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Raven-Symone Plans on Motherhood, Her Degree & Directing TV




By Allison Kugel

Raven-Symone’s alter ego, Raven Baxter, has been a staple on The Disney Channel since the child actor turned Hollywood renaissance woman debuted her famous character on the hit show, That’s So Raven, in 2003. Back then, Symone’s alter-ego played a teenager who could see into the future, and that extra-sensory ability often landed her in some comical hot water.

It’s anyone’s guess if a three-year-old Raven-Symone, who came to national attention as precocious Olivia on The Cosby Show, could have predicted this kind of career longevity? The character of Raven Baxter was given new life with Symone’s second Disney show, Raven’s Home, in which her character Raven Baxter is a woman with two kids, navigating all that comes with single motherhood and forging her own path as a fledgling fashion designer.

Now, going into its third season, Raven’s Home will be tackling some interesting twists and turns as the kids start their own music group, Raven Baxter continues with the launch of her fashion line and roommate and co-parenting partner, Chelsea, finds her niche as a life coach.

Aside from plenty of interesting guest stars in the third season of the show, Raven-Symoné makes her Raven’s Home directorial debut this season.

Allison Kugel: At the end of season two of Raven’s Home your character launches a career as a fashion designer. How does that storyline pick up in season three?

Raven-Symone: Raven Baxter has always been a fashion designer since she was in high school (going back to the series, “That’s So Raven”), and she had always been designing her [own] clothes. She did not feel that with her kids she could accomplish a line, and so now she decided to really sit down and make it about her. But as season three continues, the kids’ stories really shine, and Raven Baxter’s line is not as much of a main component.

Allison Kugel: In what way do the kids’ characters further develop?

Raven-Symone: The kids start a music group. They go into a type of judging competition for that. We start learning more about Nia (played by Navia Ziraili Robinson) and her woman-empowering mission, and how she feels as a teenager. We start to understand Booker (played by Issac Ryan Brown) and see him growing up in school and at home. And we start diving into parenting issues with stepfathers with the mothers and how that whole dynamic comes into play in such a new [un]conventional family.

Allison Kugel:  Did the success of That’s So Raven give you the cache to have a hand in developing the direction of Raven’s Home?

Raven-Symone:  I had a lot of input from creative to writing to visual. It’s also important, in my position as executive producer, to understand that when you hire someone, you hire them because they know what they are doing. I did not try and say, “I know everything because I was on That’s So Raven.” It’s also a learning experience for me. I’m allowing these masterful artisans to shine through the show with their writing. set design, and all these beautiful components. I directed an episode this season. I’m hopefully going to write an episode this season as well. It’s like a crash course.

Allison Kugel: Single parent families and blended families are becoming something of a new normal. There is no conventional family anymore. Was it your idea to play a single mom and to portray this blended family dynamic on the show?

Raven-Symone: It’s a combination of The Disney Channel, the creators of this new installment of Raven Baxter’s life, and myself.  We all had to agree on showcasing a family that is within the fabric of today’s society. It pushes forward the idea of positivity within any family structure, as long as it has love and respect for one another.

Allison Kugel: Are you going to explore weightier issues this season, of course in a way that is digestible for kids and early adolescents; maybe things from race to sexuality, or kids lamenting the fact that they don’t have a traditional family unit. Will any of these issues be covered?

Raven-Symone: It will touch on the kids’ feeling the weight of mom and dad not being together, and the kids feeling that maybe they want their parents together, or maybe they don’t; all those mixed emotions will be explored. The topics we deal with are within the fabric of society, but we deal with them in a Disney fashion. We want to make sure that we respect the viewers that are watching, and their age range.

Allison Kugel: You’re not yet a mother in real life, but you play one very convincingly on television. You play it with a lot of texture; a lot of interesting notes. Where does that come from?

Raven-Symone:  I built [the character] from my own mother, from (actress and dancer) Debbie Allen, from the mothers that I have seen on TV; from the mothers that I have seen on TV that I don’t want to be, and based on who I want to be as a mother. I know that I am part of that generation where they say, “You are trying to be friends with your kids.” But I’m absolutely crazy and I want my kids to know that it’s okay to be your authentic self every morning, every day. I’ve been all over the world and I really want to take in a little bit of how they’re raising their children, and not putting such a stigma on certain things. It also comes from the way I was raised, knowing my manners, and saying “Miss” and “Ma’am” and “Mister.” Even today, my mom has to remind me, “Raven, you’re thirty-three. Stop calling someone who is forty ‘Mister’ or ‘Miss.’” I can’t help it. But I run into some kids and they’re like “Hi Raven.”

