By Clifford Williams
Special to The Post

The Bay Area Jazz Society will hold a fundraiser and CD listening party to raise funds for youth programs at Berkeley’s Black Repertory Theater (BBRT), the only Black-owned-and-operated theater in the East Bay.

The event will take place at the BBRT on Sunday, Oct. 8 from 5 p.m. until 9 p.m. at 3201 Adeline St., Berkeley, CA. Tickets are $25. The master of ceremonies will be KPFA’s Afrikahn Jamal Davis.

Many artists featured in “The Sounds of Oakland: Music from the Streets” compilation CD will perform with special guests including Larriah Jackson from “The Voice” Niecy ‘Living Single’ Robinson, one of the Bay Area’s most popular vocalists and Derick Hughes, who sang with Roberta Flack for many years, taking the place of Donnie Hathaway.

Other artists attending include Donnie Williams from “American Idol,” (the same year Jennifer Hudson and Latoya London appeared), and Williams’ sister, Terrill Williams. There will be live performances with food and drink for everyone, and the CD will be playing in the lobby when the performers take a break.

BBRT has had limited programming during and throughout the pandemic and is now struggling to regain continual of operations. Bay Area Jazz Society Executive Director Paul Tillman Smith, has an extensive background in theatre, starting with a stint as musical director for the Oakland Ensemble Theater’s Melvin Van Peebles play, “Ain’t Supposed to Die a Natural Death,” featuring television star Ted Lange of the “Love Boat,” as director.

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Tillman Smith is also the co-producer, along with Norman Connors, Levi Seacer Jr., and Nelson Braxton for the new Bay Area CD ‘The Sounds of Oakland: Music from the Streets.” Other artists listed on the CD may be in attendance, including Lenny Williams, Derick Hughes, and Lady Bianca to meet and greet guests.

The Berkeley chapter of the NAACP will also support the fundraiser.

The first 20 individuals attending the fundraiser will receive a free copy of the CD. Thirty percent of the CD sales will go into a fund to help aging artists who don’t have a pension and, in many cases, no social security.

For more information regarding the fundraiser and how to obtain tickets, contact Paul Tilman Smith at 510. 689.3332, or Bayjazz@gmail.com.

By Post Staff

Thousands of music fans showed up at Oscar Grant Plaza Monday, Sept. 4 to celebrate the 11^th annual Hiero Day block party and commemorate the 50^th anniversary of hip-hop, featuring the Souls of Mischief, Oakland native Kev Choice, Mister F.A.B. and a special guest appearance by Common.

Hosted by the City of Oakland and Mayor Sheng Thao, the free event showcased over 30 live performances on three stages, including legendary, underground and undiscovered performers of hip-hop, R&B and other genres.

Souls of Mischief is part of the rap collective Hieroglyphics, which founded Hiero Day and this year celebrated its 30^th anniversary.

“HIERO DAY (is) a driving force in the music festival culture in Oakland,” according to event organizers. “The event is widely regarded as a day to celebrate independent hip-hop music and serves as a Labor Day destination being one of the largest hip-hop music gatherings in the Bay Area.”

The event was held at Jack London Square last year, but this year, it moved to the plaza in front of Oakland City Hall, reflecting its new connection with the Mayor’s Office and the City of Oakland.

“I’m so grateful to be here in Oakland,” said Common said after receiving a “heavyweight champion” belt and proclamation from Mayor Thao. “Y’all inspired us … The music, the culture — Hieroglyphics influenced me.”

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Said Mayor Thao: “Oakland is the heart of the Bay Area’s music, art and culture scene, and I am so grateful for all the work our Hiero Day organizers did to celebrate it.”

The City of Oakland this year is hosting three events to commemorate the 50^th anniversary of hip-hop, including the collaboration with event organizers of Hiero Day. A special event was held on Sept. 10 to honor “50 years of women rooted in hip-hop,” including Pam the Funkstress, the Conscious Daughters, Traci Bartlow, and Mystic and Black.

By Tamara Shiloh

Thornton Dial, a pioneering American artist, left an indelible mark on the art world with his expressive and monumental works. Born on Sept. 10, 1928, in Emelle, Alabama, Dial’s artistic journey began in the late 1980s when he gained prominence for his assemblages of found materials, executed on a grand scale. His works encompass a wide range of subjects, from human rights to natural disasters and current events, reflecting a deep engagement with history and social issues.

Growing up in poverty on a former cotton plantation, Dial was raised by his teenage mother, Mattie Bell. It was his time spent with his second cousin, Buddy Jake Dial, a farmer and sculptor, that ignited his passion for art. Dial’s early experiences of witnessing the art created from everyday objects in people’s yards during his move to Bessemer, Alabama, fascinated him and instilled in him a deep appreciation for craft and creativity.

For many years, Dial worked as a metalworker at the Pullman Standard Plant in Bessemer, Alabama, until its closure in 1981. It was after this that he dedicated himself to his art, creating works for his own pleasure and self-expression.

He encountered Lonnie Holley, an artist who introduced Dial to Atlanta collector and art historian William Arnett. Arnett played a pivotal role in bringing Dial’s work to national prominence, along with other African American vernacular artists, through his efforts as an art historian and the founder of the Souls Grown Deep Foundation.

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Dial’s work gained recognition in major cultural institutions and exhibitions, including the 2000 Whitney Biennial. His art resonated with viewers, addressing American sociopolitical issues such as war, racism, bigotry, and homelessness.

Through his assemblages, Dial incorporated a wide array of found materials, creating layered and textured compositions. His use of objects like bones, rope, and scrap metal added depth and symbolism to his works, reflecting the history and struggles of the rural South.

The tiger motif became a prominent symbol in Dial’s art, representing survival and the struggle for civil rights in the United States. Over time, Dial’s work began to be acknowledged as “first-rate, powerful Art” by critics such as Karen Wilkin of The Wall Street Journal. Dial’s unique artistic vision and his ability to merge materials into captivating and meaningful compositions led to his recognition as a contemporary artist.

Dial’s work can be found in notable collections worldwide, including the Metropolitan Museum of Art, where ten of his works were acquired in 2014. He passed away in 2016, but his legacy lives on, inspiring artists and viewers alike to explore the transformative power of art.

Thornton Dial’s contributions to the art world, his commitment to expressing social issues, and his ability to create captivating compositions from found materials cement his position as a visionary artist ahead of his time.

Source:  https://www.blackpast.org/african-american-history/dial-thornton-1928-2016/

https://en.wikipedia.org/wiki/Thornton_Dial

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By copyright Jerry Siegel – Original publication: Garden & GunImmediate source: http://gardenandgun.com/article/thornton-dial, Fair use, https://en.wikipedia.org/w/index.php?curid=49514861