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Noah Works South African Audiences Before ‘The Daily Show’

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In this photo taken Oct. 27 2009 South African comedian Trevor Noah is photographed during an interview. Trevor Noah, a 31-year-old comedian from South Africa who has contributed to "The Daily Show" a handful of times during the past year, will become Jon Stewart's replacement as host, Comedy Central announced Monday March 30, 2015. Noah was chosen a little more than a month after Stewart unexpectedly announced he was leaving "The Daily Show" following 16 years as the show's principal voice. (AP Photo/Bongiwe Mchunu-The Star)

In this photo taken Oct. 27 2009 South African comedian Trevor Noah is photographed during an interview. Trevor Noah, a 31-year-old comedian from South Africa who has contributed to “The Daily Show” a handful of times during the past year, will become Jon Stewart’s replacement as host, Comedy Central announced Monday March 30, 2015. (AP Photo/Bongiwe Mchunu-The Star)

CHRISTOPHER TORCHIA, Associated Press

JOHANNESBURG (AP) — Trevor Noah walked onto the stage and bantered with the South African audience, which whooped in appreciation. That was a cue for the next host of Comedy Central’s “The Daily Show” to launch into a slick riff on the absurdity of high-pitched shrieks of delight.

“When did we get to the point where we stopped using words?” Noah mused. Whooping, he said, was “not a natural black sound” because it “sounds eerily similar to a police siren.”

Noah is on a roll, performing sold-out shows in a 1,800-seat Johannesburg theater ahead of his Sept. 28 start in a job held by Jon Stewart since 1999. It’s a big leap to the big leagues or maybe a jump off a cliff for Noah, a South African who is not widely known in the United States. That’s just comic grist for Noah, who also makes fun of romantic relationships, obsessive cellular telephone use and even South Africa’s era of white minority rule in his stand-up routines at home.

The big question is whether his brand of humor will translate in the anchor’s chair at the parody newscast on the “The Daily Show,” where Noah has already appeared as a mock correspondent. Stewart lampoons American politics, media and culture, and international events are also on his menu. Noah, who built a career in South Africa and has toured internationally (he was in Dubai when he learned he would succeed Stewart), looks forward to broadening his appeal.

“I have to become more global,” he said this month on South Africa’s Radio 702. “I don’t ever dispute that South Africa is my home and that there is news coming from there, but now you have to really go, ‘What is globally newsworthy?'”

It helps that 31-year-old Noah, born to a South African black woman and a white, Swiss father during apartheid, comes across as a chameleon-like figure with a firm grip on all kinds of accents in his routines. An Associated Press reporter attended a recent show at the Montecasino entertainment complex, where Noah hit some topics that, while they might qualify as low-hanging fruit in a comic repertoire, have universal appeal.

“The older you get, the more you start to realize that you can’t win an argument in a relationship,” he said. “You can’t win a fight with your woman. Because if you lose, you lose. And if you win, you lose.”

Noah leaves for a North American tour that has yet to sell out after his five-week run in South Africa, which ends in early July.

In Johannesburg, he worked the audience for one hour and 45 minutes without an interval, and without a momentum-breaking lull. Some humor was physical: silly walks and gestures and bumbling behavior that other comics such as Rowan Atkinson, who played the character Mr. Bean, have used to great effect. Noah’s act was cheerful and generally wholesome, with little sign of the graphic humor noted in some of his past tweets.

Noah was self-deprecating about his new job, casting himself as a new kid on the block, an awkward extra in the glitzy world of superstars. He got a lot of material out of an invitation to the New York Met Gala, where he mixed with Beyonce, Rihanna and other celebrities he said he had “idolized” for years.

“I don’t know how to let loose when I’m dancing to the music and the people that made the music are watching me,” Noah said of a post-gala party. “I’ve never felt so much pressure in my life.”

