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Sandra Varner Sits Down with Tika Sumpter

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Celebrity Profiles by Sandra Varner/Talk2SV

Tyler Perry’s latest film offering, A Madea’s Christmas, features Tika Sumpter, in this holiday comedy, set in a struggling Midwest community hit by hard economic times yet bound together by dedication and faith.

The synopsis describes the fast-paced, 90-minute romp thusly; Madea accompanies her niece, Eileen (inveterate funny lady Anna Maria Horsford), to pay a surprise visit to Eileen’s daughter, Lacy (the attractive and insightful Sumpter), who has mysteriously informed her that she is not coming home for Christmas.

Not hearing any of that, Madea and Eileen head to Buck Tussel, the small town where Lacy teaches grade school and lives on a farm with hubby, Connor (Eric Lively). The marriage has also been kept a secret from Eileen for fear of judgmental backlash.

The funny is sandwiched between the comedic antics of Larry the Cable Guy and Kathy Najimy as Buddy and Kim, Connor’s parents, straight from good-hearted, ol’ boy central casting, joined with Horsford and Perry for a barrage of quips, one-liners and signature Madea-isms.

During press interviews in New York, I sat with Sumpter–who centers The Haves and The Have Nots, Perry’s arrestingly good primetime drama on the OWN channel–to discuss the film and the future.

Your character in A MADEA’S CHRISTMAS is a very caring teacher with affinity for Bailey, a young male student torn between family commitments and his love of learning. What type of student were you?

T. Sumpter: I was a very happy student; friends with everyone; every group, whether they were the black jackets, or wore the long black trench coats to the cheerleaders, to the really smart people. I was just friends with everyone. Pretty much a B student but I was also president of my class for three years and the first black cheerleader on the squad. I was probably the glue that sort of brought people together if somebody didn’t like someone. I always felt people shouldn’t put down anyone else because they’re just like you.

It sounds as if Bailey, the student, could easily have grown into Lacy, the teacher.

T. Sumpter: Yes! That’s a good connection. That totally could be Lacy. Lacy is just trying to help people out, a school that she loves, the students that she loves and the town that she’s grown to love with her husband. She just wants things to be right but sometimes she goes about it in ways that are not the direct path to doing the right thing.

When we talk about choosing paths let’s talk about the path to love. You’re the perfect package: beauty, brains, successful and for some, they may find the whole of you a bit hard to get their arms around. Have you had a problem in that regard…getting the right relationship?

T. Sumpter: Well, thank you so much for thinking of me so highly. You know, it’s funny because I don’t want to say people are intimidated because I think that’s silly but I do think that I give off an, “I’m taken” kind of vibe, maybe. Maybe people think I’m not single because they’re thinking, ‘how could you not be single?’ To that, I go to bed by myself every night. Yeah, I mean, it would be great to share all of this with someone but, of course, they have to be the right person. They have to come correct as we may say. I would love to be able to share all of this with someone.

You do have a glossy veneer, I mean, you were a model. Did you feel any connection to Lacy and farm life?

T. Sumpter: It’s so weird because ‘you say’ a model but I modeled for K-Mart. I wasn’t like Naomi Campbell (laughter). When I think of model I think of Naomi, Cindy, and that whole era. My family is from North and South Carolina so I love being in the dirt. I love just wearing boots and hanging out, playing and laughing in the fields—that was how it was. We were laughing the whole time on set and it was easy, no pretentious vibe, nothing. That’s my kind of people and I like that.

Eileen and Lacy didn’t always agree on how she was living and who she chose to marry. Describe the relationship with your mother and advice she gave that seems to go along with you every step of the way?

T. Sumpter: My mom is like my backbone, she’s my best friend. You know, it was the things that she didn’t say, it was her actions that spoke way louder to me, she persevered through a lot; she didn’t complain about it, she did what she had to do for us, for her kids. I think that stuck with me. Times seeing the car break down and she had to make another way; when we didn’t have much food, she had to make a way; every time that she had to make a way, she kept going and that spoke volumes to me. I was a little girl and remember seeing it over and again so it was what she didn’t say.

