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Reparations for Descendants of the Slave Trade Emerges as Democrats’ Campaign Platform

NNPA NEWSWIRE — “In this context, new organizations such as ADOS (American Descendants of Slavery) also emerged and certainly contributed to the visibility of the debate on reparations,” Dr. Araujo said. “Unlike previous movements, ADOS gained more visibility through the presence of its founders on social media that helped disseminating the #ADOS hashtag,” said Dr. Ana Lucia Araujo, who authored the groundbreaking 2017 book, “Reparations for Slavery and the Slave Trade: A Transnational and Comparative History.”

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Part 13 of The National Newspaper Publishers Association (NNPA) global news feature series on the history, contemporary realities and implications of the Transatlantic Slave Trade.
(Read the entire series: 
Part 1Part 2Part 3Part 4Part 5, Part 6Part 7Part 8Part 9, Part 10Part 11, Part 12

By Stacy M. Brown, NNPA Newswire Correspondent
@StacyBrownMedia

Reparations have fast become a major platform for Democrats seeking the 2020 presidential nomination.

Former Texas Rep. Beto O’Rourke joined that movement at the recent National Action Network convention when he said he’d support legislation for a slavery reparations commission if he were to win the White House next year.

Senators Kamala Harris (D-Calif.), Elizabeth Warren (D-Mass.), Bernie Sanders (D-Vt.), Cory Booker (D-NJ) and former Housing and Urban Development Secretary Julian Castro have also raised the topic of reparations in this early phase of their presidential campaigns.

“Not only do I support it, but I have legislation that actually does it,” Booker said earlier this month during a Town Hall. “In fact, I’ve got the only legislation, I think, in the entire Congress that Columbia University says would virtually eliminate the racial wealth gap in our country,” Booker said of his so-called “Baby Bonds” proposal.

Slavery and the Atlantic slave trade are among the most heinous crimes against humanity committed in the modern era, yet no one-time slave society in the Americas has paid reparations to former slaves or their descendants, notes historian, author and history professor Dr. Ana Lucia Araujo, who authored the groundbreaking 2017 book, “Reparations for Slavery and the Slave Trade: A Transnational and Comparative History.”

At 288 pages, Araujo’s book counts as arguably the most in-depth and carefully researched material on the subject of reparations.

Reviewers have given it more acclaim.

James Walvin, Professor of History Emeritus at the University of York in the United Kingdom, noted the trans-Atlantic debate about reparations for slavery has long needed a serious historical explanation.

In Dr. Araujo’s book, “We have the answer,” Walvin said, adding that the book is a “sweeping study, grounded in meticulous research, [which] explains how and why reparations have become so pressing a modern-day issue.”

“It is essential reading for everyone concerned – whatever their viewpoint,” Walvin added.

A history professor at Howard University, Dr. Araujo looks at slavery reparations movements that reaches across time and space and she considers enslavement, emancipation, and the continued refusal of every single slave-owning society in the Atlantic world-the USA, Britain, France, Brazil, Portugal, and Spain, especially to address the centuries of theft that made them wealthy and built the modern global political economy.

“The [presidential] candidates did not start addressing the issue suddenly. But there is now a momentum,” Dr. Araujo said.

“We know that the history of demands of reparations is an old one. When in March 2014 CARICOM released its 10-point plan demanding reparations to European nations, it had an immediate impact on the United States public sphere,” she said.

Two months later, Ta-Nehisi Coates published his essay “The Case for Reparations,” and other newspapers also covered the debate.

“Since then the debate has been evolving more intensely,” Dr. Araujo said.

“Also, in those years and up to now we see a true avalanche of news related to the slave past in Europe, Africa, and the Americas, especially in the United States,” she said.

Dr. Araujo continued:

“Remember that Bernie Sanders was asked about his support to reparations in 2016, to which he answered the issue was too divisive.

“Very probably he understood reparations as payments to African Americans. [Hillary] Clinton did not even consider the issue.”

With only two frontrunners [in the 2016 presidential election] that would succeed the first black president of the United States, the issue of reparations could not become a central element in the debate, Dr. Araujo explained.

Now, with several candidates running for the Democratic Party presidential primaries bringing this discussion back can certainly attract black voters, she said.

“[Another Democratic presidential candidate] Marianne Williamson was the first to bring the issue of reparations, that emerges within a religious framework such as atonement and amendments,” Dr. Araujo said.

“She proposes a $100 billion dollar plan to be paid over 10 years to African Americans.  Later on, Elizabeth Warren and Kamala Harris also declared they supported reparations but were rather vague regarding what that would mean,” she said.

Sebastian Hunt, author of “Black Diets Matter,” said he still found it odd that candidates are speaking up now.

While slavery devastated African Americans, the War on Drugs would later decimate blacks and the old Homestead Act disproportionately benefitted white Americans, Hunt said.

“If you can dole out free land disproportionately to whites and move the goalposts all of the time with the types of insidious policies discussed in ‘The New Jim Crow’ then, yes, reparations are due,” he said.

For the 2020 presidential candidates, it not an expensive proposition for them to make statements about reparations because very often what those running mean by the term reparations is broad and vague, Dr. Araujo said.

However, in a campaign loaded with candidates, those who embrace the issue of reparations perhaps have more chances of attracting African American voters, she said.

“In this context, new organizations such as ADOS (American Descendants of Slavery) also emerged and certainly contributed to the visibility of the debate on reparations,” Dr. Araujo said. “Unlike previous movements, ADOS gained more visibility through the presence of its founders on social media that helped disseminating the #ADOS hashtag,” she said.

However, Dr. Araujo said what shouldn’t be forgotten is that present-day movements draw from the long history paved by the associations of ex-slaves demanding pensions at the end of the 19th century.

They also draw from others like Queen Audley Moore – whose activism among others promoted a Pan-African consciousness –, James Forman’s Black Manifesto, and the Republic of New Africa and NCOBRA – National Coalition of Blacks for Reparations in America, she said.

“All of these movements, some of which gathered thousands of members, were largely repressed,” Dr. Araujo said.

“Then if history teaches one something about the movements of reparations is that like abolition of slavery, reparations will never be a gift given by one individual to African Americans or individuals who identify as descendants of slaves,” she said.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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