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Michael Morgan, Music Director and Conductor, Dies at 63

He served three decades with the Oakland Symphony and was a passionate advocate for change

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Michael Morgan leads the Oakland Symphony in a concert curated by W. Kamau Bell; Photo Courtesy of KQED

Michael Morgan was the music director and conductor with the Oakland Symphony. He died August 20, 2021, at an Oakland hospital. He was 63.

During a career that spanned 40 years, Maestro Morgan was one of the rare Black conductors to rise to prominence. He had guest appearances with leading the top orchestras of St. Louis, Los Angeles, Baltimore, New York, and San Francisco. He served as assistant conductor of the Chicago Symphony.

Maestro Morgan became music director of the Oakland East Bay Symphony in 1991. He also served as artistic director of the Oakland Youth Orchestra and was the music director of the Sacramento Philharmonic Orchestra.

He was artistic director of Festival Opera in Walnut Creek for more than 10 seasons. He taught a graduate conducting course at the San Francisco Conservatory of Music. He was music director at the Bear Valley Music Festival in California. He conducted the San Francisco Ballet for several performances. He also conducted the San Francisco Symphony.

Maestro Morgan did much more than bring classical and new music to Paramount theater audiences. He brought music to thousands of underserved children in the Oakland public schools.

 “Michael Morgan was an advocate for change, both within the classical music community and also outside, in his community and beyond”, said Paul Cobb, publisher of the Post Newspaper Group.

Morgan’s “’Let Us Break Bread Together’ concert presented music from the Black Panther era that reflected back on the protest music from the 60’s and 70’s”, Cobb continued.

Morgan was always interested in providing an early education in classical music. “Talk to people of whatever color in any professional orchestra, and ask them where they started, and you’ll find that most of them started, as I did, in a public school somewhere,” he told the San Francisco Chronicle in 1998.

“And if there’s not that possibility, then of course there’s not going to be people at the other end,” he said. “It’s impossible to maintain the respect of an orchestra if they think that the only reason you’re there is that they needed a Black conductor,” Morgan said.

Maestro Morgan started the Symphony’s MUSE program as a multi-component music education and enrichment initiative to serve young people at public schools and community sites throughout Oakland.

These programs were free to participants, ensuring that each year thousands of young people have access to a variety of music education and enrichment activities, regardless of their economic situation.

“The MUSE program is a lifeline in difficult times. It’s not just a token – it’s keeping the music program afloat in Oakland. It’s the tipping point between success and failure”, said Ted Allen, former Instrumental Director, Skyline and Oakland Technical High School.

At the onset of distance learning during the Covid-19 pandemic, all engagement visits and teaching artists adapted their work with students to an on-line format in partnership with OUSD into 2020-21.

MUSE has continued to be there for the community as programs, captivating and exciting students about music, encouraging a lifelong passion for the art of sound.

Over 2,500 students are served through the symphony’s school programs hosted by MUSE. The students work with professional musician mentors from the Symphony as part of the In-School Mentor and After School programs.

Michael created the “NOTES FROM” series, designed to welcome different elements of our community into the symphony family.

The diversity of the Bay Area is well known and was reflected in the concert hall in the NOTES FROM programming.

These programs included NOTES FROM Persia, China, the Philippines, Mexico, NOTES FROM LGBT America, and the African Diaspora.

Michael DeVard Morgan was born in Washington, DC, Sept. 17, 1957.His father, Willie DeVard Morgan, was a biologist. His mother, Mabel Morgan, was a health researcher.

When Michael was 6 years old, his father bought the family a piano. Michael began to play two years later. By the age of 12, he was leading two orchestras, one founded by Michael at MacFarland Junior High School and the other at the People’s Congregational Church.

In his teens, while a student at McKinley High School, he was named conductor of the Washington D.C. Youth Orchestra. He attended the Oberlin Conservatory in Ohio, originally as a composition major.

While at Oberlin, Michael worked with conductors Seiji Ozawa and Leonard Bernstein at the Tanglewood Music Festival in Massachusetts. He accepted the position of apprentice conductor at the Buffalo Philharmonic in 1979.

The Oakland Post’s coverage of local news in Alameda County is supported by the Ethnic Media Sustainability Initiative, a program created by California Black Media and Ethnic Media Services to support community newspapers across California.

Activism

Juneteenth: Celebrating Our History, Honoring Our Shared Spaces

It’s been empowering to watch Juneteenth blossom into a widely celebrated holiday, filled with vibrant outdoor events like cookouts, festivals, parades, and more. It’s inspiring to see the community embrace our history—showing up in droves to celebrate freedom, a freedom delayed for some enslaved Americans more than two years after the Emancipation Proclamation was signed.

