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San Francisco Committee Recommends Massive Reparations Payout for Black Residents

A reparations task committee was established by the state of California last year, and its report from that year detailed the incalculable harm that slavery had caused to African Americans. After George Floyd was murdered, the District of Columbia City Council announced it would create a task team to investigate compensation.

Published

3 years ago

February 6, 2023

Oakland Post

The San Francisco committee recommended that low-income African Americans get an annual payment equivalent to the region median for at least 250 years, on top of the $5 million payout.

‘Centuries of devastation and destruction of Black lives, Black bodies, and Black communities should be met with centuries of restoration’

By Stacy M. Brown, NNPA Newswire Senior National Correspondent
@StacyBrownMedia

Each Black inhabitant of San Francisco, including those arrested during the racist war on drugs, should receive a one-time, lump-sum payment of $5 million from the African American Reparations Advisory Committee.

Assuming the city council approves the proposal, it would be the largest payment of reparations in American history.

In a study released this week, members of the San Francisco African American Reparations Advisory Committee noted, “We have ultimately established that the repercussions of numerous programmatic and policy actions by San Francisco’s administration have been generational and overlapping.”

Committee members asserted that most prominent period that illustrates how the city and county of San Francisco as an institution contributed to the depletion of Black wealth and the forced relocation of its Black inhabitants was the period of urban renewal.

Further, the committee concluded that “public and private entities facilitated and coddled the conditions that created near-exclusive Black communities within the city, limited political participation and representation, disinvested from academic and cultural institutions, and intentionally displaced Black communities from San Francisco through targeted, sometimes violent actions”

(San Francisco’s African American population grew rapidly between 1940 and 1963).

To address what the San Francisco Chronicle calls “a national racial reckoning,” the Board of Supervisors established the AARAC committee in December 2020.

According to the Chronicle, what happens next “will demonstrate whether San Francisco lawmakers are serious about tackling the city’s checkered past or are merely pretending to be.”

The committee’s investigation determined that segregation, structural oppression, and racial prejudice developed from the institution of slavery had a tremendous impact on the development of the city, even though California was never formally a slave state.

Throughout the 20th century, the Chronicle reported, “San Francisco was a Ku Klux Klan stronghold, prohibited Black people from residing in particular districts, kept them out of city employment, and bulldozed the Fillmore,” a historically Black neighborhood and commercial center.

AARAC chair Eric McDonnell told the newspaper, “Centuries of devastation and destruction of Black lives, Black bodies, and Black communities should be met with centuries of restoration.”

A tale of two cities emerges when one examines San Francisco, as one observer put it.

This committee’s actions are consistent with those of other jurisdictions, where similar bodies have advocated for reparations for African Americans.

Residents must have self-identified as Black or African American on public documents for a minimum of ten years and be at least 18 years old when the committee’s plan is approved to receive the compensation.

Additionally, individuals may be required to show that they were born in San Francisco between 1940 and 1996, have been residents of the city for at least 13 years, and are either a former inmate themselves or a direct descendant of a former inmate who served time during the war on drugs.

The Chronicle said that “to put that in context,” the state reparations task panel believes Black Californians may be awarded $569 billion for housing discrimination alone between 1933 and 1977.

Evanston, Illinois, voted to pay $400,000 to select African Americans as part of the city’s vow to spend $10 million over a decade on reparations payments shortly after the San Francisco committee was founded.

The government of St. Paul, Minnesota, has apologized for its role in institutional and structural racism and formed a committee to investigate reparations.

A report detailing the committee’s proposed financial compensation for African Americans was subsequently made public.

A reparations task committee was established by the state of California last year, and its report from that year detailed the incalculable harm that slavery had caused to African Americans.

After George Floyd was murdered, the District of Columbia City Council announced it would create a task team to investigate compensation.

Legislators in both Maryland and Virginia have expressed an interest in researching reparations.

Meanwhile, there has been no movement on a federal level on a bill by Texas Democrat Rep. Sheila Jackson Lee to establish a committee to investigate reparations.

The San Francisco committee recommended that low-income African Americans get an annual payment equivalent to the region median for at least 250 years, on top of the $5 million payout.

As an added measure, the city would establish a public bank framework and provide citizens with extensive financial education to ensure that those without bank accounts have access to equal opportunities, including increased access to credit, loans, financing, and other means of managing their money.

The committee also seeks to pay for a broad debt cancellation plan that wipes out all types of debt including student loans, personal loans, credit card debt, and payday loans.

“Given the history of financial institutions preying on underbanked communities — and especially given the vulnerability of subsets of this population such as seniors and youth — this body recommends putting legal parameters and structures in place to ensure access to funds and to mitigate speculative harm done by others,” the committee concluded.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

3 weeks ago

May 3, 2026

Oakland Post

The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

Published

3 weeks ago

May 3, 2026

admin

Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

Published

3 weeks ago

May 3, 2026

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

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