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Racism at Core of Attack on Capitol and Black People, as Usual, Rise to the Occasion

That the Capitol Police were unprepared for what had been predicted would be an unruly, dangerous crowd, was the second sign of racism as Black news pundits and even some politicians, including President-elect Joe Biden, observed that security would have been much different if these had been, for instance, Black Lives Matter protesters.

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The attack on the U.S. Capitol by Trump supporters on January 6 was practically a picture postcard of racism in America.

Firstly, it was prompted by the victory of Joe Biden over Pres. Donald Trump in November’s election, a victory that had significant support from Black and Brown voters.

In denial, Trump, with the help of right-wing media, claimed the election had been stolen and turned to the MAGA crowd and Republican politicians to ‘Stop the Steal.’

Wearing MAGA hats, carrying Confederate flags and armed with tactical gear and carrying military grade weapons, the crowd of mostly white Trump supporters marched to the Capitol at the president’s behest.

That the Capitol Police were unprepared for what had been predicted would be an unruly, dangerous crowd, was the second sign of racism as Black news pundits and even some politicians, including President-elect Joe Biden, observed that security would have been much different if these had been, for instance, Black Lives Matter protesters.

The attack left six people dead. The men and women of Congress, knowing they were targeted for injury and even death by a highly organized, tactical element of the rioters are left traumatized.

The third element of racism was in the actions and testimony of the Capitol’s Black police and staff said racism played.

Buzzfeed News interviewd two Black officers, one a veteran and one a newer recruit.  They said it was “a trained group of militia terrorists who attacked us.”

One was beaten by a rioter carrying a Blue Lives Matter flag.

“I got called a n—- 15 times today,” the veteran officer shouted in the Rotunda at the day’s end. “Trump did this and we got all of these … people in our department that voted for him. How the …. can you support him?”

“I cried for about 15 minutes and I just let it out,” he said.

In a widely circulated video, it was a Black member of the Capitol Police officer whose heroism perhaps saved members of the Senate and staff  from harm. Alone and outnumbered, the Capitol policeman is seen repeatedly shoving a trespasser in the chest, drawing him and his followers away from a doorway to the Senate chamber that was still insecure.

In all, before the six-hour siege was over, at least 14 police officers were assaulted.

That so many were injured, yet so few intruders were arrested and so few arrests were attempted was also a sign of racism as comparisons between the Capitol attack and one Black Lives Matter demonstration attest.  Eventually, the Capitol Police got help from the National Guard.

Much has been made about the vulnerability of the members of Congress, but they were not the only ones trapped during the siege. Some members of Congress had their staff with them and then there were the people who maintain the building, many of who are people of color.

It was they, Black and Brown men and women joined late in the evening of the attack by a Korean Ameican congressman from New Jersey who cleaned up the mess made by a crown that was mostly white.

They picked up glass, empty bottles and broken furniture. They took away broken and damaged artifacts —  for the Capitol is also a museum. They wiped away blood, urine and feces from floors, walls and statues.

Interviewed in the following days, some janitorial staff said they felt unsafe in a building that was supposed to have some of the best security in the world.

“It felt bad. It’s degrading,” said one custodial employee in his 30s, who works for the Architect of the Capitol’s Labor Division. “We’re all Black in this shop.”

Amid the debris, a piece of a tribute to the late John Lewis was found. It had been destroyed.

Buzzfeed, Business Insider and The Washington Post are the sources for this report.

 

 

 

 

 

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Activism

Oakland Post: Week of July 1 – 7, 2026

The printed Weekly Edition of the Oakland Post: Week of July 1 – 7, 2026

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NPRC Joins National Grand Jury Proceedings Seeking Accountability, Constitutional Restoration

Organizers state that testimony will explore historical and political developments that they believe have contributed to the expansion of corporate influence over public institutions and governmental decision-making. Participants are expected to discuss concerns regarding constitutional governance, individual liberties, property rights, and the protection of vulnerable populations, including seniors and persons with disabilities.

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Photo by Billie Powers.
Photo by Billie Powers.

Special to The Post

The National Probate Reform Coalition (NPRC) has joined Toll and Roll and a growing coalition of advocacy organizations, victims, whistleblowers, and citizen groups in support of a nationally broadcast People’s Grand Jury proceeding scheduled for July 1 and July 7.

Organizers describe the event as a public forum designed to examine allegations of government abuse, judicial misconduct, legislative failures, and the erosion of constitutional protections affecting millions of Americans.

The proceedings will feature testimony from victims, families, advocates, and organizations from across the country who contend they have experienced harm through government actions, institutional neglect, and failures of oversight.

According to organizers, the People’s Grand Jury will focus on concerns involving probate courts, guardianships, conservatorships, child welfare systems, property rights, civil liberties, and what participants view as a growing disconnect between government institutions and the constitutional rights of the people they are sworn to serve.

NPRC is participating because many of the issues being examined mirror the concerns raised by advocates, victims, and families who have participated in its monthly town halls. For years, families have reported cases involving exploitation of elders, questionable guardianships, estate depletion, denial of due process, and a lack of meaningful oversight within probate court systems.