He let rip on subjects that vex a lot of South Africans, including persistent electricity cuts and a scandal over state spending on the private home of President Jacob Zuma. In the South African parliament last week, an opposition lawmaker who was angry about the scandal complained that ruling party members in the chamber laugh “as if we’re in some Trevor Noah show.”

Some South Africans say Noah’s success will elevate their country’s image abroad. In the Radio 702 interview, Noah said he is heading into uncharted waters as host of “The Daily Show.”

“I’m not even ready for what people will say about me,” he said. The key, he said, is to “just keep doing your thing.”

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Business

From Historic Memories to New Possibilities: Oakland Celebrates Coliseum 60

More than 75 people gathered at Youth UpRising in East Oakland on Friday, September 18, for Coliseum 60, an event marking six decades of sports, entertainment, employment, and community memories at the Oakland-Alameda County Coliseum Complex. Held 60 years to the day after the Coliseum first opened, the celebration featured cultural performances and a mini-documentary highlighting its history. Speakers reflected on the venue’s significant role in the community and its future possibilities. Read more to learn about the individuals and stories honored during this special event.

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Quixote Atkins of VillageGIVE moderates a panel discussion at the Coliseum 60 celebration at Youth UpRising featuring Keith Brown, a member of IATSE Local 107; author, historian and former Black Panther Party member Tareka Lewis; and African American Sports and Entertainment Group President Ray Bobbitt.

More than 75 people gathered at Youth UpRising in East Oakland on Friday, Sept. 18, for Coliseum 60, a celebration honoring six decades of sports, entertainment, employment and community memories connected to the Oakland-Alameda County Coliseum Complex.

Held 60 years to the day after the Coliseum opened, the event carried the theme, “One Community. One Legacy. One Future. Forward Together.”

The celebration opened with the national anthem performed by sisters Anese Jade, Amina Benjamin and Zaza Benjamin. Diamano Coura West African Dance Company contributed African dance and drumming, bringing movement, rhythm and cultural expression to the program.

A mini documentary highlighted the Coliseum’s sports history and its broader role as an entertainment destination. Archival material recalled performances by Prince and Tina Turner, along with memorable games featuring the Warriors, Oakland A’s and Raiders.

“The Coliseum 60 is about much more than celebrating a building or looking back at 60 years of history,” said event organizer Quixote Atkins of VillageGIVE.

“It’s about the people who made that history possible: the families, workers, athletes, artists, community leaders, fans and generations who gathered there and created memories together.”

A panel exploring that history featured author, historian and former Black Panther Party member Tareka Lewis; stagehand and union representative Keith Brown; and Ray Bobbitt, president of the African American Sports and Entertainment Group AASEG. Lewis described her family as fourth-generation Bay Area pioneers.

“My family and Black families who arrived even earlier helped build the Bay Area, grew businesses and established culture here,” Lewis said. “This should be taught in the public schools.”

Lewis recalled Oakland’s influence on sports, music and literature, from the Raiders’ beginnings at Laney College to stars such as The Pointer Sisters and Rickey Henderson who attended Oakland public schools. She also advocated for school museums, historical timelines, entrepreneurship training and investments benefiting corridors such as Bancroft Avenue and High Street.

Keith Brown, a member of Local 107 of the International Alliance of Theater and Stage Employees (IATSE) who began working at the Coliseum in 2011, remembered the Ringling Bros. and Barnum & Bailey Circus, the Ice Capades, baseball bat giveaways and Nelson Mandela’s 1990 appearance.

“The special events are amazing, but it’s the workers that make the memories real for everyone,” Brown said. “They make the magic happen at the Coliseum.”

The program recognized longtime workers, including beer-stand manager Robert Preston, who served for 40 years, and Kenyatta Gentry, who worked as a vendor for 24 years and used her earnings to purchase her first apartment. Union workers Jose Gonzales and Carmen Sandoval were also honored. Speakers emphasized that Coliseum employment provided generations of residents with union wages and benefits.

