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Paris Jackson’s $65 Million Tantrum: Family Power Struggles Explode in New Estate War

BLACKPRESSUSA NEWSWIRE — There are moments in a family’s life when truth becomes a battlefield, when people confuse the echo of old wounds for revelation, and when the soft stir of resentment becomes a storm.

Published

6 months ago

November 20, 2025

Stacy M. Brown

By Stacy M. Brown
Black Press USA Senior National Correspondent

There are moments in a family’s life when truth becomes a battlefield, when people confuse the echo of old wounds for revelation, and when the soft stir of resentment becomes a storm. Paris Jackson has opened such a storm. Her new legal filing against the Michael Jackson Estate radiates anger, suspicion, and the weight of history. She claims the men who rebuilt her father’s empire have turned probate into a forever machine that feeds them riches while denying her and her brothers the transparency that she insists is owed to them.

But beneath that filing lies something older and more complicated. Long before Paris entered a courtroom, a faction within the Jackson family rejected the executors, John Branca and John McClain, and never accepted that Michael gave them the authority to run everything. It is a faction that has included Randy Jackson, who once desired the executor’s role for himself, and his sister Janet Jackson, who has, at various points, stood in open opposition to the Estate. Several insiders say that faction has found a new vessel in Paris, and her filing reads like a continuation of their war, not the beginning of hers.

Her petition accuses the executors of dragging probate into a sixteenth year because they benefit from the delay. She calls the Estate a private kingdom that shelters itself in silence. She claims they sit on more than $460 million in cash that earned next to nothing in 2021, that they paid themselves $7,981,204 in fees that same year, and that Branca’s own law firm received $2,162,439 on top of that. She says more than $148 million has already gone to the executors through 2021. She argues that while they prosper, she and her brothers remain dependent on financial reports that arrive years too late.

But the rest of the story, the one inside the documents, is larger than Paris’s filing allows. It is the story of how Branca and McClain inherited an Estate that was more than $500 million in debt, riddled with nasty and unproven allegations, and raised it into a multi-billion-dollar force that now surpasses $3 billion in value. It is the story of projects that have sold more than $2 billion in tickets worldwide. It is the story of a lawyer who negotiated the ATV Beatles publishing deal, the catalog acquisition that changed the industry, and whose work for Michael spanned decades. It is the story of “This Is It,” the highest-grossing concert film in history, “MJ: The Musical,” which continues to play to sold-out houses and has been showered with Tony Awards, “The Immortal World Tour,” “Michael Jackson ONE,” and the $600 million Sony catalog deal that fortified the Estate with unprecedented strength.

The documents note that Katherine Jackson has received more than $60 million in support since Michael’s death – a reaffirmation of the love the King of Pop always displayed toward his beloved mother. The late Tito and Jackie Jackson have been among the most steadfast supporters of the executors, calling this perhaps the greatest and most organized Estate administration in modern entertainment history. One observer quoted in the record put it simply. The executors had taken such careful control of Michael Jackson’s legacy that his heirs, including Paris herself, would be able to feed dozens of generations of Jacksons.

That is the scale of what Paris is attacking.

Even her argument about the upcoming Antoine Fuqua biopic, “Michael,” cracks under closer scrutiny. In the filing, she claims that the project lacks A-list performers except for Miles Teller, the actor portraying John Branca. That is false. The cast includes Nia Long as Katherine Jackson and Lorenz Tate as Berry Gordy, both acclaimed, award-winning performers with long and respected careers. Colman Domingo, one of the most decorated actors of his generation, anchors one of the lead roles. He has earned Emmy wins, Academy Award nominations, Tony Award nominations, and in 2024 was named one of Time Magazine’s 100 most influential people in the world. The film stars Michael’s nephew Jaafar Jackson as the King of Pop, and Paris’s own brother Prince serves as an executive producer, a direct contradiction to her claim that the film is a playground for the executors.

But the contradiction that towers above all others is the one in Paris’s own life. Public records show she has received more than $65 million from the Estate to date. Her brothers, Prince and Bigi, have received far less, creating a disparity that insiders say no one in the public ever seems to notice. When Paris sues the Estate, she is suing the very entity that pays her. Any attorney fees the Estate must now cover because of her lawsuit will be drawn from the pool that funds her own wealth. As one family insider put it, “What person has a $65 million allowance. Well, that is Paris Jackson.”

Some whisper that the pain she has carried, the years of battling addiction, the struggle with mental health that has been openly acknowledged, and the volatility that has surrounded her adulthood may be driving her toward those who want to aim her anger elsewhere. Sources quoted earlier agreed that her latest actions are out of step with the triumph of the Estate. One said, “Michael died more than five hundred million dollars in debt. The Estate not only cleared that, it built a fortune. For her to turn on them now is shocking.” Another warned, “She’s stubborn and she’s getting disastrously bad advice.”

The executors and those aligned with them see the truth in quieter terms. They point to the will Michael signed. They point to the courts that upheld their authority. They point to the billions generated. They point to the musicals, films, tours, Las Vegas residencies, catalog sales, and international productions that have reborn Michael Jackson’s legacy. They point to the support given to Katherine, to Tito, to Jackie, to the children, to charities. They point to an empire that was resurrected from ruins.

A source close to the Estate had the last word, and it carries the weight of a closing door. “This is another misguided attempt by Paris Jackson’s attorneys to provide themselves cover. The fact is, Paris Jackson’s lawyers lost their latest case against the Estate and have been ordered to pay the Estate’s attorneys’ expenses. All the beneficiaries are well taken care of by the Estate. This is a weak attempt to change the narrative of their loss.”

Stacy M. Brown

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

3 days ago

May 3, 2026

Oakland Post

The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

Published

3 days ago

May 3, 2026

admin

Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

Published

3 days ago

May 3, 2026

admin

A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

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