson
Strategic Advisor
Civil and Human Rights
wade@wadejhenderson.com

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New Judge Could Decide if Karmelo Anthony Gets a New Trial

By Emilie St. John (Contributor) Karmelo Anthony will return to court next month in his first step to overturn his murder conviction. Anthony was found guilty last month in the stabbing death of Austin Metcalf and sentenced to 35 years in prison. His new legal team has filed motions seeking the recusal of State District […]
The post New Judge Could Decide if Karmelo Anthony Gets a New Trial appeared first on BlackPressUSA.

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By Emilie St. John
(Contributor)

Karmelo Anthony will return to court next month in his first step to overturn his murder conviction.

Anthony was found guilty last month in the stabbing death of Austin Metcalf and sentenced to 35 years in prison. His new legal team has filed motions seeking the recusal of State District Judge John Roach Jr. from overseeing the appeals process.

Two hearings have been scheduled on the motion for Aug. 9 and 10 in the Collin County Courthouse in McKinney, Texas, according to Fox4 News.

On July 14, Senior Judge Sid L. Harle of the 226th District Court was assigned to preside over the defense’s motion to recuse Collin County Judge John Roach. The assignment took effect immediately and authorized Harle to handle all matters related to the recusal request, the filing read. 

The Collin County District Attorney’s Office continues to defend its handling of the case by issuing a statement to NBC 5 DFW.

“The defendant’s new lawyers have filed a motion containing several inaccurate characterizations of the trial proceedings. The entire prosecution team and I conducted this trial ethically and in full compliance with the Court’s rulings and any agreements with defense counsel. We look forward to addressing these claims thoroughly in a Court of law in the coming weeks. The jury heard extensive evidence over the course of the trial and returned a unanimous verdict. We remain confident in that verdict and the fairness of the proceedings.” 

Anthony’s new legal team, made up of appellate, civil rights, and criminal defense attorneys, was retained following Anthony’s conviction.

“Our responsibility is to determine whether a legal error occurred and to ensure that every issue supported by the record is fully and vigorously presented on appeal,” the team said in a statement.

“We recognize the profound loss suffered by one young man’s family and the uncertainty facing another, and we extend our respect to everyone whose lives have been forever changed by these events,” the release reads.

Anthony was charged with the stabbing death of Austin Metcalf during a track meet in Frisco, Texas, April 2, 2025. Anthony has long maintained it was an act of self-defense.

The attorneys are representing Anthony pro bono. The nearly 200-page notice of appeal seeks a new trial because his Sixth Amendment right to a public trial was violated.

“The cumulative and practical effect of these provisions was to exclude members of the public from proceedings at every stage,” the filing reads. 

The filing also focused on an alleged “handshake deal” that kept Anthony from taking the stand in his defense.

The defense filing said the agreement was that the jury would not hear that Metcalf and his twin brother had been accused of racism and bullying in the past. In exchange, they also would not see Anthony’s cellphone records or his school disciplinary record, according to court documents reported by the Dallas Morning News.

Anthony’s former defense attorney, Mike Howard, said the defense relied heavily on that deal. The team chose not to ask certain questions of witnesses or call on a separate expert witness based on that agreement. It also abandoned plans to introduce testimony and evidence about the allegations against Metcalf and his brother.

Appellate attorney Russell Wilson is now handling post-trial proceedings and Anthony’s appeal.  He recently sat down for an interview, stating, “The court committed multiple errors during the June murder trial, preventing him from receiving a fair trial.”

“You know, we file motions that we expect to prevail on, but we understand that there’s two sides to every story. And at the end of the day, it’ll be a judge that has to make these decisions, but we feel confident in the positions that we’re taking,” Wilson said during an interview with WFAA. “There were substantial issues that we thought a reviewing court needed to look at. We thought these were constitutional irregularities, and we could have them addressed now. And so, we put them into a motion for a new trial.”

Bree West, a former Dallas County Assistant District Attorney, found it startling that so little time was given to Anthony’s team for such a serious “life or death” situation.

“I do think that it’s really challenging that potentially a court decided that you have 10 minutes to make that level of decision when it has the potential of being life-altering,” said West during an interview with Fox 4 News.

Judge Harle is no stranger to high-profile cases, having presided over the prosecution of a police officer charged in connection with the 2022 mass shooting at Robb Elementary School in Uvalde.   

Anthony was convicted on June 9 of the murder of Austin Metcalf and sentenced to 35 years in prison.

The post New Judge Could Decide if Karmelo Anthony Gets a New Trial appeared first on BlackPressUSA.

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COMMENTARY: LSMFT! Lord Save Me from Trump!

WESTSIDE GAZETTE — The author criticizes Donald Trump’s rhetoric, noting his use of terms like “Dumbocrats” and “Communist” to describe Democrats and democracy. The column asserts that Trump’s current strategy involves creating doubt about midterm elections due to a lack of Republican agenda.
The post COMMENTARY: LSMFT! Lord Save Me from Trump! appeared first on BlackPressUSA.

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Frankly Speaking

Wow! Wow! Wow! The swamp drainers have truly stepped down to new levels of stupidity. You remember Weapons of Mass Destruction? We now have Weapons of Mass Distraction. Trump has introduced Dumbocrats and Communists into the conversation about Democrats and Democracy.

Trump lies so much, and his current strategy is to set up doubt about midterm elections because he and Republicans have no agenda!

He has no “Trump “ card, but Iran has a strait! He called it a skirmish; it’s now a War. He said five days; now it’s five months. He said few casualties; now it’s 18 deaths. He knew nothing about Project 2025 but hired its architects! Trump lies about the lies and often forgets these little inventions called cameras and phones

We see and hear and then see and hear the inconsistencies.

I didn’t like 45 and dislike 47 even more!

The post LSMFT! Lord Save Me From Trump! appeared first on The Westside Gazette.

Based on reporting by Westside Gazette.



The post COMMENTARY: LSMFT! Lord Save Me from Trump! appeared first on BlackPressUSA.

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