Entertainment

‘Selma,’ ‘Black-ish,’ Among Big NAACP Image Award Winners

Published

12 years ago

February 7, 2015

In this image released by ABS, Anthony Anderson, left, and Tracee Ellis Ross appear in a scene from "Black-ish." The series was created by Kenya Barris, who was motivated to write the comedy about an African-American familys efforts to honor its heritage in part by the unreality of what he grew up watching on television. (AP Photo/ABC, Kelsey McNeal)

In this image released by ABS, Anthony Anderson, left, and Tracee Ellis Ross appear in a scene from “Black-ish.” (AP Photo/ABC, Kelsey McNeal)

Lynn Elber, ASSOCIATED PRESS

LOS ANGELES (AP) — The civil rights drama “Selma” won top honors at the NAACP Image Awards in a ceremony that took sharp notice of snubs of African-American artists and their work by the Oscars.

“This is more than a movie,” Oprah Winfrey, who was a “Selma” producer and appeared in it, said Friday in accepting the trophy for outstanding motion picture. “It’s important that we all know who we are so we know where we’re going, and claiming the glory.”

“Selma,” which dramatizes events surrounding the 1965 Alabama voting rights marches led by the Rev. Dr. Martin Luther King, Jr., also captured best actor honors for David Oyelowo, who played King.

“I want to take this opportunity to say I thank the Lord I was able to play one of the most transcendent human beings who ever walked the planet,” Oyelowo said.

Awards host Anthony Anderson, the “black-ish” star whose freshman ABC sitcom was a big TV winner Friday, opened the night with a jab at the Academy Awards, which this year has an all-white slate of acting nominees.

The critically acclaimed “Selma,” although a best-picture and best-song nominee at the Feb. 22 Oscars, failed to garner bids for Oyelowo or director Ava DuVernay. In January, it received a Golden Globe award for best song.

“People are up in arms because they feel the other award shows have snubbed us. So what. We’ve got our own show, right?” Anderson said. He then launched into a number that included the lyrics: “Writing, directing, no respect from this city,” and a refrain, “Forget the Oscars, hallelujah,” the Emmys and Golden Globes.

Taraji P. Henson was a double winner: she was named best actress in a movie for “No Good Deed” and entertainer of the year. Henson, star of the new Fox midseason hit “Empire, is enjoying an especially good 2015.

On the TV side, Anderson won the award for best comedy series actor for “black-ish,” which was honored as best comedy series and captured a best actress trophy for Tracee Ellis Ross.

“To be able to do show about raising our black families every day is a blessing,” said “black-ish” creator and producer Kenya Barris.

“How to Get Away with Murder” was named best drama series, with star Viola Davis named best actress in a drama. “Criminal Minds” star Shemar Moore was named best actor in a drama series.

Spike Lee received the NAACP President’s Award, which recognizes those who have combined career success and public service. In his speech, the filmmaker addressed the obstacles facing blacks.

“This stuff is rigged. It’s not set up for us to win. It’s always been like that. Since we were stolen from mother Africa … we always find to make a way,” he said, lifting his trophy.

U.S. Attorney General Eric Holder, the first African-American to hold that office, accepted the NAACP Chairman’s Award honoring distinguished public service.

He said he was honored to carry on the Justice Department’s legacy that included ensuring “the most sacred of American rights, the right to vote.” Holder, who is leaving the job after six years, called on the nation to “reject the forces of hate and division.”

Veteran music industry executive Clive Davis, who nurtured the careers of artists including Whitney Houston, Aretha Franklin and Alicia Keys, received the Vanguard Award, which recognizes work that increases understanding of racial and social issues.

The 46th NAACP Image Awards, given by the National Association for the Advancement of Colored People civil rights group, aired on TV One.
Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Oakland Post: Week of September 30 – October 6, 2026

The printed Weekly Edition of the Oakland Post: Week of September 30 – October 6, 2026

Published

3 days ago

October 4, 2026

Oakland Post

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From Historic Memories to New Possibilities: Oakland Celebrates Coliseum 60

More than 75 people gathered at Youth UpRising in East Oakland on Friday, September 18, for Coliseum 60, an event marking six decades of sports, entertainment, employment, and community memories at the Oakland-Alameda County Coliseum Complex. Held 60 years to the day after the Coliseum first opened, the celebration featured cultural performances and a mini-documentary highlighting its history. Speakers reflected on the venue’s significant role in the community and its future possibilities. Read more to learn about the individuals and stories honored during this special event.

