Connect with us

Arts and Culture

Opinion: Let’s Talk Beyond ‘The Black History Seven’

Published

on

The “Black History Seven” is a phrase I created to reference the same people we talk about, read about, and focus on every year during Black History Month. It’s a “safe list” approved by many in the educational system, along with a few facts about slavery, the civil rights movement and the Underground Railroad.

The seven most often include Dr. Martin Luther King Jr., Rosa Parks, Sojourner Truth, Harriet Tubman, Nelson Mandela, Maya Angelou, and now former President Barack Obama. There are some newcomers to the list, the “Hidden Figures”: Katherine Johnson, Dorothy Vaughan, and Mary Jackson.

All contribute equally to important parts of Black history. My issue, however, is that from the point of view some educators, February is the only time the contributions of notable African Americans become a part of the history lesson plan.

Celebrating notable African Americans for only a few weeks authorizes people to neglect Black history throughout the other months. In fact, some educators show no interest in researching other “hidden figures” in American African-American history to introduce to their students.

We African Americans have for years voiced our concerns about the lack of African Americans in history books and the narrow window of time when Black history is presented. So, why is it so important that Black history is taught throughout the entire school year? For one, Black history is American history.

African Americans sacrificed, suffered and died for this country. African Americans —alongside other enslaved ethnic groups including Native Americans, Asians, and Mexicans—built this country. Many African American inventors and scientists are responsible for the comforts we enjoy in our daily lives.

It’s important because too many Americans, including some African Americans, don’t know enough about Black-American history to relate it to current times and develop a sense of self-pride. This is also a time when we can really explore how so much of our history has been buried, ignored and distorted.

Black History Month is reminder of how far we have come and how far we have to go as a country. Black history belongs to all of us: black and white, men and women, young and old. The impact African Americans have made on this country is an integral part of our shared culture and awareness. Failing to appreciate America’s multicultural national heritage alienates and divides us, thereby hurting us as a nation.

Black History Month provides the chance to focus on a plethora of figures in American history. We can congratulate Madam C.J. Walker as the first self-made female millionaire. We can relish in the poetic words of Phyllis Wheatley, the first African American poet and woman to publish a book. We can give thanks to Lewis Latimer for helping Thomas Edison keep that light bulb lit. We can give a big shout-out to Dr. Daniel Hale Williams for performing the first open-heart surgery. We can appreciate the smooth vocals of Nat King Cole, the first African American to land his own network variety program on NBC television. These are a mere few of the thousands of African Americans who have contributed to the growth of this country.

We need to celebrate Black History Month and make it more inclusive. Celebrating reminds us all that Black history is everyone’s history.

To start, let’s change the Black History Seven to the Black History 100.

We can supplement what our children are learning in school by taking them to libraries, bookstores, museums and other places where education and culture are celebrated. When your children are given the opportunity to choose who they write an essay about, be open-minded; help them select an African American or an African-American historical event that they can learn about during their research.

If you wonder still why we need Black History Month, it is because this month of commemoration and celebration helps us all become better, more aware Americans.

Tamara Shiloh is the author of the children’s book series, Just Imagine…What If There Were No Black People in the World?, about African American inventors, scientists and other notable African Americans in history.

About Tamara Shiloh

Tamara Shiloh has published the first two books in her historical fiction chapter book series, Just Imagine…What If There Were No Black People in the World is about African American inventors, scientists and other notable Black people in history. The two books are Jaxon’s Magical Adventure with Black Inventors and Scientists and Jaxon and Kevin’s Black History Trip Downtown. Tamara Shiloh has also written a book a picture book for Scholastic, Cameron Teaches Black History, that will be available in June, 2022. Tamara Shiloh’s other writing experiences include: writing the Black History column for the Post Newspaper in the Bay area, Creator and Instruction of the black History Class for Educators a professional development class for teachers and her non-profit offers a free Black History literacy/STEM/Podcast class for kids 3d – 8th grade which also includes the Let’s Go Learn Reading and Essence and tutorial program.   She is also the owner of the Multicultural Bookstore and Gifts, in Richmond, California, Previously in her early life she was the /Editor-in-Chief of Desert Diamonds Magazine, highlighting the accomplishments of minority women in Nevada; assisting with the creation, design and writing of a Los Angeles-based, herbal magazine entitled Herbal Essence; editorial contribution to Homes of Color; Editor-in-Chief of Black Insight Magazine, the first digital, interactive magazine for African Americans; profile creations for sports figures on the now defunct PublicFigure.com; newsletters for various businesses and organizations; and her own Las Vegas community newsletter, Tween Time News, a monthly publication highlighting music entertainment in the various venues of Las Vegas. She is a member of:
  • Society of Children’s Book Writers and Illustrators (SCBWI)
  • Richmond Chamber of Commerce
  • Point Richmond Business Association
  • National Association of Professional Women (NAPW)
  • Independent Book Publishers Association (IPBA)
  • California Writers Club-Berkeley & Marin
  • Richmond CA Kiwanis
  • Richmond CA Rotary
  • Bay Area Girls Club
Tamara Shiloh, a native of Northern California, has two adult children, one grandson and four great-grand sons. She resides in Point Richmond, CA with her husband, Ernest. www.multiculturalbookstore.com