“This proceeding gives victims and advocates an opportunity to place their experiences on the public record,” said Tanya Dennis, lead facilitator of NPRC. “For too long, families have struggled to have their voices heard regarding elder abuse, probate exploitation, and government inaction. This forum allows those stories to be shared before a national audience.”

Organizers state that testimony will explore historical and political developments that they believe have contributed to the expansion of corporate influence over public institutions and governmental decision-making. Participants are expected to discuss concerns regarding constitutional governance, individual liberties, property rights, and the protection of vulnerable populations, including seniors and persons with disabilities.

In keeping with principles of transparency and fairness, invitations have been extended to legislators, members of the judiciary, law enforcement representatives, and other public officials who may wish to respond to concerns raised during the proceedings or defend actions taken by their respective institutions.

One of the primary outcomes sought by organizers is public consideration and support for the People’s Remedy and Restoration Act, a proposed legislative framework that advocates believe would strengthen oversight, increase accountability, provide remedies for victims of governmental abuse, and restore constitutional protections.

The proceedings are expected to be broadcast nationally, providing citizens throughout the United States an opportunity to observe testimony, review evidence presented, and participate in an ongoing conversation regarding government accountability and the protection of individual rights.

Advocates hope the hearings will encourage meaningful dialogue, legislative reform, and renewed public engagement in the democratic process.

Individuals, organizations, public officials, and members of the media interested in attending or obtaining access information may contact the organizers at tollandroll2025@gmail.com.

As Americans continue to debate the future of constitutional governance, judicial accountability, and the protection of vulnerable citizens, the July proceedings are expected to serve as a significant forum for public testimony and civic engagement. For more information, go to https://tollandroll.com

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Activism

50 Years Later, ‘Wake Up Everybody!’ Still Resonates During Black Music

The words of the song, “Wake Up Everybody,” debuted by Harold Melvin & The Blue Notes in 1975, still resonate today as those words are just as relevant more than a half century later.

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iStockphoto.
iStockphoto.

By Hazel Trice Edney, Special to The Post

Hazel Trice Edney

Hazel Trice Edney

“Wake up, everybody, No more sleepin’ in bed

No more backward thinkin’. Time for thinkin’ ahead

The world has changed so very much from what it used to be.

There is so much hatred, war, and poverty. 

The world won’t get no better If we just let it be. 

Naw, naw, naw, naw, naw, naw, naw.

The world won’t get no betterWe gotta change it, yeah– just you and me.”

The words of the song, “Wake Up Everybody,” debuted by Harold Melvin & The Blue Notes in 1975, still resonate today as those words are just as relevant more than a half century later.

In a rare, nearly somber moment, the group’s celebrated lead singer, Teddy Pendergrass, introduced the song on Soul Train, the weekly dance and live performance TV show that aired roughly between 1971 and 2006. Pendergrass told the attentive live audience and thousands watching by television that Wake Up Everybody, the title tune of their most recent album, was intended to inspire people to take action with a goal to change America for the better.

“I’m sure that you will all agree that there are things that need to be done in this country today,” he said. “So, what I’d like for you to do is listen very carefully to see what you can do to lend a hand.”

The song’s appeal worked.

“I played that song over and over and over again because it was a constant warning to keep ourselves prepared for the society that we were living in,” says A. Peter Bailey, then a 37-year-old former aide to Malcolm X.

When “Wake Up Everybody” hit the airwaves, Bailey was working as an associate editor of Ebony Magazine. “It was a call to be aware of what we were dealing with in the country that we lived in, the world we lived in, the neighborhood we lived in, the cities that we lived in,” Bailey said in an interview with the Trice Edney News Wire.

He concluded that during Black Music Month 2026, such songs should be recalled and celebrated as a key to changes for the good across America; especially because such songs successfully encouraged people to deal with the issues that might otherwise denigrate the promises of America, including the promise that “All men are created equal,”as stated in the Declaration of Independence.

“The rhythms and blues expressed our joys, our sorrows and our fears,” Bailey recalls. “It was those songs and the singing of those songs by our people that attracted us to the campaigns for justice.”

With his life inspired by that song and others, Bailey, now 88, went on to establish and teach a Black Press class at Virginia Commonwealth University. Also, he has since written three books, including a memoir, “Witnessing Brother Malcolm X, the Master Teacher,” in which he expounded upon successful principles of social justice, some of which are reflected in “Wake Up Everybody.”

Long before the term “woke” became associated with campaigns for justice, Pendergrass led the song that reverberated across America and still holds deep meaning.

The ‘wake up’ call exhorts teachers to ‘teach a new way,’ doctors to heal elders, and builders to ‘build a new land… we can do it if we all lend a hand.”

The song concludes:

“The world won’t get no better if we just let it be. Naw, naw, naw, naw, naw, naw, naw. The world won’t get no better. We gotta change it, yeah – just you and me.”

Hazel Trice Edney wrote this story as part of a four-part series powered by AARP in commemoration of Black Music Month, June 2026.

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