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Wayne Wilson, Public Affairs Campaign Manager, Caltrans
Wayne Wilson, Public Affairs Campaign Manager, Caltrans

By Wayne Wilson, Public Affairs Campaign Manager, Caltrans

Juneteenth marks an important moment in our shared history—a time to reflect on the legacy of our ancestors who, even in the face of injustice, chose freedom, unity, and community over fear, anger, and hopelessness. We honor their resilience and the paths they paved so future generations can continue to walk with pride.

It’s been empowering to watch Juneteenth blossom into a widely celebrated holiday, filled with vibrant outdoor events like cookouts, festivals, parades, and more. It’s inspiring to see the community embrace our history—showing up in droves to celebrate freedom, a freedom delayed for some enslaved Americans more than two years after the Emancipation Proclamation was signed.

As we head into the weekend full of festivities and summer celebrations, I want to offer a friendly reminder about who is not invited to the cookout: litter.

At Clean California, we believe the places where we gather—parks, parade routes, street corners, and church lots—should reflect the pride and beauty of the people who fill them. Our mission is to restore and beautify public spaces, transforming areas impacted by trash and neglect into spaces that reflect the strength and spirit of the communities who use them.

Too often, after the music fades and the grills cool, our public spaces are left littered with trash. Just as our ancestors took pride in their communities, we honor their legacy when we clean up after ourselves, teach our children to do the same, and care for our shared spaces.

Small acts can inspire big change. Since 2021, Clean California and its partners have collected and removed over 2.9 million cubic yards of litter. We did this by partnering with local nonprofits and community organizations to organize grassroots cleanup events and beautification projects across California.

Now, we invite all California communities to continue the incredible momentum and take the pledge toward building a cleaner community through our Clean California Community Designation Program. This recognizes cities and neighborhoods committed to long-term cleanliness and civic pride.

This Juneteenth, let’s not only celebrate our history—but also contribute to its legacy. By picking up after ourselves and by leaving no litter behind after celebrations, we have an opportunity to honor our past and shape a cleaner, safer, more vibrant future.

Visit CleanCA.com to learn more about Clean California.

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#NNPA BlackPress

IN MEMORIAM: Legendary Funk Pioneer Sly Stone Dies at 82

Sly Stone’s musical approach radically reshaped popular music. He transcended genre boundaries and empowered a new generation of artists. The band’s socially conscious message and infectious rhythms sparked a wave of influence, reaching artists as diverse as Miles Davis, George Clinton, Prince, Dr. Dre, and the Roots.

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Sly and the Family Stone play the Opera House in Bournemouth. Mojo review. Photo by Simon Fernandez.
Sly and the Family Stone play the Opera House in Bournemouth. Mojo review. Photo by Simon Fernandez.

By Stacy M. Brown
BlackPressUSA.com Newswire

Sylvester “Sly” Stewart—known to the world as Sly Stone, frontman of the groundbreaking band Sly and the Family Stone—has died at the age of 82.

His family confirmed that he passed away peacefully at his Los Angeles home surrounded by loved ones, after battling chronic obstructive pulmonary disease (COPD) and other health complications.

Born March 15, 1943, in Denton, Texas, Stone moved with his family to Vallejo, California, as a child. He began recording gospel music at age 8 with his siblings in a group called the Stewart Four. By his teenage years, he had mastered multiple instruments and was already pioneering racial integration in music—an ethos that would define his career.

In 1966, Sly and his brother Freddie merged their bands to form Sly and the Family Stone, complete with a revolutionary interracial, mixed-gender lineup.

The band quickly became a commercial and cultural force with hits such as “Dance to the Music,” “Everyday People,” and “Thank You (Falettinme Be Mice Elf Agin)”—all penned by Stone himself.

Their album “Stand!” (1969) and live performances—most notably at Woodstock—cemented their reputation, blending soul, funk, rock, gospel, and psychedelia to reflect the optimism and turmoil of their era.

Sly Stone’s musical approach radically reshaped popular music. He transcended genre boundaries and empowered a new generation of artists. The band’s socially conscious message and infectious rhythms sparked a wave of influence, reaching artists as diverse as Miles Davis, George Clinton, Prince, Dr. Dre, and the Roots.

As the 1970s progressed, Stone confronted personal demons. His desire to use music as a response to war, racism, and societal change culminated in the intense album “There’s a Riot Goin’ On” (1971). But drug dependency began to undermine both his health and professional life, leading to erratic behavior and band decline through the early 1980s.

Withdrawn from the public eye for much of the 1990s and early 2000s, Stone staged occasional comebacks. He was inducted into the Rock & Roll Hall of Fame in 1993, received a Lifetime Achievement Award from the Grammys in 2017, and captured public attention following the 2023 release of his memoir “Thank You (Falettinme Be Mice Elf Agin)”—published under Questlove’s imprint. He also completed a biographical screenplay and was featured in Questlove’s documentary “Sly Lives!” earlier this year.

His influence endured across generations. Critics and historians repeatedly credit him with perfecting funk and creating a “progressive soul,” shaping a path for racial integration both onstage and in the broader culture.

“Rest in beats Sly Stone,” legendary Public Enemy frontman Chuck D posted on social media with an illustrative drawing of the artist. “We should thank Questlove of the Roots for keeping his fire blazing in this century.”

Emmy-winning entertainment publicist Danny Deraney also paid homage. “Rest easy Sly Stone,” Deraney posted. “You changed music (and me) forever. The time he won over Ed Sullivan’s audience in 1968. Simply magical. Freelance music publicist and Sirius XM host Eric Alper also offered a tribute.

“The funk pioneer who made the world dance, think, and get higher,” Alper wrote of Sly Stone. “His music changed everything—and it still does.”

Sly Stone is survived by three children.

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Activism

Oak Temple Hill Hosts Interfaith Leaders from Across the Bay Area

Distinguished faith leaders Rev. Ken Chambers, executive director the Interfaith Council of Alameda County (ICAC); Michael Pappas, executive director of the San Francisco Interfaith Council; and Dr. Ejaz Naqzi, president of the Contra Costa County Interfaith Council addressed the group on key issues including homelessness, food insecurity, immigration, and meaningful opportunities to care for individuals and communities in need. 

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Troy McCombs (from the state of Washington), Elder Mark Mortensen (from Irvine, CA), Michael Pappas, Rev. Ken Chambers, Dr. Ejaz Naqvi, Elder Sigfried Nauman (from the state of Washington), and Richard Kopf. Courtesy photo.
Troy McCombs (from the state of Washington), Elder Mark Mortensen (from Irvine, CA), Michael Pappas, Rev. Ken Chambers, Dr. Ejaz Naqvi, Elder Sigfried Nauman (from the state of Washington), and Richard Kopf. Courtesy photo.

Special to the Post

Interfaith leaders from the Bay Area participated in a panel discussion at the annual meeting of communication leaders from The Church of Jesus Christ of Latter-day Saints held on Temple Hill in Oakland on May 31. Distinguished faith leaders Rev. Ken Chambers, executive director the Interfaith Council of Alameda County (ICAC); Michael Pappas, executive director of the San Francisco Interfaith Council; and Dr. Ejaz Naqzi, president of the Contra Costa County Interfaith Council addressed the group on key issues including homelessness, food insecurity, immigration, and meaningful opportunities to care for individuals and communities in need.

Chambers, said he is thankful for the leadership and support of the Church of Jesus Christ Latter-Day Saints’ global ministry, which recently worked with the interfaith congregations of ICAC to help Yasjmine Oeveraas a homeless Norwegian mother and her family find shelter and access to government services.

Oeveraas told the story of how she was assisted by ICAC to the Oakland Post. “I’m a Norwegian citizen who escaped an abusive marriage with nowhere to go. We’ve been homeless in Florida since January 2024. Recently, we came to California for my son’s passport, but my plan to drive for Uber fell through, leaving us homeless again. Through 2-1-1, I was connected to Rev. Ken Chambers, pastor of the West Side Missionary Baptist Church and president of the Interfaith Council of Alameda County, and his car park program, which changed our lives. We spent about a week-and-a-half living in our car before being blessed with a trailer. After four years of uncertainty and 18 months of homelessness, this program has given us stability and hope again.

“Now, both my son and I have the opportunity to continue our education. I’m pursuing cyber analytics, something I couldn’t do while living in the car. My son can also complete his education, which is a huge relief. This program has given us the space to focus and regain our dignity. I am working harder than ever to reach my goals and give back to others in need.”

Richard Kopf, communication director for The Church of Jesus Christ in the Bay Area stated: “As followers of Jesus Christ, we embrace interfaith cooperation and are united in our efforts to show God’s love for all of his children.”

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