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Oakland Native James Jackson Takes Helm at the Alameda Health System

“As an AHS patient, physician and Board president, I am delighted that Mr. Jackson is re-joining Alameda Health System and stepping into this vital role,” said Taft Bhuket, M.D., president of AHS’s Board of Trustees.

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James Jackson, newly appointed Interim CEO of Alameda Health System. Photo courtesy of AHS.

The Alameda Health System (AHS) Board of Trustees recently approved the appointment of former AHS executive James Jackson as the system’s interim chief executive Officer. Jackson assumed the role on January 25th after partnering on the transition with outgoing CEO Delvecchio Finley.

According to the AHS Board, Jackson was appointed to rebuild trust and resolve labor disputes, settle labor contracts and work with the Alameda County Board of Supervisors on a potential new AHS governance structure.

An Oakland native, Jackson previously served as the chief administrative officer at Alameda and San Leandro Hospitals until 2018. His ability to build authentic internal and external partnerships to advance AHS’s mission was a key factor in the board’s decision.

“As an AHS patient, physician and Board president, I am delighted that Mr. Jackson is re-joining Alameda Health System and stepping into this vital role,” said Taft Bhuket, M.D., president of AHS’s Board of Trustees.

“During his successful tenure at AHS, James demonstrated an inclusive leadership style and aligned AHS towards the high quality care that our population deserves. Under his leadership, Alameda Health System will be well poised to excel and navigate the complex challenges ahead.”

With over 25 years of experience in healthcare, Jackson recently served as a consultant with the Alameda County Healthcare Services Agency to establish the COVID Futures unit in response to the pandemic. Prior to that, he was the chief operating officer for Seton Hospital and Seton Coastside in Daly City, part of the Verity Health System, where he was charged with defining and implementing strategic initiatives.

“I am excited to return to AHS, and lead an exceptional organization to strive every day to achieve our mission of caring, healing, teaching and serving all,” said Jackson. If someone asked me what has been my best job, I would be talking about this job. Since day one, I’ve settled in quite comfortably and we’ve been making progress on a number of initiatives.”

“I have stood beside AHS in good and challenging times, and I am confident that together, and in collaboration with the County and key partners, AHS will step up to address the stark health inequities exacerbated by the current public health and economic crises. My commitment to the AHS community is to meet the health care needs of our people.”

On day two of the job, Jackson reached out to the AHS staff, giving them a personal perspective of the kind of individual he is. “My family history is closely connected with the health of Alameda County,” said Jackson. “As a community-based physician and the chief of what was then known as the Maternal and Child Health Program at Highland Hospital, my father cared for many generations in the East Bay. I would often accompany him to Highland when he came to visit his patients. I would sit on the steps of the old wing and observe and think about the importance of serving others.”

“Thoughts around the importance of service are once again at the forefront of my thinking. As the interim-CEO, my first consideration is how I might serve you who are serving so many others.

“My priority is to ensure that you have the resources and support you need to care for our patients during these unprecedented times.

“While leaders may change, our mission will not. It is more critical than ever that our mission of caring, healing, teaching, and serving all, sustains us in our battle against the COVID pandemic that has affected our patients, our families, and our communities.”

Jackson acknowledged Finley and his leadership team for being dedicated stewards of AHS, noting that: “While there have been challenges, they have not left the cupboard bare,” he said. “Increased efficiencies, reductions in expenses, implementation of the EPIC system, and recent successful completion of Joint Commission surveys are a testament to their leadership and success in positioning the system for an uncertain future.”

Throughout the past year, AHS conducted quality awareness surveys which identified some challenges in the system. Within his first year at the helm, Jackson hopes to address those issues. “I want to focus on quality because making sure our patients are receiving the best care possible is paramount,” he noted. “In addition, I will also be focusing on governance. There is a discussion going on about the governance model and we want to make sure our voices are heard from the board.”

“Communication and trust are also of high importance to me,” said Jackson. “There’s an opportunity from a stakeholder perspective to reset the relationships. So, I want to reach out to our partners to make sure there are dialogue and clarity where our concerns are, and where opportunities are available.”

