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OP-ED: Stop Excluding People of Color in Environmental Policies

NNPA NEWSWIRE — Protecting the environment should be about protecting people, regardless of the color of their skin, ethnicity or race, or where they live or how much money they make. The fight to save our planet should be about ensuring a long and successful sustainable future – for everyone.

Published

6 years ago

May 4, 2020

Oakland Post

By Dr. Benjamin F. Chavis, Jr., President and CEO, National Newspaper Publishers Association

The deadly destruction wrought by the coronavirus pandemic has laid bare the harsh inequities in American society, disproportionately ravaging Black America and other communities of color, as well as individuals who were on the social margins long before the crisis.

The inequities have surfaced in obvious ways, including early data released by states showing that the virus is killing African Americans at disproportionately high rates, a disturbing trend that illustrates the substandard availability of health care in Black America.

The inequities have also surfaced in subtle ways, such as policy decisions that fail to reflect the needs and day-to-day realities of low-income communities and communities of color. The irony is that many of these policies are well-meaning. But in some cases, they also have had troubling unintended consequences.

Consider the area of environmental policy. Protecting the environment should be about protecting people, regardless of the color of their skin, ethnicity or race, or where they live or how much money they make. The fight to save our planet should be about ensuring a long and successful sustainable future – for everyone.

Yet, there are many in the mainstream environmental movement who continuously overlook the needs and realities faced by some of our most underserved and vulnerable communities. That includes the mainstream environmental advocacy community’s push to enforce plastic bags bans in favor of reusables, despite the fact that cardboard paper and other reusables pose a clear public health risk – especially for workers on the front lines of the pandemic response.

Why, for example, is it smart public policy to insist that grocery workers be exposed to reusable bags, when research shows these bags can be repositories of the COVID-19 virus? The majority of these essential workers are low-income people of color who are disproportionately bearing the brunt of the COVID-19 crisis, dying from the deadly disease at twice the rate of white people.

Additionally, in New York, it is well-documented that a statewide plastic bag ban also disproportionately hurts Black and Latino-owned businesses and shoppers. Though there is an exemption in this ban for recipients of benefits like WIC and food stamps from paying the five-cent tax on paper bags, working-class people of color and low-income New Yorkers still must pay.

Some stores have been charging for both plastic and paper, and in some cases, more than five cents a bag. Five cents might not seem like much. But five cents (or more) per bag adds up, especially when one is living paycheck-to-paycheck, or, as is more likely at this moment, not working at all due to the financial toll of the COVID-19 crisis.

Some environmentalists have argued that opponents of the bag ban are trying to capitalize on the COVID-19 crisis by recommending a suspension of any bag regulations. Again, it appears that some mainstream environmentalists only use research data to support policies that reflect their privileged vantage point without respect to the impact of those policies on the underprivileged.

I coined the term environmental racism in 1982 while involved in the Warren County, NC protests against the digging of a PCB landfill in the heart of a poor Black agricultural community. At that time there were some who thought that environmental issues were should not be considered as civil rights or as racial justice issues. There was in the past, and it continues in the current public discourse, a kind of arrogance by the privileged who think they know what is best for the underprivileged.

Today as the environmental justice movement has grown into a global campaign for change led by grassroots activists and leaders from people of color communities throughout the world, we all now know much more about the intersection between the issues of racial justice and environmental justice.

I recall vividly back in the late 1980’s when I co-authored and published the landmark study for the United Church of Christ Commission for Racial Justice: Toxic Waste and Race in the United States, the established environmental movement was unnerved that people of color would dare to do empirical research and define our own reality with respect to exposures to environmental hazards. Our national study proved that there was a deliberate link between race and the placement of toxic waste facilities in America.

In adherence to a blind devotion to a privileged ideology, some who call themselves environmentalists often neglect to take into consideration the day-to-day concerns of millions of low-income and Americans of color living in urban centers that are also communities that house hazardous sanitation sites, incinerators, rail yards, power plants and other environmental threats.

Some mainstream environmental groups consistently insist on pushing for policies that make life harder for people of color and poor communities, arguing that the hardship – if they recognize it at all – is a necessary price to pay in order to achieve their overall goals that those of privilege have exclusively envisioned as the standard for all others to obey.

As the pandemic continues, we need to let go of high-minded ideological arguments and do everything possible to protect workers on the front lines – including grocery clerks and those who make deliveries. Some states have temporarily lifted their bans or eradicated them altogether. A number of grocery stores are bringing back plastic bags and telling customers not to bring their own reusable bags.

Due to the crisis, New York has twice extended non-enforcement of its plastic bag ban in the face of a lawsuit that challenges its constitutionality. This is not enough. The state should give essential workers and shoppers alike a sense of protection during the pandemic and bag the plastic ban altogether.

More often than not, these life-changing decisions are being made without the consultation or input from the affected communities of color. Close to 40 years later we still remain on the outside of these conversations, continuously overlooked by many in the mainstream environmental movement as well as in local and state governments.

There is an obvious divide between the members of the mainstream environmentalism movement and the environmental justice community, primarily made up of urban Black and brown people. Until both parties can come together and pay the necessary attention to the pervasive environmental concerns that our communities endure on a daily basis the rift will only deepen, if not completely fracture. Exclusion of people of color will not solve the nation’s or the world’s environmental challenges.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

1 week ago

May 3, 2026

Oakland Post

The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

Published

1 week ago

May 3, 2026

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

Published

1 week ago

May 3, 2026

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

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