Published

1 week ago

September 27, 2026

Post News Group

Quixote Atkins of VillageGIVE moderates a panel discussion at the Coliseum 60 celebration at Youth UpRising featuring Keith Brown, a member of IATSE Local 107; author, historian and former Black Panther Party member Tareka Lewis; and African American Sports and Entertainment Group President Ray Bobbitt.

By Carla Thomas

More than 75 people gathered at Youth UpRising in East Oakland on Friday, Sept. 18, for Coliseum 60, a celebration honoring six decades of sports, entertainment, employment and community memories connected to the Oakland-Alameda County Coliseum Complex.

Held 60 years to the day after the Coliseum opened, the event carried the theme, “One Community. One Legacy. One Future. Forward Together.”

The celebration opened with the national anthem performed by sisters Anese Jade, Amina Benjamin and Zaza Benjamin. Diamano Coura West African Dance Company contributed African dance and drumming, bringing movement, rhythm and cultural expression to the program.

A mini documentary highlighted the Coliseum’s sports history and its broader role as an entertainment destination. Archival material recalled performances by Prince and Tina Turner, along with memorable games featuring the Warriors, Oakland A’s and Raiders.

“The Coliseum 60 is about much more than celebrating a building or looking back at 60 years of history,” said event organizer Quixote Atkins of VillageGIVE.

“It’s about the people who made that history possible: the families, workers, athletes, artists, community leaders, fans and generations who gathered there and created memories together.”

A panel exploring that history featured author, historian and former Black Panther Party member Tareka Lewis; stagehand and union representative Keith Brown; and Ray Bobbitt, president of the African American Sports and Entertainment Group AASEG. Lewis described her family as fourth-generation Bay Area pioneers.

“My family and Black families who arrived even earlier helped build the Bay Area, grew businesses and established culture here,” Lewis said. “This should be taught in the public schools.”

Lewis recalled Oakland’s influence on sports, music and literature, from the Raiders’ beginnings at Laney College to stars such as The Pointer Sisters and Rickey Henderson who attended Oakland public schools. She also advocated for school museums, historical timelines, entrepreneurship training and investments benefiting corridors such as Bancroft Avenue and High Street.

Keith Brown, a member of Local 107 of the International Alliance of Theater and Stage Employees (IATSE) who began working at the Coliseum in 2011, remembered the Ringling Bros. and Barnum & Bailey Circus, the Ice Capades, baseball bat giveaways and Nelson Mandela’s 1990 appearance.

“The special events are amazing, but it’s the workers that make the memories real for everyone,” Brown said. “They make the magic happen at the Coliseum.”

The program recognized longtime workers, including beer-stand manager Robert Preston, who served for 40 years, and Kenyatta Gentry, who worked as a vendor for 24 years and used her earnings to purchase her first apartment. Union workers Jose Gonzales and Carmen Sandoval were also honored. Speakers emphasized that Coliseum employment provided generations of residents with union wages and benefits.

Dr. Denise Saddler, the superintendent of the Oakland Unified School District (OUSD) was also honored. Saddler shared her family’s history of working at the Coliseum.

District 7 Oakland City Councilmember Ken Houston discussed the complex ownership arrangements involving the city, county and private interests.

“This was the most complex deal of its kind in the country,” Houston said.

Prior to moving from the East Coast, Alameda County Supervisor and Coliseum Joint Powers Authority Chair Nate Miley recalled learning about Oakland through its three professional sports teams. As an elected official and public servant, Miley fought hard to keep the Golden State Warriors, Oakland As, and the Raiders, but he is hopeful for the future.

“The story is not over for the Coliseum,” Miley said. “We’re entering a new chapter.”

Bobbitt said the departure of three teams had once seemed unimaginable, but he maintained that Oakland’s future remains bright.

“Oakland is a cultural superpower worldwide,” Bobbitt said. “We’re going to write the future where we participate and drive the redevelopment.”

Bobbitt highlighted AASEG’s four-year partnership with Castlemont High School’s architecture program, which engages students in reimagining and creating redevelopment concepts for the Coliseum property. “The youth will always move us forward. They are the future.”

In closing, Atkins said, “September 18 is the celebration, but what we build together afterward is the legacy.”