Over the next few weeks, Jackson will be visiting all AHS facilities on a regular basis, spending half a day to meet and listen to staff. “I will take in this learning to evaluate opportunities for an important change to ensure you are supported,” he said. “The conversations will be one-on-one with small groups. I will be actively engaging internal and external stakeholders and we will strengthen bridges where they exist, and where they are absent, we will construct them.”

“I’m a son of Oakland, I grew up here and I intend to spend the rest of my time here and serve this community from this role as the highlight of my personal and professional career. Thank you for all that you do, every day. I am honored and humbled by the opportunity to support your work.”

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Oakland Post: Week of April 8 – 14, 2026

The printed Weekly Edition of the Oakland Post: Week of April 8 – 14, 2026

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Oakland Post: Week of April 1 – 7, 2026

The printed Weekly Edition of the Oakland Post: Week of April 1 – 7, 2026

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Black Artists in America, Installation Three Wraps at the Dixon Gallery and Gardens

TRI-STATE DEFENDER — With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit. 

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By Candace A. Gray | Tri-State Defender

The tulips gleefully greet those who enter the gates at the Dixon Gallery & Gardens on an almost spring day. More than 650,000 bulbs of various hues are currently on display. And they are truly breathtaking.

Inside the gallery, and equally as breathtaking, is the “Black Artists in America, From the Bicentennial to September 11” exhibit, which runs through Sunday, March 29. This is the third installment of a three-part series that started years ago and illustrates part of the Black experience through visual arts in the 20th century.

“This story picks up where part two left off,’’ said Kevin Sharp, the Linda W. and S. Herbert Rhea director for the Dixon. “This era is when we really start to see the emergence of these important Black artists’ agency and freedom shine through. They start to say and express what they want to, and it was a really beautiful time.”

With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit.

“Though [Davis] was from LA, he actually lived in Memphis for a decade,” said Sharp. “He was a dean at Memphis College of Art, and later opened the first gallery in New York owned and operated by black curators.”

Another featured artist is former NFL player, Ernie Barnes. His work is distinctive. Where have you seen one of his most popular paintings, Sugar Shack? On the end scene and credits of the hit show “Good Times.” His piece Saturday Night, Durham, North Carolina, 1974 is in this collection.

Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.

Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.

The exhibit features other artists with Memphis ties, including abstract painter James Little, who was raised in a segregated Memphis and attended Memphis Academy of Art (before it was Memphis College of Art). He later moved to New York, became a teacher and an internationally acclaimed fixture in the art world in 2022 when he was named a Whitney Biennial selected artist at the Whitney Museum of American Art in New York.

Other artists like Romare Bearden, who had a Southern experience but lived up North, were featured in all three installments.

“During this period of time, he was a major figure,” said Sharp. “He wrote one of the first books on the history of African American art during a time when there were more Black academics, art teachers, more Black everything!”

Speaking of Black educators, Sharp said the head curator behind this tri-part series and Dixon’s partner in the arts is Earnestine Jenkins, Ph.D., an art history professor at the University of Memphis, who also earned a Master of Arts degree from Memphis State University (now UofM).  “We began working with Dr. Jenkins in 2018,” he said.

Sharp explained that it takes a team of curators, registrars, counterparts at other museums, and more, about three years to assemble an exhibit like this. It came together quite seamlessly, he added. Each room conjured up more jaw-dropping “wows” than the one before it. Each piece worked with the others to tell the story of Black people and their collective experience during this time period.

One of the last artists about whom Sharp shared information was Bettye Saar, who will turn 100 years old this year. She’s been working in Los Angeles for 80 years and is finally getting her due. Her medium is collages or assemblages, and an incredible work of hers is on display. She’s married to an artist and has two daughters, also artists.

The exhibit catalogue bears some of these artists’ stories, among other scholarly information.

The exhibit, presented by the Joe Orgill Family Fund for Exhibitions, is culturally and colorfully rich. It is a must see and admission to the Dixon is free.

Visit https://www.dixon.org/ to learn more.

Fun Facts: An original James Little design lives in the flooring of the basketball court at Tom Lee Park, and he makes and mixes his own paint colors.

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