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published.

Art

Marin Fair Competitive Exhibits Open for Entry

“We are thrilled to provide an array of online competitions for our community during our outdoor only 2022 Fair,” said Director of Cultural Services Gabriella Calicchio. “The Competitive Exhibits program is the heart and soul of the Fair and we’re excited to bring our talented community together again to participate.”

Published

on

Marin County Fair “So Happy Together!” returns June 30-July 4

Courtesy of Marin County

2022 Marin County Fair Poster depicting a variety of farm animals with the Marin County Civic Center and Marin Fairgrounds property in the background. San Rafael, California — With Marin County Fair’s June 30 opening day just around the corner, the Competitive Exhibits categories for the 2022 Fair are now available on the Fair’s website MarinFair.org.

The competitive exhibit program, which usually takes place indoors, will remain online for one more year and will include competitions such as fine art and photography, decorated cakes and cookies, wine and beer label design, clothing and textiles, cartoon art, exceptional art, poetry and creative writing, hobbies and crafts, and more. The Plein Air painting competition on the first day of the Fair will take place outdoors. The agriculture competitions will remain outdoors and will include poultry, rabbits, sheep dog trials, pocket pets, dog care and training, and small animal round robin showmanship, to name a few.

“We are thrilled to provide an array of online competitions for our community during our outdoor only 2022 Fair,” said Director of Cultural Services Gabriella Calicchio. “The Competitive Exhibits program is the heart and soul of the Fair and we’re excited to bring our talented community together again to participate.”

The full list of categories and entry guidelines is available online at MarinFair.org. Submissions will be accepted from May 6 to May 31 and winners will be announced online during Fair time.

The 2022 fair will also focus on outdoor entertainment including the headline concerts, performers roaming the grounds such as jugglers, unicyclists, and stilt walkers, and interactive art experiences for fans of all ages. Returning fair favorites will include traditional carnival rides, the Global Marketplace, the Barnyard, food and drinks, and fireworks every night over the Civic Center’s Lagoon Park.

Early bird tickets sold out within one day of release. Discounted Fair tickets are still available for adults and teens through June 29. The Fair is a one-price gate featuring 28 carnival rides, exciting exhibits, spectacular firework displays, first-rate concerts and exciting attractions are FREE with gate admission. Tickets are available online only at MarinFair.org.

Headline concerts will soon be announced, and reserved gold circle tickets will go on sale May 16. Reserved concert seating in a special section is $60 per person and includes Fair admission.

Special Admission Days:
Kids Day at the Fair – Thursday, June 30
Children 12 and under are FREE on Thursday, June 30.
Senior Day at the Fair – Thursday, June 30
Seniors 65+ are admitted FREE

Continue Reading

Activism

Installation Invoking Black Struggle for Justice in Opens May 14 at Oakland City Hall

Society’s Cage is an open air, accessible pavilion featuring 500 hanging steel bars that form a cavernous cube with a habitable void allowing visitors to experience the symbolic weight of institutional racism. This immersive experience offers the opportunity to consider the severity of racial biases within our institutional structures of justice and allows for moments of reflection and healing. 

Published

on

Support Oakland Artists Executive Director Randolph Belle atop the installation called ‘Society’s Cage’ as it was being assembled. Photo courtesy of Facebook.
View of ‘Society’s Cage,’ an immersive exhibit at Oakland City Hall. Photo courtesy of the organizers.

By Randolph Belle

A traveling exhibit that invokes the history of repression of Blacks in the United States arrived in Oakland for installation this week at Frank Ogawa Plaza.

Support Oakland Artists, an Oakland based 501(C)3, partnered with Society’s Cage to bring the acclaimed social justice art installation as a feature in front of Oakland City Hall from May 9-30, 2022.

Society’s Cage is an open air, accessible pavilion featuring 500 hanging steel bars that form a cavernous cube with a habitable void allowing visitors to experience the symbolic weight of institutional racism.