Allison Kugel: And you’re going, “Excuse me?!”

Raven-Symone: Yes! I’m like, “I’m thirty-three and you’re twelve. I am Miss Raven.” I am programmed to act a certain way. And then you encounter the new ways of living in our society, and you have to find a happy medium for yourself. I think I’m subconsciously practicing how I would react in certain situations, as a mother, while I am on television. That way, when I do become a mother, I can take some of what Raven Baxter does, what she deals with and how she deals with these kids and morph it into something I can be proud of as a parent.

Allison Kugel:  So, you do see having kids in your future. You do plan to become a mom?

Raven-Symone:  Oh, for sure. For sure! Being in the [entertainment] industry from the time I was a kid, you get pushed into only thinking about your career, career, career. And it’s a little bit more of a conscious effort, especially in my world being within the LGBT community, to plan out [motherhood]. It’s definitely in my future. I have a timeline-ish. But it is malleable because not everything can be planned.

Allison Kugel: You got that right! From my perspective, there are two things that make you an interesting public figure. Number 1: from the outside looking in, it seems like you have elegantly and seamlessly transitioned from child actor to adult actor, and quite successfully. Number2: you are 100% authentic about who you are in every aspect of your life, including as you stated, being a part of the LGBT community. You haven’t hidden behind your television image, and people have embraced who you are with open arms. Disney has embraced you for exactly who you are. I love that. What are your thoughts on those two things?

Raven-Symone:  I think that is a very kind assessment. Living in it, I don’t agree.

Allison Kugel:  Wow, okay. So, your inner experience has been different…

Raven-Symone: I really appreciate what you said. Sometimes you need to hear that. You’re in the eye of the storm and people outside of the storm are going, “But there’s a rainbow above you!” And I’m going, “Where? I don’t see the rainbow.” But I really appreciate that.  I think when you’re neck deep in a constant struggle between going outside and being recognized and trying to stay in and just live a normal life it can be tough. And you’re trying to make sure you don’t make the same mistakes that you’ve read about in the [National] Enquirer or on television since the 80s and 90s. I’m always tiptoeing around to make sure I make decisions I can be proud to put in my biography, later. It’s a little bit more consuming for me and I haven’t really been on the other side of it to see it. It’s interesting, because I still feel like I’m seventeen if that makes any sense.

Allison Kugel: It does. It makes sense because I just recently heard Paris Hilton say something about feeling stuck in this state of arrested development due to her celebrity that occurred in her late teens and early twenties. She said that for a long time she felt like she was frozen in time, like she was “forever twenty-one years old.” I think when you become famous at a young age, the ball just keeps rolling, and you are kind of living in this bubble. And the bubble was created a long time ago. I think that is what you are describing.

Raven-Symone: That’s exactly it.  Thank you, Paris! I will be the first to say that I’m going to quote Paris Hilton now. That is exactly how it feels.

Allison Kugel: Do you now feel like the thirty-three-year-old woman that you are? Or are you still getting your bearings with that?

Raven-Symone: In some ways I feel a lot older because I do own property. I have financial and personal responsibilities, and I’m helping to run a television show. But sometimes I feel like I’m pretending, because [in some ways] I feel like I’m still between the ages of seventeen and twenty-five, but a smart seventeen to twenty-five. It’s because I’ve been captured in so many different age brackets. And I’ve had to exaggerate that age behavior for such a long time, while slowly growing to accommodate the way people see me in my career. As I slowly grow, they slowly grow. On the other hand, I grew up a lot faster. I knew how much my taxes were and how much I was getting paid at the age of three, at age six, at age seven. I knew that if I didn’t work stuff wouldn’t get paid, when normal seven-year-olds were worrying about who stole their lollipop. You know what I mean? So, in that respect I do have an older mind frame. It’s a dual mind and it’s weird.

Allison Kugel: I get that. Speaking of being a child actor, because you lived the experience, I would assume the kids in the cast of Raven’s Home come to you for advice.

Raven-Symone: They’ve been very open with me and talked to me about things, and I’ve given advice. I appreciate that they respect what I have to say, but they still have to go through that journey on their own. They are starting their journey in the entertainment industry, so they don’t want to say “no” to anything. They want to take every opportunity possible. I tell them they need to take a break. Of course, my journey was different from theirs; I grew up in a different time period. Now, there are so many more rules regarding child actors, and people who are looking out for their safety and well-being. Back in my day, I’d be working Monday, Tuesday, Wednesday, Thursday and Friday; and then I was told I was speaking somewhere on Sunday. It was just a hot mess. Hopefully, what I’ve earned in the industry will settle into them, and they will grow up without having that arrested development… aftertaste (laughs).

