#NNPA BlackPress

REVIEW: ‘Nope’ is a Yes! — Peele Delivers with Follow-Up

NNPA NEWSWIRE — Jordan Peele delivers with Nope, a film set on the margins of Hollywood, focusing on the family of the Black jockey captured in the early films of trailblazing photographer and filmmaker Eadweard Muybridge. By incorporating Muybridge’s short film, “The Horse in Motion,” Peele elevates the importance of Black jockeys in the many aspects of American culture and the significance of the Black presence and influence at the beginning of Hollywood.

Published

4 years ago

August 1, 2022

Nsenga K. Burton Ph.D.

By Nsenga K. Burton, Ph.D., NNPA Newswire Culture and Entertainment Editor

Jordan Peele has been compared to horror and psychological thriller giant Alfred Hitchcock and science-fiction legend Steven Spielberg, but Peele is in a league of his own. Peele’s masterful ability to merge two beloved film genres, with social commentary on issues of race, gender, class, and sexuality is unparallel in the current filmic landscape. Initially celebrated for his comedic chops, Peele burst onto the horror scene with his cult-classic horror Get Out (2017) and followed-up with the scary and often meandering Us (2019). Both films used symbolism brilliantly and succeeded as horror films because the monsters were familiar characters, symbolic of society and played by characters who look and feel like us.

There is an otherworldliness about Peele’s films that traffic in the mundane, to highlight the complexity of the precariousness of a world driven by a perverse need for power, influence, and capital. Peele humanizes those who live on the margins or the underbelly of the society and brilliantly recasts their lives into the horror show that is often America and what it means to live on the margins of society while the tokenism and appropriation of your culture is center stage.

Peele delivers with Nope, a film set on the margins of Hollywood, focusing on the family of the Black jockey captured in the early films of trailblazing photographer and filmmaker Eadweard Muybridge. By incorporating Muybridge’s short film, “The Horse in Motion,” Peele elevates the importance of Black jockeys in the many aspects of American culture and the significance of the Black presence and influence at the beginning of Hollywood.

The Haywood family is a Black family that has worked as horse wranglers for Hollywood for over a century. They are the descendants of the Black jockey showcased in the Muybridge film and are still stuck in the same position as their ancestors despite the change in time and ostensibly space. Keith David plays Otis Haywood, Sr., the patriarch of the Haywood clan who is hell bent on maintaining his ancestor’s greatest dream. Daniel Kaluuya stars as Otis, Jr. (OJ), who works with his father and is unimpressed by the movie business or the jackasses who permeate filmmaking culture.

Although OJ, who is Black, is the expert on the movie set, he is belittled and demeaned by all of the White folks on set from the director to the production assistants. Keke Palmer stars as Emerald, the free-spirited daughter who plays to the hostile audience, literally listing all of her skills and abilities as she performs servitude.

The audience knows if Emerald was white, the offspring of Hollywood royalty, and working with all of those skills, Emerald would be the star or director of the film and calling the shots. Such is not the case with the Haywood clan, who is relegated and reminded of their position on the lower rungs of society and Hollywood throughout the film.

Desperate for money and fame after being kicked off set, the Haywood family decides to capture the greatest spectacle ever – unidentified flying objects (UFOs), now called unidentified aerial phenomena (UAPs). OJ and Emerald set out to photograph and record the alien life that is omnipresent yet largely ignored by those who live with them on the outskirts of Hollywood.

Instead of engaging scientists or the government, the Haywoods set out to do it themselves so they can reap the financial rewards and adoration of an industry and public that has little to no use for them otherwise.

The Haywoods embody the “find a way or make one,” spirit of Black independent cinema and literally create and capture the story that was always worth telling but undervalued by Hollywood and society. Along the way, they pick up Angel (Brandon Perea), a techie with an obsession with outer space and Antlers (Michael Wincott), a maverick cinematographer who is still chasing cinematic glory in spite of his elite status in the industry.

Antlers, who insists he captures images, but is not part of the story, disposes of his philosophy, deciding to be part of the spectacle and jeopardizes the entire shoot and lives in a harrowing scene.

One of the most interesting parts of the film is the number of Easter Eggs (intertextual references) strewn throughout the narrative. In fact, it is an intertextual reference to 1980s sitcoms that is most harrowing and provides the context and strongest symbolism of tokenism and what that means for people of color pursuing the Hollywood dream. Ricky “Jupe” Park (Steven Yeun) is a former child star who survived a merciless attack by a chimpanzee named Gordy during the taping of a hit 1980s sitcom.

Jupe now runs Jupiter’s Claim, a Western-themed amusement park, pulling in an audience that would probably be at Disneyland if they could afford it. Instead, Jupiter’s Claim fits the bill, and Jupe who survived the brutality of the attack and the tokenism of Hollywood, clings to his desire to be the star of the show.

While he appears to work with OJ in taking horses off of his hands to keep the horse farm going until OJ can afford to buy them back, Jupe actually works against his closest ally in order to create a spectacle for attendees at the expense of all involved.

Nope is a commentary on so many things – the environment, animal cruelty, racism, sexism, heterosexism, the entertainment industry – and shows how all of those things are interconnected in shaping who we are as a society. It’s the intersectionality for me.

With a storyline told through a historical lens that interrogates society and the people who make up this world and the next, strong performances and a brilliant use of camp and other comedic tools, Peele does it again, making a must-see film that will be talked about in film classes, the barbershop, dinner tables, Hollywood, and the like for many years to come.

Nsenga K. Burton Ph.D.

Posts by Nsenga K. Burton Ph.D.

Up Next

IN MEMORIAM: Basketball Legend Bill Russell Dies at 88

Don't Miss

As Gun Violence Rise, Congressional Committee Plans Hearing with Gun Manufacturers

Nsenga K. Burton Ph.D.

Click to comment

#NNPA BlackPress

2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

2 weeks ago

May 3, 2026

Oakland Post

The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

AutoNetwork helps serious car shoppers inspect any new vehicle online before walking into a dealership. I’m Roosevelt — I’ve been reviewing cars and shaping digital car buying and credit union auto leasing since before YouTube car reviews existed.
You’ll find detailed walkaround reviews, POV test drives, and buyer-focused breakdowns covering comfort, space, features, and real-world value.
How to use the channel:

Watch the walkaround of the car you’re considering
Visit AutoNetwork.com for the full review
Check CouponsOffersAndDeals.com for current dealer specials
Walk in already knowing what you want — and what it should cost

Live talk show “AutoNetwork Reports” — Thursdays 3:00 PM ET.
AutoNetwork.com
CouponsOffersAndDeals.com
Affiliate disclosure: some links earn a small commission at no cost to you and help support the channel. Insta360 is one of those partners.

Oakland Post

Posts by Oakland Post

#NNPA BlackPress

Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

Published

2 weeks ago

May 3, 2026

admin

Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

admin

Posts by admin

#NNPA BlackPress

OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

Published

2 weeks ago

May 3, 2026

admin

A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

Excerpt:

Photo Captions:

Website Tags and SEO Keywords:

Twitter (X) Tags and Handles: