#NNPA BlackPress
NNPA NEWSWIRE EXCLUSIVE: Bill Cosby Speaks from Prison
NNPA NEWSWIRE — He revisited his famous 2004 “Pound Cake” speech and clarified that he probably should not have addressed that controversial dissertation to all African Americans – the residents at SCI-Phoenix make for the perfect audience, Cosby stated. Cosby said he remains concerned, however, for all of Black America.
Published
6 years agoon
By
Oakland Post
By Stacy M. Brown, NNPA Newswire Senior Correspondent
@StacyBrownMedia
November 24, 2019 — Bill Cosby breaks his silence, granting his first exclusive interview since beginning his sentence at SCI-Phoenix, a maximum-security Pennsylvania penitentiary near Philadelphia.
Today, in a special phone call with the National Newspaper Publishers Association’s BlackPressUSA.com, Cosby said he’s spending his time helping to teach and encourage a large population of African American inmates – men he calls residents — via Mann Up, a prison reform program.
The 82-year-old educator and award-winning TV producer/director/comedian was sentenced to serve 3-to-10-years in Pennsylvania’s prison system following his September 2018 conviction on charges of aggravated indecent assault.
Unless he receives relief from the state’s appellate courts, Cosby said he fully anticipates serving his entire sentence, saying he’s not guilty and will never admit to something he didn’t do. Displayed remorse is generally a required prerequisite to obtaining parole or a shortened sentence.
During the exclusive interview with NNPA, Cosby was candid, vivid and outspoken.
Andrew Wyatt, Cosby’s spokesman, was also on the call, where Cosby stressed that there would be no ground rules or restrictions. No topics were off-the-table for discussion.
Cosby received no special treatment from the facility for this interview. Because inmates are only allowed to remain on phone calls for 15-minutes, Cosby had to call back multiple times in order to complete today’s interview.
“I have eight years and nine months left,” Cosby stated. “When I come up for parole, they’re not going to hear me say that I have remorse. I was there. I don’t care what group of people come along and talk about this when they weren’t there. They don’t know.”
He said his trials were a sham, unjust and not fair.
“It’s all a set up. That whole jury thing. They were imposters,” Cosby stated.
“Look at the woman who blew the whistle,” he said, alluding to the potential juror who overheard a seated juror proclaim before the trial that, “he’s guilty, we can all go home now.”
“Then she went in and came out smiling, it’s something attorneys will tell you is called a payoff,” Cosby stated. “I know what they’ve done to my people. But my people are going to view me and say, ‘that boy looks good. That boy is strong.’ I have too many heroes that I’ve sat with. Too many heroes whom I listened to like John Henrik Clarke, Kenneth Clark, and Dorothy Height. Those people are very strong, and they saw the rejection of their people. This is political. I can see the whole thing.”
“I am a privileged man in prison,” he stated.

Bill Cosby and South African President Nelson Mandela (Photo: Erinn C. Cosby)
During the call, Cosby referred to his small cell as “my penthouse.”
He revisited his famous 2004 “Pound Cake” speech and clarified that he probably should not have addressed that controversial dissertation to all African Americans – the residents at SCI-Phoenix make for the perfect audience, Cosby stated.
Cosby said he remains concerned, however, for all of Black America.
“They are under siege. This thing with the drugs and the different pockets of the neighborhoods where it’s going on. When you look at what drugs are doing… things that make these people drive around and shoot into crowds,” Cosby said.
“The insanity of what is the cause to the brain by all the drugs these people are dealing with. It’s exactly what I warned them about in 2004. They’ve thrown education out the window.
“They’ve thrown respect for the family out the window, and they’re blaming each other for what’s going on. There is post-traumatic stress syndrome, and there are also bad manners.”
While inmates who spoke to NNPA Newswire said they were saddened to see an icon like Cosby imprisoned, each said they believe he’s serving a higher purpose. Cosby agreed.