Allison Kugel: When you started in the business as a small child, there was no social media. Can you imagine the schedule you had back then, plus posting content to Instagram and Snapchat?

Raven-Symone: One good thing is that cell phones are banned from sets. Disney has a great policy of not posting anything prematurely. Instead of taking a break, I see people posting and Instagramming all day. I remember when I was on That’s So Raven and there was a break; I took naps. Now there’s this extra element of having to stay current in the eyes of the consumer, and you get even more depleted. Taking needed breaks is healthy for the sanity of the human being, rather than the “celebrity.”

Allison Kugel: Will there ever be a Raven’s Home episode where you delve into the topic of kids overdoing it with video games and social media?

Raven-Symone: We touch on that topic, and it comes with a spoon full of sugar. What sets us apart from other shows like ours is we deal with these topics, but we deal with them with a realistic view, so both the parents are learning, and the kids are learning. Everybody learns on our show.

Allison Kugel: Can you share any special guest stars coming on, or any other surprises this season?

Raven-Symone: We have a friend of mine, Jaleel White (of “Family Matters,” Steve Urkel fame), coming on the show.  He has a nice little story arc with Raven Baxter and the kids. We also get to meet Chelsea’s (played by Anneliese van der Pol) ex-husband, who has been incarcerated.

Allison Kugel:  That’s heavy.

Raven-Symone:  Yes, and he finally comes out [of prison] and he starts designing a family that involves him, which I think is wonderful.

Allison Kugel: Where do you see things going for you in the next five to ten years? Would you love to be behind the scenes more, producing and directing for a company like Disney? 

Raven-Symone: I see myself creating more content with Disney where my face is not in the front, but behind the scenes. I see myself creating more feature length content as well. I see myself graduating from school. I just want to graduate; I am the slowest student!  I can only take one class per semester, and my mom would have a fit if I turned in anything less than a B-. So, it’s hard with my schedule. I want to take more classes in directing. I got to direct an episode for Raven’s Home, and I enjoyed it immensely.

Allison Kugel: Could you see yourself at some point directing a theatrical release film or producing?

Raven-Symone: Most definitely. That’s the goal. Another goal of mine is to be a musical director. I love the Disney musicals and I love theatre. At fifty years old, I would love to direct in the capacity of feature lengths and musicals for sure.

Season three of “Raven’s Home” premieres Monday, June 17 (8pm ET/PT) on Disney Channel and DisneyNOW. Follow Raven-Symone

Allison Kugel is a syndicated entertainment columnist, author of the book, Journaling Fame: A memoir of a life unhinged and on the record, and owner of communications firm, Full Scale Media. Follow her on Instagram @theallisonkugel and

This article originally appeared in The Afro


Lions Hold Car Show in Corte Madera

The Corte Madera Lions Electric Vehicle and Classic Car Show was held last Sunday, September 12, at the Village shopping center’s overflow parking lot next to Nordstrom’s. 



From top, left to right: Chloe Nolasco selling the 2021 Electra Meccanica Solo, 1968 Shelby GT, 1972 Citroen 2cv, 1957 Rolls Royce, 1967 Morgan, 1993 Dodge Viper. Bottom photo from left: 1965 Shelby Cobra 427 S/C MKIII, 1959 Shelby Cobra, 1959 Chevy Corvette (Photos by Godfrey Lee)

The Corte Madera Lions Electric Vehicle and Classic Car Show was held last Sunday, September 12, at the Village shopping center’s overflow parking lot next to Nordstrom’s. 

The latest electric vehicles from Marin Luxury Cars — Mercedes, Mini, Ford, Electra Meccanica, and more than 75 pristine pre-1975 classic cars were featured at the show, including a fire truck and a farm tractor.

The event featured food from the The Pig in the Pickle, beer, wine, and live music from three local bands.

The Corte Madera Lions presented this community wide event. All proceeds will benefit local charities.

“The Marin Post’s coverage of local news in Marin County is supported by the Ethnic Media Sustainability Initiative, a program created by California Black Media and Ethnic Media Services to support community newspapers across California.”