With her example in front of you, what imprint are you making?

T. Sumpter: I’m still trying to make an imprint and trying to figure out what I am here to do? I know it’s a higher calling than anything I could ever dream of and I’m not just talking about money and success. I feel there’s a bigger reason why I am here and I get inspiration from women everywhere. Sometimes there’s a lot of negativity amongst women and sometimes we tear each other down or there’s even other people tearing us down, making us think we don’t deserve what we should get but, I want to inspire women across the world to be the best. You are your only ‘you’ and your only competition. Nobody else has your DNA, unless you’re a twin. I want to inspire others to just live their best life.

Read more at www.Talk2SV.com.

 

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Business

From Historic Memories to New Possibilities: Oakland Celebrates Coliseum 60

More than 75 people gathered at Youth UpRising in East Oakland on Friday, September 18, for Coliseum 60, an event marking six decades of sports, entertainment, employment, and community memories at the Oakland-Alameda County Coliseum Complex. Held 60 years to the day after the Coliseum first opened, the celebration featured cultural performances and a mini-documentary highlighting its history. Speakers reflected on the venue’s significant role in the community and its future possibilities. Read more to learn about the individuals and stories honored during this special event.

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Quixote Atkins of VillageGIVE moderates a panel discussion at the Coliseum 60 celebration at Youth UpRising featuring Keith Brown, a member of IATSE Local 107; author, historian and former Black Panther Party member Tareka Lewis; and African American Sports and Entertainment Group President Ray Bobbitt.

More than 75 people gathered at Youth UpRising in East Oakland on Friday, Sept. 18, for Coliseum 60, a celebration honoring six decades of sports, entertainment, employment and community memories connected to the Oakland-Alameda County Coliseum Complex.

Held 60 years to the day after the Coliseum opened, the event carried the theme, “One Community. One Legacy. One Future. Forward Together.”

The celebration opened with the national anthem performed by sisters Anese Jade, Amina Benjamin and Zaza Benjamin. Diamano Coura West African Dance Company contributed African dance and drumming, bringing movement, rhythm and cultural expression to the program.

A mini documentary highlighted the Coliseum’s sports history and its broader role as an entertainment destination. Archival material recalled performances by Prince and Tina Turner, along with memorable games featuring the Warriors, Oakland A’s and Raiders.

“The Coliseum 60 is about much more than celebrating a building or looking back at 60 years of history,” said event organizer Quixote Atkins of VillageGIVE.

“It’s about the people who made that history possible: the families, workers, athletes, artists, community leaders, fans and generations who gathered there and created memories together.”

A panel exploring that history featured author, historian and former Black Panther Party member Tareka Lewis; stagehand and union representative Keith Brown; and Ray Bobbitt, president of the African American Sports and Entertainment Group AASEG. Lewis described her family as fourth-generation Bay Area pioneers.

“My family and Black families who arrived even earlier helped build the Bay Area, grew businesses and established culture here,” Lewis said. “This should be taught in the public schools.”

Lewis recalled Oakland’s influence on sports, music and literature, from the Raiders’ beginnings at Laney College to stars such as The Pointer Sisters and Rickey Henderson who attended Oakland public schools. She also advocated for school museums, historical timelines, entrepreneurship training and investments benefiting corridors such as Bancroft Avenue and High Street.

Keith Brown, a member of Local 107 of the International Alliance of Theater and Stage Employees (IATSE) who began working at the Coliseum in 2011, remembered the Ringling Bros. and Barnum & Bailey Circus, the Ice Capades, baseball bat giveaways and Nelson Mandela’s 1990 appearance.

“The special events are amazing, but it’s the workers that make the memories real for everyone,” Brown said. “They make the magic happen at the Coliseum.”

The program recognized longtime workers, including beer-stand manager Robert Preston, who served for 40 years, and Kenyatta Gentry, who worked as a vendor for 24 years and used her earnings to purchase her first apartment. Union workers Jose Gonzales and Carmen Sandoval were also honored. Speakers emphasized that Coliseum employment provided generations of residents with union wages and benefits.

