It was August 16, 1857. David Drake (c. 1800– c. 1870s), an enslaved African American, had just completed a 19-inch greenware pot. On it he inscribed: “I wonder where is all my relations / Friendship to all and every nation.”
According to some collectors and scholars, this message demonstrates “Drake questioning his heritage and personal history … signifies [his] positivity despite facing the many brutalities of slavery, including the loss of personal identity.” Further, by etching what is clearly a personal expression, Drake defied a South Carolina law forbidding Blacks to read and write.
South Carolina’s Negro Act of 1740, prohibited educating enslaved Africans, punishable by a fine of 100 pounds and six months in prison. Most Southern states in the early 1800s restricted Black literacy.
Drake’s date of birth is unclear. It is said that it was during the first half of 1800. The first legal record of him (June 13, 1818) describes “a boy about 17 years old country born … mortgaged to Eldrid Simkins by Harvey Drake.”
The (Harvey) Drake family owned a plantation in Edgefield, S.C. The term “country born” refers to enslaved Blacks born in the United States rather than Africa. David Drake lived and worked in Edgefield’s pottery factories for almost all his life.
David Drake was first enslaved by Harvey Drake, who alongside Abner Landrum, owned a large pottery business. Known to be a religious man, Landrum was the publisher of a local newspaper, The Edgefield Hive. Scholars speculate that he taught Drake to read the Bible, even if doing so was a punishable offense.
After Harvey Drake’s death, David Drake was enslaved by Landrum. In 1846, Landrum passed away. Drake was then purchased and enslaved by Landrum’s son Franklin, who was abusive. While owned by Franklin, Drake never inscribed his works. But Drake’s life, his works, blossomed in 1849, when he was sold to Lewis Miles.
Miles owned the pottery factory, Stony Bluff. There Drake created his best works once again inscribed with poetry. The number of pieces produced increased from one every few years to seven in 1859. Having produced alkaline-glazed stoneware jugs between the 1820s and the 1870s, Drake is recognized as the first enslaved potter to inscribe his work. He became a free man when the Civil War closed (1865).
According to Drake scholar Jill Beute Koverman, Drake created “more than 40,000 pieces over his lifetime.”
When Drake was alive, his pots sold for around 50 cents. Today they fetch as much as $50,000 and have auctioned for as much as $369,000. A butter churn with the inscription “This is a noble churn / fill it up it will never turn,” sold for $130,000.
Various collections including his work can be viewed at museums including the Smithsonian collection of the National Museum of American History in Wash., D.C.
It is thought that Drake died in the 1870s because according to scholars, “he is not found in the 1880 census.”

While a lot of establishments such as restaurants, movies, amusement parks and places where people gather were closed for the past 18 months because of COVID-19, one of the few places people were able to enjoy themselves was at parks.

The New York based non-profit Photoville wanted to highlight this. With a partnership with the San Francisco Presidio Trust, Photoville presented the My Park Moment photo show, which celebrates people loving parks.  

The photo show features pictures of people at parks throughout the United States. The exhibit at the Presidio is spread out over 14 acres of new parkland with trails over tunnel tops creating scenic overlooks and picnic sites in a dramatic display of public art. It will be up from now until August of 2022.

“This exhibit is a celebration of community,” said Michael Boland, chief Park Development and Visitor Engagement officer at Presidio Trust. “It shows how we as Americans can enjoy open spaces. How people can have fun, get fit, fall in love and do a lot of things outside at parks.”

There were 7,000 photo submissions from professional photographers to people with cell phones, of which 400 were selected for the exhibit. The photos were picked by a committee of artists, photographers, and cultural critics from throughout the Bay Area. 

Outside of the 400 pictures used in the show, four photographers who submitted multiple works were given stipends and highlighted for their work as Visual Story Award winners.

One of the Visual Story Award winners was Sheilby Macena, an Oakland photographer, who has 12 pictures in the My Park Moment exhibit. Her work focuses on the citizens of Oakland and specifically, the merchants at Lake Merritt during the pandemic.

“My work comes from the exhibit Black Joy at Lake Merritt, which shows Black people at the Lake, during the pandemic, particularly along sellers’ row,” said Macena.

Sellers Row was a group of 20 to 50 vendors who set up along Grand Avenue and Lake Shore Drive in Oakland by Lake Merritt. This scene would often conflict with many of the new residents in the area.

“My pictures showed Black life and it was a great way to document folks. It was a fun time, but you knew it wasn’t going to last,” continued Macena.

It didn’t. Nearby residents complained and media attention was brought to the Lake. Today, vendors at the Lake are required to have permits and there is a heavier police presence then what was taking place during the pandemic.

“The pandemic was hard on people and parks,” continued Boland. “Parks for some were the only outlet for people.”

Marissa Leshnov also had her work featured in the Presidio exhibit one Visual Story Award winners. Her work profiled the Oakland OMies, which showed a group of Black women practicing restorative yoga in the Presidio.

“These women came together as Black women, supporting each other and promoting wellness,” said Leshnov. “It’s important that people see themselves reflected in the art and I hope this brings people out to the Presidio to see the exhibit.”

The San Francisco Post’s coverage of local news in San Francisco County is supported by the Ethnic Media Sustainability Initiative, a program created by California Black Media and Ethnic Media Services to support community newspapers across California.

Performing Stars and Play Marin are presenting “Soulful Saturday,” an event on Sept. 4, 11 a.m. to 5 p.m., where the public can meet and greet visiting car and motorcycle clubs.

The event will take place at the 100 block of Drake Avenue in Marin City, featuring The FoFifteen Car Club and the Marin Muscle Car Club.

Soulful Saturday is a part of the Marin City Historical & Preservation Society launching the 80-year celebration of Marin City 1942-2022.

Food, crafts, fresh produce, Oldies but Goodies music, children’s activities, cards games, chess and checkers will be available.

Marin County Covid19 Safety Rules will be in place. A mobile van will be available to provide Covid19 testing and vaccinations.

Community partners will include the Marin County Sheriff, Marin County Fire Department, Marin Housing Authority, Marin Health & Human Services, and St. Andrew Presbyterian Church.

For more information, contact (415) 332-8316 or (415) 944-7141.

The Marin Post’s coverage of local news in Marin County is supported by the Ethnic Media Sustainability Initiative, a program created by California Black Media and Ethnic Media Services to support community newspapers across California.