This immersive experience offers the opportunity to consider the severity of racial biases within our institutional structures of justice and allows for moments of reflection and healing.

The designers, Dayton Schroeter, Julian Arrington, Monteil Crawley and Ivan O’Garro, created the installation to contextualize the contemporary phenomenon of police killings of Black Americans within the 400+ year continuum of racialized state violence in the United States.

It is a data-driven installation shaped in response to the question “What is the value of Black life in America?”

The Oakland installation will be the first on the West Coast as it travels nationally to sites of symbolic power related to justice, freedom & democracy. Originating in Washington, D.C. on the National Mall in response to the 2020 murders of George Floyd and Breonna Taylor, Society’s Cage has continued its journey as an interpretive lens highlighting the historic forces of racialized state violence in the United States.

Other sites have included War Memorial Plaza in Baltimore, Maryland, and the site of the Vernon AME Chapel in Tulsa, Oklahoma, for the 100th anniversary of the Tulsa Race massacre and destruction of the Greenwood District, known as Black Wall Street.

Oakland is an ideal host site for the installation as the home of the Black Panther Party, which was founded to combat the legacy of police oppression, inequitable incarceration practices, and remnants of slavery in the form of state-sponsored terrorism against Black people.

In 2009, the killing of Oscar Grant, a 22-year-old, unarmed Black transit rider by the BART police in Oakland set off local and regional organized protests that catalyzed a national movement.

Support Oakland Artists Executive Director Randolph Belle atop the installation called ‘Society’s Cage’ as it was being assembled. Photo courtesy of Facebook.

Support Oakland Artists Executive Director Randolph Belle atop the installation called ‘Society’s Cage’ as it was being assembled. Photo courtesy of Facebook.

“We were inspired to create the installation as a response to the murders of George Floyd and Breonna Taylor,” explains Dayton Schroeter, lead designer of Society’s Cage and design director at SmithGroup, which has offices in San Francisco. “The pavilion is a real and raw reflection of the conversations about racism happening now. It’s a physical manifestation of the institutional structures that have undermined the progress of Black Americans over the history of this country.

“The name Society’s Cage refers to the societal constraints that limit the prosperity of the Black community,” says Julian Arrington, who led the design with Schroeter, and is an associate at SmithGroup. “The pavilion creates an experience to help visitors understand and acknowledge these impacts of racism and be moved to create change.”

 

 

 

“It only took an instant for me to commit to this project,” said Randolph Belle, executive director of Support Oakland Artists. “In my over 30 years in Oakland as an artist and community developer, I’ve strived to utilize the arts to engage the public in thoughtful ways around important and timely topics. This project, this site, and these times are an unprecedented example of that.”

Visitors are encouraged to participate in a shared experience upon entering the pavilion. After holding their breath for as long as they can, evoking the common plea among victims of police killings, “I can’t breathe,” visitors then post a video reflection of their experience on social media using the hashtag #SocietysCage. This exercise is meant not only to build empathy but expand the installation’s impact online to allow anyone to participate in this shared exercise.

The pavilion was fabricated by Gronning Design + Manufacturing LLC in Washington, D.C., and Mejia Ironworks in Hyattsville, Maryland. A soundscape was commissioned from a pair of composers, Raney Antoine Jr. and Lovell “U-P” Cooper.

Comprised of four pieces, each eight minutes and 46 seconds in length in recognition of the time George Floyd suffered under the knee of police, they are themed to reflect each of the four institutional forces that sculpted the pavilion’s interior — mass incarceration, police terrorism, capital punishment and racist lynchings.

Early sponsors who have made the hosting of the Society’s Cage Oakland installation possible include the Akonadi Foundation, Tarbell Family Foundation, individual sponsors including principals from SmithGroup’s San Francisco office, corporate sponsorship including SmithGroup and many community partners including BIG Oakland.

Jeremy Crandall and Emax Exhibits were the Oakland Installation team.

A public unveiling is scheduled for Saturday, May 14, 2022, at 11 a.m., and a programmed event featuring local cultural artists is scheduled for Sunday, May 29, 2022, at 7 p.m. Participating individuals and organizations include original members of the Black Panther Party, the Black Cultural Zone, HipHopTV, and a host of local artists.

For more information, visit www.societyscage.com to find a link to the donation site. Additional donations will assist with programming and documentation related to the Oakland activation.

Randolph Belle is the executive director of Support Oakland Artists and RBA Creative studio in Oakland.