Dr. Denise Saddler, the superintendent of the Oakland Unified School District (OUSD) was also honored. Saddler shared her family’s history of working at the Coliseum. 

District 7 Oakland City Councilmember Ken Houston discussed the complex ownership arrangements involving the city, county and private interests.

“This was the most complex deal of its kind in the country,” Houston said.

Prior to moving from the East Coast, Alameda County Supervisor and Coliseum Joint Powers Authority Chair Nate Miley recalled learning about Oakland through its three professional sports teams. As an elected official and public servant, Miley fought hard to keep the Golden State Warriors, Oakland As, and the Raiders, but he is hopeful for the future.

“The story is not over for the Coliseum,” Miley said. “We’re entering a new chapter.”

Bobbitt said the departure of three teams had once seemed unimaginable, but he maintained that Oakland’s future remains bright.

“Oakland is a cultural superpower worldwide,” Bobbitt said. “We’re going to write the future where we participate and drive the redevelopment.”

Bobbitt highlighted AASEG’s four-year partnership with Castlemont High School’s architecture program, which engages students in reimagining and creating redevelopment concepts for the Coliseum property. “The youth will always move us forward. They are the future.”

In closing, Atkins said, “September 18 is the celebration, but what we build together afterward is the legacy.”

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Oakland Post: Week of September 23 – 29, 2026

The printed Weekly Edition of the Oakland Post: Week of September 23 – 29, 2026

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Books

BOOK REVIEW: ‘Laws of Solomon’ Reveals Tender Heart of Former Child Soldier

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

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Book cover of “Laws of Solomon.” Courtesy of Poisoned Pen Press

Author: Eriq La Salle, Copyright: c.2026, Publisher: Poisoned Pen Press, SRP: $18.99, Page Count: 304 pages

Finally, after so much work, you’ve left your past behind.

That’s what you tell yourself: what’s done is done and you can’t undo history. It’s over. You try not to think about last month, last year, a decade back because what does it matter? As in the new novel, “Laws of Solomon” by Eriq La Salle, remembering is too full of pain.

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

Now, his days were filled working the soil in gardens near Malibu, and he loved the quiet life.

Still, he kept his guns.

And he was glad: when Solomon recognized two Zeta gunmen stalking a well-dressed man, woman, and child through the gardens, he couldn’t walk away. He stopped the gangsters with bullets, but not before the adults and their bodyguards were dead. The child, an 8-year-old boy named Gaby, was safe, but Gaby couldn’t tell Solomon what was going on.

What became quickly certain, however, was that Solomon was now Gaby’s guardian, and the Zeta crime boss wanted them dead, too.

When he was the same age as Gaby, Solomon saw unspeakable things, the murder of his parents, the destruction of his homeland, and the atrocities that Uganda dictator Idi Amin’s soldiers committed. He learned to kill, he observed, and he was hardened, understanding as a small boy that revenge was often necessary and needed, and that blood would shed at those times.

But Gaby was pure, an innocent, a child.

Solomon reached out to his contacts to try to get the boy to safety, but being a contact of a marked man was likewise a dangerous thing: the monsters outside were worse than the ones inside him.

Two words for you: ‘Whoo weee.’ That’s what you’re going to say when you close the back cover of “Laws of Solomon,” knowing that you’ve just been taken on a wild up-and-down, around-and-round ride.

La Salle makes it impossible not to like Solomon, an African man who has, over time, lost nearly everything dear to him and who has no faith in much of anything. Readers get that part of the story eventually, and there’s historical authenticity in some of it, but we never really get to know Solomon, which makes the book feel dark and dangerous. Along the way, we meet and get to know his helpers, which buoys Solomon’s chase to find safety for the boy, and your heart won’t stop pounding.

Keep in mind that this is a thriller partially set in 1970s Uganda, so expect lots of violence but don’t expect a lot of people to live. If you’re up for that, find “Laws of Solomon.” You won’t be able to leave it behind.

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