“I don’t belong to the Mann Up Association, but it’s a privilege to come in and speak,” Cosby stated. “I never wanted them to lord me up (be put on a pedestal). This is a great privilege.”

Anthony Sutton (left) and Tyree Wallace are participants in Mann Up, a reform program with weekly meetings where Cosby is often the featured speaker. The program serves to encourage and empower African American men to strive for self-respect and dignity, and to put their family first.
A weekly highlight for Cosby since his incarceration, has been the reform program, Mann Up, where he is often the featured speaker. The program serves to encourage and empower African American men to strive for self-respect and dignity, and to put their family first.
Anthony “Benny-Do” Sutton, Tyree Wallace, Robert Groves, and Michael Butler, each spoke from SCI-Phoenix to NNPA Newswire about the program and Cosby’s influence.
“Every Tuesday, Mr. Cosby and I sit down and talk before the other residents come in and he explains to me what moves I need to make so that Mann Up can be a success,” stated Sutton, 56, who has spent his entire adult life in prison.
“He says to always remember to work as a team. We are all in this life together and Mr. Cosby is a political prisoner and he tells us that we’ve got to save our babies. We can’t be out there killing our children and our women,” Sutton stated.
Wallace, who has served more than two decades in prison, said Cosby has also opened his eyes because of his authenticity.
“This powerful man, one of the best comics, a legend and here he is with us,” Wallace told NNPA Newswire.
“Mr. Cosby comes into the room with his fist in the air and all of these men rise up and applaud him. He gives us so much wisdom and the Mann Up program is the perfect vehicle. He told us a story about his mother, and how she would have him clean the hallways after guys would go and urinate. He said he’d ask her why he had to clean it, and she told him that you have to clean where you live,” Wallace said.
Groves and Butler echoed their peers.
Both have served more than a dozen years in prison and said Cosby’s presence has helped them to see their lives differently.
Cosby recalled entering Temple University as a young man in the 1960s and his desire to become a teacher.
“I’m not a psychiatrist, and I’m not a psychologist. I’m an educator, and what I look forward to is talking to this group of 400 or so men. Some of them here are in their 70s, in their 50s, their 40s, 30s, and 20s,” Cosby said.
“I tell them what I know and what I feel. I feel that everything that I said in 2004, there is a light [behind it],” Cosby stated.
“The mistake I made [in 2004] is making it sound like all the people were making the infractions, and that’s not true.”
Cosby stated that he believes he’s in the right place at the right time because he’s spent his life and career trying to reach African American men.
“I’m looking at a state [Pennsylvania] that has a huge number of prisons, and the one I’m in, thankfully, has the largest population of African Americans,” Cosby stated.
“These are guys who are also from Philadelphia, where I grew up. Many of them are from the neighborhood. Michael Eric Dyson said ‘Bill Cosby is rich and forgot where he came from.’
“That’s not true. I’m not calling him a liar; I’m saying that’s not true. What I’m saying is that it’s not the same neighborhood as it was when I was coming up.
“The influx of drugs and what they’ve done with their own history. If they would pay attention to these things and put education first and respect for others first…it’s almost insane to hear someone say they don’t know how to be a father.
“As I said earlier, the revolution is in the home, and we’ve got to put it there. Marvin Gaye’s ‘What’s Going On,’ is very prophetic in that too many of us are dying in these neighborhoods. Too many of us dying and, another quote from the song, is ‘we’ve got to find a way.’”
It’s easy to see the devaluation of the Black family by others, Cosby stated.

“When ‘The Cosby Show’ came on with the Huxtables, just think about it. While it was running, other networks and even the media were doing jobs on trying to belittle whatever it represented,” Cosby stated. (Photo: NBC / Universal)
He said the shelving of his iconic “The Cosby Show” is proof that those in power have long conspired to remove anything positive from the Black community.
“When ‘The Cosby Show’ came on with the Huxtables, just think about it. While it was running, other networks and even the media were doing jobs on trying to belittle whatever it represented,” Cosby stated.