Continue Reading

Arts and Culture

Four Seasons Arts Honors Founder Dr. W. Hazaiah Williams with Annual Concert

Dr. W. Hazaiah Williams was one of the first African American presenters of a major classical music concert series in the United States. Dr. Williams presented artists of all races and organized racially diverse audiences, and for over 40-plus years in the San Francisco Bay Area and beyond, he introduced to the world some of the finest musicians of our time.

Published

on

Pianist Dr. Rochelle Sennet is a well-known performer, teacher and scholar. She has performed throughout the world as a soloist and orchestra collaborator and is a sought-after guest lecturer and adjudicator.
Pianist Dr. Rochelle Sennet is a well-known performer, teacher and scholar. She has performed throughout the world as a soloist and orchestra collaborator and is a sought-after guest lecturer and adjudicator.

On Saturday, May 7 at 3 p.m., Four Seasons Arts will honor Founder Dr. W. Hazaiah Williams with a piano recital by Dr. Rochelle Sennet. The concert takes place at St. John’s Presbyterian Church, 2727 College Ave. in Berkeley.

Sennet’s May 7 program, entitled “Bach to Black,” features two Partitas by Johann Sebastian Bach, “Four Dances for Boris” by African-American composer Jeffrey Mumford (b. 1955) and “In the Bottoms” Suite by African-American composer R. Nathaniel Dett.

Dr. W. Hazaiah Williams led the concert organization from its beginning in 1958 until his death in 1999, and it is because of his vision that the concert series continues.

Dr. Williams was one of the first African American presenters of a major classical music concert series in the United States. Dr. Williams presented artists of all races and organized racially diverse audiences, and for over 40-plus years in the San Francisco Bay Area and beyond, he introduced to the world some of the finest musicians of our time.

Pianist Dr. Rochelle Sennet is a well-known performer, teacher and scholar. She has performed throughout the world as a soloist and orchestra collaborator and is a sought-after guest lecturer and adjudicator.

Free tickets to this event are available by emailing fsa.info@fsarts.org, calling 510-845-4444 or clicking the “Get Free Tickets” button at www.fsarts.org/2022-founders-concert/.

Continue Reading

Subscribe to receive news and updates from the Oakland Post

* indicates required

CHECK OUT THE LATEST ISSUE OF THE OAKLAND POST

ADVERTISEMENT

WORK FROM HOME

Home-based business with potential monthly income of $10K+ per month. A proven training system and website provided to maximize business effectiveness. Perfect job to earn side and primary income. Contact Lynne for more details: Lynne4npusa@gmail.com 800-334-0540

Facebook

Dr. Noha Aboelata of ROOTS and Dr. Tony Jackson of Pranamind and President of the Bay Area Association of Black Psychologists.
Activism1 month ago

Oakland Frontline Healers Launches Black Mental Health Initiative

#NNPA BlackPress2 months ago

Walkaround 2022 Mazda3 2.5 Turbo AWD Sedan w/Premium Plus Package POV Test Drive

#NNPA BlackPress2 months ago

Asian Automotive Philosophy AutoNetwork Reports Black History Month

#NNPA BlackPress2 months ago

Best Detailed Walkaround 2022 GMC Sierra 2500 4WD Crew Cab AT4 HD | POV Test Drive

#NNPA BlackPress2 months ago

Car Reviews – Live Auto [Car] Talk Show – AutoNetwork Reports 351

#NNPA BlackPress2 months ago

Car Reviews Live Auto Car Talk Show AutoNetwork Reports 351

#NNPA BlackPress3 months ago

Best Detailed Walkaround 2022 Subaru BRZ Limited Sport Coupe | POV Test Drive

#NNPA BlackPress3 months ago

Best Detailed Walkaround 2022 Mazda CX 30 2.5 Turbo AWD | Subcompact SUV

#NNPA BlackPress3 months ago

Best Detailed Walkaround 2022 Toyota Corolla SE | POV Test Drive

#NNPA BlackPress3 months ago

Car Reviews – Live Auto [Car] Talk Show – AutoNetwork Reports 350

#NNPA BlackPress3 months ago

Car Reviews – Live Auto Car Talk Show – AutoNetwork Reports 350

#NNPA BlackPress8 months ago

NNPA – Black Press w/ Hendriks Video Interview

#NNPA BlackPress2 years ago

‘You Know Who to Vote For’ Martin Luther King’s Voting Message 56 Years Ago Today

Entertainment2 years ago

Music Spotlight with LaToya London

#NNPA BlackPress2 years ago

#FIYAH! LIVESTREAM — U.S. Surgeon General: ‘The Debate is Over — We All Should Be Wearing Face Coverings to Prevent Spread of COVID-19’

Trending