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Black History

Ella Fitzgerald and Count Basie: First Black Grammy’ Winners

Two Black performers left the event that night with Grammys in hand: Ella Jane Fitzgerald (1917–1996) for Best Vocal Performance, Female, and Best Jazz Performance, Individual; and William James “Count” Basie (1904–1984), for Best Performance by a Dance Band and Best Jazz Performance, Group. Recognition for the pair was well overdue as their roads to the Grammy were storied.



Ella Fitzgerald and Count Basie, the first two African Americans to win Grammy awards, 1958. Photo courtesy of

It was the late spring of 1959. The music industry’s elite converged inside the Grand Ballroom of Los Angeles’ Beverly Hilton. Others were gathering at a function held simultaneously in New York City.

That night, the Grammy Award’s first show took place, and no one knew then that it would become a historic event for African-American performers.

Two Black performers left the event that night with Grammys in hand: Ella Jane Fitzgerald (1917–1996) for Best Vocal Performance, Female, and Best Jazz Performance, Individual; and William James “Count” Basie (1904–1984), for Best Performance by a Dance Band and Best Jazz Performance, Group. Recognition for the pair was well overdue as their roads to the Grammy were storied.

Fitzgerald was a teen when her mother died. Her aunt then took young Ella from her home in Yonkers, N.Y., back to Newport News, Va. Shortly after, Ella’s stepfather died. These events brought on depression. Ella began failing school and frequently skipped classes. After getting into trouble with the police, she was sent to a reform school. There she endured beatings by the caretakers. The brutality forced her to escape.

At age 15, she was alone and struggling to make a life for herself. But things would change when she was in New York City about five years later.

In 1934, young Ella performed at the Apollo’s Amateur Night. The crowd booed her; shouted “What’s she going to do?” A frightened Ella decided to sing. She asked the band to play Hoagy Carmichael’s “Judy,” one of her mother’s favorites. Her voice silenced the audience, and by the song’s end they begged for an encore.

Two years later, Ella made her first recording, “Love and Kisses,” under the Decca label. The rest was music history.
Later dubbed “The First Lady of Song,” Ella was the most popular female jazz singer in the United States for more than half a century. On June 15, 1996, she died in her Beverly Hills home. She’d taken home 14 Grammys throughout her career.

Basie, born in Red Bank, N.J., was one of the all-time great jazz band leaders. Dubbed the “King of Swing,” his career started in clubs and speakeasies in Asbury Park and Long Branch, N.J., then New York City (1924) and later Kansas City (1927).

His music served as inspiration for artists including John Lewis, Thelonious Monk, and Oscar Peterson. Along the way, he faced discrimination but overcame barriers to become one of the most influential musicians of the 20th century.

“Every day, we used to say, ‘Not one drop of my self-worth depends on your acceptance of me,’” musician and producer Quincy Jones said of the racism that he and Basie experienced back then. “It was horrible. It ain’t much better now.”

Basie wrote in a letter: “I can’t remember when I did not experience discrimination … And I didn’t let it bug me.”
The Count won nine Grammy awards over the course of his career. He died on April 26, 1984, in Hollywood, Fla.

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Fillmore’s Great Jazz Era Featured in Book Talk, Concert at S.F. Botanical Gardens

Authors Elizabeth Pepin Silva and Lewis Watts will talk about their book, “Harlem of the West: The San Francisco Fillmore Jazz Era” at the San Francisco Botanical Gardens in Golden Gate Park on Monday, September 20. 



Sam Peoples Jr. in the Fillmore./ Photo Courtesy of Lewis Watts

Authors Elizabeth Pepin Silva and Lewis Watts will talk about their book, “Harlem of the West: The San Francisco Fillmore Jazz Era” at the San Francisco Botanical Gardens in Golden Gate Park on Monday, September 20.  It will be followed by a mini-concert by the Sam Peoples Trio. The event, co-sponsored by the garden, Bayview Opera House, and the San Francisco African American Historical & Cultural Society will run from 4:00-5:00 p.m. It is part of the garden’s critically acclaimed “Flower Piano” program, where 12 grand pianos are placed around the garden and musicians are invited to come and play them. 

Sam, whose father was a highly regarded, Fillmore-based musician in San Francisco back in the heyday of Harlem of the West, will be performing music that celebrates the great jazz and cultural heritage of the Fillmore District in San Francisco which is described Silva and Watts book.  

The fourth edition of the book, released by Heyday Books in 2020, will also be on sale at the garden. For more information, go to:

The San Francisco Post’s coverage of local news in San Francisco County is supported by the Ethnic Media Sustainability Initiative, a program created by California Black Media and Ethnic Media Services to support community newspapers across California.

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