Dr. Denise Saddler, the superintendent of the Oakland Unified School District (OUSD) was also honored. Saddler shared her family’s history of working at the Coliseum. 

District 7 Oakland City Councilmember Ken Houston discussed the complex ownership arrangements involving the city, county and private interests.

“This was the most complex deal of its kind in the country,” Houston said.

Prior to moving from the East Coast, Alameda County Supervisor and Coliseum Joint Powers Authority Chair Nate Miley recalled learning about Oakland through its three professional sports teams. As an elected official and public servant, Miley fought hard to keep the Golden State Warriors, Oakland As, and the Raiders, but he is hopeful for the future.

“The story is not over for the Coliseum,” Miley said. “We’re entering a new chapter.”

Bobbitt said the departure of three teams had once seemed unimaginable, but he maintained that Oakland’s future remains bright.

“Oakland is a cultural superpower worldwide,” Bobbitt said. “We’re going to write the future where we participate and drive the redevelopment.”

Bobbitt highlighted AASEG’s four-year partnership with Castlemont High School’s architecture program, which engages students in reimagining and creating redevelopment concepts for the Coliseum property. “The youth will always move us forward. They are the future.”

In closing, Atkins said, “September 18 is the celebration, but what we build together afterward is the legacy.”

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Oakland Post: Week of September 23 – 29, 2026

The printed Weekly Edition of the Oakland Post: Week of September 23 – 29, 2026

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BOOK REVIEW: ‘Laws of Solomon’ Reveals Tender Heart of Former Child Soldier

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

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Book cover of “Laws of Solomon.” Courtesy of Poisoned Pen Press

Author: Eriq La Salle, Copyright: c.2026, Publisher: Poisoned Pen Press, SRP: $18.99, Page Count: 304 pages

Finally, after so much work, you’ve left your past behind.

That’s what you tell yourself: what’s done is done and you can’t undo history. It’s over. You try not to think about last month, last year, a decade back because what does it matter? As in the new novel, “Laws of Solomon” by Eriq La Salle, remembering is too full of pain.

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

Now, his days were filled working the soil in gardens near Malibu, and he loved the quiet life.

Still, he kept his guns.

And he was glad: when Solomon recognized two Zeta gunmen stalking a well-dressed man, woman, and child through the gardens, he couldn’t walk away. He stopped the gangsters with bullets, but not before the adults and their bodyguards were dead. The child, an 8-year-old boy named Gaby, was safe, but Gaby couldn’t tell Solomon what was going on.

What became quickly certain, however, was that Solomon was now Gaby’s guardian, and the Zeta crime boss wanted them dead, too.

When he was the same age as Gaby, Solomon saw unspeakable things, the murder of his parents, the destruction of his homeland, and the atrocities that Uganda dictator Idi Amin’s soldiers committed. He learned to kill, he observed, and he was hardened, understanding as a small boy that revenge was often necessary and needed, and that blood would shed at those times.

But Gaby was pure, an innocent, a child.

Solomon reached out to his contacts to try to get the boy to safety, but being a contact of a marked man was likewise a dangerous thing: the monsters outside were worse than the ones inside him.

Two words for you: ‘Whoo weee.’ That’s what you’re going to say when you close the back cover of “Laws of Solomon,” knowing that you’ve just been taken on a wild up-and-down, around-and-round ride.

La Salle makes it impossible not to like Solomon, an African man who has, over time, lost nearly everything dear to him and who has no faith in much of anything. Readers get that part of the story eventually, and there’s historical authenticity in some of it, but we never really get to know Solomon, which makes the book feel dark and dangerous. Along the way, we meet and get to know his helpers, which buoys Solomon’s chase to find safety for the boy, and your heart won’t stop pounding.

Keep in mind that this is a thriller partially set in 1970s Uganda, so expect lots of violence but don’t expect a lot of people to live. If you’re up for that, find “Laws of Solomon.” You won’t be able to leave it behind.

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