Then, with ‘A Different World,’ they really ramped up the rhetoric. “While new shows were coming and we had gone off the air – this is the worst time in the history of television – I remember hearing shows coming on advertising saying this is not ‘The Cosby Show,’ which is an indictment in itself.
“They did not like what ‘The Cosby Show’ looked like for us, and many of us traded into it. Now, look at what has happened. They’ve taken everything that I’ve done and swept it into a place where it would not be shown.
“Thank goodness for TV One and BET, but we’ve got to respect ourselves. We’ve got to have a very, very strong respect for our history.”
Behind the steel walls at SCI-Phoenix, Cosby said he’s at peace.
His fellow residents often ask about his contemporaries like Richard Pryor, whom Cosby once encouraged to use profanity because it fit Pryor’s act.
“It’s a huge smile in my spirit. I can… use their own profanity back at them. I’m saying things to them like, ‘how many times if you have a lamp, do you rub it, give it three wishes. And, how many times can you say mother f—-r and things will come true?” Cosby stated.
“Sometimes, you have to turn on the conjugation of things like slang. You speak it in the home, and that’s what I said in 2004. It was the shock of hearing, ‘Where you is?’, and ‘Where you at?’ and then hear the parents say it too.”
Cosby believes he’s reaching his fellow residents.
“I’m reaching them because they want to be reached. They’re in prison. I don’t forget a saying, one I quoted or read in a book, which says, ‘I don’t know the secret to success, but I do know the secret for failure.’ You can’t please everybody. I have a feeling that these people [Mann Up participants] really want somebody. They have rappers here who are strong and spirited people. They don’t just blame people; they say, ‘we’ve got to do it.’”
Cosby has also served as a voice of reason in prison.
“I heard a guy say to someone that if someone did something he didn’t like, he’d go out and get all his boys and they’d kill the fella. I said, how much sense does that make? You call your boys, and they want to kill him,” Cosby stated.
“I said to look at all the people you’ve got involved, and when you get caught, you are all going to jail, and you got one dead fella. ‘Call if off,’ I told the guy. I said to him that you need to call your friends, too.”
Cosby often tells his fellow residents about an epiphany he had while serving in the Navy, which has allowed him to remain in good spirits while behind bars.
“I got a wife, family, and friends who are so happy that I have something. I go into my penthouse and lay down and start to think about how I can relay a message and give it on Saturdays (during Mann Up sessions) so that they would hear it and feel it,” Cosby stated.
“This Saturday, I gave a talk dedicated to women. I told the story of my wife, who said to me when she got back home after bringing our 43-year-old daughter back home dead from the hospital. It was the most difficult thing she’s ever done in her life, to sit there and watch her daughter die,” he stated.
“From there, I went into the fact that mothers have something that we all have, which is a navel. We have to respect our mothers and our women. We’ve got to stop buying drugs. If you have no buyer, you can’t sell,” Cosby stated.
After calling back a third time to complete the interview, Cosby said he needed to express the critical role the Black Press has had in telling his story.
“Sixty-five years from now, they will be quoting what you’ve written about your fellow journalists. [Wyatt] has information on how these people have rejected the truth. You have the information too because you were in that courtroom,” he stated.
“I’m a privileged man. You talk to [NNPA President and CEO] Dr. Benjamin F. Chavis, Jr., and he will tell you that there is a history of Black political imprisonment in America, and it’s repeating itself in some kind of way.”
Oakland Post
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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?
AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.
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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.
Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.
Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.
Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.
Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.
On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.
There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.
Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.
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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound
LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.
Published
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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.
What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.
Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)
The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.
That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.
What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.
Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)
Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.
That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.
The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.
That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.
In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.
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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy
MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.
Published
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May 3, 2026By
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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses
By Daniel Hernandez | Minnesota Spokesman Recorder
I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.
Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.
That’s why I’m speaking out now.
Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.
Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.
Here’s what that means in plain terms.
Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.
The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.
This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.
In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.
Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.
If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.
I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.
Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.
Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.
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